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      <filedesc>
         <titlestmt>
            <title>Severed Selves</title>
            <title>Between Meetings</title>
            <author>Dante Gabriel Rossetti</author>
            <!-- revised proofed parsed 6 july 06 jjm -->
</titlestmt>
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         <notesstmt> </notesstmt>
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         <date>1871</date>
         <classification>
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               <keyword/>
               <keyword/>
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         <subject/>
         <form>
            <rhyme>abbaaccadeedde</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
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         <repainting>
            <date/>
            <desc/>
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         <source>
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                  <location/>
                  <bibl/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This sonnet initiates a sequence of five related sonnets that were added (as a unit) to the 1881 version of <xref doc="a.22-1881.raw">
                     <title level="wrk">&#8220;The House of Life&#8221;</title>
                  </xref>.  The sequence forms a kind of commentary on the sonnet they follow in 1881,  <xref doc="a.10-1869.raw">
                     <title level="wrk">&#8220;Sleepless Dreams&#8221;</title>
                  </xref>.</p>
               <p>The sonnet is a good example of how DGR works the poetry of the sequence so as to permit a double reference for the Beloved: in biographical terms, either to DGR's dead wife Elizabeth, or to the Innominata,  Mrs.Morris.</p>
               <p>Also notable is the formal disposition of the images.  The octave lays down a series of four figurative equivalences for the &#8220;severance&#8221; taken up in the poem.  The octave ends on an open grammar, licensing the sestet to pick up and elaborate the last of these images.</p>
               <p>Line 4's &#8220;stream&#8221; may refer to the ocean, as in the phrase &#8220;ocean stream&#8221;, or to the Penwhapple&#8212;the stream in the glen at Penkill that is the focus of <xref doc="a.21-1869.raw">
                     <title level="wrk">&#8220;The Stream's Secret&#8221;</title>
                  </xref> and that 
 figures so prominently in the 1870 version of <xref doc="a.44-1869.raw">
                     <title level="wrk">&#8220;The House of Life&#8221;</title>
                  </xref> (see <xref doc="a.16-1869.raw">
                     <title level="wrk">&#8220;Farewell to the Glen&#8221;</title>
                  </xref> as well as the next sonnet in the 1881 sequence, <xref doc="a.22-1871.raw">
                     <title level="wrk">&#8220;Through Death to Love&#8221;</title>
                  </xref> where the motifs of this sonnet are carried forward).</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>Three integral manuscripts survive: an early holograph <xref doc="a.44-1869.fizms.rad" workcode="21-1871" from="46">corrected copy</xref> in the Fitzwilliam composite <xref doc="a.44-1869.raw">
                     <title level="wrk">&#8220;House of Life&#8221;</title>
                  </xref> manuscript; a <xref doc="a.sonnets.lcms.rad" workcode="21-1871" from="[6v]">fair copy</xref> from that manuscript; and another <xref doc="a.9-1874.bodleianms.rad" workcode="21-1871" from="33">fair copy</xref> in the Bodleian Kelmscott Love Sonnets group.  DGR's draft revision for line 14 is scripted into <xref doc="a.22p-1880.blnb1.rad" workcode="21-1871" from="[8r]">Ashley Notebook II</xref>.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
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            <section type="printhist">
               <head>Printing History</head>
               <p>First published in the 1881 <xref doc="a.2-1881.1stedn.rad" workcode="21-1871" from="202">
                     <title level="bk">
                        <hi rend="i">Ballads and Sonnets</hi>
                     </title>
                  </xref> and collected thereafter.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>WMR</author>, <xref doc="a.nd497.r8r8.rad" workcode="21-1871" from="209">
                        <title level="bk">
                           <hi rend="i">DGR Designer and Writer</hi>
                        </title>
                     </xref>, <pages>209</pages>
                  </bibl> 
                  <bibl>
                     <author>Baum, ed.</author>, <xref doc="a.pr5244.h6.rad" link="dead" workcode="21-1871" from="121" to="122">
                        <title level="bk">
                           <hi rend="i">House of Life</hi>
                        </title>
                     </xref>, <pages>121-122</pages>
                  </bibl>
               </p>
            </section>
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                  <title level="bk">
                     <hi rend="i">Ballads and Sonnets</hi>
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