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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>The Church Porches</title>
            <author>Dante Gabriel Rossetti</author>
            <!-- revised proofed parsed 23 june 06 jjm -->

</titlestmt>
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            <edition>1</edition>
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         <notesstmt/>
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         <date>1853</date>
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            <meter/>
            <genre>poem group</genre>
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            <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>William Bell Scott transcribed both sonnets in 1853 from DGR's manuscripts.  The poems 
    represented an early style in DGR's writing, as Scott points out&#8212;examples of &#8220;the spirit 
    that had made him choose <xref doc="a.11-1847.raw">
                     <title level="wrk">&#8216;Songs of the Art 
    Catholic&#8217;</title>
                  </xref> as a general title&#8221; for his work.  Scott goes on to observe of the sonnets: &#8220;The 
    first, on <hi rend="i">entering Church</hi>, was addressed to his sister Maria; the second, on <hi rend="i">leaving Church</hi>, to 
    Christina&#8221;.  In a footnote Scott adds that &#8220;They were what he considered juvenile things at that day, 1853, and I 
    confess to being surprised to see one of them printed among his latest efforts in 1881.  The two sonnets taken in connection, and 
    as characteristic of his early time, 1848, as they were written, are very interesting&#8221; (see 
    Scott, <bibl>
                     <xref doc="a.pr5349.s2a81892.v1.rad" from="290">
                        <title level="per">
                           <hi rend="i">Autobiographical 
    Notes</hi>
                        </title>
                     </xref>, <pages>I. 290</pages>
                  </bibl>).</p>
               <p>Sharp observes that the sonnets represent &#8220;the reaction experienced in 
    finding a soulless service in the building wherein were expected to be found &#8216;Silence, and 
    sudden dimness, and deep prayer, And faces of crowned angels all about&#8217;&#8221; 
    (<bibl>
                     <author>Sharp</author>, <xref doc="a." link="dead">
                        <title level="bk">
                           <hi rend="i">DGR. A Record and a 
    Study</hi>
                        </title>
                     </xref>, <pages>403-404</pages>
                  </bibl>).</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>WMR dates the sonnets 1853  
    and William Bell Scott (see above) says they were written in 1848, although <xref doc="a.dgr.ltr.0551.rad">his own letter</xref> and 
    enclosure of 1869 shows that he must have 
    forgotten that the correct date is 1853.  The only 
    extant manuscripts appear to be DGR's <xref doc="a.greenbook.prinms.rad" workcode="16-1853" subset="a" from="[8v]">fair 
    copy</xref> of the first sonnet (at Princeton) and two copies made by Scott: the copy of the 
    <xref doc="a.dgr.ltr.0551.rad" from="[1v]" workcode="16-1853">first sonnet</xref> sent with Scott's letter of August 1869, 
    and a <xref doc="a.16-1853.princems.rad">copy</xref> of the second 
    sonnet sent with another Scott letter.  Scott's  
note to the second sonnet, which seems copied from DGR's (untraced) original manuscript, states that the 
sonnet was written &#8220;at Newcastle&#8212;1853&#8221; </p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p> The first of the two sonnets was printed in the 1881 <xref doc="a.2-1881.1stedn.rad" workcode="16-1853" from="324">
                     <title level="wrk">
                        <hi rend="i"> "Ballads and Sonnets</hi>
                     </title>
                  </xref> and collected thereafter.  The second was first printed paired with the first by Edmund Gosse in 1882 in his essay <bibl>&#8220;Dante Gabriel Rossetti&#8221; in <xref doc="a.ap2.c4.24.rad" workcode="16-1853" from="722">
                        <title level="per">
                           <hi rend="i">The Century Magazine</hi>
                        </title>
                     </xref> (September 1882) <pages>722</pages>
                  </bibl>.  The second sonnet was printed again in a slightly different version by William Bell Scott in his 1892 <bibl>
                     <xref doc="a.pr5349.s2a81892.v1.rad" workcode="16-1853" from="290" to="291">
                        <title level="per">
                           <hi rend="i">Autobiographical Notes</hi>
                        </title>
                     </xref>, <pages>I. 290-291</pages>
                  </bibl>.   WMR collected the first sonnet only in his <xref doc="a.1-1886.1sted.vol1.rad" from="272">1886 edition</xref> but did not collect both together until <xref doc="a.pr5240.f11.rad" workcode="16-1853" from="198">1911</xref>, where he follows the Gosse text for the first sonnet.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p/>
            </section>
         </commentaries>
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            <basis>
               <xref doc="a.pr5240.f11.rad" workcode="16-1853" from="198">1911</xref>
            </basis>
            <lines n="title">
               <gloss>See <xref doc="a.pr5240.f11.rad" workcode="1-1911" from="667">WMR's note
(1911).</xref>
               </gloss>
            </lines>
         </linenotes>
      </profiledesc>

      <profiledesc title="The Church-Porches I.">
         <date>1848</date>
         <form>
            <rhyme>abbaabbaccdeed</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
      </profiledesc>
      <profiledesc title="The Church-Porches II.">
         <date>1848</date>
         <form>
            <rhyme>abbaabbacddece</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
      </profiledesc>

      <revisiondesc/>
   </ramheader>
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      <xref doc="a.pr5240.f11.rad" workcode="16-1853" from="198">1911</xref>
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         <title>The Collected Works of Dante Gabriel Rossetti, vol. 1 (1886)</title>
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         <title>Ballads and Sonnets (1881), proof Signature Y (Delaware Museum, first
                    author's proof)</title>
         <author>Dante Gabriel Rossetti</author>
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         <editor/>
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         <author>Dante Gabriel Rossetti</author>
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         <artist/>
         <editor>W. Minto</editor>
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