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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>
               <hi rend="c">Fra Guittone d'Arezzo. &#8220;Sonnet</hi>. To the Blessed Virgin Mary.&#8221; </title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
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         <extent/>


         <notesstmt/>
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      <encodingdesc/>
      <profiledesc>
         <date compdate="1861">1861</date>
         <classification>
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               <keyword/>
               <keyword/>
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         <subject/>
         <form>
            <rhyme/>
            <meter/>
            <genre>sonnet</genre>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
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                  <bibl/>
                  <note/>
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               <citnpictorial>
                  <title/>
                  <artist/>
                  <location/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
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                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This sonnet is no longer included in the poetical corpus of Fra Guittone d'Arezzo 
(ca. 1230-1294), the poet born near Arezzo who was an important conduit for Provencal 
poetry in Italy. His influence on Tuscan poetry was considerable, although Dante disparages 
his work whenever he refers to it. Guittone's style is highly artificial and it's clear 
that DGR follows Dante's view of his work. Only this single sonnet is included in 
DGR's collection and it seems to have been chosen because DGR thought it represented his late 
religious work, written after he joined the Order of the Frati Gaudenti some time in the 
late 1260s.</p>
               <p>DGR's source text is the 
<xref doc="a.pq4212.r3.rad" from="111" workcode="86d-1861orig">
                     <title level="bk">
                        <hi rend="i">Raccolta 
di rime antiche toscane</hi>
                     </title>
                  </xref> (I. 111). The translation follows the rhyme scheme 
of the original exactly.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>Uncertain&#8212;probably early, in the late 1840s.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>The translation was first published in 1861 in 
<xref doc="a.1-1861.rad" from="73" workcode="86d-1861">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>; it was reprinted in 1874 in 
<xref doc="a.1-1874.rad" from="340" workcode="86d-1861">
                     <title level="wrk">
                        <hi rend="i">Dante 
and his Circle</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a.1-1861.rad" from="xxvii" workcode="3p-1861" to="xxviii">&#8220;Table of Poets&#8221; in 
<title level="wrk">
                           <hi rend="i">Early Italian Poets</hi>
                        </title> vol. 1</xref>, <pages>xxvii-xxviii</pages>.</bibl>

                  <bibl>
                     <author>Contini</author>, <xref doc="a.pq4213.a2c6.rad" link="dead" from="189" to="191">
                        <title level="bk">
                           <hi rend="i">Poeti de duecento</hi>
                        </title> vol. 1</xref>, 
<pages>189-191</pages>.</bibl>
               </p>
            </section>
         </commentaries>
         <linenotes>
            <basis>
               <xref doc="a.1-1861.rad" from="[73]" workcode="86d-1861">
                  <title level="wrk">
                     <hi rend="i">The Early Italian Poets</hi>
                  </title> Text</xref>
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                  <textual/>
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      <xref doc="a.1-1861.yale.rad" from="[73]" workcode="86d-1861">
         <title level="wrk">
            <hi rend="i">The Early Italian Poets</hi>
         </title> Text</xref>
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                    The Early Italian Poets From Ciullo D'Alcamo to Dante Alighieri
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         <author>Dante Gabriel Rossetti</author>
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