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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Farewell to the Glen </title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>


         <notesstmt/>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <date>1869</date>
         <subject/>
         <form>
            <rhyme>abbaabbacdcdcd</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
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                  <note/>
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         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>As Baum notes, the sonnet is not one of DGR's best works
considered simply as an artistic performance. Its diction is stiff and
formal in the octave, and the rhetorical simplicity only further weakens
the effect. On the substantive side, the sonnet is no more interesting.
The secretive handling of what appear to be personal matters is
unimpressive even as an index of a neurotic state of mind.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>
                  <cit>DGR to Alicia Losh, 19 October 1869 (see <bibl>
                        <author>Fredeman</author>, 
<xref doc="a.">
                           <title level="bk">
                              <hi rend="i">Correspondence</hi>
                           </title>
                        </xref>, <pages>I69. 186</pages>
                     </bibl>): <quote>&#8220;The <title level="wrk">&#8216;Farewell to the Glen&#8217;</title> . . . I wrote 
the day before I left Penkill&#8221;</quote> (i.e., 17 September 1869)</cit>. Sharp 
dates it a week later.  Only one manuscript is extant: the corrected copy in the Fitzwilliam composite <xref doc="a.44-1869.fizms.rad" workcode="16-1869" from="101">
                     <title level="wrk">&#8220;House of Life&#8221;</title>
                  </xref> sequence.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p>The initially printed text in the <xref doc="a.1-1870.tb1.raw" workcode="16-1869">First Trial Book</xref> does not change in any later printing.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>First printed at the beginning of 
October 1869 in the <xref doc="a.1-1870.tb1.trox.rad" workcode="16-1869" from="174">First Trial Book</xref> for the 1870 volume of <title level="doc">
                     <xref doc="a.1-1870.raw" workcode="16-1869">Poems</xref>
                  </title>. It 
was eventually published in the <title level="wrk">
                     <xref doc="a.1-1870.raw" workcode="16-1869">Sonnets for Pictures, and Other 
Sonnets</xref>
                  </title> section of the volume. In 1881 DGR printed it 
as sonnet LXXXIV in <title level="wrk">
                     <xref doc="a.22-1881.raw" workcode="16-1869">The House of Life</xref>
                  </title> sequence in his 
<title level="doc">
                     <xref doc="a.2-1881.1stedn.rad" workcode="16-1869">Ballads and Sonnets</xref>
                  </title> volume.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p>Like <title level="wrk">
                     <xref doc="a.21-1869.raw">&#8220;The Stream's Secret&#8221;</xref>
                  </title>, <cit>this
poem was written <quote>&#8220;in a little cave by the side of the rushing
Penwhapple, the little stream in the glen&#8221;</quote> on the grounds of Penkill
Castle (see Doughty, <bibl>
                        <xref doc="a.pr5246.d6.rad" link="dead" from="408" workcode="16-1869"> 
                           <title level="bk">
                              <hi rend="i">A Victorian Romantic</hi>
                           </title>
                        </xref>, <pages>408</pages>
                     </bibl>)</cit>.  To Alicia Losh DGR wrote in his letter of 19 )ctober 1869 <quote>&#8220;On reading it over at home 
I thought it very dismal but still it would have been a pity to exclude 
 it&#8221;</quote> from the 1870 <title level="bk">
                     <hi rend="i">Poems</hi>
                  </title> volume.   Doughty speculates on DGR's psychological
condition when he wrote the sonnet, but the sonnet's rhetoric is oblique and
elusive.</p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p> 
                  <bibl>
                     <author>Baum, ed.</author>, <xref doc="a.pr5244.h6.rad" link="dead" from="195" workcode="16-1869" to="196">
                        <title level="bk">
                           <hi rend="i">The House of Life</hi>
                        </title>
                     </xref>, <pages>195-196</pages>
                  </bibl> 
                  <bibl>
                     <author>Doughty</author>, <xref doc="a.pr5246.d6.rad" link="dead" from="412" workcode="16-1869">
                        <title level="bk">
                           <hi rend="i">A Victorian Romantic</hi>
                        </title>
                     </xref>, <pages>412</pages> 
                  </bibl>
                  <bibl>
                     <author>WMR</author>, <xref doc="a.nd497.r8r8.rad" from="245" workcode="16-1869" to="246">
                        <title level="bk">
                           <hi rend="i">DGR as Designer and Writer</hi>
                        </title>
                     </xref>, <pages>245-246</pages>
                  </bibl> 
                  <bibl>
                     <author>Sharp</author>, <title level="bk">
                        <hi rend="i">DGR: A Record and a Study</hi>
                     </title>, <pages>
                        <xref doc="a.nd497.r8s5.rad" link="dead" from="27" workcode="16-1869">27</xref>, <xref doc="a.nd497.r8s5.rad" link="dead" from="429" workcode="16-1869">429</xref>
                     </pages>
                  </bibl> 
               </p>
            </section>
         </commentaries>
         <linenotes>
            <basis>
               <xref doc="a.1-1870.1stedn.rad" from="281" workcode="16-1869">Poems (1870) Text</xref>
            </basis>
            <lines n="5">
               <gloss>bitterer: see <title level="wrk">
                     <xref doc="a.3-1867.s78.raw">&#8220;The Passover in the Holy 
Family&#8221;</xref>
                  </title> line 14, where the word <quote>&#8220;bitter&#8221;</quote> has a 
prefigurative usage in DGR's secret autobiographical poetic symbology.</gloss>
            </lines>
            <lines n="6">
               <gloss>shade: as so often in DGR, this word carries ambiguous 
overtones. It refers literally to the 
<quote>&#8220;shade&#8221;</quote> in the glen at Penkill, but 
it also glances at the ghost of his wife.</gloss>
            </lines>
            <lines n="14">
               <gloss>The meaning of this ominous line is left
unexplained. See Doughty, <bibl>
                     <xref doc="a.pr5246.d6.rad" link="dead" from="412" workcode="16-1869">
                        <title level="bk">
                           <hi rend="i">A Victorian Romantic</hi>
                        </title>
                     </xref> (<pages>412</pages>
                  </bibl>) for his speculations on 
possible personal meanings.</gloss>
            </lines>
         </linenotes>
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