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     workcode="2-1859">
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Even So </title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>


         <notesstmt/>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <date>1859; 1854 (perhaps)</date>
         <subject/>
         <form>
            <rhyme>a<hi rend="sup">3</hi>b<hi rend="sup">4</hi>a<hi rend="sup">3</hi>a
<hi rend="sup">3</hi>
            </rhyme>
            <meter>trochaic</meter>
            <genre>lyric</genre>
            <note>There is an extra b rhyme in the third stanza, following 
line 2.</note>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
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                  <bibl> 
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                     <publisher/>
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                     <pages/>
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                     <city/>
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                  <note/>
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               <citnmythic>
                  <name/>
                  <culture/>
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                     <pages/>
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                  <note/>
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               <citnscenic>
                  <place/>
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                  <bibl> 
                     <title/>
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                  <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>As with poems like <title level="wrk">
                     <xref doc="a.4-1859.raw">A New-Year's Burden</xref>
                  </title>,
&#8220;Even So&#8221; is as much an experiment in verse technique as anything 
else. Consequently, the poem arrests one with its abstract qualities&#8212;an arrest
all the more effective because of the apparent subject (failed love), which
come in at such an oblique angle. The poem's self-display of technical 
precision and deliberateness becomes an objective correlative for an
immobilized emotional condition.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>
                  <cit>The poem is dated by WMR 1859 (in the table of 
contents to <bibl>
                        <xref doc="a.pr5240.f11.rad" from="xxviii" workcode="2-1859">1911</xref>
                     </bibl>); no evidence for this date is offered</cit>. The close correspondence 
of the central stanza to a passage in a letter of 26 June 1854 
 (see <bibl>
                     <author>Fredeman</author>, <title>
                        <hi rend="i">Correspondence</hi>
                     </title>, <pages>54. 51</pages>
                  </bibl>) suggests that the poem may have been begun, if
not written, at that time.  The only extant <xref doc="a.poemssonnets.fizms.rad" workcode="2-1859" from="[25r]">manuscript</xref>, a fair copy, dates from 1869.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>The poem was first printed as part of the
prepublication texts that DGR put together in 1869, as a prelude 
to the publication of the 1870 <title level="doc">
                     <xref doc="a.1-1870.raw">Poems</xref>
                  </title>. It was printed in August in the 
<xref doc="a.1-1870.penkb.trox.rad" workcode="2-1859">Penkill Proofs</xref>, where it 
formed part of the section of <title level="wrk">
                     <xref doc="a.44-1869.raw">The 
House of Life</xref>
                  </title> poems. DGR moved the poem to the opening 
<title level="wrk">
                     <xref doc="a.1-1870.raw">Poems</xref>
                  </title> section as the 
prepublication text of the 1870 volume moved into the 
<xref doc="a.1-1870.1pr.bl.rad" workcode="2-1859">proofs for the first 
 edition</xref> in early March (see <bibl>
                     <author>Fredeman</author>, <title>
                        <hi rend="i">Correspondence</hi>
                     </title>, <pages>70. 45</pages>
                  </bibl>, letter to Swinburne 
of 7 March 1870). The poem was first published in the first edition 
of the 1870 <xref doc="a.1-1870.1stedn.rad" workcode="2-1859">Poems</xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p/>
            </section>
         </commentaries>
         <linenotes>
            <basis>
               <xref doc="a.1-1881.1stedn.rad" from="250" workcode="2-1859">1881 Poems First Edition Text</xref>
            </basis>
            <lines n="9-13">
               <gloss>
                  <cit>Coventry Patmore said of this stanza that it 
<quote>&#8220;seems scratched with an adamantine pen upon a slab of agate&#8221;</quote> 
(See WMR's note, <bibl>
                        <xref doc="a.pr5240.f11.rad" from="668">1911</xref>,  
<pages>668n</pages>
                     </bibl>)</cit>. The stanza is the central event in the 
poem in every sense, and it distinctly recalls <cit>a passage in a letter to 
Allingham that DGR wrote from Hastings, 26 June 1854: <quote>&#8220;There are dense
fogs of heat here now, through which sea and sky loom as one wall, with the
webbed craft creeping on it like flies, or standing there as if they
 would drop off dead&#8221;</quote> (see <bibl>
                        <author>Fredeman</author>, <title>
                           <hi rend="i">Correspondence</hi>
                        </title>, <pages>54. 51</pages>
                     </bibl>)</cit>.</gloss>
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