Poems. A New Edition (1881), proof Signature M (Delaware Museum, first revise proof, printer's copy) Dante Gabriel Rossetti 1 Text courtesy of The Delaware Art Museum Poems. A New Edition Dante Gabriel Rossetti F. S. Ellis Strangeways and Walden London 1881 May 15 (circa) proof 161-176 1 DGR M8 Library, Delaware Art Museum 10 point; 6 point leading roman 22 2 cm 3.8 cm 2 cm 2.5 cm 19 x 12.8cm (crown octavo) Commentary
Introduction

This is the printer's copy of the first revise proof of Signature M. of the 1881 <hi rend="i">Poems</hi> . DGR's correction to line 138 of “The Burden of Nineveh” is copied in here.

Textual History: Composition

Textual History: Revision

Six copies of this proof signature are preserved in the library of the Delaware Art Museum. They include the corrected first author's proof, a printer's duplicate of the first proof, two first revises, the author's copy and this printer's copy, and two final revise proofs, copy 1 and its duplicate.

Printing History

Reception History

Historical

Literary

Translation

Autobiographical

Bibliographic

M For weeks that I had borne her company Into the Duomo; and those weeks had been Much troubled, for then first the glimpses came Of some impenetrable restlessness Growing in her to make her changed and cold. And as we entered there that day, I bent My eyes on the fair Image, and I said Within my heart, ‘Oh turn her heart to me!’ And so I left her to her prayers, and went To gaze upon the pride of Monza's shrine, Where in the sacristy the light still falls Upon the Iron Crown of Italy, On whose crowned heads the day has closed, nor yet The daybreak gilds another head to crown. But coming back, I wondered when I saw That the sweet Lady of her prayers now stood Alone without her; until further off, Before some new Madonna gaily decked, Tinselled and gewgawed, a slight German toy, I saw her kneel, still praying. At my step She rose, and side by side we left the church. I was much moved, and sharply questioned her Of her transferred devotion; but she seemed Stubborn and heedless; till she lightly laughed And said: ‘The old Madonna? Aye indeed, She had my old thoughts,—this one has my new.’ Then silent to the soul I held my way: And from the fountains of the public place Unto the pigeon-haunted pinnacles, Bright wings and water winnowed the bright air; And stately with her laugh's subsiding smile She went, with clear-swayed waist and towering neck And hands held light before her; and the face Which long had made a day in my life's night Was night in day to me; as all men's eyes Turned on her beauty, and she seemed to tread Beyond my heart to the world made for her. Ah there! my wounds will snatch my sense again: The pain comes billowing on like a full cloud Of thunder, and the flash that breaks from it Leaves my brain burning. That's the wound he gave, The Austrian whose white coat I still made match With his white face, only the two grew red As suits his trade. The devil makes them wear White for a livery, that the blood may show Braver that brings them to him. So he looks Sheer o'er the field and knows his own at once. Give me a draught of water in that cup; My voice feels thick; perhaps you do not hear; But you must hear. If you mistake my words And so absolve me, I am sure the blessing Will burn my soul. If you mistake my words And so absolve me, Father, the great sin Is yours, not mine: mark this: your soul shall burn With mine for it. I have seen pictures where Souls burned with Latin shriekings in their mouths: Shall my end be as theirs? Nay, but I know 'Tis you shall shriek in Latin. Some bell rings, Rings through my brain: it strikes the hour in hell. You see I cannot, Father; I have tried, But cannot, as you see. These twenty times Beginning, I have come to the same point And stopped. Beyond, there are but broken words Which will not let you understand my tale. It is that then we have her with us here, As when she wrung her hair out in my dream To-night, till all the darkness reeked of it. Her hair is always wet, for she has kept Its tresses wrapped about her side for years; And when she wrung them round over the floor, I heard the blood between her fingers hiss; So that I sat up in my bed and screamed Once and again; and once to once, she laughed. Look that you turn not now,—she's at your back: Gather your robe up, Father, and keep close, Or she'll sit down on it and send you mad. At Iglio in the first thin shade o' the hills The sand is black and red. The black was black When what was spilt that day sank into it, And the red scarcely darkened. There I stood This night with her, and saw the sand the same. * * * * * * What would you have me tell you? Father, father, How shall I make you know? You have not known The dreadful soul of woman, who one day Forgets the old and takes the new to heart, Forgets what man remembers, and therewith Forgets the man. Nor can I clearly tell How the change happened between her and me. Her eyes looked on me from an emptied heart When most my heart was full of her; and still In every corner of myself I sought To find what service failed her; and no less Than in the good time past, there all was hers. What do you love? Your Heaven? Conceive it spread For one first year of all eternity All round you with all joys and gifts of God; And then when most your soul is blent with it And all yields song together,—then it stands O' the sudden like a pool that once gave back Your image, but now drowns it and is clear Again,—or like a sun bewitched, that burns Your shadow from you, and still shines in sight. How could you bear it? Would you not cry out, Among those eyes grown blind to you, those ears That hear no more your voice you hear the same,— ‘God! what is left but hell for company, But hell, hell, hell?’—until the name so breathed Whirled with hot wind and sucked you down in fire? Even so I stood the day her empty heart Left her place empty in our home, while yet I knew not why she went nor where she went Nor how to reach her: so I stood the day When to my prayers at last one sight of her Was granted, and I looked on heaven made pale With scorn, and heard heaven mock me in that laugh. O sweet, long sweet! Was that some ghost of you Even as your ghost that haunts me now,—twin shapes Of fear and hatred? May I find you yet Mine when death wakes? Ah! be it even in flame, We may have sweetness yet, if you but say As once in childish sorrow: ‘Not my pain, My pain was nothing: oh your poor poor love, Your broken love!’ My Father, have I not Yet told you the last things of that last day On which I went to meet her by the sea? O God, O God! but I must tell you all. Midway upon my journey, when I stopped To buy the dagger at the village fair, I saw two cursed rats about the place I knew for spies—blood-sellers both. That day Was not yet over; for three hours to come I prized my life: and so I looked around For safety. A poor painted mountebank Was playing tricks and shouting in a crowd. I knew he must have heard my name, so I Pushed past and whispered to him who I was, And of my danger. Straight he hustled me Into his booth, as it were in the trick, And brought me out next minute with my face All smeared in patches and a zany's gown; And there I handed him his cups and balls And swung the sand-bags round to clear the ring For half an hour. The spies came once and looked; And while they stopped, and made all sights and sounds Sharp to my startled senses, I remember A woman laughed above me. I looked up And saw where a brown-shouldered harlot leaned Half through a tavern window thick with vine. Some man had come behind her in the room And caught her by her arms, and she had turned With that coarse empty laugh on him, as now He munched her neck with kisses, while the vine Crawled in her back. And three hours afterwards, When she that I had run all risks to meet Laughed as I told you, my life burned to death Within me, for I thought it like the laugh Heard at the fair. She had not left me long; But all she might have changed to, or might change to, (I know nought since—she never speaks a word—) Seemed in that laugh. Have I not told you yet, Not told you all this time what happened, Father, When I had offered her the little knife, And bade her keep it for my sake that loved her, And she had laughed? Have I not told you yet? ‘Take it,’ I said to her the second time, ‘Take it and keep it.’ And then came a fire That burnt my hand; and then the fire was blood, And sea and sky were blood and fire, and all The day was one red blindness; till it seemed, Within the whirling brain's eclipse, that she Or I or all things bled or burned to death. And then I found her laid against my feet And knew that I had stabbed her, and saw still Her look in falling. For she took the knife Deep in her heart, even as I bade her then, And fell; and her stiff bodice scooped the sand Into her bosom. And she keeps it, see, Do you not see she keeps it?—there, beneath Wet fingers and wet tresses, in her heart. For look you, when she stirs her hand, it shows The little hilt of horn and pearl,—even such A dagger as our women of the coast Twist in their garters. Father, I have done: And from her side now she unwinds the thick Dark hair; all round her side it is wet through, But, like the sand at Iglio, does not change. Now you may see the dagger clearly. Father, I have told all: tell me at once what hope Can reach me still. For now she draws it out Slowly, and only smiles as yet: look, Father, She scarcely smiles: but I shall hear her laugh Soon, when she shows the crimson steel to God. <hi rend="c">THE BURDEN OF NINEVEH</hi>. In our Museum galleries To-day I lingered o'er the prize Dead Greece vouchsafes to living eyes,— Her Art for ever in fresh wise From hour to hour rejoicing me. Sighing I turned at last to win Once more the London dirt and din; And as I made the swing-door spin And issued, they were hoisting in A wingèd beast from Nineveh. A human face the creature wore, And hoofs behind and hoofs before, And flanks with dark runes fretted o'er. 'Twas bull, 'twas mitred Minotaur, A dead disbowelled mystery: The mummy of a buried faith Stark from the charnel without scathe, Its wings stood for the light to bathe,— Such fossil cerements as might swathe The very corpse of Nineveh. The print of its first rush-wrapping, Wound ere it dried, still ribbed the thing. What song did the brown maidens sing, From purple mouths alternating, When that was woven languidly? What vows, what rites, what prayers preferr'd, What songs has the strange image heard? In what blind vigil stood interr'd For ages, till an English word Broke silence first at Nineveh? Oh when upon each sculptured court, Where even the wind might not resort,— O'er which Time passed, of like import With the wild Arab boys at sport,— A living face looked in to see:— O seemed it not—the spell once broke— As though the carven warriors woke, As though the shaft the string forsook, The cymbals clashed, the chariots shook, And there was life in Nineveh? On London stones our sun anew The beast's recovered shadow threw. (No shade that plague of darkness knew, No light, no shade, while older grew By ages the old earth and sea.) Lo thou! could all thy priests have shown Such proof to make thy godhead known? From their dead Past thou liv'st alone; And still thy shadow is thine own Even as of yore in Nineveh. That day whereof we keep record, When near thy city-gates the Lord Sheltered His Jonah with a gourd, This sun, (I said) here present, pour'd Even thus this shadow that I see. This shadow has been shed the same From sun and moon,—from lamps which came For prayer,—from fifteen days of flame, The last, while smouldered to a name Sardanapalus' Nineveh. Within thy shadow, haply, once Sennacherib has knelt, whose sons Smote him between the altar-stones: Or pale Semiramis her zones Of gold, her incense brought to thee, In love for grace, in war for aid: . . . . Ay, and who else? . . . . till 'neath thy shade Within his trenches newly made Last year the Christian knelt and pray'd— Not to thy strength—in Nineveh.* Now, thou poor god, within this hall Where the blank windows blind the wall From pedestal to pedestal, The kind of light shall on thee fall Which London takes the day to be: While school-foundations in the act Of holiday, three files compact, Shall learn to view thee as a fact Connected with that zealous tract: ‘Rome,—Babylon and Nineveh.’

* During the excavations, the Tiyari workmen held their servicesin the shadow of the great bulls. (Layard's ‘ Nineveh, ’ ch. ix.)

 Deemed they of this, those worshippers, When, in some mythic chain of verse Which man shall not again rehearse, The faces of thy ministers Yearned pale with bitter ecstasy? Greece, Egypt, Rome,—did any god Before whose feet men knelt unshod Deem that in this unblest abode Another scarce more unknown god Should house with him, from Nineveh? Ah! in what quarries lay the stone From which this pillared pile has grown, Unto man's need how long unknown, Since those thy temples, court and cone, Rose far in desert history? Ah! what is here that does not lie All strange to thine awakened eye? Ah! what is here can testify (Save that dumb presence of the sky) Unto thy day and Nineveh? Why, of those mummies in the room Above, there might indeed have come One out of Egypt to thy home, An alien. Nay, but were not some Of these thine own ‘antiquity?’ And now,—they and their gods and thou All relics here together,—now Whose profit? whether bull or cow, Isis or Ibis, who or how, Whether of Thebes or Nineveh? The consecrated metals found, And ivory tablets, underground, Winged teraphim and creatures crown'd, When air and daylight filled the mound, Fell into dust immediately. And even as these, the images Of awe and worship,—even as these,— So, smitten with the sun's increase, Her glory mouldered and did cease From immemorial Nineveh. The day her builders made their halt, Those cities of the lake of salt Stood firmly 'stablished without fault, Made proud with pillars of basalt, With sardonyx and porphyry. The day that Jonah bore abroad To Nineveh the voice of God, A brackish lake lay in his road, Where erst Pride fixed her sure abode, As then in royal Nineveh. The day when he, Pride's lord and Man's, Showed all the kingdoms at a glance To Him before whose countenance The years recede, the years advance, And said, Fall down and worship me:— 'Mid all the pomp beneath that look, Then stirred there, haply, some rebuke, Where to the m wind the Salt Pools shook, And in those tracts, of life forsook, That knew thee not, O Nineveh! Delicate harlot! On thy throne Thou with a world beneath thee prone In state for ages sat'st alone; And needs were years and lustres flown Ere strength of man could vanquish thee: Whom even thy victor foes must bring, Still royal, among maids that sing