Rossetti Archive Textual Transcription

Document Title: Poems. (Privately Printed.): the A2 Proofs (partial), Princeton/Troxell (Copy 1)
Author: Dante Gabriel Rossetti
Date of publication: 1869 September 20
Printer: Strangeways and Walden

The full Rossetti Archive record for this transcribed document is available.

page: [0]
[DGR, 1828-1882

Poems. (Privately printed.) London

Strangeways and Walden 1869]

A2 Proofs

September 21 1869

Copy 1. Corrected throughout

by Dante G. Rossetti. Provenance:

Dante G. Rossetti (annotations);

William M. Rossetti;

Jerome Kern
Note: Pages [i]-iv not in this proof.
Note: Pages 1-2 not in this proof.
Image of page 3 page: 3
Manuscript Addition: C
Editorial Description: letter "C" at bottom of page in unknown hand
  • And the souls mounting up to God
  • Went by her like thin flames.
  • And still she bowed above the vast
  • Waste sea of worlds that swarm;
  • Until her bosom must have made
  • The bar she leaned on warm,
  • And the lilies lay as if asleep
  • Along her bended arm.
  • From the fixed place of Heaven she saw
  • 10 Time like a pulse shake fierce
  • Through all the worlds. Her gaze still strove
  • Within the gulf to pierce
  • Its path; and now she spoke as when
  • The stars sang in their spheres.
  • The sun was gone now; the curled moon
  • Was like a little feather
  • Fluttering far down the gulf; and now
  • She spoke through the still weather.
  • Her voice was like the voice the stars
  • 20 Had when they sang together.
  • ‘I wish that he were come to me,
  • For he will come,’ she said.
  • ‘Have I not prayed in Heaven?—on earth,
  • Lord, Lord, has he not pray'd?
  • Are not two prayers a perfect strength?
  • And shall I feel afraid?
Image of page 4 page: 4
  • ‘When round his head the aureole clings,
  • And he is clothed in white,
  • I'll take his hand and go with him
  • 30 To the deep wells of light;
  • We will step down as to a stream,
  • And bathe there in God's sight.
  • ‘We two will stand beside that shrine,
  • Occult, withheld, untrod,
  • Whose lamps are stirred continually
  • With prayer sent up to God;
  • And see our old prayers, granted, melt
  • Each like a little cloud.
  • ‘We two will lie i' the shadow of
  • 40 That living mystic tree
  • Within whose secret growth the Dove
  • Is sometimes felt to be,
  • While every leaf that h His plumes touch
  • Saith h His n Name audibly.
  • ‘And I myself will teach to him,
  • I myself, lying so,
  • The songs I sing here; which his voice
  • Shall pause in, hushed and slow,
  • And find some knowledge at each pause,
  • 50 Or some new thing to know.’
  • ( Ah Sweet! Just now, in that bird's song,
  • Strove not her accents there,
Note: Pages 5-6 not in this proof.
Image of page 7 page: 7
NOCTURN.
  • Master of the murmuring courts
  • Where the shapes of sleep convene!—
  • Lo! my spirit here exhorts
  • All the powers of thy demesne
  • For their aid to woo my queen.
  • What reports
  • Yield thy jealous courts unseen?
  • Vapourous, unaccountable,
  • Dreamland lies unknown to light,
  • 10Hollow like a breathing shell.
  • Ah! that from those dreams I might
  • Choose one dream and guide its flight . !
  • I know well
  • What her sleep should tell to-night.
  • There the dreams are multitudes:
  • Some whose bouyance waits not sleep,
  • Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • 20 Interludes,
  • Some, of grievous moods that weep.
Image of page 8 page: 8
  • Thence are youth's warm fancies: there
    Added TextPoets' fancies all are there:
  • Women thrill with whisperings
    Added TextThere the elf-girls flood with wings
  • Valleys full of plaintive air;
  • There breathe perfumes; there in rings
  • Whirl the foam-bewildered springs;
  • Siren there
  • Winds her dizzy hair and sings.
  • Thence the one dream mutually
  • 30 Dreamed in bridal unison,
  • Less than waking ecstasy;
  • Half-formed visions that make moan
  • In the house of birth alone;
  • And what we
  • At death's wicket see, unknown.
  • But for mine own sleep, it lies
  • Lo!
  • In one gracious queen's form's control,
  • Fair with honorable eyes,
  • Lamps of an auspicious soul:
  • 40 O their glance is loftiest dole,
  • Sweet and wise,
  • Wherein Love descries his goal.
  • Reft of her, my dreams are all
  • Clammy trance that fears the sky:
  • Changing footpaths shift and fall;
  • From polluted coverts nigh,
  • Miserable phantoms sigh;
  • Quakes the pall,
  • And the funeral goes by.
Note: Pages 9-10 not in this proof.
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  • 50Master, bid my shadow bend
  • Whispering thus till birth of light,
  • Lest new shapes that sleep may send
  • Scatter all its work to flight;—
  • Master, master of the night,
  • Bid it spend
  • Speech, song, prayer, and end aright.
  • Yet, ah me! if at her head
  • There another phantom lean
  • Murmuring o'er the fragrant bed,—
  • 60Ah! and if my spirit's queen
  • Smile those alien words between,—
  • Ah! poor shade!
  • Shall it strive, or fade unseen?
  • Like a vapour wan and mute,
  • Like a flame, so let it pass;
  • One low sigh across her lute,
  • One dull breath against her glass;
  • And to my sad soul, alas!
  • One salute
  • 70 Cold as when death's foot shall pass.
  • How should Love's own messenger
  • Strive with love and be love's foe?
  • Master, nay! If thus in her
  • Sleep a wedded heart should show,—
  • Silent let mine image go,
  • Its old share
  • Of thy sunken air to know.
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Printer's Direction: Further in / Further in
Editorial Description: Notes to printer, at received lines 140 and 140.7.
  • Then, too, let all hopes of mine,
  • All vain hopes by night and day,
  • 80Master, at thy summoning sign
  • Rise up pallid and obey.
  • Dreams, if this is thus, were they:—
  • Be they thine,
  • And to dreamland pine away.
  • (So a chief, who all night lies
  • Ambushed where no help appears,—
  • 'Mid his comrades' unseen eyes
  • Watching for the growth of spears,—
  • Like their ghosts, as morning nears,
  • 90 Sees them rise,
  • Ready without sighs or tears.)
  • Yet from old time, life, not death,
  • Master, in thy rule is rife:
  • Lo! through thee, with mingling breath,
  • Adam woke beside his wife.
  • O Love bring me so, for strife,
  • Force and faith,
  • Bring me so not death but life!
  • Yea, to Love himself is pour'd
  • 100 This frail song of hope and fear.
  • Thou art Love, of one accord
  • With kind Sleep to bring her near,
  • Still-eyed, deep-eyed, ah how dear!
  • Master, Lord,
  • In her name implor'd, O hear!
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THE BURDEN OF NINEVEH.

‘Burden. Heavy calamity; The chorus of a song.’— Dictionary.

  • In our Museum galleries
  • To-day I lingered o'er the prize
  • Dead Greece vouchsafes to living eyes,—
  • Her Art for ever in fresh wise
  • From hour to hour rejoicing me.
  • Sighing I turned at last to win
  • Once more the London dirt and din;
  • And as I made the swing-door spin
  • And issued, they were hoisting in
  • 10 A wingèd beast from Nineveh.
  • A human face the creature wore,
  • And hoofs behind and hoofs before,
  • And flanks with dark runes fretted o'er.
  • 'Twas bull, 'twas mitred Minotaur,
  • A dead disbowelled mystery;
  • The mummy of a buried faith
  • Stark from the charnel without scathe,
  • Its wings stood for the light to bathe,—
  • Such fossil cerements as might swathe
  • 20 The very corpse of Nineveh.
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  • The print of its first rush-wrapping,
  • Wound ere it dried, still ribbed the thing.
  • What song did the brown maidens sing,
  • From purple mouths alternating,
  • When that was woven languidly?
  • What vows, what rites, what prayers preferr'd,
  • What songs has the strange image heard?
  • In what blind vigil stood interr'd
  • For ages, till an English word
  • 30 Broke silence first at Nineveh?
  • Oh when upon each sculptured court,
  • Where even the wind might not resort,—
  • O'er which Time passed, of like import
  • With the wild Arab boys at sport,—
  • A living face looked in to see:—
  • Oh seemed it not—the spell once broke—
  • As though the carven warriors woke,
  • As though the shaft the string forsook,
  • The cymbals clashed, the chariots shook,
  • 40 And there was life in Nineveh?
  • On London stones our sun anew
  • The beast's recovered shadow threw.
  • (No shade that plague of darkness knew,
  • No light, no shade, while older grew
  • By ages the old earth and sea.)
  • Lo thou! could all thy priests have shown
  • Such proof to make thy godhead known?
  • Image of page 15 page: 15
    Manuscript Addition: This is part of The Burden of Nineveh.
    Editorial Description: Note in unknown hand.
  • From their dead Past thou liv'st alone;
  • And still thy shadow is thine own
  • 50 Even as of yore in Nineveh.
  • That day whereof we keep record,
  • When near thy city-gates the Lord
  • Sheltered his Jonah with a gourd,
  • This sun, (I said) here present, pour'd
  • Even thus this shadow that I see.
  • This shadow has been shed the same
  • From sun and moon,—from lamps which came
  • For prayer,—from fifteen days of flame,
  • The last, while smouldered to a name
  • 60 Sardanapalus' Nineveh.
  • Within thy shadow, haply, once
  • Sennacherib has knelt, whose sons
  • Smote him between the altar-stones:
  • Or pale Semiramis her zones
  • Of gold, her incense brought to thee,
  • In love for grace, in war for aid:....
  • Ay, and who else?....till 'neath thy shade
  • Within his trenches newly made
  • Last year the Christian knelt and pray'd—
  • 70 Not to thy strength—in Nineveh.*
Transcribed Footnote (page 15):

* During the excavations, the Tiyari workmen held their ser-

vices in the shadow of the great bulls. ( Layard's ‘Nineveh.’ Ch.IX. ) This

poem was written when the sculptures were first brought to

England.

Image of page 16 page: 16
  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • 80 ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When in some mythic chain of verse,
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • 90 Should house with him from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • All strange to thine awakened eye?
Note: Pages 17-19 not in this proof.
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  • Some tribe of the Australian plough
  • Bear him afar,—a relic now
  • 100 Of London, not of Nineveh!
  • Or it may chance indeed that when
  • Man's age is hoary among men,—
  • His centuries threescore and ten,—
  • His furthest childhood shall seem then
  • More clear than later times may be:
  • Who, finding in this desert place
  • This form, shall hold us for some race
  • That walked not in Christ's lowly ways,
  • But bowed its pride and vowed its praise
  • 110 Unto the God of Nineveh.
  • The smile rose first,—anon drew nigh
  • The thought:... Those heavy wings spread high
  • So sure of flight, which do not fly;
  • That set gaze never on the sky;
  • Those scriptured flanks it cannot see;
  • Its crown, a brow-contracting load;
  • Its planted feet which trust the sod:...
  • (So grew the image as I trod:)
  • O Nineveh, was this thy God,—
  • 120 Thine also, mighty Nineveh?
Note: Pages 21-26 not in this proof.
Image of page 27 page: 27
Manuscript Addition: D
Editorial Description: A circled "D" has been written in the upper right corner.
THE STAFF AND SCRIP.
  • ‘Who rules own s these lands?’ the Pilgrim said.
  • ‘Stranger, Queen Blanchelys.’
  • ‘And who has thus harried them?’ he said.
  • ‘It was Duke Luke did this:
  • God's ban be his!’
  • The Pilgrim said: ‘Where is your house?
  • I'll rest there, with your will.’
  • ‘Ye've but to climb these blackened boughs
  • And ye'll see it over the hill,
  • 10 For it burns still.’
  • ‘Which road, to seek your Queen?’ said he.
  • ‘Nay, nay, but with some wound
  • Thou'lt You'll fly back hither, it may be,
  • And by thy your blood i'the ground
  • My place be found.’
  • ‘Friend, stay in peace. God keep thy head,
  • And mine, where I will go;
  • For He is here and there,’ he said.
  • He passed the hill-side, slow,
  • 20 And stood below.
Image of page 28 page: 28
  • The Queen sat idle by her loom:
  • She heard the arras stir,
  • And looked up sadly: through the room
  • The sweetness sickened her
  • Of musk and myrrh.
  • Her women, standing two and two,
  • In silence combed the fleece.
  • The pilgrim said, ‘Peace be with you,
  • Lady;’ and bent his knees.
  • 30 She answered, ‘Peace.’
  • Her eyes were like the wave within;
  • Like water-reeds the poise
  • Of her soft body, dainty thin;
  • And like the water's noise
  • Her plaintive voice.
  • For him, the stream had never well'd
  • In desert tracts malign
  • So sweet; nor had he ever felt
  • So faint in the sunshine
  • 40 Of Palestine.
  • Right so, he knew that he saw weep
  • Each night through every dream
  • The Queen's own face, confused in sleep
  • With visages supreme
  • Not known to him.
Note: Pages 29-40 not in this proof.
Image of page 41 page: 41
Manuscript Addition: E
Editorial Description: A circled "E" has been written in the upper right corner.
Editorial Description: The number “130” at the top of the page and the words “verse 16” have been added in an unknown hand.
  • ‘But he says, till you take back your ban,
  • Sister Helen,
  • His soul would pass, yet never can.’
  • ‘Nay then, shall I slay a living man,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • A living soul, between Hell and Heaven!)
  • ‘But he calls for ever on your name,
  • Sister Helen,
  • 10 And says that he melts before a flame.’
  • ‘My heart for his pleasure fared the same,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Fire at the heart, between Hell and Heaven!)
  • ‘Here's Holm of West Holm riding fast,
  • Sister Helen,
  • For I know the white plume on the blast.’
  • ‘The hour, the sweet hour I forecast,
  • Little brother!’
  • 20 ( O Mother, Mary Mother,
  • Is the hour sweet, between Hell and Heaven?)
  • ‘He stops to speak, and he stills his horse,
  • Sister Helen;
  • But his words are drowned in the wind's course.’
  • ‘Nay hear, nay hear, you must hear perforce,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • A word ill heard, between Hell and Heaven!)
Image of page 42 page: 42
Printer's Direction: Further out
Editorial Description: DGR's note beside received line 152.
  • ‘Oh he says that Holm of Ewern's cry,
  • 30 Sister Helen,
  • Is ever to see you ere he die.’
  • ‘He sees me in earth, in moon and sky,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Earth, moon and sky, between Hell and Heaven!)
  • ‘He sends a ring and a broken coin,
  • Sister Helen,
  • And bids you mind the banks of Boyne.’
  • ‘What else he broke will he ever join,
  • 40 Little brother?’
  • ( O Mother, Mary Mother,
  • Oh, never more, between Hell and Heaven!)
  • ‘He yields you these and craves full fain,
  • Sister Helen,
  • You pardon him in his mortal pain.’
  • ‘What else he took will he give again,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • No more again, between Hell and Heaven!)
  • 50‘He calls your name in an agony,
  • Sister Helen,
  • That even dead Love must weep to see.’
  • ‘Hate, born of Love, is blind as he,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Love turned to hate, between Hell and Heaven!)
Image of page 43 page: 43
  • ‘Oh it's Holm of Holm now that rides fast,
  • Sister Helen,
  • For I know the white hair on the blast.’
  • 60‘The short short hour will soon be past,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Will soon be past, between Hell and Heaven!)
  • ‘He looks at me and he tries to speak,
  • Sister Helen,
  • But oh! his voice is sad and weak!’
  • ‘What here should the mighty Baron seek,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • 70 Oh vainly sought, between Hell and Heaven!)
  • ‘Oh his son still cries, if you forgive,
  • Sister Helen,
  • The body dies but the soul shall live.’
  • ‘Fire shall forgive me as I forgive,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Is this forgiven As she forgives, between Hell and Heaven ? ! )
  • ‘Oh he prays you, as his heart would rive,
  • Sister Helen,
  • 80 To save his dear son's soul alive.’
  • ‘Nay, flame cannot slay it, it shall thrive,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Alas, alas, between Hell and Heaven!)
Image of page 44 page: 44
  • ‘He cries to you, kneeling in the road,
  • Sister Helen,
  • To go with him for the love of God!’
  • ‘The way is long to his son's abode,
  • Little brother.’
  • 90 ( O Mother, Mary Mother,
  • The way is long, between Hell and Heaven!)
  • ‘O Sister Helen, you heard the bell,
  • Sister Helen!
  • More loud than the vesper-chime it fell.’
  • ‘No vesper-chime, but a dying knell,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • His dying knell, between Hell and Heaven!)
  • ‘Alas! but I fear the heavy sound,
  • 100 Sister Helen;
  • Is it in the sky or in the ground?’
  • ‘Say, have they turned their horses round,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What would she more, between Hell and Heaven?)
  • ‘They have raised the old man from his knee,
  • Sister Helen,
  • And they ride in silence hastily.’
  • ‘More fast the naked soul doth flee,
  • 110 Little brother!’
  • ( O Mother, Mary Mother,
  • The naked soul, between Hell and Heaven!)
Note: Pages 45-58 not in this proof.
Image of page 59 page: 59
THE CARD-DEALER.
  • Could you not drink her gaze like wine?
  • Yet though its splendour swoon
  • Into the silence languidly
  • As a tune into a tune,
  • Those eyes unravel the coiled night
  • And know the stars at noon.
  • The gold that's heaped beside her hand,
  • In truth rich prize it were;
  • And rich the dreams that wreathe her brows
  • 10 With magic stillness there;
  • And he were rich who should unwind
  • That woven golden hair.
  • Around her, where she sits, the dance
  • Now breathes its eager heat;
  • And not more lightly or more true
  • Fall there the dancer's feet
  • Than fall her cards on the bright board
  • As 'twere an heart that beat.
Image of page 60 page: 60
  • Her fingers let them softly through,
  • 20 Smooth polished silent things;
  • And each one as it falls reflects
  • In swift light-shadowings,
  • Crimson and purple, green and blue,
  • The great eyes of her rings.
  • Whom plays she with? With thee, who lov'st
  • Those gems upon her hand;
  • With me, who search her secret brows;
  • With all men, bless'd or bann'd.
  • We play together, she and we,
  • 30 Within a vain strange land:
  • A land without any order,—
  • Day even as night, (one saith,)—
  • Where who lieth down ariseth not
  • Nor the sleeper awakeneth;
  • A land of darkness as darkness itself
  • And of the shadow of death.
  • What be her cards, you ask? Even these:—
  • The heart, that doth but crave
  • Yet more, being fed; the diamond,
  • 40 Skilled to make base seem brave;
  • The club, for smiting in the dark;
  • The spade, to dig a grave.
  • And do you ask what game she plays?
  • With him me 'tis lost or won;
  • Image of page 61 page: 61
  • With thee it is playing still; with him him
  • It is not well begun;
  • But 'tis a game she plays with all
  • Beneath the sway o' the sun.
  • Thou seest the card that falls,—she knows
  • 50 The card that followeth:
  • Her game in thy tongue is called Life,
  • As ebbs thy daily breath:
  • When she shall speak, thou'lt learn her tongue
  • And know she calls it Death.
Image of page [62] page: [62]
Note: blank page
Image of page 63 page: 63
MY SISTER'S SLEEP.*
  • She fell asleep on Christmas Eve , :
  • At length her eyes were in the shade
  • Of weary lids; her arms, uplaid,
  • Covered her bosom, I believe.
  • Our mother, who had leaned all day
  • Over the bed from chime to chime,
  • Then raised herself for the first time,
  • And as she sat her down, did pray.
  • Her little work-table was spread
  • 10 With work to finish. For the glare
  • Made by her candle, she had care
  • To work some distance from the bed.
  • Without, there was a cold moon up,
  • To winter midnight near akin;
    Added TextOf [indecipherable—possibly "sharpened"] winter radiance sheer and thin;
  • The hollow halo it was in
  • Was like an empty silver icy crystal cup.
Transcribed Footnote (page 63):

* This little poem, written in 1847, was printed in a periodical

at the outset of 1850, a month or two before the appearance of ‘ In

Memoriam,’ with which the metre (to be met with in old English

writers) is now identified.

Image of page 64 page: 64
Printer's Direction: Put in / Put out
Editorial Description: DGR's notes on error in alignment of lines 27 and 28.
  • Through the small room, with subtle sound
  • Of flame, by vents the fireshine drove
  • And reddened. In its dim alcove
  • 20The mirror shed a clearness round.
  • I had been sitting up some nights,
  • And my tired mind felt weak and blank;
  • Like a sharp strengthening wine , it drank
  • The stillness and the broken lights.
  • Twelve struck. That sound, which all the years
  • Hear in each hour, crept off; and then
  • The ruffled silence spread again,
  • Like water that a pebble stirs.
  • Our mother rose from where she sat , :
  • 30 Her needles, as she laid them down,
  • Met lightly, and her silken gown
  • Settled: no other noise than that.
  • ‘Glory unto the Newly Born!’
  • So, as said angels, she did say;
  • Because we were in Christmas Day,
  • Though it would still be long till morn.
  • Just then in the room over us
  • There was a pushing back of chairs,
  • As some who had sat unawares
  • 40So late, now heard the hour, and rose.
Image of page 65 page: 65
  • With anxious softly -stepping haste
  • Our mother went where Margaret lay,
  • Fearing the sounds o'erhead—should they
  • Have broken her long watched-for rest!
  • She stooped an instant, calm, and turned;
  • But suddenly turned back again;
  • And all her features seemed in pain
  • With woe, and her eyes gazed and yearned.
  • For my part, I but hid my face,
  • 50 And held my breath, and spake no word:
  • There was none spoken; but I heard
  • The silence for a little space.
  • Our mother bowed herself and wept , :
  • And both my arms fell, and I said ; ,
  • ‘God knows I knew that she was dead , .
  • And there, all white, my sister slept.
  • Then kneeling, upon Christmas morn
  • A little after twelve o'clock
  • We said, ere the first quarter struck,
  • 60‘Christ's blessing on the newly born!’
Sig. F
Image of page [66] page: [66]
Note: blank page
Note: Pages 67-74 not in this proof.
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JOHN OF TOURS.

( Old French.)
  • John of Tours is back with peace,
  • But he comes home ill at ease.
  • ‘Good-morrow, mother.’ ‘Good-morrow, son;
  • Your wife has borne you a little one.’
  • ‘Go now, mother, go before,
  • Make me a bed upon the floor;
  • ‘Very low your foot must fall,
  • That my wife hear not at all.’
  • As it neared the midnight toll,
  • 10John of Tours gave up his soul.
  • ‘Tell me now, my mother, my dear,
  • What's the singing that I hear?’
  • ‘Daughter, it's the troops priests in rows
  • Going round about our house.’
  • ‘Tell me though, my mother, my dear,
  • What's the knocking that I hear?’
  • ‘Daughter, it's the carpenter
  • Mending planks upon the stair.’
Image of page 76 page: 76
  • ‘Well, but tell, my mother, my dear,
  • 20What's the crying that I hear?’
  • ‘Daughter, the children are awake,
  • Crying with their teeth that ache.’
  • ‘Nay, but say, my mother, my dear,
  • Why do you stand weeping here?’
  • ‘Oh! the truth must be said,—
  • It's that John of Tours is dead.’
  • ‘Mother, let the sexton know
  • That the grave must be for two;
  • ‘Aye, and still have room to spare,
  • 30For you must lay the baby there.’
Image of page 77 page: 77
MY FATHER'S CLOSE.

( Old French.)
  • Inside my father's close,
  • (Fly away O my heart away!)
  • Sweet apple-blossom blows
  • So sweet.
  • Three king's daughters fair,
  • (Fly away O my heart away!)
  • They lie below it there
  • So sweet.
  • ‘Ah!’ says the eldest one,
  • 10 (Fly away O my heart away!)
  • ‘I think the day's begun
  • So sweet.’
  • ‘Ah!’ says the second one,
  • (Fly away O my heart away!)
  • ‘Far off I hear the drum
  • So sweet.’
Image of page 78 page: 78
  • ‘Ah!’ says the youngest one,
  • (Fly away O my heart away!)
  • ‘It's my true love, my own,
  • 20 So sweet.
  • ‘Oh! if he fight and win,’
  • (Fly away O my heart away!)
  • ‘I keep my love for him,
  • So sweet:
  • Oh! if he lose or win,
  • He hath it still complete.’
Image of page 79 page: 79
ONE GIRL.

( A combination Adaptation from Sappho. )
  • I.
  • Like the sweet apple which reddens upon the topmost
  • bough,
  • A-top on the topmost twig,—which the pluckers forgot,
  • somehow,—
  • Forgot it not, nay, but got it not, for none could get it
  • till now.
  • II.
  • Like the wild hyacinth flower which on the hills is found,
  • Which the passing feet of the shepherds for ever tear and
  • wound,
  • Until the purple blossom is trodden into the ground.
Image of page [80] page: [80]
Note: blank page
Image of page [81] page: [81]
Printer's Direction: caps as above / very small itals & caps / small caps as above
Editorial Description: DGR's note to the printer on the typefaces to be used for the first through third lines, respectively, of the half-title.
Printer's Direction: This 3rd line all in one.
Editorial Description: DGR's note to the printer on the third line of the half-title.
Added TextOf Life, Love, and Death:


SONNETS AND SONGS,

Added TextSonnets and Songs,


Towards a Work to be called

Added Text( Towards a Work to be called THE HOUSE OF LIFE.)
‘THE HOUSE OF LIFE.’
Sig. G
Image of page [81 verso] page: [81 verso]
Note: blank page
Note: Pages 82-85 not in this proof.
Image of page [86] page: [86]
Added TextHoarded Joy.
JOY DELAYED.
  • I said: ‘Nay, pluck not,—let the first fruit be:
  • Even as thou sayest, it is sweet and red,
  • Yet it shall But let it ripen still. The tree's bent head
  • Sees in the stream its own fecundity
  • And bides the day of fulness. Shall not we
  • At heat's high the sun's hour that day possess the shade,
  • And claim our fruit before its ripeness fade,
  • And eat it from the branch and praise the tree?’
  • I say: ‘Alas! our fruit hath wooed the sun
  • 10 Too long,—'tis fallen and floats adown the stream.
  • Lo, the last clusters! Pluck them every one,
  • And let us sup with summer; ere the gleam
  • Of autumn set the year's pent sorrow free,
  • And the woods wail like echoes of from the sea.’
Image of page [86 verso] page: [86 verso]
Note: blank page
Note: Pages 87-88 not in this proof.
Image of page 89 page: 89
Printer's Direction: Put this line in like the next but one
Editorial Description: DGR's note to printer next to line 10.
DEATH'S SONGSTERS.
  • When first that horse, within whose populous womb
  • The birth was Death, o'ershadowed Troy with fate,
  • Her elders, dubious of its Grecian freight,
  • Brought Helen there to sing the songs of home:
  • She whispered, ‘Friends, I am alone; come, come!’
  • Then, crouched within, Ulysses waxed afraid,
  • And on his comrades' quivering mouths he laid
  • His hands, and held them till the voice was dumb.
  • The same was he who, lashed to his own mast,
  • 10
    Added TextThere where the sea flowers screen the charmed caves,
  • Beside the sirens' singing island pass'd,
  • Till sweetness failed along the inveterate sea, waves....
  • Say, soul,—and doth no fatal song for us

    Prove yet than any crown more rapturous,
    Added TextSay, soul,—are songs of Death no heaven to thee,
  • No death's lip shame the cheek of victory?
    Added TextNor shames her lip the cheek of Victory?
Sig. H
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Image of page 90 page: 90
RETRO ME, SATHANA!’
  • Get thee behind me. Even as, heavy-curled,
  • Stooping against the wind, a charioteer
  • Is caught from out his chariot by the hair,
  • So shall Time be; and as the void car, hurled
  • Abroad by reinless steeds, even so the world:
  • Yea, even as chariot-dust upon the air,
  • It shall be sought and not found anywhere.
  • Get thee behind me, Satan. Oft unfurled,
  • Thy perilous wings can beat and break like lath
  • 10 Much mightiness of men to win thee praise.
  • Leave these weak feet to tread in narrow ways.
  • Thou still, upon the broad vine-sheltered path,
  • May 'st wait the turning of the phials of wrath
  • For certain years, for certain months and days.
Image of page [90 verso] page: [90 verso]
Note: blank page
Note: Pages 91-105 not in this proof.
Image of page 106 page: 106
THE SONG OF THE BOWER.
  • Say, is it day, is it dusk in thy bower,
  • Thou whom I long for, who longest for me?
  • Oh! be it light, be it night, 'tis Love's hour,
  • Love's that is fettered as Love's that is free.
  • Free Love has leaped to that innermost chamber,
  • Oh! the last time, and the hundred before:
  • Fettered Love, motionless, can but remember,
  • Yet something that sighs from him passes the door.
  • What were my prize, could I enter thy bower,
  • 10 This day, to-morrow, at eve or at morn?
  • Large lovely arms and a neck like a tower,
  • Bosom then heaving that now lies forlorn.
  • Deep in warm pillows (the sun's bed is colder!)
  • Thy sweetness all near me, so distant to-day;
  • My hand round thy neck and thy hand on my shoulder,
  • My mouth to thy mouth as the world melts away.
  • What is it keeps me afar from thy bower,—
  • My spirit, my body, so fain to be there?
  • Waters engulfing or fires that devour?—
  • 20 Earth heaped against me or death in the air?
Sig. K
Image of page 107 page: 107
  • Nay, but in day-dreams, for terror, for pity,
  • The trees wave their heads with an omen to tell;
  • Nay, but in night-dreams, throughout the dark city,
  • The hours, clashed together, lose count in the bell.
  • Shall I not one day remember thy bower,
  • One day when all days are one day to me?—
  • Thinking, ‘I stirred not, and yet had the power,’—
  • Yearning, ‘Ah God, if again it might be!’
  • Peace, peace! such a small lamp illumes, on this highway,
  • 30 So dimly so few steps in front of my feet,—
  • Yet shows me that her way is parted from my way....
  • Out of sight, beyond light, at what point goal shall we meet?
Note: Pages 108-115 not in this proof.
Image of page 116 page: 116
NUPTIAL SLEEP.
  • At length their long kiss severed, with sweet smart:
  • And as the last slow sudden drops are shed
  • From sparkling eaves when all the storm has fled,
  • So singly flagged the pulses of each heart.
  • Their bosoms sundered, with the opening start
  • Of married flowers to either side outspread
  • From the knit stem; yet still their mouths, burnt red,
  • Chirped at Moaned toeach other where they lay apart.
  • Sleep sank them lower than the tide of dreams,
  • 10 And their dreams watched them sink, and slid away.
  • Slowly their souls swam up again, through gleams
  • Of watered light and dull drowned waifs of day;
  • Till from some wonder of new woods and streams
  • He woke, and wondered more: for there she lay.
Sig. L
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Note: blank page
Note: Pages 117-118 not in this proof.
Image of page 119 page: 119
Printer's Direction: These 2 further in & matching
Editorial Description: DGR's note to printer for alignment of lines 11 and 14.