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     workcode="6-1880">
   <ramheader>
        <filedesc>
            <titlestmt>
                <title>William Blake (to Frederick Shields, on his sketch of Blake's work-room and
                    death-room, 3, Fountain Court, Strand.)</title>
                <author>Dante Gabriel Rossetti</author>
                
                
            </titlestmt>
            <editionstmt>
                <edition>1</edition>
            </editionstmt>
            <extent/>
            
            
            <notesstmt>
                <!--extant texts

1.  poemssonnets.fizms  May 1880 heavily edited (Murray collection)
2.  redvolume 1880 fair copy with transcription, Shelley sonnet in Forman binding
3.  6-1880.blms  Dec 30 1880 fair copy (TJ Wise binding) Letter to TWD

4.  October 17, 1881  1881 Ballads and Sonnets first printing
5.  1886/1911 

34-1871.blms
-->
            </notesstmt>
        </filedesc>
        <encodingdesc/>
        <profiledesc>
            <date>1880 May</date>
            <classification>
                <scheme type="">
                    <keyword/>
                    <keyword/>
                </scheme>
            </classification>
            <subject/>
            <form>
                <rhyme>abbaaccadedeed</rhyme>
                <meter>iambic pentameter</meter>
                <genre>sonnet</genre>
            </form>
            <addressee/>
            <model>
                <name/>
                <note/>
            </model>
            <repainting>
                <date/>
                <desc/>
            </repainting>
            <source>
                <listcitn>
                    <citnliterary>
                        <bibl/>
                        <note/>
                    </citnliterary>
                    <citntranslationoriginal>
                        <bibl/>
                        <note/>
                    </citntranslationoriginal>
                    <citnpictorial>
                        <title/>
                        <artist/>
                        <location/>
                        <bibl/>
                        <note/>
                    </citnpictorial>
                    <citnmythic>
                        <name/>
                        <culture/>
                        <bibl/>
                        <note/>
                    </citnmythic>
                    <citnhistorical>
                        <event/>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnhistorical>
                    <citnautobiographical>
                        <name/>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnautobiographical>
                    <citnscenic>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnscenic>
                </listcitn>
            </source>
            <commentaries>
                <head>Commentary</head>
                <section type="intro">
                    <head>Introduction</head>
                    <p>The poem meditates on Blake via the Shields drawing DGR references in his
                        title. As such, it has much in common with his more famous series of <title level="wrk">
                            <xref doc="a.8a-1850.raw">Sonnets for Pictures</xref>
                        </title>.</p>
                    <p>DGR's interest in Blake dates from very early, perhaps even before April
                        1847, when a British Museum attendant sold DGR and WMR a Blake notebook,
                        known thereafter to Blake scholars as &#8220;the Rossetti
                        Manuscript.&#8221; As a result of this acquisition, DGR planned to
                        write some sort of critical work on Blake (see his letter to Allingham, 16
                        May 1851 in  <bibl>
                            <author>Fredeman</author>, 
                            <xref doc="a.">
                                <title level="bk">
                                    <hi rend="i">Correspondence</hi>
                                </title>
                            </xref>, <pages>51. 11</pages>
                  </bibl>).                     
                        He never did, though his friend Swinburne undertook the task and
                        completed it with his brilliant study, <title level="bk">
                            <xref doc="a.">
                                <hi rend="i">William Blake. A Critical Essay</hi>
                            </xref>
                        </title> (1868), which DGR greatly admired. In the early sixties DGR was heavily involved in the
                        production of Alexander Gilchrist's biography <title level="bk">
                            <xref doc="a.">
                                <hi rend="i">The Life of William Blake</hi>
                            </xref>
                        </title> (2 vols., 1863) and in early 1880 he again assisted Mrs. Gilchrist with the
                        revised edition (see <bibl>
                            <author>Fredeman</author>, 
                            <xref doc="a.">
                                <title level="bk">
                                    <hi rend="i">Correspondence</hi>
                                </title>
                            </xref>, <pages>80. 67-187<hi rend="i">passim</hi>
                     </pages>
                        </bibl>).  In each case he made signal contributions to these works,
                        both critical and editorial. This sonnet, which dates from the later period,
                        was written soon after DGR's <xref doc="a.5-1880.raw">sonnet on
                        Chatterton</xref>, the first of the so-called <hi rend="i">
                            <title level="wrk">
                                <xref doc="a.24-1881.raw">Five English Poets</xref>
                            </title>
                        </hi> sonnets that DGR published in 1881.  DGR also wrote an <xref doc="a.8-1849.raw">epitaph</xref> for Blake.</p>
                </section>
                <section type="texthistcomp">
                    <head>Textual History: Composition</head>
                    <p>DGR wrote the sonnet, possibly on 20 May 1880 (see below, his letter to Frederick Shields),  
                        while he was assisting Mrs. Gilchrist with the new edition of her husband's life of 
                        Blake.  Mrs. Gilchrist wanted to include it in the edition but DGR refused 
                        (see <bibl>
                            <author>Fredeman</author>, 
                            <xref doc="a.">
                                <title level="bk">
                                    <hi rend="i">Correspondence</hi>
                                </title>
                            </xref>, <pages>80.187</pages>
                  </bibl>).
                          He also 
                        refused to have included his <xref doc="a.8-1849.raw">epitaph</xref> for Blake, 
                    composed much earlier.</p>
                            <p>Six manuscripts of this sonnet are known to survive.  The earliest is the 
                                <xref doc="a.poemssonnets.fizms.rad" workcode="6-1880" from="64r">draft</xref> in the 
                                Fitzwilliam Museum Library.  Two copies are in the British Library, a 
                                <xref doc="a.6-1880.blms.rad" from="[2]">fair copy</xref> and a 
                                <xref doc="a.34-1871.blms.rad" from="[9v]">cancelled copy</xref> attached to the 
                                poem &#8220;Soothsay&#8221;.  There is another 
                                <xref doc="a.redvolume.lcms.rad" workcode="a.6-1880" from="[5]">fair copy</xref> in the 
                                Library of Congress.  One of these may be the first copy that DGR sent to Frederick Shields.  The 
                                <xref doc="a.dgr.ltr.0547.rad" from="[2]">second copy </xref>
                                sent to Shields is part of his letter of 21 May 1880 (see <bibl>
                     <author>Fredeman</author>, 
                                    <xref doc="a.">
                        <title level="bk">
                            <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, <pages>80.180</pages>
                  </bibl>).  DGR also 
                                sent a <xref doc="a.6-1880.ubcms.rad">fair copy</xref> to his mother in his 
                                letter of 13 July 1880 (see <bibl>
                     <author>Fredeman</author>, <xref doc="a.">
                        <title level="bk">
                            <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, <pages>80.241</pages>
                  </bibl>).</p>
                </section>
                <section type="texthistrev">
                    <head>Textual History: Revision</head>
                    <p/>
                </section>
                <section type="prodhist">
                    <head>Production History</head>
                    <p/>
                </section>
                <section type="recepthist">
                    <head>Reception</head>
                    <p/>
                </section>
                <section type="icon">
                    <head>Iconographic</head>
                    <p/>
                </section>
                <section type="printhist">
                    <head>Printing History</head>
                    <p> It was first published in the 1881 <hi rend="i">
                            <title level="bk">
                                <xref doc="a.2-1881.1stedn.rad" workcode="6-1880" from="314">Ballads and Sonnets</xref>
                            </title>
                        </hi> as one of the group of sonnets he headed with the title <hi rend="i">
                            <title level="wrk">
                                <xref doc="a.2-1881.1stedn.rad" workcode="24-1881" from="313">Five English Poets</xref>
                            </title>
                        </hi>. It was collected thereafter but in WMR's <xref doc="a.pr5240.f11.raw">1911 edition</xref> the five sonnets are detached from each other and printed separately.</p>
                    <p>A letter from DGR to Watts of 19 December 1880 (bound up with the British Library manuscript of the poem) indicates DGR thought of publishing the sonnet separately toward the end of 1880 (see <bibl>
                        <author>Fredeman</author>, <xref doc="a.">
                            <title level="bk">
                                <hi rend="i">Correspondence</hi>
                            </title>
                        </xref>, <pages>80. 392</pages>
                    </bibl>).</p>
                </section>
                <section type="pictorial">
                    <head>Pictorial</head>
                    <p>
                        <!--12 March 1880 Fredeman DGR in letter to Mrs. Gilchrist, in working on the revised edition of Gilchrist's _Blake_, suggests that she include a sketch 
                        of Blake's Fountain Court work-room, both outside and inside, and that if she would like he could find someone to execute the sketches for her-reiterates 
                        request/offer in another letter two days later 14 March-and again 17 March-->
                        WMR notes that the Shields drawing is reproduced in <hi rend="i">
                            <title level="per">Art Journal</title>
                        </hi> in 1903.</p>
                </section>
                <section type="historical">
                    <head>Historical</head>
                    <p/>
                </section>
                <section type="literary">
                    <head>Literary</head>
                    <p>
                    </p>
                </section>
                <section type="translation">
                    <head>Translation</head>
                    <p/>
                </section>
                <section type="autobio">
                    <head>Autobiographical</head>
                    <p/>
                </section>
                <section type="biblio">
                    <head>Bibliographic</head>
                    <p>                       
                  <bibl>
                            <author>Caine</author>, <title level="bk">
                                <xref doc="a.">
                                    <hi rend="i">Recollections</hi>
                                </xref>
                            </title>, <pages>191-194</pages>.</bibl>
               </p>
                </section>
            </commentaries>
            <linenotes>
                <basis>
                    <xref doc="a.2-1881.1stedn.rad" workcode="6-1880" from="314">Ballads and Sonnets</xref>
                </basis>
                <lines n="title">
                    <gloss>See <xref doc="a.pr5240.f11.rad" workcode="1-1911" from="671">WMR's note (1911).</xref>
                    </gloss>
                </lines>
                <lines n="title">
                    <textual>The punctuation in the title underwent some changes through both the
                        manuscript and print phases. In the first publication the address in the
                        title reads &#8220;3, Fountain Court, Strand.)&#8221; and in the
                        1886 and 1911 editions by WMR the first comma and period are removed. </textual>
                </lines>
                <lines n="4">
                    <gloss>In the <xref doc="a.6-1880.blms.rad" from="[2]">fair copy</xref> sent by DGR to Watts-Dunton in a letter dated 30 December
                        1880, the word &#8220;distant&#8221; is cancelled and the word
                        &#8220;dusky&#8221; interlined above it.</gloss>
                </lines>
                <lines n="13">
               <gloss>Bread alone: a Eucharistic reference. <!-- DGR in a 22 March 1880 letter (fredeman) to Mrs. Gilchrist says that the most desirable way to illustrate the revised 
                Gilchrist _Blake_ would be with one or more engravings of Mrs. Blake's drawings.--></gloss>  
            </lines> 
            </linenotes>
            <paranotes>
                <basis/>
                <paras>
                    <gloss/>
                    <textual/>
                    <comp>
                        <gloss/>
                        <textual/>
                    </comp>
                </paras>
            </paranotes>
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        <revisiondesc/>
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   <readingtext>The 1881 <xref doc="a.2-1881.1stedn.rad" workcode="6-1880" from="314">
            <title level="bk">
                <hi rend="i">Ballads and Sonnets</hi>
            </title>
        </xref> first edition text</readingtext>
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         <title>The Collected Works of Dante Gabriel Rossetti, vol. 1 (1886)</title>
         <author>Dante Gabriel Rossetti</author>
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         <author>Dante Gabriel Rossetti</author>
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         <author>Dante Gabriel Rossetti</author>
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         <title>Ballads and Sonnets (1881), (author's proofs, British Library copy)</title>
         <author>Dante Gabriel Rossetti</author>
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         <title>Ballads and Sonnets (1881), proof Signature X (Delaware Museum, author's
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         <author>Dante Gabriel Rossetti</author>
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         <date>1881 May 6</date>
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         <author>Dante Gabriel Rossetti</author>
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         <date>1870 April</date>
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         <author>DGR</author>
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         <author>DGR</author>
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         <author>Dante Gabriel Rossetti</author>
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         <author>Dante Gabriel Rossetti</author>
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         <author>Dante Gabriel Rossetti</author>
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