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         <titlestmt>
            <title>Review of John Payne's <hi rend="i">Lautrec</hi>
            </title>
            <author>Dante Gabriel Rossetti</author>
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         <date>1878 November</date>
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            <genre>review</genre>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>DGR drafted this review shortly after he 
                    received a gratis copy of John Payne's book 
                        <xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">Lautrec. A 
                        Poem</hi>
                     </title>
                  </xref> (London: Pickering and Co., 1878) in late November 1878.  Writing to 
    William Davies on 27 November DGR asked: &#8220;Do you know 
    Mr. John Payne?   And have you seen his tasteful Poem which is called Lautrec 
    but might be called the Anatomy of Vampyrism?  I have received a copy but 
    couldn't read it for the horrors, and really don't know what to say to it.  
What will the Bardic Faculty do next?&#8220; 
    (see <bibl>
                     <author>Fredeman</author>, <xref doc="a.">
                        <title level="wrk">
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, <pages>78.270</pages>
                  </bibl>).</p>
               <p>It is difficult not to think that DGR's recoil from Payne's work is in part 
connected with his pained recollections of his dead wife and the exhumation that took place 
in 1869.</p>
               <p>The slurring reference in DGR's review to Payne's translation of Villon, which was printed to private subscription in 1878, 
probably tells much about why DGR did not publish this review.  (He had been invited in April 1878, 
    through H. Buxton Forman, to 
add his name to the subscriber list, but refused to do so.)  DGR's comments here would have 
exposed his mind on this matter to Swinburne, whose incomparable translations of Villon's
&#8220;putridities&#8221; (as DGR called them in his review) DGR at one time must 
have judged very differently.  He and Swinburne planned to do a complete translation of 
Villon together in the 1860s (see commentary for DGR's 
 <xref doc="a.49-1869.raw">
                     <title level="wrk">
                        <hi rend="i">Three Translations from Francois 
 Villon, 1450</hi>
                     </title>
                  </xref>).  DGR always held much more conservative views than Swinburne did 
 (or than his brother did!) on 
the question of what is or is not &#8220;moral&#8221; in poetry and art.  This unpublished review 
shows just how much more conservative DGR had become after the furor that exploded around 
the supposed &#8220;fleshly&#8221; character of his work in his 1870 volume.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>Composed in late November or early December 1878.  The only surviving witness of this 
work seems to be <xref doc="a.16p-1878.prinms.rad">DGR's rough draft</xref> in the Princeton/Troxell collection.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>DGR did not have the review printed, and it has never before been published.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>John Payne</author>, <xref doc="a.">
                        <title level="wrk">
                           <hi rend="i">Lautrec. 
A Poem</hi>
                        </title>
                     </xref> (<date>London, 1878</date>).</bibl>
                  <bibl>
                     <author>John Payne</author>, <xref doc="a.">
                        <title level="wrk">
                           <hi rend="i">The Masque of Shadows and other Poems</hi>
                        </title>
                     </xref> (<date>London, 1870</date>)
</bibl>
               </p>
            </section>
         </commentaries>
         <paranotes>
            <basis>
               <xref doc="a.16p-1878.prinms.rad">Princeton draft manuscript</xref>
            </basis>
            <paras n="1">
               <gloss>The Athenaeum was younger: DGR thought the magazine maintained high standards for 
publication, which was why he published in its pages so often.  &#8220;Varney the Vampire&#8221;: perhaps the most sensational of the 
pieces of sensation fiction spawned in mid-century Britain, the work appeared anonymously in a 
series of &#513;penny dreadful&#8461; issues that culminated in its book publication in 1847.  The author is still uncertain, though Thomas 
Prescott Prest is often cited.  It may have been the work of several hands. minors: slang for the minor theatrical houses located in the 
poorer districts of London; Charles Knight. . .Penny Magazine: Knight (1791-1873) started <hi rend="i">The Penny Magazine of the Society for the Diffusion of Useful 
Knowledge in 1832.  It ceased publishing in1846 and was celebrated for its remarkable woodcuts.</hi>
               </gloss>
            </paras>
            <paras n="2">
               <gloss>The Rhyme of Redemption: i.e., &#8460;The Rime of Redemption&#8221;, one of 
    Payne's other ballad poems (published in his earlier collection 
    <bibl>
                     <xref doc="a.">
                        <title level="wrk">
                           <hi rend="i">The Masque of 
    Shadows and Other Poems</hi>
                        </title>
                     </xref> 
                     <date>London, 1870</date> 
                     <pages>33-58</pages>
                  </bibl>)</gloss>
            </paras>
            <paras n="4">
               <gloss>Lord Capbell: i.e., the Lord Chancellor of England, John Campbell, Baron Campbell, who died in 1861.</gloss>
            </paras>
         </paranotes>
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      <xref doc="a.16p-1878.prinms.rad">Princeton draft manuscript</xref>
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