---

• Our Lombard country-girls along the coast
• Wear daggers in their garters; for they know
• That they might hate another girl to death
• Or meet a German lover. Such a knife
• I bought her, with a hilt of horn and pearl.

• Father, you cannot know of all my thoughts
• That day in going to meet her,—that last day
• For the last time, she said;—of all the love
• And all the hopeless hope that she might change
• 10And go back with me. Ah! and everywhere,
• At places we both knew along the road,
• Some fresh shape of herself as once she was
• Grew present at my side; until it seemed—
• So close they gathered round me—they would all
• Be with me when I reached the spot at last,
• To plead my cause with her against herself
• So changed. O Father, if you knew all this
• You cannot know, then you would know too, Father,
• And only then, if God can pardon me.
• 20What can be told I'll tell, if you will hear.

• I passed a village-fair upon my road,
• And thought, being empty-handed, I would take
• Some little present, which might prove that day
• Either a pledge between us, or (God help me!)
• A parting gift. And there I bought the knife. it was I bought
• Added TextThe knife I spoke of, such as women wear.

• That day, some three hours afterwards, I found
• For certain, it must be a parting gift.
• And, standing silent now at last, I looked
• 30Into her scornful face; and heard the sea
• Still trying hard to din into my ears
• Some speech it knew which still might change her heart
• If only it could make me understand.
• One moment thus. Another, and her face
• Seemed further off than the last line of sea,
• So that I thought, if now she were to speak
• I could not hear her. Then again I knew
• All, as we stood together on the sand
• At Iglio, in the first thin shade o'the hills.

• 40‘Take it,’ I said, and held it out to her,
• While the hilt glanced within my trembling hold;
• ‘Take it,’I said, ‘and keep it for my sake.’
• Her neck did not unbend, nor did her eyes drooped her eyes
• Fall, nor Nor did her foot left leave beating of the sand;
• Only she put it by from her and laughed.
• Father, you hear my speech and not her laugh;
• But God was there and heard. Father, will God
• Pardon me this? Remember it all? He heard her when she laughed.

• I have been speaking to you of some matters
• 50There was no need to speak of, have I not?
• You do not know how clearly those things stood
• Within my mind, which I have spoken of,
• Nor how they strove for utterance. Life all past
• Is like the sky when the sun sets in it,
• Clearest where furthest off.

• I told you how
• She scorned my parting gift and laughed. And yet
• A woman's laugh  's another thing sometimes:
• I think they laugh in Heaven. I know last night
• I dreamed I saw into the garden of God,
• 60Where women walked whose painted images
• I have seen with candles round them in the Church.
• They bent this way and that, one to another,
• Playing: and over the long golden hair
• Of each there floated like a ring of fire
• Which when she stooped stooped with her, and when she rose
• Rose with her. Then a breeze flew in among them,
• As if a window had been opened in heaven
• For God to give his blessing from, before
• This world of ours should set; (for in my dream
• 70I thought our world was setting, and the sun
• Flared a spent taper;) and beneath that gust
• The rings of light quivered like forest-leaves.
• Then all the blessed maidens who were there
• Stood up together, as it were a voice
• That called them; and they threw their white throats tresses back,
• Making their bosoms all jut out at once,
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• And smote their palms, and all laughed up at once,
• For the strong heavenly joy they had in them
• To hear God bless the world. Wherewith I woke:
• 80And looking round, I saw as usual
• That she was standing there with her long locks
• Pressed to her side; and her laugh ended theirs.

• For always when I see her now, she laughs.
• And yet her childish laughter haunts me too,
• The life of this dead terror; as in days
• When she, a child, dwelt with me. I must tell
• Something of those days yet before the end.

• I brought her from the city—one such day
• When she was still a merry loving child,—
• 90The earliest gift I mind my giving her;
• A little image of a flying love
• Made of our coloured glass ware, in his hands
• A dart of gilded metal and a torch.
• And him she kissed and me, and fain would know
• Why were his poor eyes blindfold, why the wings
• And why the arrow. What I knew I told
• Of Venus and of Cupid,—strange old tales.
• And when she heard that he could rule the loves
• Of men and women, still she shook her head
• 100And wondered; and, ‘Nay, nay,’ she murmured still,
• ‘So strong, and he a younger child than I!’
• And then she'd have me fix him on the wall
• Fronting her little bed; and then again
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Editorial Description: Lower-case letters hand-written in upper-left corner of page. Not in DGR's penmanship.
• She needs must fix him there herself, because
• I gave him to her and she loved him so,
• And he should make her love me better yet,
• If women loved the more, the more they grew.
• But the fit place upon the wall was high
• For her, and so I held her in my arms:
• 110And each time that the heavy pruning -hook
• I gave her for a hammer slipped away
• As it would often, still she laughed and laughed
• And kissed and kissed me. But amid her mirth,
• Just as she hung the image on the nail,
• It slipped and all its fragments strewed the ground:
• And as it fell she screamed, for in her hand
• The dart had entered deeply and drawn blood.
• And so her laughter turned to tears: and ‘Oh!’
• I said, the while I bandaged the small hand,—
• 120‘That I should be the first to make you bleed,
• Who love and love and love you!’—kissing still
• The fingers till I got her safe to bed.
• And still she sobbed,—‘not for the pain at all,’
• She said, ‘but for the Love, the poor good Love
• You gave me.’ So she cried herself to sleep.

• Another later thing comes back to me ,
• 'Twas in those hardest foulest days of all,
• When still from his shut palace, sitting clean
• Above the splash of blood, old M i etternich
• 130(May his soul die, and never-dying worms
• Feast on its pain for ever!) used to thin
• His year's doomed hundreds daintily, each month
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• Thirties and fifties. This time, as I think,
• Was when his thrift forbad the poor to take
• That evil brackish salt which the dry rocks
• Keep all through winter when the sea draws in.
• The first I heard of it was a chance shot
• Here and there in the street, and on the stones
• A stumbling clatter as of horse hemmed round.
• 140Then, when she saw me hurry out of doors,
• My gun slung at my shoulder and my knife
• Stuck in my girdle, she smoothed down my hair
• And laughed to see me look so brave, and leaped
• Up to my neck and kissed me. She was still
• A child; and yet that kiss was on my lips
• So hot all day where the smoke shut us in.

• For now, being always with her, the first love
• I had—the father's brother's — , love—was changed,
• I think, in somewise; like a holy thought
• 150Which is a prayer before one knows of it.
• The first time I perceived this, I remember,
• Was once when after hunting I came home
• Weary, and she brought food and fruit for me,
• And sat down at my feet upon the floor
• Leaning against my side. But when I felt
• Her sweet head reach from that low seat of hers
• So high as to be laid upon my heart,
• I turned and looked upon my darling there
• And marked for the first time how tall she was;
• 160And my heart beat with so much violence
• Under her cheek, I thought she could not choose
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Manuscript Addition: a
Editorial Description: Lower-case letter hand-written in upper left-hand corner of page. Not in DGR's penmanship.
• But wonder at it soon and ask me why;
• And so I bade her rise and eat with me.
• And when, remembering all and counting back
• The time s , I made out thirteen years for her
• And told her so, she gazed into my face at me with eyes
• Added TextAs of the sky and sea on a

  Transcription Gap: at least one letter (image trunc)

  grey days
• And bent her body back like a bent bow,
• And drew her long hands through her hair, and asked me
• If she was not a woman; and then laughed:
• 170And as she stooped in laughing, I could see
• Beneath the growing throat the breasts half globed
• Like folded lilies deepest deepset in the stream.

• Yes, let me think of her as then; for so
• Her image, Father, does not bring the sights
• Which come when you are gone. She had a mouth
• Made to bring death to life,—the under lip
• Sucked in, as if it strove to kiss itself.
• Her face was ever pale, as when one stoops
• Over wan water; and the dark crisped hair
• 180And the hair's shadow made it paler still , :—
Added Text
Added Text [?]Deep-serried locks, a the darkness like of the cloud
That the moon [?] in eddying waves of gloom.


Where
Added TextWhere the moon's gaze is shrined in eddying gloom.
Transcription Gap: two lines
Editorial Description: Two lines curving around the bottom right corner, which are apparently intended to follow the existing lines inserted after line 180, have been stricken through several times.
• Her body bore her neck as the tree's stem
• Bears the top branch; and as the branch sustains
• Its pride of flower s and fruit, her high neck bore
• That face made wonderful with night and day.
• Her voice was swift, yet ever the last words
• Fell lingeringly; and rounded finger-tips
• She had, that clung a little where they touched
• 190And then were gone o' the instant. Her great eyes,
• That sometimes turned half dizzily beneath
• The passionate lids, as faint, when she would speak ,
Manuscript Addition: Eyes of the sky and sea on a grey morn
Editorial Description: Note by DGR in right margin, attached to "Her great Eyes," line 190.
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Note: Ink from stricken lines on page 9 has bled through, partially obscuring line 197.
• Had also in them hidden springs of mirth ,
• Which under the dark lashes evermore
• Shook to her laugh, as when a bird flies low
• Between the water and the willow-leaves,
• And the shade quivers till he wins the light.

• I was a moody comrade to her then,
• For all the love I bore her. Italy,
• 200The weeping desolate mother, long has claimed
• Her sons' strong arms to lean on, and their hands
• To lop th y e poisonous thicket from her path,
• Cleaving her way to light. And from her need
• Had grown the fashion of my whole poor life
• Which I was proud to yield her, as my father
• Had yielded his. And this had come to be
• A game to play, a love to clasp, a hate
• To wreak, all things together that a man
• Needs for his blood to ripen: till at times
• 210All else seemed shadows, and I wondered still
• To see such life pass muster and be deemed
• Time's bodily substance. In those hours, no doubt,
• To the young girl my eyes were like my soul,—
• Dark wells of death-in-life that yearned for day.
• And though she ruled me always, I remember
• That once when I was thus and she still kept
• Leaping about the place and laughing, I
• Did almost chide her; whereupon she knelt
• And putting her two hands into my breast
• 220Sang me a song. Are these tears in my eyes?
• 'Tis long since I have wept for anything.
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Editorial Description: Lower-case letter hand-written in upper left-hand corner of page. not in DGR's penmanship
• I thought that song forgotten out of mind,
• And now, just as I spoke of it, it came
• All back. It is but a rude thing, ill rhymed,
• Such as a blind man chaunts and his dog hears
• Holding the platter, when the children run
• To merrier sport and leave him. Thus it goes:—

   

• La bella donna*
• Piangendo disse:
• 230‘Come son fisse
• Le stelle in cielo!

   

• Quel fiato anelo
• Dello stanco sole,
• Quanto m'assonna!
• E la luna, macchiata
• Come uno specchio
• Logoro e vecchio,—
• Faccia affannata.
• Chè cosa vuole?

• 240‘Ch e è stelle, luna, e sole,
• Ciascun m'annoja
• E m'annojano insieme;
• Non me ne preme
• Nè ci prendo gioja.
• E veramente,
• Che le spalle sien franche
• E le braccia bianche
• E il seno caldo e tondo,
• Non mi fa niente.
• 250Chè cosa al mondo
• Posso più far di questi
• Se non piacciono a te, come dicesti?’

• La donna rise
• E riprese ridendo:—
• ‘Questa mano che prendo
• E dunque mia?
• Tu m'ami dunque?
• Dimmelo ancora,
• Non in modo qualunque,
• 260Ma le parole
• Belle e precise
• Che dicesti pria.

• ‘ Siccome suole
• La state talora
  page: 13  
• (Dicesti) un qualche istante
• Tornare innanzi inverno,
• Così ta fai ch'io scerno
• Le foglie tutte quante
• Ben ch'io certo tenessi
• 270 Per passato l'autunno.

• ‘Eccolo il mio alunno!
• Io debbo insegnargli
• Quei cari detti istessi
• Ch'ei mi disse una volta!
• Oimè! Che cosa dargli,’
• (Ma ridea piano piano
• Dei baci in sulla mano,)
• ‘Ch'ei non m'abbia da lungo tempo tolta?’

• That I should sing upon this bed!—with you
• 280To listen, and such words still left to say!
• Yet was it I that sang? The voice seemed hers,
• As on the very day she sang to me;
• When, having sang, done, she took out of my hand
• Something that I had played with all the while
• And laid it down beyond my reach; and so
• Turning my face round till it fronted hers,—
• ‘Weeping or laughing, which was best?’ she said.

• But these are foolish tales. How should I show
• The heart that glowed then with love's heat, each day
• 290More and more brightly?—when for long years now
• The very flame that flew about the heart,
• And gave it fiery wings, has come to be
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• The lapping blaze of hell's environment
• Whose tongues all bid the molten heart despair.

• Yet one more thing comes back on me to-night
• Which I may tell you: for it bore my soul
• Dread firstlings of the brood that re a nd it now.
• It chanced that in our last year's wanderings
• We dwelt at Monza, far away from home,
• 300If home we had: and in the Duomo there
• I sometimes entered with her when she prayed.
• An Image of Our Lady stands there, wrought
• In marble by some great Italian hand
• In the great days when she and Italy
• Sat on one throne together: and to her,
• And to none else, my darling told/child would tell loved one told her heart.
• She was a woman then; and as she knelt,—
• Her sweet brow in the sweet brow's shadow there,—
• They seemed two kindred forms whereby our land
• 310(Whose work still serves the world for miracle)
• Made manifest herself in womanhood.
• Father, the day I speak of was the first
• For weeks that I had borne her company
• Into the Duomo; and those weeks had been
• Much troubled, for then first the glimpses came
• Or Of some impenetrable restlessness
• Growing in her to make her changed and cold.
• And as we entered there that day, I bent
• My eyes on the fair Image, and I said ,
• 320Within my heart, ‘Oh warm turn her heart to me!’
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• And so I left her to her prayers, and went
• To gaze upon the pride of Monza's shrine,
• Where in the sacristy the day light still falls
• Upon the Iron Crown of Italy,
• On whose crowned heads the day has closed, nor yet
• Its hale The daybreak gilds another head to crown.
• But coming back, I wondered when I saw
• That the sweet Lady of her prayers now stood
• Alone without her; until further off,
• 330Before some fresh new Madonna newly gaily decked,
• Tinselled and gewgawed, a slight German toy,
• I saw her kneel, still praying. At my step
• She rose, and side by side we left the church.
• I was much moved, and sharply questioned her
• Of her transferred devotion; but she seemed
• Stubborn and heedless; till she lightly laughed
• And said: ‘The old Madonna? Aye indeed,
• ‘She had my old thoughts,—this one has my new.’
• Then silent to the soul I held my way:
• 340And from the fountains of the public place
• Unto the pigeon-haunted pinnacles,
• Bright wings and water winnowed the bright air;
• And stately with her laugh's subsiding smile
• She went, with clear-swayed waist and towering neck
• And hands held light before her; and the face
• Which long had made a day in my life's night
• Was night in day to me; as all men's eyes
• Turned on her beauty, and she seemed to tread
• Beyond my heart to the world made for her.

• 350Ah there! my wounds will snatch my sense again:
• The pain comes billowing on like a full cloud
• Of thunder, and the flash that breaks from it
• Leaves my brain burning. That's the wound he gave,
• The Austrian whose white coat I still made match
• With his white face, only the two were red
• As suits his trade. The devil makes them wear
• White for a livery, that the blood may show
• Braver that brings them to him. So he looks
• Sheer o'er the field and knows his own at once.

• 360Give me a draught of water in that cup;
• My voice feels thick; perhaps you do not hear;
• But you must hear. If you mistake my words
• And so absolve me, I am sure the blessing
• Will burn my soul. If you mistake my words
• And so absolve me, Father, the great sin
• Is yours, not mine: mark this: your soul shall burn
• With mine for it. I have seen pictures where
• Souls burned with Latin shriekings in their mouths:
• Shall my end be as theirs? Nay, but I know
• 370'Tis you shall shriek in Latin. Some bell rings,
• Rings through my brain: it strikes the hour in hell.

• You see I cannot, Father; I have tried,
• But cannot, as you see. These twenty times
• Beginning, I have come to the same point
• And stopped. Beyond, there are but broken words
• Which will not let you understand my tale.
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Sig. C
• It is that then we have her with us here,
• As when she wrung her hair out in my dream
• To-night, till all the darkness re c eked of it.
• 380Her hair is always wet ; , for she has kept
• Its tresses wrapped about her side for years;
• And when she wrung them round over the floor,
• I heard the blood hiss through her fingers; so
• That I sat straight up in my bed and screamed
• Once and again; and once to once, she laughed.
• Look that you turn not now ; ,—she's at your back:
• Gather your robe up, Father, and keep close,
• Or she'll sit down on it and send you mad.

• At Iglio in the first thin shade o' the hills
• 390The sand is black and red. The black was black
• When what was split spilt that day sank into it,
• And the red scarcely darkened. There I stood
• This night with her, and saw the sand the same.

---

• What would you have me tell you? Father, father,
• How shall I make you know? You have not known
• The dreadful soul of woman, who one day
• Forgets the old and takes the new to heart,
• Forgets what man remembers, and therewith
• Forgets the man. Nor can I clearly tell
• 400How the change happened between her and me.
• Her eyes looked on me from an emptied heart
• When most my heart was full of her; and still
page: 18  
• In every corner of myself I sought
• To find what service failed her; and no less
• Than in the good time past, there all was hers.
• What do you love? Your Heaven? Conceive it spread
• For one first year of all eternity
• All round you with all joys and gifts of God;
• And then when most your soul is blent with it
• 410And all yields song together,—then it stands
• O' the sudden like a pool that once gave back
• Your image, but now drowns it and is clear
• Again,—or like a sun bewitched, that burns
• Your shadow from you, and still shines in sight.
• How could you bear it? Would you not cry out,
• Among those eyes grown blind to you, those ears
• That hear no more your voice you hear the same,—
• ‘God! what is left but hell for company,
• But hell, hell, hell?’—until the name so breathed
• 420Whirled with hot wind and sucked you down in fire?
• Even so I stood the day her empty heart
• Left her place empty in our home, while yet
• I knew not why she went nor where she went
• Nor how to reach her: so I stood the day
• When to my prayers at last one sight of her
• Was granted, and I looked on heaven made pale
• With scorn, and heard heaven mock me in that laugh.

• O sweet, long sweet! Was that some ghost of you
• Even as your ghost that haunts me now,—twin shapes
• 430Of fear and hatred? May I find you yet
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• Mine when death wakes? Ah! be it even in flame,
• We may have sweetness yet, if you but say
• As once in childish sorrow: ‘Not my pain,
• My pain was nothing: oh your poor poor love,
• Your broken love! ’

• My Father, I forgot it is hard
• To tell you of one thing on the last things of that last day;
• And But I must tell you all now. While I stopped
• To buy the dagger at the village fair,
• I saw two cursed rats about the place
• 440I knew for spies—blood-sellers both. That day
• Was not yet over; for three hours to come
• I prized my life: and so I looked around
• For safety. A poor painted mountebank
• Was playing pranks and shouting in a crowd.
• I knew he must have heard my name, so I
• Pushed past and whispered to him who I was,
• And of my danger. Straight he hustled me
• Into his booth, as it were in the trick,
• And brought me out next minute with my face
• 450All smeared in patches and a zany's gown;
• And there I handed him his cups and balls,
• And swung the sand-bags round to clear the ring
• For half an hour. The spies came once and looked;
• And while they stopped, and made all sights and sounds ,
• Sharp to my startled senses, I remember
• A woman laughed above me. I looked around up
• And saw her—a brown , handsome harlot—leaning
• Half through a tavern window thick with vine.
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• Some man had come behind her in the room ,
• 460And caught her by her arms, and she had turned
• With that coarse empty laugh. I saw him there
• Munching her neck with kisses, while the vine
• Crawled in her back.

• And three hours afterwards,
• When she that I had run all risks to meet
• Laughed as I told you, my life burned to death
• Within me, for I thought it like the laugh
• Heard at the fair. She had not left me long;
• But all she might have changed to, or might change to,
• 470(I know nought since—she never speaks a word—)
• Seemed in that laugh. Have I not told you yet,
• Not told you all this time what happened, Father,
• When I had offered her the little knife,
• And bade her keep it for my sake that loved her,
• And she had laughed? Have I not told you yet?

• And she keeps it, see — ,
• Do you not see she keeps it? T —there beneath , ,
• 500Wet fingers and wet tresses — , in her heart ! .
• For look you, when she stirs her hand, it shows
• The little hilt of horn and pearl,—even such
• A dagger as our women of the coast
• Twist in their garters.

• Father, I have done — :
• And from her side now she unwinds the thick
• Dark hair; all round her side it is wet through,
• But , like the sand at Iglio , does not change.
• Now you may see the dagger clearly. Father,
• I have told all . T : tell me at once what hope
• 510Can reach me still ; f . For now she draws it out
• Slowly, and only smiles as yet . L : look, Father : ,
• She scarcely smiles: but I shall hear her laugh
• Soon, when she shows the crimson blade to God.

   

• Lazy laughing languid Jenny,
• Fond of a kiss and fond of a guinea,
• Whose head is on my knee to-night;—
• (Have all our dances left it light
• With their wild tunes?)—Ah, Jenny, queen
• Of kisses which the blush between
• Could hardly make much daintier!— Nay,
• Poor flower left torn since yesterday
• Until to-morrow leave you bare;
• 10Poor handful of bright spring-water
• Flung in the whirlpool's shrieking face!—
• Poor shameful Jenny, full of grace
• Thus with your head upon my knee;—
• Whose look, whose voice, person or whose purse may be
• The lodestar of your reverie?

• This room of yours, my Jenny, looks
• A change from mine so full of books,
• Whose serried ranks hold fast, forsooth,
• So many captive hours of youth,—
page: 24  
• 20The hours they thieve from day and night
• To make one's cherished work come right,
• And leave it wrong for all their theft,
• Even as to-night my work was left:
• Until I vowed that since my brain
• And eyes of dancing seemed so fain,
• My feet should have some dancing too:—
• And thus it was I met with you.
• Well, I suppose 'twas hard to part,
• For here I am. And now, sweetheart,
• 30You seem too tired to get to bed.

• It was a careless life I led
• When rooms like this were not scarce so strange
• No long time since. Not long ago. What breeds the change,—
• The many aims or the few years?
• Because to-night it all appears
• Something I do not know again.

• The cloud's not danced out of my brain,—
• The cloud that made the books so swim
• At every effort's interim
• 40Why, Jenny, as I watch you there,—
• For all your wealth of loosened hair,
• Your silk ungirdled and unlac'd
• And warm sweets open to the waist,
• All golden in the lamplight's gleam,—
• You know not what a book you seem,
• Half-read by lightning in a dream!
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Editorial Description: Number hand-written in bottom center of page. Not in DGR's penmanship
• How should you know, my Jenny? Nay,
• And I should be ashamed to say:—
• Poor beauty, so well worth a kiss!
• 50But while my thought runs on like this
• With wasteful whims more than enough,
• I wonder what you're thinking of.

• If of myself you think at all,
• What is the thought?—conjectural
• On sorry matters best unsolved?—
• Or inly is each grace revolved
• To fit me with a lure?—or (sad
• To think!) perhaps you're merely glad
• That I'm not drunk or ruffianly
• 60And let you rest upon my knee.

• For sometimes, were the truth confess'd,
• You're thankful for a little rest,—
• Glad from the crush to rest within,
• From the heart-sickness and the din
• Whe n re envy's voice , at virtue's pitch
• Mocks you because your gown is rich;
• And from the pale girl's dumb rebuke,
• Whose ill-clad grace and toil-worn look
• Proclaim the strength that keeps her weak
• 70And other nights than yours bespeak;
• And from the wild wise unchildish elf,
• To schoolmate lesser than himself
• Pointing you out, what thing you are:—
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• Yes, from the daily jeer and jar,
• From shame and shame's outbraving too,
• Is rest not sometimes sweet to you?—
• But most from the hatefulness of man
• Who spares not to end what he began,
• Whose acts are foul and his speech hard,
• 80Who, having used you, afterward
• Thrusts you aside, as when I dine
• I serve the dishes and the wine.

• Well, handsome Jenny mine, sit up,
• I've filled our glasses, let us sup,
• And do not let me think of you,
• Lest shame of yours suffice for two.
• What, still so tired? Well, well then, keep
• Your head there, so you do not sleep;
• But that the weariness may pass
• 90And leave you merry, take this glass.
• Ah! lazy lily hand, more bless'd
• If ne'er in rings it had been dress'd
• Nor ever by a glove conceal'd!

• Behold the lilies of the field,
• They toil not neither do they spin;
• (So doth the ancient text begin,—
• Not of such rest as one of these
• Can share.) Another rest and ease
• Along each summer-sated path
• 100From its new lord the garden hath,
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• Than that whose spring in blessings ran
• Which praised the righteous husbandman,
• Ere yet, in days of hankering breath,
• The lilies sickened unto death.

• What, Jenny, are your lilies dead?
• Aye, and the snow-white leaves are spread
• Like winter on the garden-bed.
• But you had roses left in May,—
• They were not gone too. Jenny, nay,
• 110But must your roses die away?
• Even so; the leaves are curled apart,
• Still red as from the broken heart,
• And here's the naked stem of thorns.

• Nay, nay, mere words. Here nothing warns
• As yet of winter. Sickness here
• Or want alone could waken fear,—
• Nothing but passion wrings a tear.
• Except when there may rise unsought
• Haply at times a passing thought
• 120Of the old days which seem to be
• Much older than any history
• That is written in any book;
• When she would lie in fields and look
• Along the ground through the thick grass,
• And wonder where the city was,
• Far out of sight, whose broil and bale
• They told her then for a child's tale.

• Jenny, you know the city now — .
• A child can tell the tale there, how
• 130Some things , which are not yet enroll'd
• In market-lists , are bought and sold
• Even till the early Sunday light,
• When Saturday night is market-night
• Everywhere, be it dry or wet,
• And market-night in the Haymarket.
• Our learned London children know,
• Poor Jenny, all your mirth and woe;
• Have seen your lifted silken skirt
• Advertize dainties through the dirt;
• 140Have seen your coach-wheels splash rebuke
• On virtue; and have learned your look
• When, wealth and health slipped past, you stare
• Along the streets alone, and there,
• Round the long park, across the bridge,
• The cold lamps at the pavement's edge
• Wind on together and apart,
• A fiery serpent for your heart.

• Let the thoughts pass, an empty cloud!
• Suppose I were to think aloud,—
• 150What if to her all this were said?
• Why, as a volume seldom read
• Being opened halfway shuts again,
• So might the pages of her brain
• Be parted at such words, and thence
• Close back upon the dusty sense.
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• For is there hue or shape defin'd
• In Jenny's desecrated mind,
• Where all contagious currents meet,
• A Lethe of the middle street?
• 160Nay, it reflects not any face,
• Nor sound is in its sluggish pace,
• But as they coil those eddies clot,
• And night and day remember not.

• What Jenny, fast asleep? . . . . How fair,
  Added TextWhy, Jenny, you're asleep at last!
• Added TextAsleep, poor Jenny, hard and fast,
• Added TextSo young and sweet soft and tired; so fair
• With chin thus nestled in her your hair,
• Mouth quiet, eyelids almost blue
• As if some sky of dreams shone through!

• 170Just as another woman sleeps!
• Enough to throw one's thoughts in heaps
• Of doubt and horror,—what to say
• Or think,—this awful secret sway,
• The potter's power over the clay!
• Of the same lump (it has been said)
• For honour and dishonour made,
• Two sister vessels. Here is one.

• My cousin Nell is fond of fun,
• And fond of dress, and change, and praise,
• 180So mere a woman in her ways:
• And if her sweet eyes rich in youth
• Are like her lips that tell the truth,
• My cousin Nell is fond of love.
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• And she's the girl I'm proudest of.
• Who does not prize her, guard her well?
• The love of change, in cousin Nell,
• Shall find the best and hold it dear:
• The unconquered mirth turn quieter
• Not through her own, through others' woe:
• 190The conscious pride of beauty glow
• Beside another's pride in her,
• One little part of all they share.
• For Love himself shall ripen these
• In a kind soil to just increase
• Through years of fertilizing peace.

• Of the same lump (as it is said)
• To For honour and dishonour made,
• Two sister vessels. Here is one.

• It makes a goblin of the sun.

• 200So pure, so fallen fall'n! How dare to think
• Of the first common kindred link?
• Yet, Jenny, till the world shall burn
• It seems that all things take their turn;
• And who shall say but this fair tree
• May need, in changes that may be,
• Your children's children's charity?
• Scorned then, no doubt, as you are scorn'd!
• Shall no man hold his pride forewarn'd
• Till in the end, the Day of Days,
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• 210At Judgment, one of his own race,
• As frail and lost as you, shall rise,
• His daughter, with his mother's eyes?

• Each of such curdled lives alike
• A life for which my twelve hours strike
• And time must be and time must end.
• Hard to keep sight of! What might tend
• To give the thought clear presence? Well,
• Remember it is possible,
• Whether I please or do not please,
• 220That in the making each of these
• A separate man has lost his soul.

• Fair shines the gilded aureole
• In which our highest painters place
• Some living woman's simple face.
• And the stilled features thus descried
• As Jenny's long throat droops aside,—
• The loving underlip drawn in,
• The shadows where the cheeks are thin,
• And pure wide curve from ear to chin,—
• 230With Raffael's or Da Vinci's hand
• To show them to men's souls, might stand,
• Whole ages long, the whole world through,
• For preachings of what God can do.
• What has man done here? How atone,
• Great God, for this which man has done?
• And for the body and soul which by
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• Man's pitiless doom must now comply
• With lifelong hell, what lullaby
• Of sweet forgetful second birth
• 240Remains? All dark. No sign on earth
• What measure of God's rest endows
• The many mansions of his house.

• If but a woman's heart might see
• Such erring heart unerringly
• For once! But that can never be.

• Like a rose shut in a book
• In which pure wom a en may not look,
• For its base pages claim control
• To crush the flower within the soul;
• 250Where through each dead rose-leaf that clings,
• Pale as transparent psyche-wings,
• To the vile text, are traced such things
• As might make lady's cheek indeed
• More than a living rose to read;
• So nought save foolish foulness may
• Watch with hard eyes the sure decay;
• And so the life-blood of this rose,
• Puddled with shameful knowledge, flows
• Through leaves no chaste hand may unclose:
• 260Yet still it keeps such faded show
• Of when 'twas gathered long ago,
• That the crushed petals' lovely grain,
• The sweetness of the sanguine sta