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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>The Birth-Bond </title>
            <title>Nearest Kindred </title>
            <author>Dante Gabriel Rossetti</author>
            <!-- revised proofed parsed 13 may 05 jjm -->
 <!-- revised proofed parsed 30 june 06 jjm -->
</titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>


         <notesstmt> </notesstmt>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <date>1854</date>
         <subject/>
         <form>
            <rhyme>abbaaccadedeed</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl> 
                     <title/>
                     <author/>
                     <city/>
                     <publisher/>
                     <date/>
                     <pages/>
                  </bibl>
                  <note/>
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                     <author/>
                     <city/>
                     <publisher/>
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                  <name/>
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                  <bibl> 
                     <title/>
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                     <city/>
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                  <event/>
                  <place/>
                  <date/>
                  <bibl> 
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                  <name/>
                  <place/>
                  <date/>
                  <bibl> 
                     <title/>
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                     <city/>
                     <publisher/>
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                     <pages/>
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                  <note/>
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                  <place/>
                  <date/>
                  <bibl> 
                     <title/>
                     <author/>
                     <city/>
                     <publisher/>
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                     <pages/>
                  </bibl>
                  <note/>
               </citnscenic>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>The date of this sonnet&#8212;1854&#8212;defines an 
important subtextual function. The sonnet argues that an elective affinity
binds the love of the poet and his lady, here (in the context of the sonnet as
part of <title level="wrk">
                     <xref doc="a.44-1869.raw">The 
House of Life</xref>
                  </title> sequence) the Innominata. The fatality of 
their love&#8212;its pre-existence, as it were&#8212;became clear, the poem
argues, when the
poet first met her. The model for such an idea comes, of course, from
Dante's <title level="wrk" lang="Italian">
                     <xref doc="a.dante005.rad" link="dead">
                        <hi rend="i">Vita Nuova</hi>
                     </xref>
                  </title>, from Dante's relation to Beatrice. But the argument
of the sonnet gains special force when we recall that DGR did not meet Jane
Burden Morris&#8212;the unnamed Innominata of the sequence&#8212;until 
1857, three years after he wrote this sonnet. In the
context of his later employment of the sonnet in <title level="wrk">
                     <xref doc="a.44-1869.raw">The House of Life</xref>
                  </title> 
sequence, DGR forces it to stand as a prophetic utterance. As such, the
sonnet itself becomes an index or exponent of its substantive 
(Beatricean) thought.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>DGR wrote it in late July or possibly early August 1854; he sent <xref doc="a.dgr.ltr.0536.rad" from="[5]">a copy</xref> in a letter
to William Allingham with a note that it was <cit>
                     <quote>&#8220;written only two
or three days ago&#8221;</quote>
                  </cit>.  Another copy, probably earlier, is part of the so-called <xref doc="a.nb0004.duke.rad" from="[27]" workcode="2-1854">Notebook II</xref> at the Duke University Library.  A <xref doc="a.44-1869.fizms.rad" workcode="2-1854" from="19">corrected copy</xref> is also gathered in the Fitzwilliam composite <xref doc="a.44-1869.raw">
                     <title level="wrk">&#8220;House of Life&#8221;</title>
                  </xref> manuscript.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p>The <xref doc="a.dgr.ltr.0536.rad" workcode="2-1854">text of the sonnet</xref> DGR sent to Allingham in 1854
is significantly different from the one he printed in the 1870 
<title level="doc">
                     <xref doc="a.1-1870.1stedn.rad" workcode="2-1854">Poems</xref>
                  </title>. 
DGR also made changes to the text during the 1869-1870 proof process.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>First printed in the <xref doc="a.1-1870.penkb.trox.rad" workcode="2-1854">Penkill Proofs</xref> in August 1869, it
passed through all the subsequent pre-publication documents 
for the 1870 <title level="doc">
                     <xref doc="a.1-1870.1stedn.rad" workcode="2-1854">Poems</xref>
                  </title>, where it was first published. It is 
<title level="wrk">
                     <xref doc="a.44-1869.raw">The House of Life</xref>
                  </title> Sonnet XI in the <xref doc="a.1-1870.1stedn.rad" workcode="2-1854">1870</xref> volume, and Sonnet XV in <xref doc="a.2-1881.1stedn.rad" workcode="2-1854">1881</xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>Lying just below the sonnet's explicit imagery is a
reference to the love-structure made famous by Dante in the
<title level="wrk" lang="Italian">
                     <xref doc="a.dante005.rad" link="dead">
                        <hi rend="i">Vita Nuova</hi>
                     </xref>
                  </title>. 
The sestet in particular recalls the opening section of the <title level="wrk" lang="Italian">
                     <xref doc="a.dante005.rad" link="dead">
                        <hi rend="i">Vita Nuova</hi>
                     </xref>
                  </title>.</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p>The autobiographical level of the sonnet changes its
character if it is read as part of <title level="wrk">
                     <xref doc="a.44-1869.raw">The House of Life</xref>
                  </title> 
sequence or if it is not. In each case the beloved is imagined in
Beatricean terms. But as an integral sonnet (written in 1854), one inclines
to read it in relation to DGR's love for Elizabeth Siddal; whereas if
one reads it in <title level="wrk">
                     <xref doc="a.44-1869.raw">The House of Life</xref>
                  </title> sequence, where it is
associated with the Innominata, Jane Morris emerges as the poet's
<quote>soul's birth-partner</quote>.</p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p> 
                  <bibl>
                     <author>Baum, ed.</author>, <xref doc="a.pr5244.h6.rad" link="dead" from="87" to="88" workcode="2-1854">
                        <title level="bk">
                           <hi rend="i">The House of Life</hi>
                        </title>
                     </xref>, <pages>87-88</pages>
                  </bibl>
                  <bibl>
                     <author>WMR</author>, <xref doc="a.nd497.r8r8.rad" from="194" to="195" workcode="2-1854">
                        <title level="bk">
                           <hi rend="i">DGR as Designer and Writer</hi>
                        </title>
                     </xref>, <pages>194-195</pages>
                  </bibl>
               </p>
            </section>
         </commentaries>
         <linenotes>
            <basis>
               <xref doc="a.1-1870.1stedn.rad" from="199" workcode="2-1854">1870 Poems First Edition Text</xref>
            </basis>
            <lines n="title">
               <gloss>The poem continues the marriage theme that runs
through <title level="wrk">
                     <xref doc="a.44-1869.raw">The House of 
Life</xref>
                  </title> sequence, and that was initiated
in <title level="wrk">
                     <xref doc="a.1-1869.raw">&#8220;Bridal Birth&#8221;</xref>
                  </title>.</gloss>
            </lines>
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