Rossetti Archive Textual Transcription

Document Title: Poems. A New Edition (1881), proof Signature L (Delaware Museum, first revise, copy 2)
Author: Dante Gabriel Rossetti
Date of publication: 1881 May 15 (circa)
Publisher: F. S. Ellis
Printer: Strangeways and Walden
Issue: 1

The full Rossetti Archive record for this transcribed document is available.

Image of page 145 page: 145
Sig. L
  • So close they gathered round me—they would all
  • Be with me when I reached the spot at last,
  • To plead my cause with her against herself
  • So changed, O Father, if you knew all this
  • You cannot know, then you would know too, Father,
  • And only then, if God can pardon me.
  • 20 What can be told I'll tell, if you will hear.
  • I passed a village-fair upon my road,
  • And thought, being empty-handed, I would take
  • Some little present: such might prove, I said,
  • Either a pledge between us, or (God help me!)
  • A parting gift. And there it was I bought
  • The knife I spoke of, such as women wear.
  • That day, some three hours afterwards, I found
  • For certain, it must be a parting gift.
  • And, standing silent now at last, I looked
  • 30 Into her scornful face; and heard the sea
  • Still trying hard to din into my ears
  • Some speech it knew which still might change her heart,
  • If only it could make me understand.
  • One moment thus. Another, and her face
  • Seemed further off than the last line of sea,
  • Image of page 146 page: 146
  • So that I thought, if now she were to speak
  • I could not hear her. Then again I knew
  • All, as we stood together on the sand
  • At Iglio, in the first thin shade o' the hills.
  • 40 ‘Take it,’ I said, and held it out to her,
  • While the hilt glanced within my trembling hold;
  • ‘Take it and keep it for my sake,’ I said.
  • Her neck unbent not, neither did her eyes
  • Move, nor her foot left beating of the sand;
  • Only she put it by from her and laughed.
  • Father, you hear my speech and not her laugh;
  • But God heard that. Will God remember all?
  • It was another laugh than the sweet sound
  • Which rose from her sweet childish heart, that day
  • 50 Eleven years before, when first I found her
  • Alone upon the hill-side; and her curls
  • Shook down in the warm grass as she looked up
  • Out of her curls in my eyes bent to hers.
  • She might have served a painter to pourtray
  • That heavenly child which in the latter days
  • Shall walk between the lion and the lamb.
  • Image of page 147 page: 147
  • I had been for nights in hiding, worn and sick
  • And hardly fed; and so her words at first
  • Seemed fitful like the talking of the trees
  • 60 And voices in the air that knew my name.
  • And I remember that I sat me down
  • Upon the slope with her, and thought the world
  • Must be all over or had never been,
  • We seemed there so alone. And soon she told me
  • Her parents both were gone away from her.
  • I thought perhaps she meant that they had died;
  • But when I asked her this, she looked again
  • Into my face, and said that yestereve
  • They kissed her long, and wept and made her weep,
  • 70 And gave her all the bread they had with them,
  • And then had gone together up the hill
  • Where we were sitting now, and had walked on
  • Into the great red light; ‘and so,’ she said,
  • ‘I have come up here too; and when this evening
  • They step out of the light as they stepped in,
  • I shall be here to kiss them.’ And she laughed.
  • Then I bethought me suddenly of the famine;
  • And how the church-steps throughout all the town,
  • When last I had been there a month ago,
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  • 80 Swarmed with starved folk; and how the bread was
  • weighed
  • By Austrians armed; and women that I knew
  • For wives and mothers walked the public street,
  • Saying aloud that if their husbands feared
  • To snatch the children's food, themselves would stay
  • Till they had earned it there. So then this child
  • Was piteous to me; for all told me then
  • Her parents must have left her to God's chance,
  • To man's or to the Church's charity,
  • Because of the great famine, rather than
  • 90 To watch her growing thin between their knees.
  • With that, God took my mother's voice and spoke,
  • And sights and sounds came back and things long since,
  • And all my childhood found me on the hills;
  • And so I took her with me.
  • I was young,
  • Scarce man then, Father; but the cause which gave
  • The wounds I die of now had brought me then
  • Some wounds already; and I lived alone,
  • As any hiding hunted man must live.
  • It was no easy thing to keep a child
  • 100 In safety; for herself it was not safe,
  • And doubled my own danger: but I knew
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  • That God would help me.
  • Yet a little while
  • Pardon me, Father, if I pause. I think
  • I have been speaking to you of some matters
  • There was no need to speak of, have I not?
  • You do not know how clearly those things stood
  • Within my mind, which I have spoken of,
  • Nor how they strove for utterance. Life all past
  • Is like the sky when the sun sets in it,
  • 110 Clearest where furthest off.
  • I told you how
  • She scorned my parting gift and laughed. And yet
  • A woman's laugh's another thing sometimes:
  • I think they laugh in Heaven. I know last night
  • I dreamed I saw into the garden of God,
  • Where women walked whose painted images
  • I have seen with candles round them in the church.
  • They bent this way and that, one to another,
  • Playing: and over the long golden hair
  • Of each there floated like a ring of fire
  • 120 Which when she stooped stooped with her, and when
  • she rose
  • Rose with her. Then a breeze flew in among them,
  • As if a window had been opened in heaven
  • Image of page 150 page: 150
  • For God to give His blessing from, before
  • This world of ours should set; (for in my dream
  • I thought our world was setting, and the sun
  • Flared, a spent taper;) and beneath that gust
  • The rings of light quivered like forest-leaves.
  • Then all the blessed maidens who were there
  • Stood up together, as it were a voice
  • 130 That called them; and they threw their tresses back,
  • And smote their palms, and all laughed up at once,
  • For the strong heavenly joy they had in them
  • To hear God bless the world. Wherewith I woke:
  • And looking round, I saw as usual
  • That she was standing there with her long locks
  • Pressed to her side; and her laugh ended theirs.
  • For always when I see her now, she laughs.
  • And yet her childish laughter haunts me too,
  • The life of this dead terror; as in days
  • 140 When she, a child, dwelt with me. I must tell
  • Something of those days yet before the end.
  • I brought her from the city—one such day
  • When she was still a merry loving child,—
  • The earliest gift I mind my giving her;
  • Image of page 151 page: 151
  • A little image of a flying Love
  • Made of our coloured glass-ware, in his hands
  • A dart of gilded metal and a torch.
  • And him she kissed and me, and fain would know
  • Why were his poor eyes blindfold, why the wings
  • 150 And why the arrow. What I knew I told
  • Of Venus and of Cupid,—strange old tales.
  • And when she heard that he could rule the loves
  • Of men and women, still she shook her head
  • And wondered; and, ‘Nay, nay,’ she murmured still,
  • ‘So strong, and he a younger child than I!’
  • And then she'd have me fix him on the wall
  • Fronting her little bed; and then again
  • She needs must fix him there herself, because
  • I gave him to her and she loved him so,
  • 160 And he should make her love me better yet,
  • If women loved the more, the more they grew.
  • But the fit place upon the wall was high
  • For her, and so I held her in my arms:
  • And each time that the heavy pruning-hook
  • I gave her for a hammer slipped away
  • As it would often, still she laughed and laughed
  • And kissed and kissed me. But amid her mirth,
  • Just as she hung the image on the nail,
  • Image of page 152 page: 152
  • It slipped and all its fragments strewed the ground:
  • 170 And as it fell she screamed, for in her hand
  • The dart had entered deeply and drawn blood.
  • And so her laughter turned to tears: and ‘Oh!’
  • I said, the while I bandaged the small hand,—
  • ‘That I should be the first to make you bleed,
  • Who love and love and love you!’—kissing still
  • The fingers till I got her safe to bed.
  • And still she sobbed,—‘not for the pain at all,’
  • She said, ‘but for the Love, the poor good Love
  • You gave me.’ So she cried herself to sleep.
  • 180 Another later thing comes back to me.
  • 'Twas in those hardest foulest days of all,
  • When still from his shut palace, sitting clean
  • Above the splash of blood, old Metternich
  • (May his soul die, and never-dying worms
  • Feast on its pain for ever!) used to thin
  • His year's doomed hundreds daintily, each month
  • Thirties and fifties. This time, as I think,
  • Was when his thrift forbad the poor to take
  • That evil brackish salt which the dry rocks
  • 190 Keep all through winter when the sea draws in.
  • The first I heard of it was a chance shot
  • Image of page 153 page: 153
  • In the street here and there, and on the stones
  • A stumbling clatter as of horse hemmed round.
  • Then, when she saw me hurry out of doors,
  • My gun slung at my shoulder and my knife
  • Stuck in my girdle, she smoothed down my hair
  • And laughed to see me look so brave, and leaped
  • Up to my neck and kissed me. She was still
  • A child; and yet that kiss was on my lips
  • 200 So hot all day where the smoke shut us in.
  • For now, being always with her, the first love
  • I had—the father's, brother's love—was changed,
  • I think, in somewise; like a holy thought
  • Which is a prayer before one knows of it.
  • The first time I perceived this, I remember,
  • Was once when after hunting I came home
  • Weary, and she brought food and fruit for me,
  • And sat down at my feet upon the floor
  • Leaning against my side. But when I felt
  • 210 Her sweet head reach from that low seat of hers
  • So high as to be laid upon my heart,
  • I turned and looked upon my darling there
  • And marked for the first time how tall she was;
  • And my heart beat with so much violence
  • Image of page 154 page: 154
  • Under her cheek, I thought she could not choose
  • But wonder at it soon and ask me why;
  • And so I bade her rise and eat with me.
  • And when, remembering all and counting back
  • The time, I made out fourteen years for her
  • 220 And told her so, she gazed at me with eyes
  • As of the sky and sea on a grey day,
  • And drew her long hands through her hair, and
  • asked me
  • If she was not a woman; and then laughed:
  • And as she stooped in laughing, I could see
  • Beneath the growing throat the breasts half-globed
  • Like folded lilies deepset in the stream.
  • Yes, let me think of her as then; for so
  • Her image, Father, is not like the sights
  • Which come when you are gone. She had a mouth
  • 230 Made to bring death to life,—the underlip
  • Sucked in, as if it strove to kiss itself.
  • Her face was pearly pale, as when one stoops
  • Over wan water; and the dark crisped hair
  • And the hair's shadow made it paler still:—
  • Deep-serried locks, the dimness of the cloud
  • Where the moon's gaze is set in eddying gloom.
  • Image of page 155 page: 155
  • Her body bore her neck as the tree's stem
  • Bears the top branch; and as the branch sustains
  • The flower of the year's pride, her high neck bore
  • 240 That face made wonderful with night and day.
  • Her voice was swift, yet ever the last words
  • Fell lingeringly; and rounded finger-tips
  • She had, that clung a little where they touched
  • And then were gone o' the instant. Her great eyes,
  • That sometimes turned half dizzily beneath
  • The passionate lids, as faint, when she would speak,
  • Had also in them hidden springs of mirth,
  • Which under the dark lashes evermore
  • Shook to her laugh, as when a bird flies low
  • 250 Between the water and the willow-leaves,
  • And the shade quivers till he wins the light.
  • I was a moody comrade to her then,
  • For all the love I bore her. Italy,
  • The weeping desolate mother, long has claimed
  • Her sons' strong arms to lean on, and their hands
  • To lop the poisonous thicket from her path,
  • Cleaving her way to light. And from her need
  • Had grown the fashion of my whole poor life
  • Image of page 156 page: 156
  • Which I was proud to yield her, as my father
  • 260 Had yielded his. And this had come to be
  • A game to play, a love to clasp, a hate
  • To wreak, all things together that a man
  • Needs for his blood to ripen; till at times
  • All else seemed shadows, and I wondered still
  • To see such life pass muster and be deemed
  • Time's bodily substance. In those hours, no doubt,
  • To the young girl my eyes were like my soul,—
  • Dark wells of death-in-life that yearned for day.
  • And though she ruled me always, I remember
  • 270 That once when I was thus and she still kept
  • Leaping about the place and laughing, I
  • Did almost chide her; whereupon she knelt
  • And putting her two hands into my breast
  • Sang me a song. Are these tears in my eyes?
  • 'Tis long since I have wept for anything.
  • I thought that song forgotten out of mind;
  • And now, just as I spoke of it, it came
  • All back. It is but a rude thing, ill rhymed,
  • Such as a blind man chaunts and his dog hears
  • 280 Holding the platter, when the children run
  • To merrier sport and leave him. Thus it goes:—
Image of page 157 page: 157
  • La bella donna*
  • Piangendo disse:
  • ‘Come son fisse
  • Le stelle in cielo!
  • Quel fiato anelo
  • Dello stanco sole,
  • Quanto m' assonna!
  • E la luna, macchiata
Transcribed Footnote (page 157):
Note: The translated version of the poem appears in two columns at bottom of page.
  • * She wept, sweet lady,
  • And said in weeping:
  • ‘What spell is keeping
  • The stars so steady?
  • Why does the power
  • Of the sun's noon-hour
  • To sleep so move me?
  • And the moon in heaven,
  • Stained where she passes
  • 10 As a worn-out glass is,—
  • Wearily driven,
  • Why walks she above me?
  • ‘Stars, moon, and sun too,
  • I'm tired of either
  • And all together!
  • Whom speak they unto
  • That I should listen?
  • For very surely,
  • Though my arms and shoulders
  • 20 Dazzle beholders,
  • And my eyes glisten,
  • All's nothing purely!
  • What are words said for
  • At all about them,
  • If he they are made for
  • Can do without them?’
  • She laughed, sweet lady,
  • And said in laughing:
  • ‘His hand clings half in


  • Column Break


  • 30 My own already!
  • Oh! do you love me?
  • Oh! speak of passion
  • In no new fashion,
  • No loud inveighings,
  • But the old sayings
  • You once said of me.
  • ‘You said: “As summer,
  • Through boughs grown brittle,
  • Comes back a little
  • 40 Ere frosts benumb her,—
  • So bring'st thou to me
  • All leaves and flowers,
  • Though autumn's gloomy
  • To-day in the bowers.’
  • ‘Oh! does he love me,
  • When my voice teaches
  • The very speeches
  • He then spoke of me?
  • Alas! what flavour
  • 50 Still with me lingers?’
  • (But she laughed as my kisses
  • Glowed in her fingers
  • With love's old blisses.)
  • ‘Oh! what one favour
  • Remains to woo him,
  • Whose whole poor savour
  • Belongs not to him?’
Image of page 158 page: 158
  • 290Come uno specchio
  • Logoro e vecchio,—
  • Faccia affannata,
  • Che cosa vuole?
  • ‘Chè stelle, luna, e sole,
  • Ciascun m' annoja
  • E m' annojano insieme;
  • Non me ne preme
  • Nè ci prendo gioja.
  • E veramente,
  • 300Che le spalle sien franche
  • E la braccia bianche
  • E il seno caldo e tondo,
  • Non mi fa niente.
  • Chè cosa al mondo
  • Posso più far di questi
  • Se non piacciono a te, come dicesti?’
  • La donna rise
  • E riprese ridendo:—
  • ‘Questa mano che prendo
  • 310E dunque mia?
  • Tu m' ami dunque?
  • Dimmelo ancora,
  • Non in modo qualunque,
  • Ma le parole
  • Belle e precise
  • Che dicesti pria.
  • Siccome suole
  • La state talora
    Image of page 159 page: 159
  • (Dicesti) un qualche istante
  • 320 Tornare innanzi inverno,
  • Così tu fai ch' io scerno
  • Le foglie tutte quante,
  • Ben ch' io certo tenessi
  • Per passato l' autunno.
  • ‘Eccolo il mio alunno!
  • Io debbo insegnargli
  • Quei cari detti istessi
  • Ch' ei mi disse una volta!
  • Oimè! Che cosa dargli,’
  • 330(Ma ridea piano piano
  • Dei baci in sulla mano,)
  • ‘Ch' ei non m'abbia da lungo tempo tolta?’
  • That I should sing upon this bed!—with you
  • To listen, and such words still left to say!
  • Yet was it I that sang? The voice seemed hers,
  • As on the very day she sang to me;
  • When, having done, she took out of my hand
  • Something that I had played with all the while
  • And laid it down beyond my reach; and so
  • 340 Turning my face round till it fronted hers,—
  • ‘Weeping or laughing, which was best?’ she said.
  • But these are foolish tales. How should I show
  • The heart that glowed then with love's heat, each day
  • Image of page 160 page: 160
  • More and more brightly?—when for long years now
  • The very flame that flew about the heart,
  • And gave it fiery wings, has come to be
  • The lapping blaze of hell's environment
  • Whose tongues all bid the molten heart despair.
  • Yet one more thing comes back on me to-night
  • 350 Which I may tell you: for it bore my soul
  • Dread firstlings of the brood that rend it now.
  • It chanced that in our last year's wanderings
  • We dwelt at Monza, far away from home,
  • If home we had: and in the Duomo there
  • I sometimes entered with her when she prayed.
  • An image of Our Lady stands there, wrought
  • In marble by some great Italian hand
  • In the great days when she and Italy
  • Sat on one throne together: and to her
  • 360 And to none else my loved one told her heart.
  • She was a woman then; and as she knelt,—
  • Her sweet brow in the sweet brow's shadow there,—
  • They seemed two kindred forms whereby our land
  • (Whose work still serves the world for miracle)
  • Made manifest herself in womanhood.
  • Father, the day I speak of was the first
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