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            <title>Table of Poets in Part I [introduction to Part I of <hi rend="i">The 
Early Italian Poets</hi>]</title>
            <title>Poets Chiefly Before Dante</title>
            <author>Dante Gabriel Rossetti</author>

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            <edition>1</edition>
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         <date compdate="1861">1861</date>
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            <genre>literary commentary</genre>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Although these notes are now quite dated in a scholarly point of view, 
they retain our interest for the light they shed on DGR's own views about the poets 
and the circumstances in which they wrote. The same judgment would 
apply to DGR's <xref doc="a.4p-1861.raw">critical comments</xref> on Dante and the 
poets of his closest circle, although in that case&#8212;because the scholarly tradition 
was already well developed&#8212;DGR's discussion is much more reliable.</p>
               <p>The three most important critical sections in these notes are the 
ones devoted to Fazio degli Uberti, Cecco Angiolieri, 
and Franco Sacchetti. In each case one notes DGR's interest in those lines of 
poetry that concern themselves with the mundane world, whether treated in a high style or 
otherwise. It is this set of interests that also drives him to translate so many 
of the sonnets of Cecco Angiolieri.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>DGR probably wrote these notes on the poets fairly late&#8212;probably in late 1860 or in early or 
mid-1861, when he was putting the whole book of translations together.  Not many manuscripts dealing with these notes survive (see commentary for the introductory essay on <xref doc="a.4p-1861.raw">
                     <title level="wrk">&#8220;Dante and his Circle&#8221;</title>
                  </xref>), but two fragments, <xref doc="a.1-1861.dukems.rad">one</xref> at Duke and the <xref doc="a.1-1861.sangms.rad">other</xref> in the museum of the South African National Gallery, are interesting survivals.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>First published in 1861 in 
<xref doc="a.1-1861.rad" from="[xxiii]" to="xxxvi" workcode="3p-1861">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>; it was reprinted in 1874 in 
<xref doc="a.1-1874.rad" from="[257]" to="268" workcode="3p-1861">
                     <title level="wrk">
                        <hi rend="i">Dante 
and his Circle</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>See the editorial <xref doc="a.1-1861.raw">commentary</xref> for the 1861 edition as a whole.</p>
            </section>
         </commentaries>
         <paranotes>
            <basis>
               <xref doc="a.1-1861.rad" from="[xxiii]" to="xxxvi" workcode="3p-1861">
                  <title level="doc">The Early Italian Poets</title>
               </xref> text</basis>
            <paras n="7">
               <gloss>See <xref doc="a.pq4212.t86.rad" link="dead" from="29" to="30">Trucchi</xref> I. 29-30. DGR's dates 
are much more accurate.</gloss>
            </paras>
            <paras n="14">
               <gloss>See <xref doc="a.pq4212.t86.rad" link="dead" from="172" to="178">Trucchi</xref> I. 172-178.</gloss>
            </paras>
            <paras n="17">
               <gloss>1815: this is Federigo Ubaldini's edition of the 
<title level="wrk">
                     <hi rend="i">Del 
reggimento e de' costumi delle donne di Messer Francesco da Barberino</hi>
                  </title>.</gloss>
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         <title level="doc">The Early Italian Poets</title>
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