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         <titlestmt>
            <title>Song, 'tis my will that thou do
seek Love.</title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
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         <date compdate="1861">1861</date>
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               <keyword/>
               <keyword/>
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         <subject/>
         <form>
            <rhyme>AbCAbCCDDX with refrain XYYX</rhyme>
            <meter>iambic trimeter and pentameter</meter>
            <genre>ballata</genre>
            <note>The Italian original is a ballata mezzana.</note>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
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                  <note/>
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                  <bibl/>
                  <note/>
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                  <note/>
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                  <place/>
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               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Dante's ballad is a highly elaborate rhetorical work, perhaps even an early
technical exercise. Its placement in the 
<xref doc="a.9d-1861.raw">
                     <title level="wrk">
                        <hi rend="i">Vita Nuova</hi>
                     </title>
                  </xref> 
seems clearly to have been an <hi rend="i">ex post facto</hi> move of the same kind 
as we saw in the case of his autobiography's 
<xref doc="a.44d-1861.raw">opening sonnet</xref>. (In all such cases Dante 
is also suggesting that Love's prevenient purposes have been at work in his poetry 
from the beginning.) DGR's translations always register this fundamental action in 
Dante's work, and in this case the translation's stiff archaisms seem especially apt.</p>
               <p>The complex rhetoric, viewed in one light, can appear quite unpoetical, as 
various commentators remark when they discuss Dante's ballata as an early verse exercise.  
But read in the context of Love's secret ministry the style can also appear as nothing 
less than a prophetic forecast of the triumphant <hi rend="i">stil novo</hi> that will 
break into full measure later in the <title level="wrk">
                     <hi rend="i">Vita 
Nuova</hi>
                  </title>, most spectacularly in 
<xref doc="a.10d-1861.raw">
                     <title level="wrk">&#8220;Ladies that have intelligence in 
love&#8221;</title>
                  </xref>.</p>
               <p>DGR's source text was 
&#8220;Ballata, io vo'che tu ritruovi Amore&#8221; in the third volume of
<xref doc="a.pq4308.a24.vol3.rad" from="285" to="288" workcode="wc8d-1861orig">Fraticelli's</xref>
edition of Dante's <title level="wrk">
                     <hi rend="i">Opere
Minori di Dante Alighieri</hi>
                  </title>.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>This is an early translation, in the 1840s, perhaps as early as 1846.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>The translation was first published in 1861 in 
<xref doc="a.1-1861.rad" from="241" to="243" workcode="8d-1861">
                     <title level="wrk">
                        <hi rend="i">The 
Early Italian Poets</hi>
                     </title>
                  </xref>; it was reprinted in 1874 in 
<xref doc="a.1-1874.rad" from="46" to="48" workcode="8d-1861">
                     <title level="wrk">
                        <hi rend="i">Dante 
and his Circle</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a.1-1861.rad" from="[189]" to="193" workcode="4p-1861">&#8220;Introduction 
to Part II&#8221; (in 
<hi rend="i">Early Italian Poets</hi>)</xref> 
                     <pages>189-193</pages>
                  </bibl>
                  <bibl>
                     <author>Foster and Boyd</author>, 
<title level="bk">
                        <xref doc="a.pq4309.a1.1967.rad" link="dead" from="42" to="45">
                           <hi rend="i">Dante's
Lyric Poetry</hi>
                        </xref>
                     </title>,
<pages>I.42-45 (II. 67-71)</pages>
                  </bibl>.

<bibl>
                     <author>De Robertis, ed.</author>, 
<xref doc="a.pq4310.v2.1980.rad" link="dead" from="77" to="82">Vita Nuova</xref>, <pages>77-82</pages>
                  </bibl>.
</p>
            </section>
         </commentaries>
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               <xref doc="a.1-1861.rad" from="241" to="243" workcode="8d-1861">
                  <hi rend="i">The Early 
Italian Poets</hi>
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