Rossetti Archive Textual Transcription

Document Title: Poems (1870): Mixed Proofs 1869-1870, 1881, Princeton/Troxell Copy
Author: Dante Gabriel Rossetti
Date of publication: 1869 November - 1870 March
Publisher: F. S. Ellis
Printer: Strangeways and Walden

The full Rossetti Archive record for this transcribed document is available.

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Printer's Direction: higher on the page
Editorial Description: DGR's note to the printer, very faintly written near the top of this page, specifies a new placement of the dedication.
Printer's Direction: Put closer
Editorial Description: DGR's note to the printer, very faintly written within the dedication on the left, uses brackets in order to specify a change in spacing, deleting the unwanted line spaces around “These Poems” .
Printer's Direction: roman [?]
Editorial Description: DGR's note to the printer very faintly written in the right margin, requests a change in the typeface used to present “These Poems” .
  • TO
  • WILLIAM MICHAEL ROSSETTI.
  • These Poems,
  • TO SO MANY OF WHICH, SO MANY YEARS BACK,
  • HE GAVE THE FIRST BROTHERLY HEARING,
  • ARE NOW AT LAST DEDICATED.
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[Many poems in this volume were written between

1847 and 1853. Others are of recent date, and a few belong

to the intervening period. It has been thought unnecessary

to specify the earlier work, as nothing is included which the

author does not believe to be matured to the measure of

his powers
believes to be immature.]
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Printer's Direction: I must see revise of this
Editorial Description: DGR's note to the printer
Note: This is a proof page from the 1881 New Edition of DGR's Poems.
  • TO
  • WILLIAM MICHAEL ROSSETTI,
  • THESE POEMS,
  • TO SO MANY OF WHICH, SO MANY YEARS BACK,
  • HE GAVE THE FIRST BROTHERLY HEARING,
  • ARE NOW AT LAST DEDICATED.
  • 1870-1881.
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Sig. B1
POEMS.

THE BLESSED DAMOZEL.
  • The blessed damozel leaned out
  • From the gold bar of Heaven;
  • Her eyes were deeper than the depth
  • Of waters stilled at even;
  • She had three lilies in her hand,
  • And the stars in her hair were seven.
  • Her robe, ungirt from clasp to hem,
  • No wrought flowers did adorn,
  • But a white rose of Mary's gift,
  • 10 For a service meetly worn;
  • Her hair that lay along her back
  • Was yellow like ripe corn.
  • Herseemed she scarce had been a day
  • One of God's choristers;
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  • The wonder was not yet quite gone
  • From that still look of hers;
  • Albeit, to them she left, her day
  • Had counted as ten years.
  • (To one, it is ten years of years.
  • 20 . . . Yet now, and in this place,
  • Surely she leaned o'er me—her hair
  • Fell all about my face. . . .
  • Nothing: the autumn fall of leaves.
  • The whole year sets apace.)
  • It was the rampart of God's house
  • That she was standing on;
  • By God built over the sheer depth
  • The which is Space begun;
  • So high, that looking downward thence
  • 30 She scarce could see the sun.
  • It lies in Heaven, across the flood
  • Of ether, as a bridge.
  • Beneath, the tides of day and night
  • With flame and darkness ridge
  • The void, as low as where this earth
  • Spins like a fretful midge.
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  • Heard hardly, some of her new friends
  • Amid their loving games
  • Spake evermore among themselves
  • 40 Their virginal chaste names;
  • And the souls mounting up to God
  • Went by her like thin flames.
  • And still she bowed herself and stooped
  • Out of the circling charm;
  • Until her bosom must have made
  • The bar she leaned on warm,
  • And the lilies lay as if asleep
  • Along her bended arm.
  • From the fixed place of Heaven she saw
  • 50 Time like a pulse shake fierce
  • Through all the worlds. Her gaze still strove
  • Within the gulf to pierce
  • Its path; and now she spoke as when
  • The stars sang in their spheres.
  • The sun was gone now; the curled moon
  • Was like a little feather
  • Fluttering far down the gulf; and now
  • She spoke through the still weather.
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  • Her voice was like the voice the stars
  • 60 Had when they sang together.
  • (Ah sweet! Even now, in that bird's song,
  • Strove not her accents there,
  • Fain to be hearkened? When those bells
  • Possessed the mid-day air,
  • Strove not her steps to reach my side
  • Down all the echoing stair?)
  • ‘I wish that he were come to me,
  • For he will come,’ she said.
  • ‘Have I not prayed in Heaven?—on earth,
  • 70 Lord, Lord, has he not pray'd?
  • Are not two prayers a perfect strength?
  • And shall I feel afraid?
  • ‘When round his head the aureole clings,
  • And he is clothed in white,
  • I'll take his hand and go with him
  • To the deep wells of light;
  • We will step down as to a stream,
  • And bathe there in God's sight.
  • ‘We two will stand beside that shrine,
  • 80 Occult, withheld, untrod,
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    Editorial Description: Three Xs have been added between stanzas 15 and 16. There are also marks with unknown printing significance at the beginning and end of stanza 16, in line 99 before the word "But", and at the end of line 102.
  • Whose lamps are stirred continually
  • With prayer sent up to God;
  • And see our old prayers, granted, melt
  • Each like a little cloud.
  • ‘We two will lie i'the shadow of
  • That living mystic tree
  • Within whose secret growth the Dove
  • Is sometimes felt to be,
  • While every leaf that His plumes touch
  • 90 Saith His Name audibly.
  • ‘And I myself will teach to him,
  • I myself, lying so,
  • The songs I sing here; which his voice
  • Shall pause in, hushed and slow,
  • And find some knowledge at each pause,
  • Or some new thing to know.’
  • (Alas! We two, we two, thou say'st!
  • Yea, one wast thou with me
  • That once of old. But shall God lift
  • 100 To endless unity
  • The soul whose likeness with thy soul
  • Was but its love for thee?)
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  • ‘We two,’ she said, ‘will seek the groves
  • Where the lady Mary is,
  • With her five handmaidens, whose names
  • Are five sweet symphonies,
  • Cecily, Gertrude, Magdalen,
  • Margaret and Rosalys.
  • ‘Circlewise sit they, with bound locks
  • 110 And foreheads garlanded;
  • Into the fine cloth white like flame
  • Weaving the golden thread,
  • To fashion the birth-robes for them
  • Who are just born, being dead.
  • ‘He shall fear, haply, and be dumb:
  • Then will I lay my cheek
  • To his, and tell about our love,
  • Not once abashed or weak:
  • And the dear Mother will approve
  • 120 My pride, and let me speak.
  • ‘Herself shall bring us, hand in hand,
  • To Him round whom all souls
  • Kneel, the clear-ranged unnumbered heads
  • Bowed with their aureoles:
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  • And angels meeting us shall sing
  • To their citherns and citoles.
  • ‘There will I ask of Christ the Lord
  • Thus much for him and me:—
  • Only to live as once on earth
  • 130 With Love,—only to be,
  • As then awhile, for ever now
  • Together, I and he.’
  • She gazed and listened and then said,
  • Less sad of speech than mild,—
  • ‘All this is when he comes.’ She ceased.
  • The light thrilled towards her, fill'd
  • With angels in strong level flight.
  • Her eyes prayed, and she smil'd.
  • (I saw her smile.) But soon their path
  • 140 Was vague in distant spheres:
  • And then she cast her arms along
  • The golden barriers,
  • And laid her face between her hands,
  • And wept. (I heard her tears.)
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LOVE'S NOCTURN.
  • Master of the murmuring courts
  • Where the shapes of sleep convene!—
  • Lo! my spirit here exhorts
  • All the powers of thy demesne
  • For their aid to woo my queen.
  • What reports
  • Yield thy jealous courts unseen?
  • Vaporous, unaccountable,
  • Dreamland lies forlorn of light,
  • 10Hollow like a breathing shell.
  • Ah! that from all dreams I might
  • Choose one dream and guide its flight!
  • I know well
  • What her sleep should tell to-night.
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  • There the dreams are multitudes:
  • Some whose buoyance waits not sleep,
  • Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • 20 Interludes,
  • Some, of grievous moods that weep.
  • Poets' fancies all are there:
  • There the elf-girls flood with wings
  • Valleys full of plaintive air;
  • There breathe perfumes; there in rings
  • Whirl the foam-bewildered springs;
  • Siren there
  • Winds her dizzy hair and sings.
  • Thence the one dream mutually
  • 30 Dreamed in bridal unison,
  • Less than waking ecstasy;
  • Half-formed visions that make moan
  • In the house of birth alone;
  • And what we
  • At death's wicket see, unknown.
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  • But for mine own sleep, it lies
  • In one gracious form's control,
  • Fair with honorable eyes,
  • Lamps of an auspicious soul:
  • 40 O their glance is loftiest dole,
  • Sweet and wise,
  • Wherein Love descries his goal.
  • Reft of her, my dreams are all
  • Clammy trance that fears the sky:
  • Changing footpaths shift and fall;
  • From polluted coverts nigh,
  • Miserable phantoms sigh;
  • Quakes the pall,
  • And the funeral goes by.
  • 50Master, is it soothly said
  • That, as echoes of man's speech
  • Far in secret clefts are made,
  • So do all men's bodies reach
  • Shadows o'er thy sunken beach,—
  • Shape or shade
  • In those halls pourtrayed of each?
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DANTIS TENEBRÆ.

( In Memory of my Father.)
  • And did'st thou know indeed, when at the font
  • Together with thy name thou gav'st me his,
  • That also on thy son must Beatrice
  • Decline her eyes according to her wont,
  • Accepting me to be of those that haunt
  • The vale of magical sweet dark mysteries
  • Where to the hills her poet's foot-track lies
  • And wisdom's living fountain to his chaunt
  • Trembles in music? This is that steep land
  • 10 Where he that holds his journey stands at gaze
  • Tow'rd sunset, when the clouds like a new height
  • Seem piled to climb. These things I understand:
  • For here, where day still soothes my lifted face,
  • On thy bowed head, my father, fell the night.
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Note: There is an indecipherable note very lightly written at the top of the page, concluding with the number "244". Also, the words "For a Drawing" have been added beneath the title.
SAINT LUKE THE PAINTER.

( For a Drawing.)
  • Give honour unto Luke Evangelist;
  • For he it was (the aged legends say)
  • Who first taught Art to fold her hands and pray.
  • Scarcely at once she dared to rend the mist
  • Of devious symbols: but soon having wist
  • How sky-breadth and field-silence and this day
  • Are symbols also in some deeper way,
  • She looked through these to God and was God's priest.
  • And if, past noon, her toil began to irk,
  • 10And she sought talismans, and turned in vain
  • To soulless self-reflections of man's skill,—
  • Yet now, in this the twilight, she might still
  • Kneel in the latter grass to pray again,
  • Ere the night cometh and she may not work.
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DANTIS TENEBRÆ.

( In Memory of my Father.)
  • And did'st thou know indeed, when at the font
  • Together with thy name thou gav'st me his.
  • That also on thy son must Beatrice
  • Decline her eyes according to her wont,
  • Accepting me to be of those that haunt
  • The vale of magical sweet mysteries
  • Where to the hills her poet's foot-track lies
  • And wisdom's living fountain to his chaunt
  • Trembles in music? This is that steep land
  • 10 Where he that holds his journey stands at gaze
  • Tow'rd sunset, when the clouds like a new height
  • Seem piled to climb. These things I understand:
  • For here, where day still soothes my lifted face,
  • On thy bowed head, my father, fell the night.
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SAINT LUKE THE PAINTER.
  • Give honour unto Luke Evangelist;
  • For he it was (the aged legends say)
  • Who first taught Art to fold her hands and pray.
  • Scarcely at once she dared to rend the mist
  • Of devious symbols: but soon having wist
  • How sky-breadth and field-silence and this day
  • Are symbols also in some deeper way,
  • She looked through these to God and was God's priest.
  • And if, past noon, her toil began to irk,
  • 10And she sought talismans, and turned in vain
  • To soulless self-reflections of man's skill,—
  • Yet now, in this the twilight, she might still
  • Kneel in the latter grass to pray again,
  • Ere the night cometh and she may not work.
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Note: This is a page with WMR's textual notes.
Next come several

Leaves from the Poems

as published, & a few

from the Ballads and Sonnets.
Arranged according to the

pagination, as far as

manageable.
Each leaf has some

correction by DGR.
W. M. Rossetti
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Printer's Direction: lower down
Editorial Description: Directions to the printer to realign the title.
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Editorial Description: Directions to the printer to realign the publisher's imprint at the bottom of the page.
Printer's Direction: [clean ?]
Editorial Description: Possibly directions to the printer to delete the ornament in the center of the page.
POEMS



Dante Gabriel Rossetti.

London:

F. S. Ellis, 33 King Street, Covent Garden.

1870.

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  • London:
  • Strangeways and Walden, Printers,
  • Castle St. Leicester Sq.
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Note: DGR's design for an ornament for this title page is uniquely present on this page.
POEMS





BY

Dante Gabriel Rossetti.

London: F. S. Ellis, 33 King Street, Covent Garden.

1870.

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  • London:
  • Strangeways and Walden, Printers,
  • Castle St. Leicester Sq.
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Note: This is page 23 of the First Edition Proof.
Printer's Direction: Make the setting right
Editorial Description: DGR's note to the printer regarding the left margin text alignment.
  • As though the shaft the string forsook,
  • The cymbals clashed, the chariots shook,
  • And there was life in Nineveh?
  • On London stones our sun anew
  • The beast's recovered shadow threw.
  • (No shade that plague of darkness knew,
  • No light, no shade, while older grew
  • By ages the old earth and sea.)
  • Lo thou! could all thy priests have shown
  • 10Such proof to make thy godhead known?
  • From their dead Past thou liv'st alone;
  • And still thy shadow is thine own
  • Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • 20From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • Sardanapalus' Nineveh.
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  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid: . . . .
  • 30Ay, and who else? . . . . till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • Not to thy strength—in Nineveh.*
  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • 40Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • ‘Rome,—Babylon and Nineveh.’
Transcribed Footnote (page 24):

*During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls. ( Layard's ‘Nineveh,’ ch ix.)

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  • Deemed they of this, those worshippers,
  • When, in some mythic chain of verse
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • 50Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • Should house with him, from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • 60All strange to thine awakened eye?
  • Ah! what is here can testify
  • (Save that dumb presence of the sky)
  • Unto thy day and Nineveh?
  • Why, of those mummies in the room
  • Above, there might indeed have come
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    Printer's Direction: Setting
    Editorial Description: DGR's note to the printer regarding the left margin text alignment.
  • One out of Egypt to thy home,
  • An alien. Nay, but were not some
  • Of these thine own ‘antiquity?’
  • And now,—they and their gods and thou
  • 70All relics here together,—now
  • Whose profit? whether bull or cow,
  • Isis or Ibis, who or how,
  • Whether of Thebes or Nineveh?
  • The consecrated metals found,
  • And ivory tablets, underground,
  • Winged teraphim and creatures crown'd,
  • When air and daylight filled the mound,
  • Fell into dust immediately.
  • And even as these, the images
  • 80Of awe and worship,—even as these,—
  • So, smitten with the sun's increase,
  • Her glory mouldered and did cease
  • From immemorial Nineveh.
  • The day her builders made their halt,
  • Those cities of the lake of salt
  • Stood firmly 'stablished without fault,
  • Made proud with pillars of basalt,
  • With sardonyx and porphyry.
Note: Pages 27-40 not in this proof.
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Editorial Description: DGR's note to the printer
Printer's Direction: Carry this line to next page
Editorial Description: DGR's note to the printer for line 15 of the text
Manuscript Addition: 320
Editorial Description: Penciled number at the bottom of the page.
AVE.
  • Mother of the Fair Delight,
  • Thou handmaid perfect in God's sight,
  • Now sitting fourth beside the Three,
  • Thyself a woman-Trinity,—
  • Being a daughter borne to God,
  • Mother of Christ from stall to rood,
  • And wife unto the Holy Ghost:—
  • Oh when our need is uttermost,
  • Think that to such as death may strike
  • 10Thou once wert sister sisterlike!
  • Thou headstone of humanity,
  • Groundstone of the great Mystery,
  • Fashioned like us, yet more than we!
  • Mind'st thou not (when June's heavy breath
  • Warmed the long days in Nazareth,)
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  • That eve thou didst go forth to give
  • Thy flowers some drink that they might live
  • One faint night more amid the sands?
  • Far off the trees were as pale wands
  • 20Against the fervid sky: the sea
  • Sighed further off eternally
  • As human sorrow sighs in sleep.
  • Then suddenly the awe grew deep,
  • As of a day to which all days
  • Were footsteps in God's secret ways:
  • Until a folding sense, like prayer,
  • Which is, as God is, everywhere,
  • Gathered about thee; and a voice
  • Spake to thee without any noise,
  • 30Being of the silence:—‘Hail,’ it said,
  • ‘Thou that art highly favourèd;
  • The Lord is with thee here and now;
  • Blessed among all women thou.’
  • Ah! knew'st thou of the end, when first
  • That Babe was on thy bosom nurs'd?—
  • Or when He tottered round thy knee
  • Did thy great sorrow dawn on thee?—
  • And through His boyhood, year by year
Note: Pages 43-66 not in this proof.
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  • A stumbling clatter as of horse hemmed round.
  • Then, when she saw me hurry out of doors,
  • My gun slung at my shoulder and my knife
  • Stuck in my girdle, she smoothed down my hair
  • And laughed to see me look so brave, and leaped
  • Up to my neck and kissed me. She was still
  • A child; and yet that kiss was on my lips
  • So hot all day where the smoke shut us in.
  • For now, being always with her, the first love
  • 10I had—the father's, brother's love—was changed,
  • I think, in somewise; like a holy thought
  • Which is a prayer before one knows of it.
  • The first time I perceived this, I remember,
  • Was once when after hunting I came home
  • Weary, and she brought food and fruit for me,
  • And sat down at my feet upon the floor
  • Leaning against my side. But when I felt
  • Her sweet head reach from that low seat of hers
  • So high as to be laid upon my heart,
  • 20I turned and looked upon my darling there
  • And marked for the first time how tall she was
  • And my heart beat with so much violence
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  • Under her cheek, I thought she could not choose
  • But wonder at it soon and ask me why;
  • And so I bade her rise and eat with me.
  • And when, remembering all and counting back
  • The time, I made out fourteen years for her
  • And told her so, she gazed at me with eyes
  • As of the sky and sea on a grey day,
  • 30And drew her long hands through her hair, and asked me
  • If she was not a woman; and then laughed:
  • And as she stooped in laughing, I could see
  • Beneath the growing throat the breasts half globed
  • Like folded lilies deepset in the stream.
  • Yes, let me think of her as then; for so
  • Her image, Father, is not like the sights
  • Which come when you are gone. She had a mouth
  • Made to bring death to life,—the underlip
  • Sucked in, as if it strove to kiss itself.
  • 40Her face was ever pale, as when one stoops
  • Over wan water; and the dark crisped hair
  • And the hair's shadow made it paler still:—
  • Deep-serried locks, the darkness of the cloud
  • Where the moon's gaze is set in eddying gloom.
Note: Pages 69-82 not in this proof.
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  • For look you, when she stirs her hand, it shows
  • The little hilt of horn and pearl,—even such
  • A dagger as our women of the coast
  • Twist in their garters.
  • Father, I have done:
  • And from her side now she unwinds the thick
  • 50Dark hair; all round her side it is wet through,
  • But like the sand at Iglio does not change.
  • Now you may see the dagger clearly. Father,
  • I have told all: tell me at once what hope
  • Can reach me still. For now she draws it out
  • Slowly, and only smiles as yet: look, Father,
  • She scarcely smiles: but I shall hear her laugh
  • Soon, when she shows the crimson blade to God.
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Printer's Direction: Before this put / Dante at Verona / page 108
Editorial Description: DGR's note to the printer
Note: A comma and an em dash have been omitted and replaced my a semi-colon in line 9.
JENNY.

‘Vengeance of Jenny's case! Fie on her! Never name her,

child!’—(Mrs. Quickly.)

  • Lazy laughing languid Jenny,
  • Fond of a kiss and fond of a guinea,
  • Whose head upon my knee to-night
  • Rests for a while, as if grown light
  • With all our dances and the sound
  • To which the wild tunes spun you round:
  • Fair Jenny mine, the thoughtless queen
  • Of kisses which the blush between
  • Could hardly make much daintier ,— ;
  • 10Whose eyes are as blue skies, whose hair
  • Is countless gold incomparable:
  • Fresh flower, scarce touched with signs that tell
  • Of Love's exuberant hotbed:—Nay,
  • Poor flower left torn since yesterday
  • Until to-morrow leave you bare;
  • Poor handful of bright spring-water
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    Note: The em dash in line 17 has been deleted and replaced by a semi-colon.
  • Flung in the whirlpool's shrieking face ;
  • Poor shameful Jenny, full of grace
  • Thus with your head upon my knee;—
  • 20Whose person or whose purse may be
  • The lodestar of your reverie?
  • This room of yours, my Jenny, looks
  • A change from mine so full of books,
  • Whose serried ranks hold fast, forsooth,
  • So many captive hours of youth,—
  • The hours they thieve from day and night
  • To make one's cherished work come right,
  • And leave it wrong for all their theft,
  • Even as to-night my work was left:
  • 30Until I vowed that since my brain
  • And eyes of dancing seemed so fain,
  • My feet should have some dancing too:—
  • And thus it was I met with you.
  • Well, I suppose 'twas hard to part,
  • For here I am. And now, sweetheart,
  • You seem too tired to get to bed.
  • It was a careless life I led
  • When rooms like this were scarce so strange
    Image of page 86 page: 86
  • Not long ago. What breeds the change,—
  • 40The many aims or the few years?
  • Because to-night it all appears
  • Something I do not know again.
  • The cloud's not danced out of my brain,—
  • The cloud that made it turn and swim
  • While hour by hour the books grew dim.
  • Why, Jenny, as I watch you there,—
  • For all your wealth of loosened hair,
  • Your silk ungirdled and unlac'd
  • And warm sweets open to the waist,
  • 50All golden in the lamplight's gleam,—
  • You know not what a book you seem,
  • Half-read by lightning in a dream!
  • How should you know, my Jenny? Nay,
  • And I should be ashamed to say:—
  • Poor beauty, so well worth a kiss!
  • But while my thought runs on like this
  • With wasteful whims more than enough,
  • I wonder what you're thinking of.
  • If of myself you think at all,
  • 60What is the thought?—conjectural
  • Note: Pages 87-100 not in this proof.
    Image of page 101 page: 101
  • Though all the memory's long outworn
  • Of many a double-pillowed morn.
  • I think I see you when you wake,
  • And rub your eyes for me, and shake
  • My gold, in rising, from your hair,
  • A Danaë for a moment there.
  • Jenny, my love rang true! for still
  • Love at first sight is vague, until
  • That tinkling makes him audible.
  • 70 And must I mock you to the last,
  • Ashamed of my own shame,—aghast
  • Because some thoughts not born amiss
  • Rose at a poor fair face like this?
  • Well, of such thoughts so much I know:
  • In my life, as in hers, they show,
  • By a far gleam which I may near,
  • A dark path I can strive to clear.
  • Only one kiss. Goodbye, my dear.
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THE PORTRAIT.
  • This is her picture as she was:
  • It seems a thing to wonder on,
  • As though mine image in the glass
  • Should tarry when myself am gone.
  • I gaze until she seems to stir,—
  • Until mine eyes almost aver
  • That now, even now, the sweet lips part
  • To breathe the words of the sweet heart:—
  • And yet the earth is over her.
  • 10Alas! even such the thin-drawn ray
  • That makes the prison-depths more rude,—
  • The drip of water night and day
  • Giving a tongue to solitude.
  • Yet this, of all love's perfect prize,
  • Remains; save what , in mournful guise ,
Note: Pages 103-106 not in this proof.
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  • Even than the old gaze tenderer:
  • While hopes and aims long lost with her
  • Stand round her image side by side,
  • Like tombs of pilgrims that have died
  • 20About the Holy Sepulchre.
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Printer's Direction: Put this before / Jenny page 84
Editorial Description: DGR's note to the printer
DANTE AT VERONA
  • ‘Yea, thou shalt learn how salt his food who fares
  • Upon another's bread,—how steep his path
  • Who treadeth up and down another's stairs.’
(Div. Com. Parad. xvii.)
  • ‘Behold, even I, even I am Beatrice.’
(Div. Com. Purg. xxx.)
  • Of Florence and of Beatrice
  • Servant and singer from of old,
  • O'er Dante's heart in youth had toll'd
  • The knell that gave his Lady peace;
  • And now in manhood flew the dart
  • Wherewith his City pierced his heart.
  • Yet if his Lady's home above
  • Was Heaven, on earth she filled his soul;
  • And if his City held control
  • 10To cast the body forth to rove,
  • The soul could soar from earth's vain throng,
  • And Heaven and Hell fulfil the song.
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Printer's Direction: 84
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Sig. I
  • But at this court, peace still must wrench
  • Her chaplet from the teeth of war:
  • By day they held high watch afar,
  • At night they cried across the trench;
  • And still, in Dante's path, the fierce
  • Gaunt soldiers wrangled o'er their spears.
  • But vain seemed all the strength to him,
  • 20 As golden convoys sunk at sea
  • Whose wealth might root out penury:
  • Because it was not, limb with limb,
  • Knit like his heart-strings round the wall
  • Of Florence, that her face ill pride might fall.
  • Yet in the tiltyard, when the dust
  • Cleared from the sundered press of knights
  • Ere yet again it swoops and smites,
  • He almost deemed his longing must
  • Find force to wield that multitude
  • 30 And hurl that strength the way he would.
  • How should he move them,—fame and gain
  • On all hands calling them at strife?
  • He still might find but his one life
    Image of page 114 page: 114
  • To give, by Florence counted vain;
  • One heart the false hearts made her doubt;
  • One voice she heard once and cast out.
  • Oh! if his Florence could but come,
  • A lily-sceptered damsel fair,
  • As her own Giotto painted her
  • 40On many shields and gates at home,—
  • A lady crowned, at a soft pace
  • Riding the lists round to the dais
  • Till where Can Grande rules the lists,
  • As young as Truth, as calm as Force,
  • She draws her rein now, while her horse
  • Bows at the turn of the white wrists;
  • And when each knight within his stall
  • Gives ear, she speaks and tells them all
  • All the foul tale,—truth sworn untrue
  • 50 And falsehood's triumph. All the tale?
  • Great God! and must she not prevail
  • To fire them ere they heard it through,—
  • And hand achieve ere heart could rest
  • That high adventure of her quest?
Note: Pages 115-118 not in this proof.
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Printer's Direction: 95
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  • To mark his ‘Viva Cane!’ scare
  • The foe's shut front, till it would reel
  • All blind with shaken points of steel.
  • But there were places—held too sweet
  • For eyes that had not the due veil
  • 60 Of lashes and clear lids—as well
  • In favour as his saddle-seat:
  • Breath of low speech he scorned not there
  • Nor light cool fingers in his hair.
  • Yet if the child whom the sire's plan
  • Made free of a deep treasure-chest
  • Scoffed it with ill-conditioned jest,—
  • We may be sure too that the man
  • Was not mere thews, nor all content
  • With lewdness swathed in sentiment.
  • 70So you may read and marvel not
  • That such a man as Dante—one
  • Who, while Can Grande's deeds were done,
  • Had drawn his robe round him and thought—
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    Printer's Direction: Divide
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  • Now at the same guest-table far'd
  • Where keen Uguccio wiped his beard.*
  • Through leaves and trellis-work the sun
  • Left the wine cool within the glass,—
  • They feasting where no sun could pass:
  • And when the women, all as one,
  • 80 Rose up with brightened cheeks to go,
  • It was a comely thing, we know.
  • But Dante recked not of the wine;
  • Whether the women stayed or went,
  • His visage held one stern intent:
  • And when the music had its sign
  • To breathe upon them for more ease,
  • Sometimes he turned and bade it cease.
  • And as he spared not to rebuke
  • The mirth, so oft in council he
  • 90 To bitter truth bore testimony:
  • And when the crafty balance shook
  • Well poised to make the wrong prevail,
  • Then Dante's hand would turn the scale.
Transcribed Footnote (page 120):

* Uguccione della Faggiuola, Dante's former protector, was now his fellow-guest at Verona.

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Printer's Direction: H
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  • And if some envoy from afar
  • Sailed to Verona's sovereign port
  • For aid or peace, and all the court
  • Fawned on its lord, ‘the Mars of war,
  • Sole arbiter of life and death,’—
  • Be sure that Dante saved his breath.
  • 100And Can La Scala marked askance
  • These things, accepting them for shame
  • And scorn, till Dante's guestship came
  • To be a peevish sufferance:
  • His host sought ways to make his days
  • Hateful; and such have many ways.
  • There was a Jester, a foul lout
  • Whom the court loved for graceless arts;
  • Sworn scholiast of the bestial parts
  • Of speech; a ribald mouth to shout
  • 110 In Folly's horny tympanum
  • Such things as make the wise man dumb.
  • Much loved, him Dante loathed. And so,
  • One day when Dante felt perplex'd
  • If any day that could come n