Rossetti Archive Textual Transcription

Document Title: Poems. (Privately Printed.): Second Trial Book (partial), author's working copy, Princeton/Troxell.
Author: Dante Gabriel Rossetti
Date of publication: 1869 November 25
Printer: Strangeways and Walden

The full Rossetti Archive record for this transcribed document is available.

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Editorial Description: The note to the printer is cancelled and only a few words are decipherable.
Editorial Description: A line, possibly to indicate deletion, appears over the dash at the end of received line 17.
P O E M S.

Sig. B
TROY TOWN *
  • Helen knelt at Venus' shrine,
  • ( O Troy Town!)
  • Saying, ‘A little gift is mine,
  • A little gift for a heart's desire.
  • Hear me speak and make me a sign!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Look, I bring thee a carven cup;
  • ( O Troy Town!)
  • 10See it here as I hold it up,—
  • Shaped it is to the heart's desire,
  • Fit to fill when the gods would sup.
  • ( O Troy's down,
  • Tall Troy's on fire!)
Transcribed Footnote (page [1]):

*Herodotus says that Helen dedicated to Venus a cup made in

the likeness of her own bosom.

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  • ‘It was moulded like my breast;
  • ( O Troy Town!)
  • He that sees it may not rest,
  • Rest at all for his heart's desire.
  • O give ear to my heart's behest!
  • 20 ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘See my breast, how like it is;
  • ( O Troy Town!)
  • See it bare for the air to kiss!
  • Is the cup to thy heart's desire?
  • O for the breast, O make it his!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Yea, for my bosom here I sue;
  • 30 ( O Troy Town!)
  • Thou must give it where 'tis due,
  • Give it there to the heart's desire.
  • Whom do I give my bosom to?
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • ‘Each twin breast is an apple sweet!
  • ( O Troy Town!)
  • Once an apple stirred the beat
  • Of thy heart with the heart's desire:—
  • 40Say, who brought it then to thy feet?
  • ( O Troy's down,
  • Tall Troy's on fire!)
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  • ‘They that claimed it then were three:
  • ( O Troy Town!)
  • For thy sake two hearts did he
  • Make forlorn of the heart's desire.
  • Do for him as he did for thee!
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • 50‘Mine are apples grown to the south,
  • ( O Troy Town!)
  • Grown to taste in the days of drouth,
  • Taste and waste to the heart's desire:
  • Mine are apples meet for his mouth!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked on Helen's gift,
  • ( O Troy Town!)
  • Looked and smiled with subtle drift,
  • 60Saw the work of her heart's desire:—
  • ‘There thou kneel'st for Love to lift!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Venus looked in Helen's face,
  • ( O Troy Town!)
  • Knew far off an hour and place,
  • And fire lit from the heart's desire;
  • Laughed and said, ‘Thy gift hath grace!’
  • ( O Troy's down,
  • 70 Tall Troy's on fire!)
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Printer's Direction: ++
Editorial Description: A plus mark that appears to be in DGR's hand, and a larger mark that seems to have been added separately, are in the right margin after the last stanza. Their meaning is unclear.
  • Cupid looked on Helen's breast,
  • ( O Troy Town!)
  • Saw the heart within its nest,
  • Saw the flame of the heart's desire ,—
  • ;
  • Added TextMarked his arrow's burning crest.
  • There his arrow stood confess'd.
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Cupid took another dart,
  • ( O Troy Town!)
  • 80Fledged it for another heart,
  • Winged the shaft with the heart's desire,
  • Drew the string and said, ‘Depart!’
  • ( O Troy's down,
  • Tall Troy's on fire!)
  • Paris turned upon his bed,
  • ( O Troy Town!)
  • Turned upon his bed and said,
  • Dead at heart with the heart's desire,—
  • ‘O to clasp her golden head!’
  • 90 ( O Troy's down,
  • Tall Troy's on fire!)
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Printer's Direction: Put this after the / Burden of Nineveh / page 26 Love's Nocturn (page 20) Put this after the / Burden of Nineveh / page 26
Editorial Description: Note on placement of the poem
Printer's Direction: Inserted
Editorial Description: Not in DGR's hand
EDEN BOWER.
  • It was Lilith the wife of Adam:
  • ( Eden bower's in flower.)
  • Not a drop of her blood was human,
  • But she was made like a soft sweet woman.
  • Lilith stood on the skirts of Eden;
  • ( And O the bower and the hour!)
  • She was the first that thence was driven;
  • With her was hell and with Eve was heaven.
  • In the ear of the Snake said Lilith:—
  • 10 ( Eden bower's in flower.)
  • ‘To thee I come when the rest is over;
  • A snake was I when thou wast my lover.
  • ‘I was the fairest snake in Eden:
  • ( And O the bower and the hour!)
  • By the earth's will, new form and feature
  • Made me a wife for the earth's new creature.
  • ‘Take me thou as I come from Adam:
  • ( Eden bower's in flower.)
  • Once again shall my love subdue thee;
  • 20The past is past and I am come to thee.
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Printer's Direction: Sig. D
Editorial Description: Note on placement of the type, in left margin beneath stanza 9.
  • ‘O but Adam was thrall to Lilith!
  • ( And O the bower and the hour!)
  • All the threads of my hair are golden,
  • And there in a net his heart was holden.
  • ‘O and Lilith was queen of Adam!
  • ( Eden bower's in flower.)
  • All the day and the night together
  • My breath could shake his soul like a feather.
  • ‘What great joys had Adam and Lilith!—
  • 30 ( And O the bower and the hour!)
  • Sweet close rings of the serpent's twining,
  • As heart in heart lay sighing and pining.
  • ‘What bright babes had Lilith and Adam!—
  • ( Eden bower's in flower.)
  • Shapes that coiled in the woods and waters,
  • Glittering sons and radiant daughters.
  • ‘O thou God, the Lord God of Eden!
  • ( And O the bower and the hour!)
  • Say, was this fair body for no man,
  • 40That of Adam's flesh thou mak'st him a woman?
  • ‘O thou Snake, the King-snake of Eden!
  • ( Eden bower's in flower.)
  • God's strong will our necks are under,
  • But thou and I may cleave it in sunder.
Note: Pages 7-14 not included in these proofs.
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Printer's Direction: Roman type like the rest
Editorial Description: Note on printing received lines 19-24.
Printer's Direction: Put further in
Editorial Description: Note on printing received line 44.
  • (To one, it is ten years of years.
  • . . . Yet now, and in this place,
  • Surely she leaned o'er me—her hair
  • Fell all about my face . . .
  • Nothing: the autumn fall of leaves.
  • The whole year sets apace.)
  • It was the rampart of God's house
  • That she was standing on;
  • By God built over the sheer depth
  • 10 The which is Space begun;
  • So high, that looking downward thence
  • She scarce could see the sun.
  • It lies in Heaven, across the flood
  • Of ether, as a bridge.
  • Beneath, the tides of day and night
  • With flame and darkness ridge
  • The void, as low as where this earth
  • Spins like a fretful midge.
  • Heard hardly, some of her new friends
  • 20 Amid their loving games
  • Spake evermore among themselves
  • Their virginal chaste names;
  • And the souls mounting up to God,
  • Went by her like thin flames.
  • And still she bowed herself and stooped
  • Out of the circling charm;
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    Printer's Direction: Roman
    Editorial Description: Note on printing received lines 61-66.
  • Until her bosom must have made
  • The bar she leaned on warm,
  • And the lilies lay as if asleep
  • 30 Along her bended arm.
  • From the fixed place of Heaven she saw
  • Time like a pulse shake fierce
  • Through all the worlds. Her gaze still strove
  • Within the gulf to pierce
  • Its path; and now she spoke as when
  • The stars sang in their spheres.
  • The sun was gone now; the curled moon
  • Was like a little feather
  • Fluttering far down the gulf; and now
  • 40 She spoke through the still weather.
  • Her voice was like the voice the stars
  • Had when they sang together.
  • (Ah Sweet! Just now, in that bird's song,
  • Strove not her accents there,
  • Fain to be hearkened? When those bells
  • Possessed the mid-day air,
  • Strove not her steps to reach my side
  • Down all the echoing stair?)
  • ‘I wish that he were come to me,
  • 50 For he will come,’ she said.
  • ‘Have I not prayed in Heaven?—on earth,
  • Lord, Lord, has he not pray'd?
  • Image of page 17 page: 17
    Sig. C
  • Are not two prayers a perfect strength?
  • And shall I feel afraid?
  • ‘When round his head the aureole clings,
  • And he is clothed in white,
  • I'll take his hand and go with him
  • To the deep wells of light;
  • We will step down as to a stream,
  • 60 And bathe there in God's sight.
  • ‘We two will stand beside that shrine,
  • Occult, withheld, untrod,
  • Whose lamps are stirred continually
  • With prayer sent up to God;
  • And see our old prayers, granted, melt
  • Each like a little cloud.
  • ‘We two will lie i' the shadow of
  • That living mystic tree,
  • Within whose secret growth the Dove
  • 70 Is sometimes felt to be,
  • While every leaf that His plumes touch
  • Saith His Name audibly.
  • ‘And I myself will teach to him,
  • I myself, lying so,
  • The songs I sing here; which his voice
  • Shall pause in, hushed and slow,
  • And find some knowledge at each pause,
  • Or some new thing to know.’
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Printer's Direction: Roman
Editorial Description: Note on printing received lines 97-102.
  • (Alas! We two, we two, thou say'st!
  • 80 Yea, one wast thou with me
  • That once of old. But shall God lift
  • To endless unity
  • The soul whose likeness with thy soul
  • Was but its love for thee?)
  • ‘We two,’ she said, ‘will seek the groves
  • Where the lady Mary is,
  • With her five handmaidens, whose names
  • Are five sweet symphonies,
  • Cecily, Gertrude, Magdalen,
  • 90 Margaret and Rosalys.
  • ‘Circlewise sit they, with bound locks
  • And foreheads garlanded;
  • Into the fine cloth white like flame
  • Weaving the golden thread,
  • To fashion the birth-robes for them
  • Who are just born, being dead.
  • ‘He shall fear, haply, and be dumb:
  • Then will I lay my cheek
  • To his, and tell about our love,
  • 100 Not once abashed or weak:
  • And the dear Mother will approve
  • My pride, and let me speak.
  • ‘Herself shall bring us, hand in hand,
  • To Him round whom all souls
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    Printer's Direction: Roman
    Editorial Description: Note on correcting italic texts in received lines 139 and 144.
  • Kneel, the clear-ranged unnumbered heads
  • Bowed with their aureoles:
  • And angels meeting us shall sing
  • To their citherns and citoles.
  • ‘There will I ask of Christ the Lord
  • 110 Thus much for him and me:—
  • Only to live as once on earth
  • With Love,—only to be,
  • As then awhile, for ever now
  • Together, I and he.’
  • She gazed and listened and then said,
  • Less sad of speech than mild,—
  • ‘All this is when he comes.’ She ceased.
  • The light thrilled towards her, fill'd
  • With angels in strong level flight.
  • 120 Her eyes prayed, and she smil'd.
  • ( I saw her smile). But soon their path
  • Was vague in distant spheres:
  • And then she cast her arms along
  • The golden barriers,
  • And laid her face between her hands,
  • And wept. ( I heard her tears.)
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LOVE'S NOCTURN.
  • Master of the murmuring courts
  • Where the shapes of sleep convene!—
  • Lo! my spirit here exhorts
  • All the powers of thy demesne
  • For their aid to woo my queen.
  • What reports
  • Yield thy jealous courts unseen?
  • Vaporous, unaccountable,
  • Dreamland lies forlorn of light,
  • 10Hollow like a breathing shell.
  • Ah! that from all dreams I might
  • Choose one dream and guide its flight!
  • I know well
  • What her sleep should tell to-night.
  • There the dreams are multitudes:
  • Some whose bouyance waits not sleep,
  • Deep within the August woods;
  • Some that hum while rest may steep
  • Weary labour laid a-heap;
  • 20 Interludes,
  • Some, of grievous moods that weep.
Note: Pages 21-22 not included in these proofs.
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  • Song shall tell how glad and strong
  • Is the night she soothes alway;
  • Moan shall grieve with that parched tongue
  • Of the brazen hours of day:
  • Sounds as of the springtide they,
  • Moan and song,
  • While the chill months long for May.
  • Not the prayers which with all leave
  • 30 The world's fluent woes prefer,—
  • Not the praise the world doth give,
  • Dulcet fulsome whisperer;—
  • Let it yield my love to her,
  • And achieve
  • Strength that shall not grieve or err.
  • Wheresoe'er my dreams befall,
  • Both at night-watch, (let it say,)
  • And where round the sundial
  • The reluctant hours of day,
  • 40 Heartless, hopeless of their way,
  • Rest and call;—
  • There her glance doth fall and stay.
  • Suddenly her face is there:
  • So do mounting vapours wreathe
  • Subtle-scented transports where
  • The black firwood sets its teeth.
  • Part the boughs and look beneath,—
  • Lilies share
  • Secret waters there, and breathe.
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  • 50Master, bid my shadow bend
  • Whispering thus till birth of light,
  • Lest new shapes that sleep may send
  • Scatter all its work to flight;—
  • Master, master of the night,
  • Bid it spend
  • Speech, song, prayer, and end aright.
  • Yet, ah me! if at her head
  • There another phantom lean
  • Murmuring o'er the fragrant bed,—
  • 60 Ah! and if my spirit's queen
  • Smile those alien words between,—
  • Ah! poor shade!
  • Shall it strive, or fade unseen?
  • Like a vapour wan and mute,
  • Like a flame, so let it pass;
  • One low sigh across her lute,
  • One dull breath against her glass;
  • And to my sad soul, alas!
  • One salute
  • 70 Cold as when death's foot shall pass.
  • How should love's own messenger
  • Strive with love and be love's foe?
  • Master, nay! If thus , in her ,
  • Sleep a wedded heart should show,—
  • Silent let mine image go,
  • Its old share
  • Of thy sunken air to know.
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  • Then, too, let all hopes of mine,
  • All vain hopes by night and day,
  • 80Slowly at thy summoning sign
  • Rise up pallid and obey.
  • Dreams, if this is thus, were they:—
  • Be they thine,
  • And to dreamland pine away.
  • Yet from old time, life, not death,
  • Master, in thy rule is rife:
  • Lo! through thee, with mingling breath,
  • Adam woke beside his wife.
  • O Love bring me so, for strife,
  • 90 Force and faith,
  • Bring me so not death but life!
  • Yea, to Love himself is pour'd
  • This frail song of hope and fear .
  • Thou art Love, of one accord
  • With kind Sleep to bring her near,
  • Still-eyed, deep-eyed, ah how dear!
  • Master, Lord,
  • In her name implor'd, O hear!
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THE BURDEN OF NINEVEH.
  • In our Museum galleries
  • To-day I lingered o'er the prize
  • Dead Greece vouchsafes to living eyes,—
  • Her Art for ever in fresh wise
  • From hour to hour rejoicing me.
  • Sighing I turned at last to win
  • Once more the London dirt and din;
  • And as I made the swing-door spin
  • And issued, they were hoisting in
  • 10 A wingèd beast from Nineveh.
  • A human face the creature wore,
  • And hoofs behind and hoofs before,
  • And flanks with dark runes fretted o'er.
  • 'Twas bull, 'twas mitred Minotaur,
  • A dead disbowelled mystery;
  • The mummy of a buried faith
  • Stark from the charnel without scathe,
  • Its wings stood for the light to bathe,—
  • Such fossil cerements as might swathe
  • 20 The very corpse of Nineveh
Note: Pages 27-28 not included in these proofs.
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  • Now, thou poor god, within this hall
  • Where the blank windows blind the wall
  • From pedestal to pedestal,
  • The kind of light shall on thee fall
  • Which London takes the day to be:
  • While school-foundations in the act
  • Of holiday, three files compact,
  • Shall learn to view thee as a fact
  • Connected with that zealous tract:
  • 30 ‘Rome,—Babylon and Nineveh.’
  • Deemed they of this, those worshippers,
  • When, in some mythic chain of verse
  • Which man shall not again rehearse,
  • The faces of thy ministers
  • Yearned pale with bitter ecstasy?
  • Greece, Egypt, Rome,—did any god
  • Before whose feet men knelt unshod
  • Deem that in this unblest abode
  • Another scarce more unknown god
  • 40 Should house with him , from Nineveh?
  • Ah! in what quarries lay the stone
  • From which this pigmy pile has grown,
  • Unto man's need how long unknown,
  • Since thy vast temples, court and cone,
  • Rose far in desert history?
  • Ah! what is here that does not lie
  • All strange to thine awakened eye?
  • Image of page 30 page: 30
  • Ah! what is here can testify
  • (Save that dumb presence of the sky)
  • 50 Unto thy day and Nineveh?
  • Why, of those mummies in the room
  • Above, there might indeed have come
  • One out of Egypt to thy home,
  • An alien. Nay, but were not some
  • Of these thine own ‘antiquity?’
  • And now,—they and their gods and thou
  • All relics here together,—now
  • Whose profit? whether bull or cow,
  • Isis or Ibis, who or how,
  • 60 Whether of Thebes or Nineveh?
  • The consecrated metals found,
  • And ivory tablets, underground,
  • Winged teraphim and creatures crown'd,
  • When air and daylight filled the mound,
  • Fell into dust immediately.
  • And even as these, the images
  • Of awe and worship,—even as these,—
  • So, smitten with the sun's increase,
  • Her glory mouldered and did cease
  • 70 From immemorial Nineveh.
  • The day her builders made their halt,
  • Those cities of the lake of salt
Note: Pages 31-32 not included in these proofs.
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Sig. D
  • Some tribe of the Australian plough
  • Bear him afar,—a relic now
  • Of London, not of Nineveh!
  • Or it may chance indeed that when
  • Man's age is hoary among men,—
  • His centuries threescore and ten,—
  • His furthest childhood shall seem then
  • 80 More clear than later times may be:
  • Who, finding in this desert place
  • This form, shall hold us for some race
  • That walked not in Christ's lowly ways,
  • But bowed its pride and vowed its praise
  • Unto the God of Nineveh.
  • The smile rose first,—anon drew nigh
  • The thought: . . . Those heavy wings spread high
  • So sure of flight, which do not fly;
  • That set gaze never on the sky;
  • 90 Those scriptured flanks it cannot see;
  • Its crown, a brow-contracting load;
  • Its planted feet which trust the sod: . . .
  • (So grew the image as I trod:)
  • O Nineveh, was this thy God,—
  • Thine also, mighty Nineveh?
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Printer's Direction: Before this put Eden Bower page 5
Editorial Description: Placement directions for printer
AVE.
  • Mother of the Fair Delight,
  • Thou handmaid perfect in God's sight,
  • Now sitting fourth beside the Three,
  • Thyself a woman-Trinity,—
  • Being a daughter borne to God,
  • Mother of Christ from stall to rood,
  • And wife unto the Holy Ghost:—
  • Oh when our need is uttermost,
  • Think that to such as death may strike
  • 10Thou once wert sister sisterlike!
  • Thou headstone of humanity,
  • Groundstone of the great Mystery,
  • Fashioned like us, yet more than we!
  • Mind'st thou not (when June's heavy breath
  • Warmed the long days in Nazareth,)
  • That eve thou didst go forth to give
  • Thy flowers some drink that they might live
  • One faint night more amid the sands?
  • Far off the trees were as pale wands
  • 20Against the fervid sky: the sea
Note: Pages 35-38 not included in these proofs.
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Printer's Direction: Before this print/put A Last Confession
Editorial Description: Placement directions for printer
THE STAFF AND SCRIP.
  • ‘Who owns these lands?’ the Pilgrim said.
  • ‘Stranger, Queen Blanchelys.’
  • ‘And who has thus harried them?’ he said.
  • ‘It was Duke Luke did this:
  • God's ban be his!’
  • The Pilgrim said: ‘Where is your house?
  • I'll rest there, with your will.’
  • ‘You've but to climb these blackened boughs
  • And you'll see it over the hill,
  • 10 For it burns still.’
  • ‘Which road, to seek your Queen?’ said he.
  • ‘Nay, nay, but with some wound
  • You'll fly back hither, it may be,
  • And by your blood i'the ground
  • My place be found.’
  • ‘Friend, stay in peace. God keep your head,
  • And mine, where I will go;
  • For He is here and there,’ he said.
  • He passed the hill-side, slow,
  • 20 And stood below.
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Printer's Direction: Sig. E
Editorial Description: Note on placement of the type, in margin before received stanza 8.
  • The Queen sat idle by her loom:
  • She heard the arras stir,
  • And looked up sadly: through the room
  • The sweetness sickened her
  • Of musk and myrrh.
  • Her women, standing two and two,
  • In silence combed the fleece.
  • The pilgrim said, ‘Peace be with you,
  • Lady;’ and bent his knees.
  • 30 She answered, ‘Peace.’
  • Her eyes were like the wave within;
  • Like water-reeds the poise
  • Of her soft body, dainty thin;
  • And like the water's noise
  • Her plaintive voice.
  • For him, the stream had never well'd
  • In desert tracts malign
  • So sweet; nor had he ever felt
  • So faint in the sunshine
  • 40 Of Palestine.
  • Right so, he knew that he saw weep
  • Each night through every dream
  • The Queen's own face, confused in sleep
  • With visages supreme
  • Not known to him.
Note: Pages 41-44 not included in these proofs.
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  • His bloodied banner crossed his mouth
  • Where he had kissed her name.
  • ‘O east, and west, and north, and south,
  • Fair flew my web, for shame,
  • 50 To guide Death's aim!’
  • The tints were shredded from his shield
  • Where he had kissed her face.
  • ‘Oh, of all gifts that I could yield,
  • Death only keeps its place,
  • My gift and grace!’
  • Then stepped a damsel to her side,
  • And sp a oke, and needs must weep:
  • ‘For his sake, lady, if he died,
  • He prayed of thee to keep
  • 60 This staff and scrip.’
  • That night they hung above her bed,
  • Till morning wet with tears.
  • Year after year above her head
  • Her bed his token wears,
  • Five years, ten years.
  • That night the passion of her grief
  • Shook them as there they hung.
  • Each year the wind that shed the leaf
  • Shook them and in its tongue
  • 70 A message flung.
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  • And once she woke with a clear mind
  • That letters writ to calm
  • Her soul lay in the scrip; to find
  • Only a torpid balm
  • And dust of palm.
  • They shook far off with palace sport
  • When joust and dance were rife;
  • And the hunt shook them from the court;
  • For hers, in peace or strife,
  • 80 Was a Queen's life.
  • A Queen's death now: as now they shake
  • To gusts in chapel dim,—
  • Hung where she sleeps, not seen to wake,
  • (Carved lovely white and slim),
  • With them by him.
  • Stand up to-day, still armed, with her,
  • Good knight, before His brow
  • Who then as now was here and there,
  • Who had in mind thy vow
  • 90 Then even as now.
  • The lists are set in Heaven to-day,
  • The bright pavilions shine;
  • Fair hangs thy shield, and none gainsay;
  • The trumpets sound in sign
  • That she is thine.
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  • Not tithed with days' and years' decease
  • He pays thy wage He owed,
  • But with imperishable peace
  • Here in His own abode,
  • 100 Thy jealous God.
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Printer's Direction: Before this print A Last Confession, / Jenny, Portrait, & Dante / at Verona / page / 172 / &c / &c / &c
Editorial Description: Placement directions for printer
SISTER HELEN.
  • ‘Why did you melt your waxen man,
  • Sister Helen?
  • To-day is the third since you began.’
  • ‘The time was long, yet the time ran,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Three days to-day, between Hell and Heaven!)
  • ‘But if you have done your work aright,
  • Sister Helen,
  • 10 You'll let me play, for you said I might.’
  • ‘Be very still in your play to-night,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Third night, to-night, between Hell and Heaven!)
  • ‘You said it must melt ere vesper-bell,
  • Sister Helen;
  • If now it be molten, all is well.’
  • ‘Even so,—nay, peace! you cannot tell,
  • Little brother.’
  • 20 ( O Mother, Mary Mother,
  • O what is this, between Hell and Heaven?)
Image of page 49 page: 49
Sig. E
  • ‘Oh the waxen knave was plump to-day,
  • Sister Helen;
  • How like dead folk he has dropped away!’
  • ‘Nay now, of the dead what can you say,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What of the dead, between Hell and Heaven?)
  • ‘See, see, the sunken pile of wood,
  • 30 Sister Helen,
  • Shines through the thinned wax red as blood!’
  • ‘Nay now, when looked you yet on blood,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • How pale she is, between Hell and Heaven!)
  • ‘Now close your eyes, for they're sick and sore,
  • Sister Helen,
  • And I'll play without the gallery door.’
  • ‘Aye, let me rest,—I'll lie on the floor,
  • 40 Little brother.’
  • ( O Mother, Mary Mother,
  • What rest to-night, between Hell and Heaven?)
  • ‘Here high up in the balcony,
  • Sister Helen,
  • The moon flies face to face with me.’
  • ‘Aye, look and say whatever you see,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • What sight to-night, between Hell and Heaven?)
Image of page 50 page: 50
  • 50‘Outside it's merry in the wind's wake,
  • Sister Helen;
  • In the shaken trees the chill stars shake.’
  • ‘Hush, heard you a horse-tread as you spake,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • What sound to-night, between Hell and Heaven?)
  • ‘I hear a horse-tread, and I see,
  • Sister Helen,
  • Three horsemen that ride terribly.’
  • 60‘Little brother, whence come the three,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Whence should they come, between Hell and Heaven?)
  • ‘They come by the hill-verge from Boyne Bar,
  • Sister Helen,
  • And one draws nigh, but two are afar.’
  • ‘Look, look, do you know them who they are,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • 70 Who should they be, between Hell and Heaven?)
  • ‘Oh, it's Holm Weir of East Holm Eastholm rides so fast,
  • Sister Helen,
  • For I know the white mane on the blast.’
  • ‘The hour has come, has come at last,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Her hour at last, between Hell and Heaven!)
Image of page 51 page: 51
  • ‘He has made a sign and called Halloo!
  • Sister Helen,
  • 80 And he says that he would speak with you.’
  • ‘Oh tell him I fear the frozen dew,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Why laughs she thus, between Hell and Heaven?)
  • ‘The wind is loud, but I hear him cry,
  • Sister Helen,
  • That Holm Weir of Ewern's like to die.’
  • ‘And he and thou, and thou and I,
  • Little brother.’
  • 90 ( O Mother, Mary Mother,
  • And they and we, between Hell and Heaven!)
  • ‘For three days now he has lain abed,
  • Sister Helen,
  • And he prays in torment to be dead.’
  • ‘The thing may chance, if he have prayed,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • If he have prayed, between Hell and Heaven!)
  • ‘But he has not ceased to cry to-day,
  • 100 Sister Helen,
  • That you should take your curse away.’
  • My prayer was heard,—he need but pray,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Shall God not hear, between Hell and Heaven?)
Image of page 52 page: 52
  • ‘But he says, till you take back your ban,
  • Sister Helen,
  • His soul would pass, yet never can.’
  • ‘Nay then, shall I slay a living man,
  • 110 Little brother?’
  • ( O Mother, Mary Mother,
  • A living soul, between Hell and Heaven!)
  • ‘But he calls for ever on your name,
  • Sister Helen,
  • And says that he melts before a flame.’
  • ‘My heart for his pleasure fared the same,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • Fire at the heart, between Hell and Heaven!)
  • 120‘Here's Holm Weir of West Holm Westholm riding fast,
  • Sister Helen,
  • For I know the white plume on the blast.’
  • ‘The hour, the sweet hour I forecast,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Is the hour sweet, between Hell and Heaven?)
  • ‘He stops to speak, and he stills his horse,
  • Sister Helen;
  • But his words are drowned in the wind's course.’
  • 130‘Nay hear, nay hear, you must hear perforce,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • A word ill heard, between Hell and Heaven!)
Image of page 53 page: 53
Note: The type for the right single quote at the end of line 145/152 appears broken here and in other versions of this proof.
  • ‘Oh he says that Holm Weir of Ewern's cry,
  • Sister Helen,
  • Is ever to see you ere he die.’
  • ‘He sees me in earth, in moon and sky,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • 140 Earth, moon and sky, between Hell and Heaven!)
  • ‘He sends a ring and a broken coin,
  • Sister Helen,
  • And bids you mind the banks of Boyne.’
  • ‘What else he broke will he ever join,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Oh, never more, between Hell and Heaven!)
  • ‘He yields you these and craves full fain,
  • Sister Helen,
  • 150 You pardon him in his mortal pain.’
  • ‘What else he took will he give again,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • No more again, between Hell and Heaven!)
  • ‘He calls your name in an agony,
  • Sister Helen,
  • That even dead Love must weep to see.’
  • ‘Hate, born of Love, is blind as he,
  • Little brother!’
  • 160 ( O Mother, Mary Mother,
  • Love turned to hate, between Hell and Heaven!)
Image of page 54 page: 54
Note: In line 175/182 "end" is followed by two sequential commas.
  • ‘Oh it's Holm Weir of Holm Weir now that rides fast,
  • Sister Helen,
  • For I know the white hair on the blast.’
  • ‘The short short hour will soon be past,
  • Litle brother!’
  • ( O Mother, Mary Mother,
  • Will soon be past, between Hell and Heaven!)
  • ‘He looks at me and he tries to speak,
  • 170 Sister Helen,
  • But oh! his voice is sad and weak!’
  • ‘What here should the mighty Baron seek,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • Is this the end,, between Hell and Heaven ! ? )
  • ‘Oh his son still cries, if you forgive,
  • Sister Helen,
  • The body dies but the soul shall live.’
  • ‘Fire shall forgive me as I forgive,
  • 180 Little brother!’
  • ( O Mother, Mary Mother,
  • As she forgives, between Hell and Heaven!)
  • ‘Oh he prays you, as his heart would rive,
  • Sister Helen,
  • To save his dear son's soul alive.
  • ‘Nay, flame cannot slay it, it shall thrive,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Alas, alas, between Hell and Heaven!)
Image of page 55 page: 55
  • 190‘He cries to you, kneeling in the road,
  • Sister Helen,
  • To go with him for the love of God!’
  • ‘The way is long to his son's abode,
  • Little brother.’
  • ( O Mother, Mary Mother,
  • The way is long, between Hell and Heaven!)
  • ‘O Sister Helen, you heard the bell,
  • Sister Helen!
  • More loud than the vesper-chime it fell.’
  • 200‘No vesper-chime, but a dying knell,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • His dying knell, between Hell and Heaven!)
  • ‘Alas! but I fear the heavy sound,
  • Sister Helen;
  • Is it in the sky or in the ground?’
  • ‘Say, have they turned their horses round,
  • Little brother?’
  • ( O Mother, Mary Mother,
  • 210 What would she more, between Hell and Heaven?)
  • ‘They have raised the old man from his knee,
  • Sister Helen,
  • And they ride in silence hastily.’
  • ‘More fast the naked soul doth flee,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • The naked soul, between Hell and Heaven!)
Image of page 56 page: 56
  • ‘Oh the wind is sad in the iron chill,
  • Sister Helen,
  • 220 And weary sad they look by the hill.’
  • ‘But Holm of Ewern's he they mourn is sadder still,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Most sad of all, between Hell and Heaven!)
  • ‘See, see, the wax has dropped from its place,
  • Sister Helen,
  • And the flames are winning up apace!’
  • ‘Yet here they burn but for a space,
  • Little brother!’
  • 230 ( O Mother, Mary Mother,
  • Here for a space, between Hell and Heaven!)
  • ‘Ah! what white thing at the door has cross'd,
  • Sister Helen?
  • Ah! what is this that sighs in the frost?’
  • ‘A soul that's lost as mine is lost,
  • Little brother!’
  • ( O Mother, Mary Mother,
  • Lost, lost, all lost, between Hell and Heaven!)
Note: Pages 57-64 not included in these proofs.
Image of page 65 page: 65
Printer's Direction: [Delete sign] the whole of this poem
Editorial Description: DGR's note to the printer. The whole text is crossed by hand.
Sig. F
DENNIS SHAND.
Deleted Text
  • The shadows fall along the wall,
  • It's night at Haye-la-Serre;
  • The maidens weave since day grew eve,
  • The lady's in her chair.
  • O passing slow the long hours go
  • With time to think and sigh,
  • When weary maidens weave beneath
  • A listless lady's eye.
  • It's two days that Earl Simon's gone
  • 10 And it's the second night;
  • At Haye-la-Serre the lady's fair,
  • In June the moon is light.
  • O it's ‘Maids, ye'll wake till I come back,’
  • And the hound's i' the lady's chair:
  • No shuttles fly, the work stands by,
  • It's play at Haye-la-Serre.
  • The night is worn, the lamp's forlorn,
  • The shadows waste and fail;
  • There's morning air at Haye-la-Serre,
  • 20 The watching maids look pale.
Image of page 66 page: 66
  • O all unmarked the birds at dawn
  • Where drowsy maidens be;
  • But heard too soon the lark's first tune
  • Beneath the trysting-tree.
  • ‘Hold me thy hand, sweet Dennis Shand,
  • Says the Lady Joan de Haye,
  • ‘That thou to-morrow do forget
  • To-day and yesterday.
  • ‘For many a weary month to come
  • 30 My lord keeps house with me,
  • And sighing summer must lie cold
  • In winter's company.
  • ‘And many an hour I'll pass thee by
  • And see thee and be seen;
  • Yet not a glance must tell by chance
  • How sweet these hours have been.
  • ‘We've all to fear; there's Maud the spy,
  • There's Ann whose face I scor'd,
  • There's Blanch tells Huot everything,
  • 40 And Huot loves my lord.