DGR's Notebook represents his selection of “All that is of any worth in the book”, as he wrote at the beginning of his transcription. The comment perfectly illustrates the attitude toward editing posthumous materials that was prevalent until the twentieth-century. Like Todd and Higginson when they edited Emily Dickinson some thirty years later, DGR saw it as his duty to Blake to select and improve materials that had been left in an unpolished condition.
The transciption is a document of first importance for assessing the way Blake was being read at this crucial point in his reception history. DGR was a key figure not only in the rediscovery of Blake, but in the process of transmitting him and his work to people like WMR, Swinburne, and Yeats. WMR and Swinburne both used the Blake Notebook and DGR's transcriptions when they were editing and writing about Blake.
DGR acquired the Notebook in 1847 from William Palmer (the brother of Samuel Palmer), borrowing the purchase price of 10 shillings from his brother. From the crossed out pencil signature DGR put at the begining of his transcription “D.G.C.R.”), as well as the style of the calligraphy (compare his transcription of Ancient CHristmas Carols
DGR did nothing with it until 1860 when he made the acquaintance of Alexander and Anne Gilchrist. DGR began helping Gilchrist in 1860 in the final stages of Gilchrist's work on his biography of Blake. As his letter to Gilchrist of 27 August 1861 shows, DGR at that point began studying the Notebook closely and started making copies of the poetry, initially “of
The Notebook remained in DGR's possession until his death, after which it was sold for £110.5.0 in the (1882) sale of the contents of DGR's house.
The Notebook of William Blake
Correspondence
Life of William Blake (1863)