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            <title>Introduction to Dante and His Circle [introduction to Part II 
of <hi rend="i">The Early Italian Poets</hi>, Part I of <hi rend="i">Dante and His Circle</hi>]</title>
            <title>Dante and his Circle</title>
            <author>Dante Gabriel Rossetti</author>

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            <edition>1</edition>
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         <date compdate="1861">1861</date>
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            <genre>literary commentary</genre>
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            <name/>
            <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Along with the 
<xref doc="a.2p-1861.raw">
                     <title level="wrk">&#8220;Preface&#8221;</title>
                  </xref> to 
<xref doc="a.1-1861.raw">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>, this Introduction to the section 
focused on Dante and his circle is one of DGR's most important critical writings. Only 
<xref doc="a.46p-1849.sa76.raw">
                     <title level="wrk">&#8220;Hand and 
Soul&#8221;</title>
                  </xref> contains more trenchant explications of DGR's 
leading aesthetic ideas, and in that case the focus is on painting rather than writing.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>DGR probably wrote these notes on Dante and his circle fairly late&#8212;probably in 1860 or in early or 
mid-1861, when he was putting the whole book of translations together.  As with the related critical material that he included in <xref doc="a.1-1861.raw">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>, the essay on <xref doc="a.3p-1861.raw">
                     <title level="wrk">&#8220;Poets Chiefly before Dante&#8221;</title>
                  </xref>, not many manuscript materials survive that relate to this essay.  <xref doc="a.1-1861.dukems.rad" workcode="4p-1861" from="[1r]" to="[1v]">One</xref> of those that does survive is watermarked 1859.  The <xref doc="a.boundvol.texms.rad" workcode="4p-1861" from="[1recto]" to="[4verso]">largest single set</xref> of these materials is housed in the Harry Ransom Humanities Research Center&#8212;four pages of notes in English and Italian.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>First published in 1861 in 
<xref doc="a.1-1861.rad" from="[189]" to="222" workcode="4p-1861">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>; it was reprinted in 1874 in 
<xref doc="a.1-1874.rad" from="[1]" to="28" workcode="4p-1861">
                     <title level="wrk">
                        <hi rend="i">Dante 
and his Circle</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p/>
            </section>
         </commentaries>
         <paranotes>
            <basis>
               <xref doc="a.1-1861.rad" from="[189]" to="222" workcode="4p-1861">
                  <title level="doc">The Early Italian Poets</title>
               </xref> text</basis>
            <paras n="43">
               <gloss>See <xref doc="a.pr5240.f11.rad" from="676">WMR's note, (1911)</xref>
               </gloss>
            </paras>
            <paras n="4">
               <gloss>Boccaccio's biography was published 1373-1375 as part of his commentary on the 
<title level="wrk" lang="italian">
                     <xref doc="a.dante002.rad" link="dead">Commedia</xref>
                  </title>. DGR quotes the 
<xref doc="a.cayley001.rad" link="dead">translation</xref> of Charles Bagot 
Cayley (published in 4 vols. in 1851-1855).</gloss>
            </paras>
            <paras n="7">
               <gloss>Compagni's Chronicle: Dino Compagni wrote his 
<xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">Cronica 
delle cose occorenti ne' tempi suoi</hi>
                     </title>
                  </xref> between 1310-1312. DGR 
quotes from Book I section XX. </gloss>
            </paras>
            <paras n="11">
               <gloss>Giovanni Villani, <xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">Croniche 
fiorentine</hi>
                     </title>
                  </xref> Book VIII section xli.</gloss>
            </paras>
            <paras n="12">
               <gloss>Villani, Book VIII section xlii.</gloss>
            </paras>
            <paras n="14">
               <gloss>WMR's translation of 
<xref doc="a.rossettiwm004.rad" link="dead">
                     <title level="wrk">
                        <hi rend="i">The Comedy of Dante. 
The Hell</hi>
                     </title>
                  </xref> was published by Macmillan in 1865. William Frederick 
Pollock's translation of <xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">The 
Divine Comedy</hi>
                     </title>
                  </xref> appeared in 1854.</gloss>
            </paras>
            <paras n="15">
               <gloss>Franco Sacchetti, &#8220;Novella LXVIII&#8221; in the 
<xref doc="a.sacchetti001.rad" link="dead">
                     <title level="wrk">
                        <hi rend="i">Trecentonovelle</hi>
                     </title>
                  </xref>.</gloss>
            </paras>
            <paras n="19">
               <gloss>Donna mi priega: this is the most famous of all of Cavalcanti's poems and one of the 
most commented upon text of the period. Its intellectual ingenuity continues to exercise 
scholars and translators (see <xref doc="a.pq4299.c2a12.1993.rad" link="dead" from="128" to="140">Casatta</xref> 
pages 128-140). The sonnet by Guido Orlandi mentioned by DGR posed a series of questions about 
the nature of love. Rev. Charles T. Brooks: his translation appeared in Charles Eliot Norton's 
<xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">The 
New life of Dante : an essay, with translations</hi>
                     </title>
                  </xref> (1859).</gloss>
            </paras>
            <paras n="20">
               <gloss>those who. . .friend of his: <xref doc="a.dante006.rad" link="dead">
                     <title level="wrk">&#8220;De Vulgari 
Eloquio&#8221;</title>
                  </xref> I.x.4.</gloss>
            </paras>
            <paras n="21">
               <gloss>Latin epistle: <xref doc="a.">
                     <title level="wrk">&#8220;Epistola III&#8221;</title>
                  </xref>.</gloss>
            </paras>
            <paras n="24">
               <gloss>lamented in a canzone: the canzone is <xref doc="a.">
                     <title level="wrk">&#8220;Per la morte 
de lo imperatore Henrico da Lucimburgo&#8221;</title>
                  </xref>
               </gloss>
            </paras>
            <paras n="25">
               <gloss>commentary on the statutes of Pistoia: <xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">Lectura 
in Codicem</hi>
                     </title>
                  </xref> (1314).</gloss>
            </paras>
            <paras n="30">
               <gloss>how bitter. . .his house: DGR is translating from Dante's 
<xref doc="a.dante002.2.rad" link="dead">
                     <title level="wrk">
                        <hi rend="i">Paradiso</hi>
                     </title>
                  </xref> Canto XVII.</gloss>
            </paras>
            <paras n="">
               <gloss>Crescimbeni (note): Giovanni Mario Crescimbeni, 
<xref doc="a.">
                     <title level="wrk">
                        <hi rend="i">L'Istoria 
della volgar poesia</hi>
                     </title>
                  </xref> (1698).</gloss>
            </paras>
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