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         <titlestmt>
            <title>Soothsay</title>
            <title>Commandments</title>
            <author>Dante Gabriel Rossetti</author>
    
    
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         <date compdate="1871,1881">1871-1881</date>
         <subject/>
         <form>
            <rhyme>aabbcca</rhyme>
            <meter>iambic tetrameter</meter>
            <genre>lyric</genre>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Pater much admired this philosophical work, which is closely related to 
         <xref doc="a.32-1871.raw">
                     <title level="wrk">&#8220;The Cloud Confines&#8221;</title>
                  </xref>, another 
     reflective and philosophical poem written in the same period when this poem was begun.</p>  
               <p>The poem has to be read in the context of the publication and subsequent reception 
    of DGR's 1870 <xref doc="a.1-1870.raw">
                     <title level="wrk">
                        <hi rend="i">Poems</hi>
                     </title>
                  </xref>.  This volume was 
    widely reviewed and praised, an initial laudatory reception in no small part managed by DGR himself.  DGR was 
    quite set up by this general response and when he decided in the summer of 1871 to spend some time at 
    Kelmscott, he was planning to devote his working hours  to writing verse.  This he did from August to mid-October, as 
    his letters of those months reveal, and a poem like this one reveals the kind of authoritative voice and 
    style DGR was aspiring toward.  See, for example, his comments about 
    <xref doc="a.31-1871.raw">
                     <title level="wrk">&#8220;Down Stream &#8221;</title>
                  </xref>, one of the 
first of the poems he undertook during his Kelmscott sojourn&#8212; and its Tennysonian public style of 
address.  When Buchanan's attack appeared and the anonymous author discovered, DGR's new program of verse-writing came to an abrupt halt.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>This snake of a poem began in August 1871 at Kelmscott, where it &#8220;came into my 
         head during a walk,&#8221; as he told William Bell Scott, &#8220; and 
      I think of carrying it further probably&#8221; (see his letter to 
      Scott of 25 August 1871 <bibl>
                     <author>Fredeman</author>, 
       <xref doc="a.">
                        <hi rend="i">Correspondence</hi>
                     </xref>, <pages>71. 129</pages>
                  </bibl>).  At that point DGR titled it <title level="wrk">&#8220;Commandments&#8221;</title>.  He 
         sent this initial three-stanza piece to Scott in a letter of 13 August 1871 (see his letter to Scott of that date, 
      <bibl>
                     <author>Fredeman</author>, 
       <xref doc="a.">
                        <hi rend="i">Correspondence</hi>
                     </xref>, <pages>71. 123</pages>
                  </bibl>).  
  <xref doc="a.34-1871.princems.rad">That manuscript</xref> has been separated from 
         the 13 August letter and its associated 
         materials in the library at Princeton University, but it is preserved elsewhere in the collection.  Shortly afterwards DGR sent the same three stanzas to 
         Thomas Gordon Hake in a letter 2 September (see 
 <bibl>Fredeman, 
             <xref doc="a.">
                        <title level="wrk">
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref> 
                     <pages>71. 135</pages>
                  </bibl>).   His concern about the text appears 
      again in <xref doc="a.dgr.ltr.0562.rad" workcode="32-1871">his letter</xref> to his brother of 10 September 1871, where he asks about the appropriateness of a stanza that particularly troubled him (and that he would subsequently remove). </p>  
               <p>DGR continued to work at the poem for a number of years&#8212;particularly in 1879-80, when he began assembling its 
    scattered pieces and augmented it for publication in 1881. That process is exposed in the <xref doc="a.34-1871.blms.rad">extensive 
    draft</xref> of the poem preserved in the Ashley Library.  This manuscript contains many more stanzas than DGR would eventually allow to 
    appear in the poem he finally published in 1881.  An integral <xref doc="a.9-1874.bodleianms.rad" workcode="34-1871" from="[6a]">fair 
    copy</xref> of three stanzas (titled &#8220;Commandments&#8221;) is included among the miscellaneous poems DGR gathered 
at the back of the gift book of verses he gave to Mrs. Morris in 1874. This text is substantively identical to the three-stanza version that DGR 
sent to Scott in August 1871.</p>
               <p>Unincorporated stanzas and fragments that DGR at times considered including in the poem are 
    found throughout his notebooks.  WMR published a number of these pieces in his editions of DGR's works 
    (see the several septets printed  by WMR as part of his 
    <xref doc="a.pr5240.f11.rad" from="241" to="242">
                     <title level="wrk">&#8220;Versicles and 
    Fragments&#8221;</title>
                  </xref> and the 
    <xref doc="a.pr5240.f11.rad" from="636" to="638">
                     <title level="wrk">&#8220;Scraps&#8221;</title>
                  </xref> sections of 
    his 1911 collection; see also the <xref doc="a.40-1875.raw">
                     <title level="wrk">&#8220;Pro hoste hostem&#8221;</title>
                  </xref> fragment 
    printed by WMR in the section of his 1911 edition titled <xref doc="a.pr5240.f11.rad" from="254" to="255">
                     <title level="wrk">&#8220;Foreign 
    (With Some English Translations)&#8221;</title>
                  </xref>).  Many of the passages of <xref doc="a.miscprose.raw">miscellaneous prose</xref> 
    scattered through DGR's notebooks of the 1870s show that this poem and DGR's preoccupation with Buchanan were closely related in his mind.  
    See DGR's 1871 <xref doc="a.46-1871.raw">epigram</xref> on Buchanan as well as the <xref doc="a.notebooktexts.raw">notebooks</xref>.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>The poem was first published in the 1881 <xref doc="a.2-1881.1stedn.rad" from="267" to="276" workcode="34-1871">
                     <title level="wrk">
                        <hi rend="i">Ballads and Sonnets</hi>
                     </title>
                  </xref> volume and collected thereafter.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>It is difficult to believe that DGR's poem was not influenced by two works published in 1871: Swinburne's <xref doc="a.">
                     <title level="wrk">&#8220;Hertha&#8221;</title>
                  </xref> and Edwin Arnold's <xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">The Light of Asia</hi>
                     </title>
                  </xref> (in particular Book 8, lines 94ff.)</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p/>
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         </commentaries>
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               <xref doc="a.2-1881.1stedn.rad" from="267" to="276" workcode="34-1871">Ballads and Sonnets</xref> text.</basis>
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               <gloss>See <xref doc="a.pr5240.f11.rad" from="669" workcode="1-1911">WMR's note (1911).</xref>
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            </lines>
            <lines n="36">
               <gloss>See <xref doc="a.pr5240.f11.rad" from="669" to="670" workcode="1-1911">WMR's note (1911).</xref>
               </gloss>
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            <lines n="57-63">
               <gloss>See <xref doc="a.pr5240.f11.rad" from="683" workcode="1-1911">WMR's note to <title level="wrk">&#8220;Scraps [I]&#8221;</title>, (1911)</xref>
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            <lines n="78-84">
               <gloss>Recalls Dante's <title level="wrk">
                     <xref doc="a.dante002.2.rad" link="dead">
                        <hi rend="i">Paradiso</hi>
                     </xref>
                  </title> XIX. 79-81</gloss>
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            <lines n="85">
               <gloss>See <xref doc="a.pr5240.f11.rad" from="670" workcode="1-1911">WMR's note (1911).</xref>
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