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     metatype="web.translation, web.poem"
     workcode="46d-1861.s239"
     dblwork="46d-1861.s239"
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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Dante Alighieri. &#8220;Sonnet (to Guido Cavalcanti). He imagines a 
pleasant Voyage for Guido, Lapo Gianni, and himself, with their three 
  Ladies.&#8221;</title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>


         <notesstmt/>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <date compdate="1861">1861</date>
         <classification>
            <scheme type="">
               <keyword/>
               <keyword/>
            </scheme>
         </classification>
         <subject/>
         <form>
            <rhyme>abbaaccacdeecd</rhyme>
            <meter>iambic pentameter</meter>
            <genre>sonnet</genre>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
               <citntranslationoriginal>
                  <bibl/>
                  <note/>
               </citntranslationoriginal>
               <citnpictorial>
                  <title/>
                  <artist/>
                  <location/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
               </citnmythic>
               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnautobiographical>
               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Dante's sonnet conjures a scene of timeless love. It is imagined as a magical voyage where he, Cavalcanti, and Lapo Gianni, along with their ideal lovers, will 
discourse continually of love. DGR's source text departs from the currently 
authoritative version in one particularly crucial respect: in line 9 Beatrice is cited in 
DGR's source where the received version has Lagia, Lapo's mistress. (One 
consequence of this difference appears in 
<xref doc="a.1-1861.rad" from="340">DGR's note to line 10</xref>, which glosses 
&#8220;the thirtieth on my roll&#8221; as Lagia, otherwise unnamed in the text; 
modern scholars gloss it as a reference to one of the screen ladies in Dante's
<xref doc="a.9d-1861.raw">
                     <title level="wrk">
                        <hi rend="i">Vita Nuova</hi>
                     </title>
                  </xref>.  
The roll is of course Dante's list, given in that work, of the sixty most beautiful women in Florence.</p>
               <p>DGR's archaic style works well in this sonnet, which departs slightly in its form from the source text's rhyme scheme: 
see Fraticelli, <xref doc="a.pq4308.a24.vol1.rad" from="145" to="146" workcode="46d-1861.s239">
                     <title level="wrk">
                        <hi rend="i">Opere Minori di Dante Alighieri</hi>
                     </title>
                  </xref>  
(vol. I pages 145-146).</p>
               <p>This sonnet comprises a double work with DGR's drawing 
<xref doc="a.s239.rap">
                     <title level="pic">
                        <hi rend="i">The Boat of 
Love</hi>
                     </title>
                  </xref>.</p>
               <p>The sonnet is not accepted as genuine by all Dante scholars. DGR's source text was 
<xref doc="a.pq4308.a24.vol1.rad" from="145" workcode="wc.46d-1861orig">Fraticelli</xref> (I. 145).</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>This is an early translation, late 1840s.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>The translation was first published in 1861 in 
<xref doc="a.1-1861.rad" from="340" workcode="46d-1861.s239">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>; it was reprinted in 1874 in 
<xref doc="a.1-1874.rad" from="143" workcode="46d-1861.s239">
                     <title level="wrk">
                        <hi rend="i">Dante 
and his Circle</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a.1-1861.rad" from="189" to="193" workcode="4p-1861">&#8220;Introduction 
to Part II&#8221; (in 
<hi rend="i">The Early Italian Poets</hi>)</xref> 
                     <pages>189-193</pages>
                  </bibl>
                  <bibl>
                     <author>Foster and Boyd</author>, <title level="bk">
                        <xref doc="a.pq4309.a1.1967.rad" link="dead" from="30" to="31">
                           <hi rend="i">Dante's Lyric Poetry</hi>
                        </xref>
                     </title>, 
<pages>I.30-31 (II. 255-257)</pages>
                  </bibl>.
 </p>
            </section>
         </commentaries>
         <linenotes>
            <basis>
               <xref doc="a.1-1861.rad" from="340" workcode="46d-1861.s239">
                  <title level="wrk">
                     <hi rend="i">The 
Early Italian Poets</hi>
                  </title>
               </xref>
            </basis>
            <lines n="title"> 
               <gloss>See <xref doc="a.pr5240.f11.rad" from="676" workcode="1-1911">WMR's note, (1911)</xref>
               </gloss>
            </lines>
            <lines n="9">
               <gloss>Lady Joan: in the source, &#8220;monna Vanna&#8221;, a celebrated but
otherwise unknown beloved of Cavalcanti. DGR conjures her in a modern style in his 
great oil painting <xref doc="a.s191.raw">
                     <title level="wrk">
                        <hi rend="i">Monna 
Vanna</hi>
                     </title>
                  </xref>.</gloss>
            </lines>
         </linenotes>
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         <title level="wrk">
            <hi rend="i">The 
Early Italian Poets</hi>
         </title>
      </xref>
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                    The Early Italian Poets From Ciullo D'Alcamo to Dante Alighieri
                    (1100-1200-1300), the Fitzwilliam Proof</title>
         <author>Dante Gabriel Rossetti</author>
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         <author>Dante Gabriel Rossetti</author>
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                    The Early Italian Poets from Ciullo d'Alcamo to Dante Alighieri
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         <title>The Collected Works of Dante Gabriel Rossetti, vol. 2 (1886)</title>
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         <author>Elena Rossetti Angeli</author>
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         <artist>DGR</artist>
         <editor/>
         <date>1881   </date>
         <medium>oil (unfinished)</medium>
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         <author/>
         <artist>DGR</artist>
         <editor/>
         <date>1872 (circa)   </date>
         <medium>charcoal and white chalk on brown paper</medium>
         <repro>1</repro>
      </wc>
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         <author/>
         <artist>DGR</artist>
         <editor/>
         <date>1855 (circa)   </date>
         <medium>pencil</medium>
         <repro>1</repro>
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         <author/>
         <artist>DGR</artist>
         <editor/>
         <date>1855 (circa)   </date>
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         <artist>DGR</artist>
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         <author/>
         <artist>DGR</artist>
         <editor/>
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         <artist>DGR</artist>
         <editor/>
         <date>1867 (unexecuted) 1867  </date>
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         <artist>DGR</artist>
         <editor/>
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         <artist>DGR</artist>
         <editor/>
         <date>1873 (unexecuted) 1873  </date>
         <medium/>
         <repro>1</repro>
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