Rossetti Archive Textual Transcription

Document Title: Poems (1870): Exhumation Proofs, Second Issue (complete), Huntington copy
Author: Dante Gabriel Rossetti
Date of publication: 1869 November (early November)
Printer: Strangeways and Walden
Issue: 1

The full Rossetti Archive record for this transcribed document is available.

Image of page 1 page: 1
Sig. B
A LAST CONFESSION.

( Regno Lombardo-Veneto, 1848.)

  • Our Lombard country-girls along the coast
  • Wear daggers in their garters; for they know
  • That they might hate another girl to death
  • Or meet a German lover. Such a knife
  • I bought her, with a hilt of horn and pearl.
  • Father, you cannot know of all my thoughts
  • That day in going to meet her,—that last day
  • For the last time, she said;—of all the love
  • And all the hopeless hope that she might change
  • 10And go back with me. Ah! and everywhere,
  • At places we both knew along the road,
  • Some fresh shape of herself as once she was
  • Grew present at my side; until it seemed—
  • So close they gathered round me—they would all
  • Be with me when I reached the spot at last,
  • To plead my cause with her against herself
  • So changed. O Father, if you knew all this
  • You cannot know, then you would know too, Father,
    Image of page 2 page: 2
  • And only then, if God can pardon me.
  • 20What can be told I'll tell, if you will hear.
  • I passed a village-fair upon my road,
  • And thought, being empty-handed, I would take
  • Some little present, which might prove that day
  • Either a pledge between us, or (God help me!)
  • A parting gift. And there it was I bought
  • The knife I spoke of, such as women wear.
  • That day, some three hours afterwards, I found
  • For certain, it must be a parting gift.
  • And, standing silent now at last, I looked
  • 30Into her scornful face; and heard the sea
  • Still trying hard to din into my ears
  • Some speech it knew which still might change her heart
  • If only it could make me understand.
  • One moment thus. Another, and her face
  • Seemed further off than the last line of sea,
  • So that I thought, if now she were to speak
  • I could not hear her. Then again I knew
  • All, as we stood together on the sand
  • At Iglio, in the first thin shade o' the hills.
  • 40 ‘Take it,’ I said, and held it out to her,
  • While the hilt glanced within my trembling hold;
  • ‘Take it,‘ I said, ‘and keep it for my sake.’
  • Her neck did not unbend, nor drooped her eyes,
  • Nor did her foot leave beating of the sand;
  • Only she put it by from her and laughed.
Image of page 3 page: 3
  • Father, you hear my speech and not her laugh;
  • But God was there and heard. Father, will God
  • Remember all? He heard her when she laughed.
  • It was another laugh than the sweet sound
  • 50Which rose from her sweet childish heart, that day
  • Eleven years before, when first I found her
  • Alone upon the hill-side; and her curls
  • Shook down in the warm grass as she looked up
  • Out of her curls in my eyes bent to hers.
  • She might have served a painter to pourtray
  • That heavenly child which in the latter days
  • Shall walk between the lion and the lamb.
  • I had been for nights in hiding, worn and sick
  • And hardly fed; and so her words at first
  • 60Seemed fitful like the talking of the trees
  • And voices in the air that knew my name.
  • And I remember that I sat me down
  • Upon the slope with her, and thought the world
  • Must be all over or had never been,
  • We seemed there so alone. And soon she told me
  • Her parents both were gone away from her.
  • I thought perhaps she meant that they had died;
  • But when I asked her this, she looked again
  • Into my face, and said that yestereve
  • 70They kissed her long, and wept and made her weep,
  • And gave her all the bread they had with them,
  • And then had gone together up the hill
  • Where we were sitting now, and had walked on
  • Into the great red light: ‘and so,’ she said,
    Image of page 4 page: 4
  • ‘I have come up here too; and when this evening
  • They step out of the light as they stepped in,
  • I shall be here to kiss them.’ And she laughed.
  • Then I bethought me suddenly of the famine;
  • And how the church-steps throughout all the town,
  • 80When last I had been there a month ago,
  • Swarmed with starved folk; and how the bread was weighed
  • By Austrians armed; and women that I knew
  • For wives and mothers walked the public street,
  • Telling their husbands how, if they still feared
  • To snatch the children's food, themselves would stay
  • Till they had earned it there. So then this child
  • Was piteous to me; for all told me then
  • Her parents must have left her to God's chance,
  • To man's or to the Church's charity,
  • 90Because of the great famine, rather than
  • To watch her growing thin between their knees.
  • With that, God took my mother's voice and spoke,
  • And sights and sounds came back and things long since,
  • And all my childhood found me on the hills;
  • And so I took her with me.
  • I was young,
  • Scarce man then, Father; but the cause which gave
  • The wounds I die of now had brought me then
  • Some wounds already; and I lived alone,
  • As any hiding hunted man must live.
  • 100It was no easy thing to keep a child
  • In safety; for herself it was not safe,
  • And doubled my own danger: but I knew
    Image of page 5 page: 5
  • That God would help me.
  • Yet a little while
  • Pardon me, Father, if I pause. I think
  • I have been speaking to you of some matters
  • There was no need to speak of, have I not?
  • You do not know how clearly those things stood
  • Within my mind, which I have spoken of,
  • Nor how they strove for utterance. Life all past
  • 110Is like the sky when the sun sets in it,
  • Clearest where furthest off.
  • I told you how
  • She scorned my parting gift and laughed. And yet
  • A woman's laugh's another thing sometimes:
  • I think they laugh in Heaven. I know last night
  • I dreamed I saw into the garden of God,
  • Where women walked whose painted images
  • I have seen with candles round them in the church.
  • They bent this way and that, one to another,
  • Playing: and over the long golden hair
  • 120Of each there floated like a ring of fire
  • Which when she stooped stooped with her, and when she rose
  • Rose with her. Then a breeze flew in among them,
  • As if a window had been opened in heaven
  • For God to give his blessing from, before
  • This world of ours should set; (for in my dream
  • I thought our world was setting, and the sun
  • Flared, a spent taper;) and beneath that gust
  • The rings of light quivered like forest-leaves.
  • Then all the blessed maidens who were there
  • 130Stood up together, as it were a voice
    Image of page 6 page: 6
  • That called them; and they threw their tresses back,
  • And smote their palms, and all laughed up at once,
  • For the strong heavenly joy they had in them
  • To hear God bless the world. Wherewith I woke:
  • And looking round, I saw as usual
  • That she was standing there with her long locks
  • Pressed to her side; and her laugh ended theirs.
  • For always when I see her now, she laughs.
  • And yet her childish laughter haunts me too,
  • 140The life of this dead terror; as in days
  • When she, a child, dwelt with me. I must tell
  • Something of those days yet before the end.
  • I brought her from the city—one such day
  • When she was still a merry loving child,—
  • The earliest gift I mind my giving her;
  • A little image of a flying Love
  • Made of our coloured glass-ware, in his hands
  • A dart of gilded metal and a torch.
  • And him she kissed and me, and fain would know
  • 150Why were his poor eyes blindfold, why the wings
  • And why the arrow. What I knew I told
  • Of Venus and of Cupid,—strange old tales.
  • And when she heard that he could rule the loves
  • Of men and women, still she shook her head
  • And wondered; and, ‘Nay, nay,’ she murmured still,
  • ‘So strong, and he a younger child than I!’
  • And then she'd have me fix him on the wall
  • Fronting her little bed; and then again
    Image of page 7 page: 7
  • She needs must fix him there herself, because
  • 160I gave him to her and she loved him so,
  • And he should make her love me better yet,
  • If women loved the more, the more they grew.
  • But the fit place upon the wall was high
  • For her, and so I held her in my arms:
  • And each time that the heavy pruning-hook
  • I gave her for a hammer slipped away
  • As it would often, still she laughed and laughed
  • And kissed and kissed me. But amid her mirth,
  • Just as she hung the image on the nail,
  • 170It slipped and all its fragments strewed the ground:
  • And as it fell she screamed, for in her hand
  • The dart had entered deeply and drawn blood.
  • And so her laughter turned to tears: and ‘Oh!’
  • I said, the while I bandaged the small hand,—
  • ‘That I should be the first to make you bleed,
  • Who love and love and love you!’—kissing still
  • The fingers till I got her safe to bed.
  • And still she sobbed,—‘not for the pain at all,’
  • She said, ‘but for the Love, the poor good Love
  • 180You gave me.’ So she cried herself to sleep.
  • Another later thing comes back to me.
  • 'Twas in those hardest foulest days of all,
  • When still from his shut palace, sitting clean
  • Above the splash of blood, old Metternich
  • (May his soul die, and never-dying worms
  • Feast on its pain for ever!) used to thin
  • His year's doomed hundreds daintily, each month
    Image of page 8 page: 8
  • Thirties and fifties. This time, as I think,
  • Was when his thrift forbad the poor to take
  • 190That evil brackish salt which the dry rocks
  • Keep all through winter when the sea draws in.
  • The first I heard of it was a chance shot
  • Here and there in the street, and on the stones
  • A stumbling clatter as of horse hemmed round.
  • Then, when she saw me hurry out of doors,
  • My gun slung at my shoulder and my knife
  • Stuck in my girdle, she smoothed down my hair
  • And laughed to see me look so brave, and leaped
  • Up to my neck and kissed me. She was still
  • 200A child; and yet that kiss was on my lips
  • So hot all day where the smoke shut us in.
  • For now, being always with her, the first love
  • I had—the father's, brother's love—was changed,
  • I think, in somewise; like a holy thought
  • Which is a prayer before one knows of it.
  • The first time I perceived this, I remember,
  • Was once when after hunting I came home
  • Weary, and she brought food and fruit for me,
  • And sat down at my feet upon the floor
  • 210Leaning against my side. But when I felt
  • Her sweet head reach from that low seat of hers
  • So high as to be laid upon my heart,
  • I turned and looked upon my darling there
  • And marked for the first time how tall she was;
  • And my heart beat with so much violence
  • Under her cheek, I thought she could not choose
    Image of page 9 page: 9
  • But wonder at it soon and ask me why;
  • And so I bade her rise and eat with me.
  • And when, remembering all and counting back
  • 220The time, I made out fourteen years for her
  • And told her so, she gazed at me with eyes
  • As of the sky and sea on a grey day,
  • And drew her long hands through her hair, and asked me
  • If she was not a woman; and then laughed:
  • And as she stooped in laughing, I could see
  • Beneath the growing throat the breasts half globed
  • Like folded lilies deepset in the stream.
  • Yes, let me think of her as then; for so
  • Her image, Father, is not like the sights
  • 230Which come when you are gone. She had a mouth
  • Made to bring death to life,—the underlip
  • Sucked in, as if it strove to kiss itself.
  • Her face was ever pale, as when one stoops
  • Over wan water; and the dark crisped hair
  • And the hair's shadow made it paler still:—
  • Deep-serried locks, the darkness of the cloud
  • Where the moon's gaze is shrined in eddying gloom.
  • Her body bore her neck as the tree's stem
  • Bears the top branch; and as the branch sustains
  • 240Its pride of flower and fruit, her high neck bore
  • That face made wonderful with night and day.
  • Her voice was swift, yet ever the last words
  • Fell lingeringly; and rounded finger-tips
  • She had, that clung a little where they touched
  • And then were gone o' the instant. Her great eyes,
  • Image of page 10 page: 10
  • That sometimes turned half dizzily beneath
  • The passionate lids, as faint, when she would speak,
  • Had also in them hidden springs of mirth,
  • Which under the dark lashes evermore
  • 250Shook to her laugh, as when a bird flies low
  • Between the water and the willow-leaves,
  • And the shade quivers till he wins the light.
  • I was a moody comrade to her then,
  • For all the love I bore her. Italy,
  • The weeping desolate mother, long has claimed
  • Her sons' strong arms to lean on, and their hands
  • To lop the poisonous thicket from her path,
  • Cleaving her way to light. And from her need
  • Had grown the fashion of my whole poor life
  • 260Which I was proud to yield her, as my father
  • Had yielded his. And this had come to be
  • A game to play, a love to clasp, a hate
  • To wreak, all things together that a man
  • Needs for his blood to ripen: till at times
  • All else seemed shadows, and I wondered still
  • To see such life pass muster and be deemed
  • Time's bodily substance. In those hours, no doubt,
  • To the young girl my eyes were like my soul,—
  • Dark wells of death-in-life that yearned for day.
  • 270And though she ruled me always, I remember
  • That once when I was thus and she still kept
  • Leaping about the place and laughing, I
  • Did almost chide her; whereupon she knelt
  • And putting her two hands into my breast
    Image of page 11 page: 11
  • Sang me a song. Are these tears in my eyes?
  • 'Tis long since I have wept for anything.
  • I thought that song forgotten out of mind,
  • And now, just as I spoke of it, it came
  • All back. It is but a rude thing, ill rhymed,
  • 280Such as a blind man chaunts and his dog hears
  • Holding the platter, when the children run
  • To merrier sport and leave him. Thus it goes:—
  • La bella donna*
  • Piangendo disse:

Transcribed Footnote (page 11):
Note: the following poem is formatted in two columns, separated by a vertical line.
  • * She wept, sweet lady,
  • And said in weeping:
  • ‘What spell is keeping
  • The stars so steady?
  • Why does the power
  • Of the sun's noon-hour
  • To sleep so move me?
  • And the moon in heaven,
  • Stained where she passes
  • 10 As a worn-out glass is,—
  • Wearily driven,
  • Why walks she above me?
  • ‘Stars, moon, and sun too,
  • I'm tired of either
  • And all together!
  • Whom speak they unto
  • That I should listen?
  • For very surely,
  • Though my arms and shoulders
  • 20 Dazzle beholders,
  • And my eyes glisten,
  • All's nothing purely!
  • What are words said for
  • At all about them,
  • If he they are made for
  • Can do without them?’
  • She laughed, sweet lady,
  • And said in laughing:
  • ‘His hand clings half in


  • Column Break


  • 30 My own already!
  • Oh! do you love me?
  • Oh! speak of passion
  • In no new fashion,
  • No loud inveighings,
  • But the old sayings
  • You once said of me.
  • ‘You said: “As summer,
  • Through boughs grown brittle,
  • Comes back a little
  • 40 Ere frosts benumb her,—
  • So bring'st thou to me
  • All leaves and flowers,
  • Though autumn's gloomy
  • To-day in the bowers.”
  • ‘Oh! does he love me,
  • When my voice teaches
  • The very speeches
  • He then spoke of me?
  • Alas! what flavour
  • 50 Still with me lingers?’
  • (But she laughed as my kisses
  • Glowed in her fingers
  • With love's old blisses.)
  • ‘Oh! where's one favour
  • Left me to woo him,
  • Whose whole poor savour
  • Belongs not to him?’
Image of page 12 page: 12
  • ‘Come son fisse
  • Le stelle in cielo!
  • Quel fiato anelo
  • Dello stanco sole,
  • Quanto m'assonna!
  • 290E la luna, macchiata
  • Come uno specchio
  • Logoro e vecchio,—
  • Faccia affannata,
  • Che cosa vuole?
  • ‘Chè stelle, luna, e sole,
  • Ciascun m'annoja
  • E m'annojano insieme;
  • Non me ne preme
  • Nè ci prendo gioja.
  • 300E veramente,
  • Che le spalle sien franche
  • E le braccia bianche
  • E il seno caldo e tondo,
  • Non mi fa niente.
  • Chè cosa al mondo
  • Posso più far di questi
  • Se non piacciono a te, come dicesti?’
  • La donna rise
  • E riprese ridendo:—
  • 310‘Questa mano che prendo
  • E dunque mia?
  • Tu m'ami dunque?
  • Dimmelo ancora,
  • Non in modo qualunque,
  • Ma le parole
  • Belle e precise
  • Che dicesti pria.
  • Siccome suole
  • La state talora
    Image of page 13 page: 13
  • 320(Dicesti) un qualche istante
  • Tornare innanzi inverno,
  • Così ta fai ch'io scerno
  • Le foglie tutte quante,
  • Ben ch'io certo tenessi
  • Per passato l'autunno.
  • ‘Eccolo il mio alunno!
  • Io debbo insegnargli
  • Quei cari detti istessi
  • Ch'ei mi disse una volta!
  • 330Oimè! Che cosa dargli,’
  • (Ma ridea piano piano
  • Dei baci in sulla mano,)
  • ‘Ch'ei non m'abbia da lungo tempo tolta?’
  • That I should sing upon this bed!—with you
  • To listen, and such words still left to say!
  • Yet was it I that sang? The voice seemed hers,
  • As on the very day she sang to me;
  • When, having done, she took out of my hand
  • Something that I had played with all the while
  • 340And laid it down beyond my reach; and so
  • Turning my face round till it fronted hers,—
  • ‘Weeping or laughing, which was best?’ she said.
  • But these are foolish tales. How should I show
  • The heart that glowed then with love's heat, each day
  • More and more brightly?—when for long years now
  • The very flame that flew about the heart,
  • And gave it fiery wings, has come to be
    Image of page 14 page: 14
  • The lapping blaze of hell's environment
  • Whose tongues all bid the molten heart despair.
  • 350 Yet one more thing comes back on me to-night
  • Which I may tell you: for it bore my soul
  • Dread firstlings of the brood that rend it now.
  • It chanced that in our last year's wanderings
  • We dwelt at Monza, far away from home,
  • If home we had: and in the Duomo there
  • I sometimes entered with her when she prayed.
  • An image of Our Lady stands there, wrought
  • In marble by some great Italian hand
  • In the great days when she and Italy
  • 360Sat on one throne together: and to her
  • And to none else my loved one told her heart.
  • She was a woman then; and as she knelt,—
  • Her sweet brow in the sweet brow's shadow there,—
  • They seemed two kindred forms whereby our land
  • (Whose work still serves the world for miracle)
  • Made manifest herself in womanhood.
  • Father, the day I speak of was the first
  • For weeks that I had borne her company
  • Into the Duomo; and those weeks had been
  • 370Much troubled, for then first the glimpses came
  • Of some impenetrable restlessness
  • Growing in her to make her changed and cold.
  • And as we entered there that day, I bent
  • My eyes on the fair Image, and I said
  • Within my heart, ‘Oh turn her heart to me!’
    Image of page 15 page: 15
  • And so I left her to her prayers, and went
  • To gaze upon the pride of Monza's shrine,
  • Where in the sacristy the light still falls
  • Upon the Iron Crown of Italy,
  • 380On whose crowned heads the day has closed, nor yet
  • The daybreak gilds another head to crown.
  • But coming back, I wondered when I saw
  • That the sweet Lady of her prayers now stood
  • Alone without her; until further off,
  • Before some new Madonna gaily decked,
  • Tinselled and gewgawed, a slight German toy,
  • I saw her kneel, still praying. At my step
  • She rose, and side by side we left the church.
  • I was much moved, and sharply questioned her
  • 390Of her transferred devotion; but she seemed
  • Stubborn and heedless; till she lightly laughed
  • And said: ‘The old Madonna? Aye indeed,
  • ‘She had my old thoughts,—this one has my new.’
  • Then silent to the soul I held my way:
  • And from the fountains of the public place
  • Unto the pigeon-haunted pinnacles,
  • Bright wings and water winnowed the bright air;
  • And stately with her laugh's subsiding smile
  • She went, with clear-swayed waist and towering neck
  • 400And hands held light before her; and the face
  • Which long had made a day in my life's night
  • Was night in day to me; as all men's eyes
  • Turned on her beauty, and she seemed to tread
  • Beyond my heart to the world made for her.
Image of page 16 page: 16
  • Ah there! my wounds will snatch my sense again:
  • The pain comes billowing on like a full cloud
  • Of thunder, and the flash that breaks from it
  • Leaves my brain burning. That's the wound he gave,
  • The Austrian whose white coat I still made match
  • 410With his white face, only the two were red
  • As suits his trade. The devil makes them wear
  • White for a livery, that the blood may show
  • Braver that brings them to him. So he looks
  • Sheer o'er the field and knows his own at once.
  • Give me a draught of water in that cup;
  • My voice feels thick; perhaps you do not hear;
  • But you must hear. If you mistake my words
  • And so absolve me, I am sure the blessing
  • Will burn my soul. If you mistake my words
  • 420And so absolve me, Father, the great sin
  • Is yours, not mine: mark this: your soul shall burn
  • With mine for it. I have seen pictures where
  • Souls burned with Latin shriekings in their mouths:
  • Shall my end be as theirs? Nay, but I know
  • 'Tis you shall shriek in Latin. Some bell rings,
  • Rings through my brain: it strikes the hour in hell.
  • You see I cannot, Father; I have tried,
  • But cannot, as you see. These twenty times
  • Beginning, I have come to the same point
  • 430And stopped. Beyond, there are but broken words
  • Which will not let you understand my tale.
    Image of page 17 page: 17
    Sig. C
  • It is that then we have her with us here,
  • As when she wrung her hair out in my dream
  • To-night, till all the darkness reeked of it.
  • Her hair is always wet, for she has kept
  • Its tresses wrapped about her side for years;
  • And when she wrung them round over the floor,
  • I heard the blood hiss through her fingers; so
  • That I sat straight up in my bed and screamed
  • 440Once and again; and once to once, she laughed.
  • Look that you turn not now,—she's at your back:
  • Gather your robe up, Father, and keep close,
  • Or she'll sit down on it and send you mad.
  • At Iglio in the first thin shade o' the hills
  • The sand is black and red. The black was black
  • When what was spilt that day sank into it,
  • And the red scarcely darkened. There I stood
  • This night with her, and saw the sand the same.

  • What would you have me tell you? Father, father,
  • 450How shall I make you know? You have not known
  • The dreadful soul of woman, who one day
  • Forgets the old and takes the new to heart,
  • Forgets what man remembers, and therewith
  • Forgets the man. Nor can I clearly tell
  • How the change happened between her and me.
  • Her eyes looked on me from an emptied heart
  • When most my heart was full of her; and still
    Image of page 18 page: 18
  • In every corner of myself I sought
  • To find what service failed her; and no less
  • 460Than in the good time past, there all was hers.
  • What do you love? Your Heaven? Conceive it spread
  • For one first year of all eternity
  • All round you with all joys and gifts of God;
  • And then when most your soul is blent with it
  • And all yields song together,—then it stands
  • O' the sudden like a pool that once gave back
  • Your image, but now drowns it and is clear
  • Again,—or like a sun bewitched, that burns
  • Your shadow from you, and still shines in sight.
  • 470How could you bear it? Would you not cry out,
  • Among those eyes grown blind to you, those ears
  • That hear no more your voice you hear the same,—
  • ‘God! what is left but hell for company,
  • But hell, hell, hell?’—until the name so breathed
  • Whirled with hot wind and sucked you down in fire?
  • Even so I stood the day her empty heart
  • Left her place empty in our home, while yet
  • I knew not why she went nor where she went
  • Nor how to reach her: so I stood the day
  • 480When to my prayers at last one sight of her
  • Was granted, and I looked on heaven made pale
  • With scorn, and heard heaven mock me in that laugh.
  • O sweet, long sweet! Was that some ghost of you
  • Even as your ghost that haunts me now,—twin shapes
  • Of fear and hatred? May I find you yet
    Image of page 19 page: 19
  • Mine when death wakes? Ah! be it even in flame,
  • We may have sweetness yet, if you but say
  • As once in childish sorrow: ‘Not my pain,
  • My pain was nothing: oh your poor poor love,
  • 490Your broken love!’
  • My Father, it is hard
  • To tell you the last things of that last day;
  • But I must tell you all now. While I stopped
  • To buy the dagger at the village fair,
  • I saw two cursed rats about the place
  • I knew for spies—blood-sellers both. That day
  • Was not yet over; for three hours to come
  • I prized my life: and so I looked around
  • For safety. A poor painted mountebank
  • Was playing pranks and shouting in a crowd.
  • 500I knew he must have heard my name, so I
  • Pushed past and whispered to him who I was,
  • And of my danger. Straight he hustled me
  • Into his booth, as it were in the trick,
  • And brought me out next minute with my face
  • All smeared in patches and a zany's gown;
  • And there I handed him his cups and balls
  • And swung the sand-bags round to clear the ring
  • For half an hour. The spies came once and looked;
  • And while they stopped, and made all sights and sounds
  • 510Sharp to my startled senses, I remember
  • A woman laughed above me. I looked up
  • And saw her—a brown handsome harlot—leaning
  • Half through a tavern window thick with vine.
    Image of page 20 page: 20
  • Some man had come behind her in the room
  • And caught her by her arms, and she had turned
  • With that coarse empty laugh. I saw him there
  • Munching her neck with kisses, while the vine
  • Crawled in her back.
  • And three hours afterwards,
  • When she that I had run all risks to meet
  • 520Laughed as I told you, my life burned to death
  • Within me, for I thought it like the laugh
  • Heard at the fair. She had not left me long;
  • But all she might have changed to, or might change to,
  • (I know nought since—she never speaks a word—)
  • Seemed in that laugh. Have I not told you yet,
  • Not told you all this time what happened, Father,
  • When I had offered her the little knife,
  • And bade her keep it for my sake that loved her,
  • And she had laughed? Have I not told you yet?
  • 530 ‘Take it,’ I said to her the second time,
  • ‘Take it and keep it.’ And then came a fire
  • That burnt my hand; and then the fire was blood,
  • And sea and sky were blood and fire, and all
  • The day was one red blindness; till it seemed
  • Within the whirling brain's entanglement
  • That she or I or all things bled to death.
  • And then I found her lying at my feet
  • And knew that I had stabbed her, and saw still
  • The look she gave me when she took the knife
  • 540Deep in her heart, even as I bade her then,
  • Image of page 21 page: 21
  • And fell, and her stiff boddice scooped the sand
  • Into her bosom.
  • And she keeps it, see,
  • Do you not see she keeps it?—there, beneath
  • Wet fingers and wet tresses, in her heart.
  • For look you, when she stirs her hand, it shows
  • The little hilt of horn and pearl,—even such
  • A dagger as our women of the coast
  • Twist in their garters.
  • Father, I have done:
  • And from her side now she unwinds the thick
  • 550Dark hair; all round her side it is wet through,
  • But like the sand at Iglio does not change.
  • Now you may see the dagger clearly. Father,
  • I have told all: tell me at once what hope
  • Can reach me still. For now she draws it out
  • Slowly, and only smiles as yet: look, Father,
  • She scarcely smiles: but I shall hear her laugh
  • Soon, when she shows the crimson blade to God.
Image of page [22] page: [22]
Note: blank page
Image of page 23 page: 23
JENNY.

“Vengeance of Jenny's case! Fie on her! Never name her,

child!”—( Mrs. Quickly.)

  • Lazy laughing languid Jenny,
  • Fond of a kiss and fond of a guinea,
  • Whose head is on my knee to-night;—
  • (Have all our dances left it light
  • With their wild tunes?)—Ah, Jenny, queen
  • Of kisses which the blush between
  • Could hardly make much daintier!— Nay,
  • Poor flower left torn since yesterday
  • Until to-morrow leave you bare;
  • 10Poor handful of bright spring-water
  • Flung in the whirlpool's shrieking face!—
  • Poor shameful Jenny, full of grace
  • Thus with your head upon my knee;—
  • Whose person or whose purse may be
  • The lodestar of your reverie?
  • This room of yours, my Jenny, looks
  • A change from mine so full of books,
  • Whose serried ranks hold fast, forsooth,
  • So many captive hours of youth,—
    Image of page 24 page: 24
  • 20The hours they thieve from day and night
  • To make one's cherished work come right,
  • And leave it wrong for all their theft,
  • Even as to-night my work was left:
  • Until I vowed that since my brain
  • And eyes of dancing seemed so fain,
  • My feet should have some dancing too:—
  • And thus it was I met with you.
  • Well, I suppose 'twas hard to part,
  • For here I am. And now, sweetheart,
  • 30You seem too tired to get to bed.
  • It was a careless life I led
  • When rooms like this were scarce so strange
  • Not long ago. What breeds the change,—
  • The many aims or the few years?
  • Because to-night it all appears
  • Something I do not know again.
  • The cloud's not danced out of my brain,—
  • The cloud that made the books so swim
  • At every effort's interim.
  • 40Why, Jenny, as I watch you there,—
  • For all your wealth of loosened hair,
  • Your silk ungirdled and unlac'd
  • And warm sweets open to the waist,
  • All golden in the lamplight's gleam,—
  • You know not what a book you seem,
  • Half-read by lightning in a dream!
    Image of page 25 page: 25
  • How should you know, my Jenny? Nay,
  • And I should be ashamed to say:—
  • Poor beauty, so well worth a kiss!
  • 50But while my thought runs on like this
  • With wasteful whims more than enough,
  • I wonder what you're thinking of.
  • If of myself you think at all,
  • What is the thought?—conjectural
  • On sorry matters best unsolved?—
  • Or inly is each grace revolved
  • To fit me with a lure?—or (sad
  • To think!) perhaps you're merely glad
  • That I'm not drunk or ruffianly
  • 60And let you rest upon my knee.
  • For sometimes, were the truth confess'd,
  • You're thankful for a little rest,—
  • Glad from the crush to rest within,
  • From the heart-sickness and the din
  • Where envy's voice at virtue's pitch
  • Mocks you because your gown is rich;
  • And from the pale girl's dumb rebuke,
  • Whose ill-clad grace and toil-worn look
  • Proclaim the strength that keeps her weak
  • 70And other nights than yours bespeak;
  • And from the wise unchildish elf,
  • To schoolmate lesser than himself
  • Pointing you out, what thing you are:—
    Image of page 26 page: 26
  • Yes, from the daily jeer and jar,
  • From shame and shame's outbraving too,
  • Is rest not sometimes sweet to you?—
  • But most from the hatefulness of man
  • Who spares not to end what he began,
  • Whose acts are foul and his speech hard,
  • 80Who, having used you, afterward
  • Thrusts you aside, as when I dine
  • I serve the dishes and the wine.
  • Well, handsome Jenny mine, sit up,
  • I've filled our glasses, let us sup,
  • And do not let me think of you,
  • Lest shame of yours suffice for two.
  • What, still so tired? Well, well then, keep
  • Your head there, so you do not sleep;
  • But that the weariness may pass
  • 90And leave you merry, take this glass.
  • Ah! lazy lily hand, more bless'd
  • If ne'er in rings it had been dress'd
  • Nor ever by a glove conceal'd!
  • Behold the lilies of the field,
  • They toil not neither do they spin;
  • (So doth the ancient text begin,—
  • Not of such rest as one of these
  • Can share.) Another rest and ease
  • Along each summer-sated path
  • 100From its new lord the garden hath,
    Image of page 27 page: 27
  • Than that whose spring in blessings ran
  • Which praised the righteous husbandman,
  • Ere yet, in days of hankering breath,
  • The lilies sickened unto death.
  • What, Jenny, are your lilies dead?
  • Aye, and the snow-white leaves are spread
  • Like winter on the garden-bed.
  • But you had roses left in May,—
  • They were not gone too. Jenny, nay,
  • 110But must your roses die away?
  • Even so; the leaves are curled apart,
  • Still red as from the broken heart,
  • And here's the naked stem of thorns.
  • Nay, nay, mere words. Here nothing warns
  • As yet of winter. Sickness here
  • Or want alone could waken fear,—
  • Nothing but passion wrings a tear.
  • Except when there may rise unsought
  • Haply at times a passing thought
  • 120Of the old days which seem to be
  • Much older than any history
  • That is written in any book;
  • When she would lie in fields and look
  • Along the ground through the thick grass,
  • And wonder where the city was,
  • Far out of sight, whose broil and bale
  • They told her then for a child's tale.
Image of page 28 page: 28
  • Jenny, you know the city now.
  • A child can tell the tale there, how
  • 130Some things which are not yet enroll'd
  • In market-lists are bought and sold
  • Even till the early Sunday light,
  • When Saturday night is market-night
  • Everywhere, be it dry or wet,
  • And market-night in the Haymarket.
  • Our learned London children know,
  • Poor Jenny, all your mirth and woe;
  • Have seen your lifted silken skirt
  • Advertize dainties through the dirt;
  • 140Have seen your coach-wheels splash rebuke
  • On virtue; and have learned your look
  • When, wealth and health slipped past, you stare
  • Along the streets alone, and there,
  • Round the long park, across the bridge,
  • The cold lamps at the pavement's edge
  • Wind on together and apart,
  • A fiery serpent for your heart.
  • Let the thoughts pass, an empty cloud!
  • Suppose I were to think aloud,—
  • 150What if to her all this were said?
  • Why, as a volume seldom read
  • Being opened halfway shuts again,
  • So might the pages of her brain
  • Be parted at such words, and thence
  • Close back upon the dusty sense.
    Image of page 29 page: 29
  • For is there hue or shape defin'd
  • In Jenny's desecrated mind,
  • Where all contagious currents meet,
  • A Lethe of the middle street?
  • 160Nay, it reflects not any face,
  • Nor sound is in its sluggish pace,
  • But as they coil those eddies clot,
  • And night and day remember not.
  • Why, Jenny, you're asleep at last!—
  • Asleep, poor Jenny, hard and fast,—
  • So young and soft and tired; so fair,
  • With chin thus nestled in your hair,
  • Mouth quiet, eyelids almost blue
  • As if some sky of dreams shone through!
  • 170Just as another woman sleeps!
  • Enough to throw one's thoughts in heaps
  • Of doubt and horror,—what to say
  • Or think,—this awful secret sway,
  • The potter's power over the clay!
  • Of the same lump (it has been said)
  • For honour and dishonour made,
  • Two sister vessels. Here is one.
  • My cousin Nell is fond of fun,
  • And fond of dress, and change, and praise,
  • 180So mere a woman in her ways:
  • And if her sweet eyes rich in youth
  • Are like her lips that tell the truth,
    Image of page 30 page: 30
  • My cousin Nell is fond of love.
  • And she's the girl I'm proudest of.
  • Who does not prize her, guard her well?
  • The love of change, in cousin Nell,
  • Shall find the best and hold it dear:
  • The unconquered mirth turn quieter
  • Not through her own, through others' woe:
  • 190The conscious pride of beauty glow
  • Beside another's pride in her,
  • One little part of all they share.
  • For Love himself shall ripen these
  • In a kind soil to just increase
  • Through years of fertilizing peace.
  • Of the same lump (as it is said)
  • For honour and dishonour made,
  • Two sister vessels. Here is one.
  • It makes a goblin of the sun.
  • 200So pure, so fall'n! How dare to think
  • Of the first common kindred link?
  • Yet, Jenny, till the world shall burn
  • It seems that all things take their turn;
  • And who shall say but this fair tree
  • May need, in changes that may be,
  • Your children's children's charity?
  • Scorned then, no doubt, as you are scorn'd!
  • Shall no man hold his pride forewarn'd
  • Till in the end, the Day of Days,
  • Image of page 31 page: 31
  • 210At Judgment, one of his own race,
  • As frail and lost as you, shall rise,
  • His daughter, with his mother's eyes?
  • Each of such curdled lives alike
  • A life for which my twelve hours strike
  • And time must be and time must end.
  • Hard to keep sight of! What might tend
  • To give the thought clear presence? Well,
  • Remember it is possible,
  • Whether I please or do not please,
  • 220That in the making each of these
  • A separate man has lost his soul.
  • Fair shines the gilded aureole
  • In which our highest painters place
  • Some living woman's simple face.
  • And the stilled features thus descried
  • As Jenny's long throat droops aside,—
  • The loving underlip drawn in,
  • The shadows where the cheeks are thin,
  • And pure wide curve from ear to chin,—
  • 230With Raffael's or Da Vinci's hand
  • To show them to men's souls, might stand,
  • Whole ages long, the whole world through,
  • For preachings of what God can do.
  • What has man done here? How atone,
  • Great God, for this which man has done?
  • And for the body and soul which by
    Image of page 32 page: 32
  • Man's pitiless doom must now comply
  • With lifelong hell, what lullaby
  • Of sweet forgetful second birth
  • 240Remains? All dark. No sign on earth
  • What measure of God's rest endows
  • The many mansions of his house.
  • If but a woman's heart might see
  • Such erring heart unerringly
  • For once! But that can never be.
  • Like a rose shut in a book
  • In which pure women may not look,
  • For its base pages claim control
  • To crush the flower within the soul;
  • 250Where through each dead rose-leaf that clings,
  • Pale as transparent psyche-wings,
  • To the vile text, are traced such things
  • As might make lady's cheek indeed
  • More than a living rose to read;
  • So nought save foolish foulness may
  • Watch with hard eyes the sure decay;
  • And so the life-blood of this rose,
  • Puddled with shameful knowledge, flows
  • Through leaves no chaste hand may unclose:
  • 260Yet still it keeps such faded show
  • Of when 'twas gathered long ago,
  • That the crushed petals' lovely grain,
  • The sweetness of the sanguine stain,
    Image of page 33 page: 33
    Sig. D
  • Seen of a woman's eyes, must make
  • Her pitiful heart, so prone to ache,
  • Love roses better for its sake:—
  • Only that this can never be:—
  • Even so unto her sex is she.
  • Yet, Jenny, looking long at you,
  • 270The woman almost fades from view.
  • A cypher of man's changeless sum
  • Of lust, past, present, and to come,
  • Is left. A riddle that one shrinks
  • To challenge from the scornful sphinx.
  • Like a toad within a stone
  • Seated while Time crumbles on;
  • Which sits there since the earth was curs'd
  • For Man's transgression at the first;
  • Which, living through all centuries,
  • 280Not once has seen the sun arise;
  • Whose life, to its cold circle charmed,
  • The earth's whole summers have not warmed;
  • Which always—whitherso the stone
  • Be cast—sits there, deaf, blind, alone;—
  • Aye, and shall not be driven out
  • Till that which shuts him round about
  • Break at the very Master's stroke,
  • And the dust thereof vanish as smoke,
  • And the seed of Man vanish as dust:—
  • 290Even so within this world is Lust.
Image of page 34 page: 34
  • Come, come, what use in thoughts like this?
  • Poor little Jenny, good to kiss,—
  • You'd not believe by what strange roads
  • Thought travels, when your beauty goads
  • A man to-night to think of toads!
  • Jenny, wake up. . . . Why, there's the dawn!
  • And there's an early waggon drawn
  • To market, and some sheep that jog
  • Bleating before a barking dog;
  • 300And the old streets come peering through
  • Another night that London knew;
  • And all as ghostlike as the lamps.
  • So on the wings of day decamps
  • My last night's frolic. Glooms begin
  • To shiver off as lights creep in
  • Past the gauze curtains half drawn-to,
  • And the lamp's doubled shade grows blue,—
  • Your lamp, my Jenny, kept alight,
  • Like a wise virgin's, all one night!
  • 310And in the alcove coolly spread
  • Glimmers with dawn your empty bed;
  • And yonder your fair face I see
  • Reflected lying on my knee,
  • Where teems with first foreshadowings
  • Your pier-glass scrawled with diamond rings.
  • And somehow in myself the dawn
    Image of page 35 page: 35
  • Among stirred clouds and veils withdrawn
  • Strikes greyly on her. Let her sleep.
  • But will it wake her if I heap
  • 320These cushions thus beneath her head
  • Where my knee was? No,—there's your bed,
  • My Jenny, while you dream. And there
  • I lay among your golden hair
  • Perhaps the subject of your dreams,
  • These golden coins.
  • For still one deems
  • That Jenny's flattering sleep confers
  • New magic on the magic purse,—
  • Grim web, how clogged with shrivelled flies!
  • Between the threads fine fumes arise
  • 330And shape their pictures in the brain.
  • There roll no streets in glare and rain,
  • Nor flagrant man-swine whets his tusk;
  • But delicately sighs in musk
  • The homage of the dim boudoir;
  • Or like a palpitating star
  • Thrilled into song, the opera-night
  • Breathes faint in the quick pulse of light;
  • Or at the carriage-window shine
  • Rich wares for choice; or, free to dine,
  • 340Whirls through its hour of health (divine
  • For her) the concourse of the Park.
  • And though in the discounted dark
  • Her functions there and here are one,
  • Beneath the lamps and in the sun
  • Image of page 36 page: 36
  • There reigns at least the acknowledged belle
  • Apparelled beyond parallel.
  • Ah Jenny, yes, we know your dreams.
  • For even the Paphian Venus seems
  • A goddess o'er the realms of love,
  • 350When silver-shrined in shadowy grove:
  • Aye, or let offerings nicely placed
  • But hide Priapus to the waist,
  • And whoso looks on him shall see
  • An eligible deity.
  • Why, Jenny, waking here alone
  • May help you to remember one!
  • I think I see you when you wake,
  • And rub your eyes for me, and shake
  • My gold, in rising, from your hair,
  • 360A Danaë for a moment there.
  • Jenny, my love rang true! for still
  • Love at first sight is vague, until
  • That tinkling makes him audible.
  • And must I mock you to the last,
  • Ashamed of my own shame, aghast
  • Because some thoughts not born amiss
  • Rose at a poor fair face like this?
  • Well, of such thoughts so much I know:
    Image of page 37 page: 37
  • In my life, as in hers, they show,
  • 370By a far gleam which I may near,
  • A dark path I can strive to clear.
  • Only one kiss. Goodbye, my dear.
Image of page [38] page: [38]
Note: blank page
Image of page 39 page: 39
THE PORTRAIT.
  • This is her picture as she was:
  • It seems a thing to wonder on,
  • As though mine image in the glass
  • Should tarry when myself am gone.
  • I gaze until she seems to stir,
  • Until mine eyes almost aver
  • That now, even now, the sweet lips part
  • To breathe the words of the sweet heart:—
  • And yet the earth is over her.
  • 10In painting her I shrined her face
  • Mid mystic trees, where light falls in
  • Hardly at all; a covert place
  • Where you might think to find a din
  • Of doubtful talk, and a live flame
  • Wandering, and many a shape whose name
  • Not itself knoweth, and old dew,
  • And your own footsteps meeting you,
  • And all things going as they came.
Image of page 40 page: 40
  • A deep dim wood; and there she stands
  • 20 As in that wood that day. At least,
  • Thus was the movement of her hands
  • And thus the carriage of her waist.
  • And passing fair the type must seem,
  • Unknown the presence and the dream.
  • 'Tis she: though of herself, alas!
  • Less than her shadow on the grass
  • Or than her image in the stream.
  • That day we met there, I and she
  • One with the other all alone;
  • 30And we were blithe; yet memory
  • Saddens those hours, as when the moon
  • Looks upon daylight. And with her
  • I stooped to drink the spring-water,
  • Athirst where other waters sprang;
  • And where the echo is, she sang,—
  • My soul another echo there.
  • Last night at last I could have slept,
  • And yet delayed my sleep till dawn,
  • Still wandering. Then it was I wept:
  • 40 For unawares I came upon
  • Those glades where then she walked with me:
  • And as I stood there suddenly,
  • All wan with traversing the night,
  • Upon the desolate verge of light
  • Yearned loud the iron-bosomed sea.
Image of page 41 page: 41
  • Even so, where Heaven holds breath and hears
  • The beating heart of Love's own breast,
  • Where round the secret of all spheres
  • All angels lay their wings to rest,
  • 50How shall my soul stand rapt and awed,
  • When, by the new birth borne abroad
  • Throughout the music of the suns,
  • It enters in her soul at once
  • And knows the silence there for God!
  • Here with her face doth memory sit
  • Meanwhile, and wait the day's decline,
  • Till other eyes shall look from it,
  • Eyes of the spirit's Palestine,
  • Even than the old gaze tenderer:
  • 60While hopes and aims long lost with her
  • Stand round her image side by side,
  • Like tombs of pilgrims that have died
  • About the Holy Sepulchre.
Image of page [42] page: [42]
Note: blank page
Image of page 43 page: 43
THE SEA-LIMITS.
  • Consider the sea's listless chime:
  • Time's self it is, made audible,—
  • The murmur of the earth's own shell.
  • Secret continuance sublime
  • Is the sea's end: our sight may pass
  • No furlong further. Since time was,
  • This sound hath told the lapse of time.
  • No quiet, which is death's,—it hath
  • The mournfulness of ancient life,
  • 10 Enduring always at dull strife.
  • As the world's heart of rest and wrath,
  • Its painful pulse is in the sands.
  • Last utterly, the whole sky stands,
  • Grey and not known, along its path.
  • Listen alone beside the sea,
  • Listen alone among the woods;
  • Those voices of twin solitudes
  • Shall have one sound alike to thee:
  • Hark where the murmurs of thronged men
    Image of page 44 page: 44
  • 20 Surge and sink back and surge again,—
  • Still the one voice of wave and tree.
  • Gather a shell from the strown beach
  • And listen at its lips: they sigh
  • The same desire and mystery,
  • The echo of the whole sea's speech.
  • And all mankind is thus at heart
  • Not anything but what thou art:
  • And Earth, Sea, Man, are all in each.
Image of page 45 page: 45
SAINT LUKE THE PAINTER.
  • Give honour unto Luke Evangelist;
  • For he it was (the aged legends say)
  • Who first taught Art to fold her hands and pray.
  • Scarcely at once she dared to read the mist
  • Of devious symbols: but soon having wist
  • How sky-breadth and field-silence and this day
  • Are symbols also in some deeper way,
  • She looked through these to God and was God's priest.
  • And if, past noon, her toil began to irk,
  • 10And she sought talismans, and turned in vain
  • To soulless self-reflections of man's skill,—
  • Yet now, in this the twilight, she might still
  • Kneel in the latter grass to pray again,
  • Ere the night cometh and she may not work.
Image of page [46] page: [46]
Note: blank page
Image of page 47 page: 47
DANTE AT VERONA.
  • ‘Yea, thou shalt learn how salt his food who fares
  • Upon another's bread,—how steep his path
  • Who treadeth up and down another's stairs.’
( Div. Com. Parad. xvii.)
  • ‘Behold, even I, even I am Beatrice.’
( Div. Com. Purg. xxx.)
  • Of Florence and of Beatrice
  • Servant and singer from of old,
  • O'er Dante's heart in youth had toll'd
  • The knell that gave his Lady peace;
  • And now in manhood flew the dart
  • Wherewith his City pierced his heart.
  • Yet if his Lady's home above
  • Was heaven, on earth she filled his soul;
  • And if his City held control
  • 10To cast the body forth to rove,
  • The soul could soar from earth's vain throng
  • And Heaven and Hell fulfil the song.
  • Follow his feet's appointed way;—
  • But little light we find that clears
  • The darkness of the exiled years.
  • Follow his spirit's journey:—nay,
    Image of page 48 page: 48
  • What fires are blent, what winds are blown
  • On paths his feet may tread alone?
  • Yet of the two-fold life he led
  • 20 In chainless thought and fettered will
  • Some glimpses reach us,—somewhat still
  • Of the steep stairs and bitter bread,—
  • Of the soul's quest whose stern avow
  • For years had made him haggard now.
  • Alas! the Sacred Song whereto
  • Both heaven and earth had set their hand
  • Not only at Fame's gate did stand
  • Knocking to claim the passage through,
  • But toiled to ope that heavier door
  • 30 Which Florence shut for evermore.
  • Shall not his birth's baptismal Town
  • One last high presage yet fulfil,
  • And at that font in Florence still
  • His forehead take the laurel-crown?
  • O God! or shall dead souls deny
  • The undying soul its prophecy?
  • Aye, 'tis their hour. Not yet forgot
  • The bitter words he spoke that day
  • When for some great charge far away
  • 40Her rulers his acceptance sought.
  • ‘And if I go, who stays?’—so rose
  • His scorn:—‘and if I stay, who goes?’
Image of page 49 page: 49
Sig. E
  • ‘Lo! thou art gone now, and we stay:’
  • (The curled lips mutter): ‘and no star
  • Is from the mortal path so far
  • As streets were childhood knew the way.
  • To Heaven and Hell thy feet may win,
  • But thine own house they come not in.’
  • Therefore, the loftier rose the song
  • To touch the secret things of God,
  • The deeper pierced the hate that trod
  • 10On base men's track who wrought the wrong;
  • Till the soul's effluence came to be
  • Its own exceeding agony.
  • Even such was Dante's mood, when now,
  • Mocked for long years with Fortune's sport,
  • He dwelt at yet another court,
  • There where Verona's knee did bow
  • And her voice hailed with proud acclaim
  • Can Grande della Scala's name.
  • As that lord's kingly guest awhile
  • 20 His life we follow; through the days
  • Which walked in exile's barren ways,—
  • The nights which still beneath one smile
  • Heard through all spheres one song increase,—
  • ‘Even I, even I am Beatrice.’
Image of page 50 page: 50
  • At Can La Scala's court, no doubt,
  • Due reverence did his steps attend;
  • The ushers on his path would bend
  • At ingoing as at going out;
  • The penmen waited on his call
  • 30 At council-board, the grooms in hall.
  • And pages hushed their laughter down,
  • And squires would still the merry stir,
  • When he passed up the dais-chamber
  • With set brows lordlier than a frown;
  • And tire-maids hidden among these
  • Drew close their loosened boddices.
  • Perhaps the priests, fed there to ban
  • Or bless on bidding, if at whiles
  • They found him wandering in their aisles,
  • 40 Grudged ghostly greeting to the man
  • By whom, though not of ghostly guild,
  • With Heaven and Hell men's hearts were fill'd.
  • And the court-poets (he, forsooth,
  • A whole world's poet strayed to court!)
  • Had for his scorn their hate's retort.
  • He'd meet them flushed with easy youth,
  • Hot on their errands. Like noon-flies
  • They vexed him in the ears and eyes.
Image of page 51 page: 51
  • But at this court, peace still must wrench
  • 50 Her chaplet from the teeth of war:
  • By day they held high watch afar,
  • At night they cried across the trench;
  • And still, in Dante's path, the fierce
  • Gaunt soldiers wrangled o'er their spears.
  • But vain seemed all the strength to him,
  • As golden convoys sunk at sea
  • Whose wealth might root out penury:
  • Because it was not, limb with limb,
  • Knit like his heart-strings round the wall
  • 60 Of Florence, that her foes might fall.
  • Yet in the tiltyard, when the dust
  • Cleared from the sundered press of knights
  • Ere yet again it swoops and smites,
  • He almost deemed his longing must
  • Find force to wield that multitude
  • And hurl that strength the way he would.
  • How should he move them,—fame and gain
  • On all hands calling them at strife?
  • He still might find but his one life
  • 70To give, by Florence counted vain;
  • One heart the false hearts made her doubt;
  • One voice she heard once and cast out.
Image of page 52 page: 52
  • Oh! if his Florence could but come,
  • A lily-sceptered damsel fair,
  • As her own Giotto painted her
  • On many shields and gates at home,—
  • A lady crowned, at her soft pace
  • Riding the lists round to the dais:
  • Till where Can Grande rules the lists,
  • 80 As young as Truth, as calm as Farce,
  • She draws her rein now, while her horse
  • Bows at the turn of the white wrists;
  • And when each knight within his stall
  • Gives ear, she speaks and tells them all:
  • All the foul tale,—truth sworn untrue,
  • And falsehood's triumph. All the tale?
  • Great God! and must she not prevail
  • To fire them ere they heard it through,—
  • And hand achieve ere heart could rest
  • 90 That high adventure of her guest?
  • How would his Florence lead them forth,
  • Her bridle ringing as she went;
  • And at the last within her tent,
  • 'Neath golden lilies worship-worth,
  • How queenly would she bend the while
  • And thank the victors with her smile!
Image of page 53 page: 53
  • Peace, Dante, peace! The task is long,
  • The time wears short to compass it.
  • Within thine heart such hopes may flit
  • 100 And find a voice in deathless song:
  • But lo! as children of man's earth,
  • These hopes are dead before their birth.
  • Fame tells us that Verona's court
  • Was a fair place. The feet might still
  • Wander for ever at their will
  • In many ways of sweet resort;
  • And still in many a heart around
  • The Poet's name due honour found.
  • Watch we his steps. He comes upon
  • 110 The women at their palm-playing.
  • The conduits round the gardens sing
  • And meet in scoops of milk-white stone,
  • Where wearied damsels rest and hold
  • Their hands in the wet spurt of gold.
  • One of whom, knowing well that he,
  • By some found stern, was mild with them,
  • Would run and pluck his garment's hem,
  • Saying, ‘Messer Dante, pardon me,’—
  • Praying that they might hear the song
  • 120 Which first of all he made, when young.
Image of page 54 page: 54
  • ‘Donne che avete’* ...... thereunto
  • Thus would he murmur, having first
  • Drawn near the fountain, while she nurs'd
  • His hand against her side: a few
  • Sweet words, and scarcely those, half said:
  • Then turned, and changed, and bowed his head.
  • For then the voice said in his heart,
  • ‘Even I, even I am Beatrice;’
  • And his whole life would yearn to cease:
  • 130Till having reached his room, apart
  • Beyond vast lengths of palace-floor,
  • He drew the arras round his door.
  • At such times, Dante, thou hast set
  • Thy forehead to the painted pane
  • Full oft, I know; and if the rain
  • Smote it outside, her fingers met
  • Thy brow; and if the sun fell there,
  • Her breath was on thy face and hair.
  • Then, weeping, I think certainly
  • 140 Thou hast beheld, past sight of eyne,—
  • Within another room of thine
  • Where now thy body may not be
  • But where in thought thou still remain'st,—
  • A window often wept against:
Transcribed Footnote (page 54):

*‘Donne che avete intelletto d'amore:’—the first canzone of

the ‘Vita Nuova.’

Image of page 55 page: 55
  • The window thou, a youth, hast sought,
  • Flushed in the limpid eventime,
  • Ending with daylight the day's rhyme
  • Of her; where oftenwhiles her thought
  • Held thee—the lamp untrimmed to write—
  • 150 In joy through the blue lapse of night.
  • At Can La Scala's court, no doubt,
  • Guests seldom wept. It was brave sport,
  • No doubt, at Can La Scala's court,
  • Within the palace and without;
  • Where music, set to madrigals,
  • Loitered all day through groves and halls.
  • Because Can Grande of his life
  • Had not had six-and-twenty years
  • As yet. And when the chroniclers
  • 160Tell you of that Vicenza strife
  • And of strifes elsewhere,—you must not
  • Conceive for church—sooth he had got.
  • Just nothing in his wits but war:
  • Though certes 'twas the young man's joy
  • (Grown with his growth from a mere boy,)
  • To mark his ‘Viva Cane!’ scare
  • The foe's shut front, till it would reel
  • All blind with shaken points of steel.
Image of page 56 page: 56
  • But there were places—held too sweet
  • 170 For eyes that had not the due veil
  • Of lashes and clear lids—as well
  • In favour as in saddle-seat:
  • Breath of low speech he scorned not there
  • Nor light cool fingers in his hair.
  • Yet if the child whom the sire's plan
  • Made free of a deep treasure-chest
  • Scoffed it with ill-conditioned jest,—
  • We may be sure too that the man
  • Was not mere thews, nor all content
  • 180 With lewdness swathed in sentiment.
  • So you may read and marvel not
  • That such a man as Dante—one
  • Who, while Can Grande's deeds were done,
  • Had drawn his robe round him and thought—
  • Now at the same guest-table far'd
  • Where keen Uguccio wiped his beard.*
  • Through leaves and trellis-work the sun
  • Left the wine cool within the glass,—
  • They feasting where no sun could pass:
  • 190And when the women, all as one,
  • Rose up with brightened cheeks to go,
  • It was a comely thing, we know.
Transcribed Footnote (page 56):

* Uguccione della Faggiuola, Dante's former protector, was

now his fellow-guest at Verona.

Image of page 57 page: 57
  • But Dante recked not of the wine,
  • Whether the women stayed or went,
  • His visage held one stern intent:
  • And when the music had its sign
  • To breathe upon them for more ease,
  • Sometimes he turned and bade it cease.
  • And if some envoy from afar
  • 200 Sailed to Verona's sovereign port
  • For aid or peace, and all the court
  • Fawned on its lord, ‘the Mars of war,
  • Sole arbiter of life and death,’—
  • Be sure that Dante saved his breath.
  • And Can La Scala marked askance
  • These things, accepting them for shame
  • And scorn, till Dante's guestship came
  • To be a peevish sufferance:
  • His host sought ways to make his days
  • 210 Hateful; and such have many ways.
  • There was a Jester, a foul lout
  • Whom the court loved for graceless arts;
  • Sworn scholiast of the bestial parts
  • Of speech; a ribald mouth to shout
  • In Folly's horny tympanum
  • Such things as make the wise man dumb.
Image of page 58 page: 58
  • Much loved, him Dante loathed. And so,
  • One day when Dante felt perplex'd
  • If any day that could come next
  • 220Were worth the waiting for or no,
  • Till now his scanty speech quite ceas'd,—
  • Can Grande summoned in this beast.
  • Rank words, with such, are wit's best wealth.
  • Lords mouthed approval; ladies kept
  • Twittering with clustered heads, except
  • Some few that took their trains by stealth
  • And went. Can Grande shook his hair
  • And smote his thighs and laughed i' the air.
  • Then, facing on his guest, he cried,—
  • 230 ‘Say, Messer Dante, how it is
  • I get out of a clown like this
  • More than your wisdom can provide?’
  • And Dante: ‘'Tis man's ancient whim
  • That still his like seems good to him’—
  • But wherefore should we turn the grout
  • In a drained cup, or be at strife
  • From the worn garment of a life
  • To rip the twisted ravel out?
  • Good needs expounding; but of all
  • 240 Each hath enough to guess his fill.
Image of page 59 page: 59
  • They named him Justicer-at-Law:
  • Each month to bear the tale in mind
  • Of hues a wench might wear unfin'd
  • And of the load an ox might draw;
  • To cavil in the weight of bread
  • And to see purse-thieves gibbeted.
  • And when his spirit wove the spell
  • (From under even to over noon
  • In converse with itself alone,)
  • 250As high as Heaven, as low as Hell,—
  • He would be summoned and must go:
  • For had not Gian stabbed Giacomo?
  • Therefore the bread he had to eat
  • Seemed brackish, less like corn than tares;
  • And the rush-strown accustomed stairs
  • Each day were steeper to his feet;
  • And when the night-vigil was done,
  • His brows would ache to feel the sun.
  • Nevertheless, when through his kin
  • 260 There came the tidings how at last
  • In Florence a decree was pass'd
  • Whereby all banished folk might win
  • Free pardon so a fine were paid
  • And act of public penance made,—
Image of page 60 page: 60
  • This Dante writ in answer thus,
  • Words such as these: ‘That clearly they
  • In Florence must not have to say,—
  • The man abode aloof from us
  • Nigh fifteen years, yet lastly skulk'd
  • 270 Hither to candleshrift or mulct.
  • ‘That he was one the Heavens forbid
  • To traffic in God's justice sold
  • By market-weight of earthly gold,
  • Or to bow down over the lid
  • Of steaming censers, and so be
  • Made clean of manhood's obloquy.
  • ‘That since no gate led, by God's will,
  • To Florence, but the one whereat
  • The priests and money-changers sat,
  • 280He still would wander; for that still,
  • Even through the body's prison-bars,
  • His soul possessed the sun and stars.’
  • Such were his words. It is indeed
  • For ever well our singers should
  • Utter good words and know them good
  • Not through song merely; with close heed
  • Lest, having spent for the work's sake
  • Six days, the man be left to make.
Image of page 61 page: 61
  • Months o'er Verona, till the feast
  • 290 Was come for Florence the Free Town:
  • And at the shrine of Baptist John
  • The exiles, girt with many a priest
  • And carrying candles as they went,
  • Were held to mercy of the saint.
  • On the high seats in sober state,—
  • Gold neck-chains range o'er range below
  • Gold screen-work where the lilies grow,—
  • The Heads of the Republic sate,
  • Marking the humbled face go by
  • 300 Each one of his house-enemy.
  • And as each proscript rose and stood
  • From kneeling in the ashen dust
  • On the shrine-steps, some magnate thrust
  • A beard into the velvet hood
  • Of his front colleague's gown, to see
  • The cinders stuck in the bare knee.
  • Tosinghi passed, Manelli passed,
  • Rinucci passed, each in his place;
  • But not an Alighieris' face
  • 310Went by that day from first to last
  • In the Republic's triumph; nor
  • A foot came home to Dante's door.
Image of page 62 page: 62
  • ( Respublica—a public thing:
  • A shameful shameless prostitute,
  • Whose lust with one lord may not suit,
  • So takes by turns its revelling
  • A night with each, till he at morn
  • Is stripped and beaten forth forlorn,
  • And leaves her, cursing her. If she,
  • 320 Indeed, have not some spice-draught, hid
  • In scent under a silver lid,
  • To drench his open throat with—he
  • Once hard asleep; and thrust him not
  • At dawn beneath the boards to rot.)
  • Years filled out their twelve moons, and ceased
  • One in another; and alway
  • There were the whole twelve hours each day
  • And each night as the years increased;
  • And rising moon and setting sun
  • 330 Beheld that Dante's work was done.
  • What of his work for Florence? Well
  • It was, he knew, and well must be.
  • Yet evermore her hate's decree
  • Dwelt in his thought intolerable:—
  • His body to be burned,*—his soul
  • To beat its wings at hope's vain goal.
Transcribed Footnote (page 62):

* Such was the last sentence passed by Florence against Dante,

as a recalcitrant exile.

Image of page 63 page: 63
  • What of his work for Beatrice?
  • Now well-nigh was the third song writ,—
  • The stars a third time scaling it
  • 340With sudden music of pure peace:
  • For echoing thrice the threefold song,
  • The unnumbered stars the tone prolong.*
  • Each hour, as then the Vision pass'd,
  • He heard the utter harmony
  • Of the nine trembling spheres, till she
  • Bowed her eyes towards him in the last,
  • So that all ended with her eyes,
  • Hell, Purgatory, Paradise.
  • ‘It is my trust, as the years fall,
  • 350 To write more worthily of her
  • Who now, being made God's minister,
  • Looks on His visage and knows all.’
  • Such was the hope that he dared send
  • Forth solemnly, to make an end
  • Of the ‘New Life,’ his youth's dear book.
  • Adding thereunto: ‘In such trust
  • I labour, and believe I must
  • Accomplish this which my soul took
  • In charge, if God, my Lord and hers,
  • 360 Leave my life with me a few years.’
Transcribed Footnote (page 63):

‘E quirdi uscimmo a riveder le stelle.’ Inferno.

‘Puro e disposto a salire alle stelle.’ Purgatorio.

‘L'amor che muove il sole e l'altre stelle.’ Paradiso.

Image of page 64 page: 64
  • The trust which he had borne in youth
  • Was all at length accomplished. He
  • At length had written worthily—
  • Yea even of her; no rhymes uncouth
  • 'Twixt tongue and tongue; but by God's aid
  • The first words Italy had said.
  • Ah! haply now the heavenly guide
  • Was not the last form seen by him:
  • But there that Beatrice stood slim
  • 370And bowed in passing at his side,
  • For whom in youth his heart made moan
  • Then when the city sat alone.
  • Clearly herself; the same whom he
  • Met, not past girlhood, in the street,
  • Low-bosomed and with hidden feet;
  • And then as woman perfectly,
  • In years that followed, more than once,—
  • And now at last among the suns,
  • In that high vision. But indeed
  • 380 It may be that his mind could fall
  • Back soonest to the first of all,—
  • The child his boyhood bore in heed
  • Nine years. At length the voice brought peace,—
  • ‘Even I, even I am Beatrice.’
Image of page 65 page: 65
Sig. F
  • All this, being there, we had not seen.
  • Seen only was the shadow wrought
  • On the strong features bound in thought;
  • The vagueness gairing gait and mien;
  • The white streaks gathering clear to view
  • 390 In the burnt beard the women knew.
  • For a tale tells that on his track,
  • As through Verona's streets he went,
  • This saying certain women sent:—
  • ‘Lo, he that strolls to Hell and back
  • At will! Behold him, how Hell's reek
  • Has crisped his beard and singed his cheek.’
  • ‘Whereat’ (Boccaccio's words) ‘he smil'd
  • For pride in fame.’ It might be so:
  • Nevertheless we cannot know
  • 400If then his thought were not beguil'd
  • To mirth, for that he scarce could tell
  • If he indeed were back from Hell.
  • So the day came, after a space,
  • When Dante felt assured that there
  • The sunshine must lie sicklier
  • Even than in any other place,
  • Save only Florence. When that day
  • Had come, he rose and went his way.
Image of page 66 page: 66
  • He went and turned not. From his shoes
  • 410 It may be that he shook the dust,
  • As every righteous dealer must
  • Not less than once ere life can close;
  • And unaccomplished destiny
  • Struck cold his forehead, it may be.
  • No book keeps record how the Prince
  • Sunned himself out of Dante's reach,
  • Nor how the Jester stank in speech;
  • While courtiers, used to smile and wince,
  • Poets and harlots, all the throng,
  • 420 Let loose their slaver and their song.
  • No book keeps record if the seat
  • Which Dante had at his host's board
  • Were sat in next by clerk or lord,—
  • If leman lolled with dainty feet
  • At ease, or hostage brooded there,
  • Or priest lacked silence for his prayer.
  • Eat and wash hands, Can Grande;—scarce
  • We know their deeds now: hands which fed
  • Our Dante with that bitter bread;
  • 430And thou the watch-dog of those stairs
  • Whereon the weary footsteps fell,
  • That knew the paths of Heaven and Hell.
Image of page 67 page: 67
  • Now do Thou let thy servant, Lord,—
  • Who now hath suffered all the heart
  • And the soul can on earth,—depart
  • In peace according to thy word?
  • His eyes (are not the lids still wet?)
  • Beheld not thy salvation yet.
Image of page [68] page: [68]
Note: blank page
Electronic Archive Edition: 1
Copyright: ©The Huntington Library