Rossetti Archive Textual Transcription

Document Title: Poems by Dante Gabriel Rossetti (1873): the Tauchnitz Edition (Princeton proof fragments)
Author: Dante Gabriel Rossetti
Date of publication: 1873 November (early November)
Publisher: Bernhard Tauchnitz

The full Rossetti Archive record for this transcribed document is available.

Image of page 259 page: 259
FOR

OUR LADY OF THE ROCKS

BY LEONARDO DA VINCI.
  • Mother, is this the darkness of the end,
  • The Shadow of Death? and is that outer sea
  • Infinite imminent Eternity?
  • And does the death-pang by man's seed sustain'd
  • In Time's each instant cause thy face to bend
  • Its silent prayer upon the Son, while he
  • Blesses the dead with his hand silently
  • To his long day which hours no more offend?
  • Mother of grace, the pass is difficult,
  • 10 Keen as these rocks, and the bewildered souls
  • Throng it like echoes, blindly shuddering through.
  • Thy name, O Lord, each spirit's voice extols,
  • Whose peace abides in the dark avenue
  • Amid the bitterness of things occult.
Sig. 17’
Printer's Direction: 122
Editorial Description: Pencil note on right lower corner.
Image of page 260 page: 260
FOR

A VENETIAN PASTORAL

BY GIORGIONE.

(In the Louvre.)
  • Water, for anguish of the solstice:—nay,
  • But dip the vessel slowly,—nay, but lean
  • And hark how at its verge the wave sighs in
  • Reluctant. Hush! Beyond all depth away
  • The heat lies silent at the brink of day:
  • Now the hand trails upon the viol-string
  • That sobs, and the brown faces cease to sing,
  • Sad with the whole of pleasure. Whither stray
  • Her eyes now, from whose mouth the slim pipes creep
  • 10 And leave it pouting, while the shadowed grass
  • Is cool against her naked side? Let be:—
  • Say nothing now unto her lest she weep,
  • Nor name this ever. Be it as it was,—
  • Life touching lips with Immortality.
Image of page 267 page: 267
MARY MAGDALENE

AT THE DOOR OF SIMON THE PHARISEE.

(For a Drawing.*)
  • “Why wilt thou cast the roses from thine hair?
  • Nay, be thou all a rose,—wreath, lips, and cheek.
  • Nay, not this house,—that banquet-house we seek;
  • See how they kiss and enter; come thou there-
  • This delicate day of love we two will share
  • Till at our ear love's whispering night shall speak.
  • What, sweet one,—hold'st thou still the foolish freak?
  • Nay, when I kiss thy feet they'll leave the stair.”
  • “Oh loose me! See'st thou not my Bridegroom's face
  • 10 That draws me to Him? For His feet my kiss,
  • My hair, my tears He craves to-day:—and oh!
  • What words can tell what other day and place
  • Shall see me clasp those blood-stained feet of His?
  • He needs me, calls me, loves me: let me go!”
Transcribed Footnote (page 267):

* In the drawing Mary has left a festal procession of revellers , and is ascending by a

sudden impulse the steps of the house where she sees Christ. Her lover has

followed her and is trying to turn her back.

Manuscript Addition: 126
Editorial Description: Pencil note on right lower corner.
Image of page 268 page: 268
SAINT LUKE THE PAINTER.

(For a Drawing.)
  • Give honour unto Luke Evangelist;
  • For he it was (the aged legends say)
  • Who first taught Art to fold her hands and pray.
  • Scarcely at once she dared to rend the mist
  • Of devious symbols: but soon having wist
  • How sky-breadth and field-silence and this day
  • Are symbols also in some deeper way,
  • She looked through these to God and was God's priest.
  • And if, past noon, her toil began to irk,
  • 10And she sought talismans, and turned in vain
  • To soulless self-reflections of man's skill,—
  • Yet now, in this the twilight, she might still
  • Kneel in the latter grass to pray again,
  • Ere the night cometh and she may not work.
Image of page 271 page: 271
VENUS . VERTICORDIA.

(For a Picture.)
  • She hath the apple in her hand for thee,
  • Yet almost in her heart would hold it back;
  • She muses, with her eyes upon the track
  • Of that which in thy spirit they can see.
  • Haply, “Behold, he is at peace,” saith she;
  • “Alas! the apple for his lips,—the dart
  • That follows its brief sweetness to his heart,—
  • The wandering of his feet perpetually!”
  • A little space her glance is still and coy;
  • 10 But if she give the fruit that works her spell,
  • Those eyes shall flame as for her Phrygian boy.
  • Then shall her bird's strained throat the woe foretell,
  • And her far seas moan as a single shell,
  • And her grove glow with love-lit fires of Troy. Through her dark grove strike the light of Troy.
Image of page 272 page: 272
CASSANDRA.

(For a Drawing.*)

  • I.
  • Rend, rend thine hair, Cassandra: he will go.
  • Yea, rend thy garments, wring thine hands, and cry
  • From Troy still towered to the unreddened sky.
  • See, all but she that bore thee mock thy woe:—
  • He most whom that fair woman arms, with show
  • Of wrath on her bent brows; for in this place
  • This hour thou bad'st all men in Helen's face
  • The ravished ravishing prize of Death to know.
  • What eyes, what ears hath sweet Andromache,
  • 10 Save for her Hector's form and step; as tear
  • On tear make salt the warm last kiss he gave?
  • He goes. Cassandra's words beat heavily
  • Like crows above his crest, and at his ear
  • Ring hollow in the shield that shall not save.
Transcribed Footnote (page 272):

*The subject shows Cassandra prophesying among her kindred, as

Hector leaves them for his last battle. They are on the platform of a fortress,

from which the Trojan troops are marching out. Helen is arming Paris; Priam

soothes Hecuba; and Andromache holds the child to her bosom.

Electronic Archive Edition: 1
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