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  <ramheader>

      <filedesc>

         <titlestmt>

            <title level="per">The Broadway Annual</title>

            <author>George Routledge &amp; Sons (publisher)</author>

            <guestEditor>Paul Fyfe</guestEditor>

         </titlestmt>

         <editionstmt>

            <edition/>

            <copyright/>

         </editionstmt>

         <extent/>

         <notesstmt>In this electronic edition, we have omitted the pages of all issues that do not

        contain material by or related to WMR. Unpaginated front and back matter from these issues

        has also been omitted. The structure of this electronic document allows for the future

        addition of the omitted material. </notesstmt>

         <sourcedesc>

            <citnstruct>

               <title>The Broadway Annual</title>

               <author/>

               <imprint>

                  <issue/>

                  <volume>1 (original series)</volume>

                  <edition/>

                  <prepub/>

                  <printing/>

                  <printer>Harrild</printer>

                  <publisher>George Routledge &amp; Sons</publisher>

                  <date compdate="1867,1868">1867-1868</date>

                  <city>London and New York</city>

                  <authorization/>

                  <pagination/>

                  <collation/>

               </imprint>

               <scribe/>

               <corrector/>

               <provenance>

                  <location>University of Iowa Library</location>

                  <recnum>AP4 .B9 v.1 1867/68</recnum>

                  <note/>

               </provenance>

               <physicaldesc>

                  <binding>

                     <cover/>

                     <endpapers/>

                  </binding>

                  <typography>

                     <typeface>

                        <point/>

                        <font/>

                     </typeface>

                     <pagelines>

                        <number/>

                        <length/>

                     </pagelines>

                     <columns>2</columns>

                     <margin type="top"/>

                     <margin type="bottom"/>

                     <margin type="right"/>

                     <margin type="left"/>

                     <note/>

                  </typography>

                  <paper/>

                  <watermark/>

                  <size/>

                  <note/>

               </physicaldesc>

            </citnstruct>

         </sourcedesc>

      </filedesc>

      <encodingdesc/>

      <profiledesc>

         <commentaries>

            <head>Commentary</head>

            <section type="intro">

               <head>Introduction</head>

               <p>This is a bound copy of the first twelve monthly issues of <xref doc="a.ap4.b9.raw">

                     <title level="per">

                        <hi rend="i">The Broadway Annual</hi>

                     </title>

                  </xref>. The original wrappers were not included. The sixth issue (February 1868)

            includes the poem &#8220;<xref doc="a.wmrossetti014.raw">

                     <title level="wrk">Mrs. Holmes Grey</title>

                  </xref>&#8221; by William Michael Rossetti.</p>

            </section>

            <section type="texthistcomp">

               <head>Textual History: Composition</head>

               <p/>

            </section>

            <section type="texthistrev">

               <head>Textual History: Revision</head>

               <p/>

            </section>

            <section type="prodhist">

               <head>Production History</head>

               <p>Ives points out that periodicals published internationally frequently show variations

            in textual and physical characteristics. Contents likewise varied &#8220;both to

            accommodate copyright restrictions and to serve the interests of a different

            readership&#8221; (71). Partly because the major periodical indexes do not record

            differences between American and British copies, and partly because of the rarity of

            copies, these potential variations are difficult to ascertain (94).</p>

            </section>

            <section type="recepthist">

               <head>Reception History</head>

               <p/>

            </section>

            <section type="icon">

               <head>Iconographic</head>

               <p/>

            </section>

            <section type="printhist">

               <head>Printing History</head>

               <p>Although <title level="per">

                     <hi rend="i">The Broadway Annual</hi>

                  </title> lists its places of publication as London and New York, Ives has pointed out

            that no records exist to confirm an American printing (90). According to the publisher's

            records, print runs of individual issues of <title level="per">

                     <hi rend="i">The Broadway Annual</hi>

                  </title> show significant variation: 90,000 for the first issue declining to 20,000 for

            the twelfth. It is unclear how the issues of this copy were aggregated and bound.</p>

            </section>

            <section type="pictorial">

               <head>Pictorial</head>

               <p>This transcription includes a full-page illustration by Arthur Boyd Houghton opposite

            the beginning of WMR's poem.</p>

            </section>

            <section type="historical">

               <head>Historical</head>

               <p/>

            </section>

            <section type="literary">

               <head>Literary</head>

               <p/>

            </section>

            <section type="translation">

               <head>Translation</head>

               <p/>

            </section>

            <section type="autobio">

               <head>Autobiographical</head>

               <p/>

            </section>

            <section type="biblio">

               <head>Bibliographic</head>

               <p>

                  <bibl>
                     <author>Ives, Maura C.</author> &#8220;<title level="es">Descriptive

                Bibliography and the Victorian Periodical</title>.&#8221; <title level="per">

                        <hi rend="i">Studies in Bibliography</hi>

                     </title> 49 (<date>1996</date>): <pages>61-94</pages>. </bibl>

                  <bibl>

                     <editor>Maidment, Brian</editor>, ed. <title level="wrk">

                        <hi rend="i">The Archives of George Routledge &amp; Co., 1853-1902</hi>

                     </title>. 6 vols. Hertfordshire: Chadwyck-Healey, 1973. </bibl>

                  <bibl>
                     <editor>North, John, ed.</editor> &#8220;<title level="es">The Broadway

                Annual</title>.&#8221; The <title level="wrk">

                        <hi rend="i">Waterloo Directory of English Newspapers and Periodicals:

                1800-1900</hi>

                     </title>. North Waterloo Academic Press. http://www.victorianperiodicals.com</bibl>

                  <bibl>
                     <editor>Rossetti, William Michael, comp.</editor>

                     <title level="wrk">

                        <hi rend="i">Rossetti Papers 1862-1870</hi>

                     </title>. New York: Scribner's, <date>1903</date>. </bibl>

               </p>

            </section>

         </commentaries>

      </profiledesc>

      <revisiondesc/>

  </ramheader>

  <text>

      <front>

         <page n="[ii]" image="a.ap4.b9.1.frontispiece.tif"/>

         <titlepage type="frontispiece">

            <titlepart type="main">

               <xptr doc=""/>

               <figure entity="a.ap4.b9.1.frontispiece.tif" title="Be rivals only in your love">

                  <head>

                     <hi rend="center">Be rivals only in your love. </hi>

                  </head>

                  <figdesc/>

               </figure>

            </titlepart>

         </titlepage>

         <epage/>

         <page n="[iia]" image="a."/>

         <pageheader>

            <note>onion-skin page</note>

         </pageheader>

         <epage/>

         <page n="[iii]" image="a.ap4.b9.1.titlepage.tif"/>

         <titlepage>

            <doctitle>

               <titlepart type="main">

                  <hi rend="c">THE<lb/> BROADWAY<lb/> ANNUAL</hi>

               </titlepart>

               <titlepart type="submain"> A MISCELLANY OF<lb/> ORIGINAL LITERATURE<lb/> IN<lb/> POETRY

            AND PROSE. </titlepart>

            </doctitle>

            <docimprint>

               <hi rend="c"> LONDON AND NEW YORK:<lb/> GEORGE ROUTLEDGE AND SONS. </hi>

            </docimprint>

         </titlepage>

         <epage/>

      </front>

      <body>

         <div0 anchor="0.1" type="section" n="1" workcode="ap4.b9">

            <omit extent="[1]-447" reason="not by WMR"/>

            <page n="[448]" image="a.ap4.b9.1.facing449.tif"/>

            <pageheader>

               <note>The number 6 on the left below the illustration indicates the February

          edition.</note>

            </pageheader>

            <div1 anchor="0.1.1" type="illustration" n="1">

               <p>

                  <figure entity="a.ap4.b9.1.facing449.tif"
                          title="They stood beside the coffin's foot and head">

                     <head>

                        <bibl>
                           <hi rend="i">Page</hi> 452.</bibl>

                        <hi rend="center">

                           <quote>

                              <lg>

                                 <l>&#8220;They stood beside the coffin's foot and head,</l>

                                 <l>Both gazed in silence, with bowed faces&#8212;Grey</l>

                                 <l>With bony chin pressed into bony throat.&#8221;</l>

                              </lg>

                           </quote>

                        </hi>

                     </head>

                     <figdesc>Woodcut by Arthur Boyd Houghton.</figdesc>

                  </figure>

               </p>

            </div1>

            <epage/>

            <page n="449" image="a.ap4.b9.1.449.tif"/>

            <div1 anchor="0.1.2" type="poem" n="1" title="Mrs. Holmes Grey"
                  workcode="wmrossetti014">

               <pageheader>

                  <bibliosig>29</bibliosig>

                  <note>The poem is printed in two columns per page separated by a vertical line. The

              title of the poem appears in a gothic font.</note>

               </pageheader>

               <divheader>

                  <title level="wrk">Mrs. Holmes Grey.</title>

                  <author>BY WILLIAM M. ROSSETTI.</author>

               </divheader>



               <epigraph>&#8220;<quote>Perverseness is one of the primitive impulses of the human

              heart; one of the indivisible primary faculties or sentiments which give direction to

              the character of man.</quote>&#8221; <bibl>&#8212;<author>

                        <hi rend="sc">Edgar Poe</hi>

                     </author>.</bibl>
               </epigraph>



               <lg type="stanza" n="1" r="1">

                  <l n="1">
                     <hi rend="sc">Rain-washed</hi> for hours, the streets at last were dried.</l>

                  <l n="2">Profuse and pulpy sea-weed on the beach,</l>

                  <l n="3">Pushed by the latest heavy tide some way</l>

                  <l n="4">Across the jostled shingle, was too far</l>

                  <l n="5">For washing back, now that the sea at ebb</l>

                  <l n="6">Left an each time retreating track of foam.</l>

                  <l n="7">There were the wonted tetchy and sidelong crabs,</l>

                  <l n="8">With fishes silvery in distended death.</l>

               </lg>

               <lg type="stanza" n="2" r="2">

                  <l n="9">No want of blue now in the upper sky:&#8212;</l>

                  <l n="10">But also many piled-up flat grey clouds,</l>

                  <l n="11">Threatening a stormy night-time; and the sun</l>

                  <l n="12">Sank, a red glare, between two lengthened streaks,</l>

                  <l n="13">Hot dun, that stretched to southward; and at whiles</l>

                  <l n="14">The wind over the water swept and swept.</l>

               </lg>

               <lg type="stanza" n="3" r="3">

                  <l n="15">The townspeople, and, more, the visitors,</l>

                  <l n="16">Were passing to the sea-beach through the streets,</l>

                  <l n="17">To take advantage of the lull of rain.</l>

                  <l n="18">The English &#8220;Rainy weather&#8221; went from mouth</l>

                  <l n="19">To mouth, with &#8220;Very&#8221; answered, or a shrug</l>

                  <l n="20">Of shoulders, and a growl, and &#8220;Sure to be!</l>

                  <l n="21">Began the very day that we arrived.&#8221;</l>

               </lg>

               <lg type="stanza" n="4" r="4">

                  <l n="22">&#8220;Yes,&#8221; answered one who met a travelling friend;</l>

                  <l n="23">&#8220;I had forgotten that in England you</l>

                  <l n="24">Must carry your umbrella every day.</l>

                  <l n="25">Au Englishman's a centaur of his sort,</l>

                  <l n="26">Man cross-bred with umbrella. All the same,</l>

                  <l n="27">I say good-bye to France and Italy,</l>

                  <l n="28">Now that I'm here again. Excuse me now,</l>

                  <l n="29">As I was going up into the town</l>

                  <l n="30">To feast my eyes on British tiles and slates.&#8221;</l>

               </lg>

               <lg type="stanza" n="5" r="5">

                  <l n="31">So on he walked, looking about him. Rows</l>

                  <l n="32">Of houses were passed by, irregular;</l>

                  <l n="33">Many compacted of the shingle-stones,</l>

                  <l n="34">Round, grey or white&#8212;with each its garden patch</l>

                  <cb/>

                  <l n="35">Now as the outskirts neared; and down the streets</l>

                  <l n="36">Which crossed them he was catching glimpses still</l>

                  <l n="37">Of waves which whitening shattered out at sea.</l>

               </lg>

               <lg type="stanza" n="6" r="6">

                  <l n="38">The road grew steep here, climbing up a slope</l>

                  <l n="39">Strewn with October leaves, which followed him,</l>

                  <l n="40">Or drifted edgeways on. The grey advanced,</l>

                  <l n="41">Half colour and half dusk, along the sky.</l>

               </lg>

               <lg type="stanza" n="7" r="7">

                  <l n="42">A dead leaf from a beech-tree loosed itself,</l>

                  <l n="43">And touched across his forehead. As he raised</l>

                  <l n="44">His eyes, they caught a window, and he stopped&#8212;</l>

                  <l n="45">An opened upper window of a house</l>

                  <l n="46">With close-drawn blinds. A man was settled there,</l>

                  <l n="47">Eager in looking out, yet covertly.</l>

                  <l n="48">He watched, nor moved his eyes from that he watched.</l>

               </lg>

               <lg type="stanza" n="8" r="8">

                  <l n="49">The passenger drew close beside the rails,</l>

                  <l n="50">Looking attentively. &#8220;Why, Grey,&#8221; he cried;</l>

                  <l n="51">&#8220;Can that be you, Grey? I had thought you'd

              been&#8212;&#8212;&#8221;</l>

                  <l n="52">The face turned sharply on him, and the eyes</l>

                  <l n="53">Glanced down, and both hands pulled the window shut.</l>

               </lg>

               <lg type="stanza" n="9">

                  <l n="54">Pushing a wicket gate, the other went</l>

                  <l n="55">On to the door, expecting it to unclose.</l>

                  <l n="56">The garden was but scantly stocked with flowers,</l>

                  <l n="57">And these were fading mostly, thinly leaved,</l>

                  <l n="58">The earth-plots littered with the fall of them.</l>

                  <l n="59">Stately some dahlia-clusters yet delayed,</l>

                  <l n="60">Crimson, alternating with flame-colour.</l>

                  <l n="61">He stretched his fingers to the velvet bloom</l>

                  <l n="62">Of one, and drew a petal 'twixt them. Then</l>



                  <epage/>

                  <page n="450" image="a.ap4.b9.1.450.tif"/>



                  <l n="63">The plaited flower fell separate all to earth</l>

                  <l n="64">By ring and ring; only the calyx stood</l>

                  <l n="65">Upon its stalk. The autumn time was come.</l>

                  <l n="66">Out of the bordering box stiff plantain grew.</l>

                  <l n="67">Scarce would the loose trees have afforded shade,</l>

                  <l n="68">So lessened was the bulk between their boughs,</l>

                  <l n="69">Had there been sun to cast it. In the grass</l>

                  <l n="70">Rested the moisture of the recent rain.</l>

               </lg>

               <lg type="stanza" n="10">

                  <l n="71">No one seemed coming; so he walked some steps</l>

                  <l n="72">Backward, and peered: no sign of anyone.</l>

                  <l n="73">He knocked, and at the touch the door unclosed.</l>

               </lg>

               <lg type="stanza" n="11">

                  <l n="74">&#8220;Don't you remember, years ago, your friend,</l>

                  <l n="75" part="i">And correspondent since, John Harling?&#8221;</l>

               </lg>

               <lg type="stanza" n="12">

                  <l n="75" part="f" indent="3">&#8220;Oh,</l>

                  <l n="76">I know you, sir, of course&#8212;I did at once.&#8221;</l>

               </lg>

               <lg type="stanza" n="13" r="12">

                  <l n="77">&#8220;<hi rend="i">Sir!</hi> Why, how now? Between old friends like us?</l>

                  <l n="78">How many letters that begin &#8216;<hi rend="i">Dear

              John</hi>,&#8217;</l>

                  <l n="79">In your handwriting, I have asked after,</l>

                  <l n="80">These eight years, in some scores of <hi rend="i">
                        <foreign lang="french">postes-restantes</foreign>!</hi>
                  </l>

                  <l n="81">Too many, I should hope, for us to <hi rend="i">Sir</hi>
                  </l>

                  <l n="82">Each other now. But only tell me, Grey&#8212;&#8212;&#8221;</l>

               </lg>

               <lg type="stanza" n="14">

                  <l n="83" part="i">Grey said, &#8220;Come up, come up.&#8221;</l>

               </lg>

               <lg type="stanza" n="15">

                  <l n="83" part="f" indent="2">There was a haste</l>

                  <l n="84">About his words and manner, and he seemed</l>

                  <l n="85">To half forget what first he meant to do.</l>

                  <l n="86">He paused at the stairs' foot; then, with a glance</l>

                  <l n="87">Thrown backward at his friend, who stayed for him,</l>

                  <l n="88">He mounted hurriedly, two steps at once.</l>

                  <l n="89">They had not shaken hands yet. Harling his</l>

                  <l n="90">Had proffered with the words he uttered first,</l>

                  <l n="91">But Grey had not appeared to notice it.</l>

               </lg>

               <lg type="stanza" n="16">

                  <l n="92">Harling had caught the look of the other's face</l>

                  <l n="93">Where twilight in the doorway glimmered fresh,</l>

                  <l n="94">And he had fancied it was pale and worn,</l>

                  <l n="95">And anxious as with watchings through the night.</l>

                  <l n="96">But in the room the light no longer served</l>

                  <l n="97">For one to seethe other, how the weeks</l>

                  <cb/>

                  <l n="98">Had changed him, and the months and years. The room</l>

                  <l n="99">Was dim between the window-blinds and dusk,</l>

                  <l n="100">Now seated&#8212;&#8220;As you see, John,&#8221; Grey began,</l>

                  <l n="101">&#8220;This is a bed-room. I have not had time</l>

                  <l n="102">To trouble myself yet about the house.&#8221;</l>

               </lg>

               <lg type="stanza" n="17">

                  <l n="103" part="i">&#8220;You are but just arrived, then?&#8221;</l>

               </lg>

               <lg type="stanza" n="18">

                  <l n="103" part="f" indent="3">&#8220;Yes, but just,&#8221;</l>

                  <l n="104">He was about to say some more, but stopped,</l>

               </lg>

               <lg type="stanza" n="19">

                  <l n="105">&#8220;And now,&#8221; said Harling, &#8220;you shall tell me

              all</l>

                  <l n="106">About yourself. And how and where's your wife?</l>

                  <l n="107">What is it brought you down here? Have you left</l>

                  <l n="108">Oxford, in which your practice was so good?</l>

                  <l n="109">Or are you here on holidays? I come</l>

                  <l n="110">Upon you by an unexpected chance.</l>

                  <l n="111">There must be something to be learned, I know.</l>

                  <l n="112">Chances are not all chance-work. Tell me all.&#8221;</l>

               </lg>

               <lg type="stanza" n="20">

                  <l n="113">His friend rose up at this; and Harling saw</l>

                  <l n="114">His knuckles on his forehead, at his hair,</l>

                  <l n="115">And thought his eyes grew larger through the dark.</l>

                  <l n="116">Grey touched him on the shoulder, drawing breath</l>

                  <l n="117">To speak with, but he then again sat down.</l>

               </lg>

               <lg type="stanza" n="21" r="24">

                  <l n="118">&#8220;Why, first I ought to hear <hi rend="i">your</hi> news, I

              think,&#8221;</l>

                  <l n="119">At last he answered, swallowing the gasps</l>

                  <l n="120">Which came into his mouth, and clipped his words.</l>

                  <l n="121">&#8220;Though travellers have a vested right to lie,</l>

                  <l n="122">I'll take it all on trust.&#8221; He forged a laugh.</l>

               </lg>

               <lg type="stanza" n="22" r="25">

                  <l n="123">Harling grew certain there was something now</l>

                  <l n="124">His friend had got to tell, and must, but feared.</l>

                  <l n="125">He knew how such a fear, by yielding grows,</l>

                  <l n="126">And would have had him speak it out at once</l>

                  <l n="127">Nevertheless he answered, &#8220;As you will.</l>

                  <l n="128">And yet I have but little left to say</l>

                  <l n="129">Since my last letter. But the whole is this.</l>

                  <l n="130">But let us first have light before we talk,</l>

                  <l n="131">That we may know each other once again.</l>

                  <l n="132">I shall not flatter you if grizzled hairs</l>



                  <epage/>

                  <page n="451" image="a.ap4.b9.1.451.tif"/>



                  <l n="133">Prove to outnumber your original brown,</l>

                  <l n="134">But tell you truth. You tell the truth of me.</l>

                  <l n="135">I am more than half a Frenchman, I believe,</l>

                  <l n="136">By this time. That's no compliment, say I,</l>

                  <l n="137">For a John Bull at heart, and I am one;</l>

                  <l n="138">Thank God, a Tory, and hang the Marseillaise!&#8221;</l>

               </lg>

               <lg type="stanza" n="23" r="26">

                  <l n="139">&#8220;No lights, no lights,&#8221; Grey answered, moodily.</l>

                  <l n="140">&#8220;Can we not talk again as once we used,</l>

                  <l n="141">Through twilight and through evening into night,</l>

                  <l n="142">Knowing, without alight, it was we two?&#8212;</l>

                  <l n="143">I little thought then it would come to this,&#8221;</l>

                  <l n="144">He added, and his voice was only sad.</l>

                  <l n="145">&#8220;And it is well, too, that the light should come,</l>

                  <l n="146">For then perhaps you will have made a guess,</l>

                  <l n="147">By seeing me, before I tell it you.</l>

                  <l n="148">My dear old friend, it's needless now to attempt</l>

                  <l n="149">To hide it. I am wretched&#8212;that's the word.</l>

                  <l n="150">I am a fool not to have got the thing</l>

                  <l n="151">Over already, for it has to come</l>

                  <l n="152">At last. But there's a minute's respite still,</l>

                  <l n="153">For first you were to tell me of yourself;</l>

                  <l n="154">So, Harling, you speak now, But first the light.&#8221;</l>

               </lg>

               <lg type="stanza" n="24" r="27">

                  <l n="155">The other, leaning forward, took his hand,</l>

                  <l n="156">And tried to speak some comfort; but the words</l>

                  <l n="157">Faltered between his lips. For he was sure</l>

                  <l n="158">That, if he had already heard this grief,</l>

                  <l n="159">He would not talk of comfort, but sit dumb.</l>

               </lg>

               <lg type="stanza" n="25" r="28">

                  <l n="160">The lights were come now, and each looked on each.</l>

                  <l n="161">The traveller's face was bronzed, and his hair crisp</l>

                  <l n="162">And close, and his eyes steady&#8212;all himself</l>

                  <l n="163">Compact and prompt to any chance. And yet</l>

                  <l n="164">He was essentially the same who went,</l>

                  <l n="165">To find his level, forth eight years ago,</l>

                  <l n="166">Unformed, florid-complexioned, easy-tongued:</l>

                  <l n="167">Travel and time had only mellowed him.</l>

                  <l n="168">Grey was the same in feature, not in fact.</l>

                  <l n="169">His face was paler that was always pale;</l>

                  <l n="170">The forehead something wrinkled, and the lips</l>

                  <l n="171">Arid and meagre, faded, marked with lines;</l>

                  <l n="172">The eyes had sunken further in the head,</l>

                  <cb/>

                  <l n="173">With a dark ridge to each, and grizzled brows;</l>

                  <l n="174">His hair, though as of old, was brown and soft.</l>

                  <l n="175">The difference was less, but more the change.</l>

                  <l n="176">Each looked on each some minutes: neither spoke.</l>

                  <l n="177">His friend was clothed in black, as Harling saw,</l>

                  <l n="178">Who now resumed the thread of his discourse.</l>

               </lg>

               <lg type="stanza" n="26" r="29">

                  <l n="179">&#8220;As for my own adventures, they are few:</l>

                  <l n="180">For, after I left Rome&#8212;the storm will burst,</l>

                  <l n="181">Be sure, at Rome, before the year is done&#8212;</l>

                  <l n="182">I went straight back to Paris. Politics,</l>

                  <l n="183">You know, I've stood aloof from all the year;</l>

                  <l n="184">But even with me, too, they have done their work.</l>

                  <l n="185">My poor Louise was dead&#8212;shot down, I learned,</l>

                  <l n="186">Upon the people's barricades in June:</l>

                  <l n="187">She turned up quite a Red Republican</l>

                  <l n="188">After their twenty-fourth of February;</l>

                  <l n="189">And my successor in her graces fell,</l>

                  <l n="190">With her&#8212;both fighting and yelling side by side.</l>

                  <l n="191">I could not but curse at them through my teeth</l>

                  <l n="192">With her own <hi rend="i">

                        <foreign lang="french">sacré-Dieu</foreign>

                     </hi>'s&#8212;the whole of them</l>

                  <l n="193">Who get up revolutions and revolts.</l>

                  <l n="194">And then they swore I was an Orleanist,</l>

                  <l n="195">An English spy, or something; and indeed</l>

                  <l n="196">I found myself, the scanty days I stopped,</l>

                  <l n="197">A centre-piece for all the blackest looks.</l>

                  <l n="198">At least I thought so. Many of my friends,</l>

                  <l n="199">Besides, were gone, waiting for better times</l>

                  <l n="200">When next they come to Paris. So I left</l>

                  <l n="201">Disgusted, and crossed over. Why should I</l>

                  <l n="202">Quit England and dear brother Tories? still,</l>

                  <l n="203">Although I do now think of settling here,</l>

                  <l n="204">Perhaps, before another twelvemonth goes,</l>

                  <l n="205">The South will tempt me back&#8212;sooner, perhaps.</l>

                  <l n="206">I must, I think, die travelling in the South&#8221;</l>

               </lg>

               <lg type="stanza" n="27" r="30">

                  <l n="207">He made an end of speaking. Grey looked up.</l>

                  <l n="208">&#8220;Is there no more?&#8221; he asked. He said, &#8220;No

              more.&#8221;</l>

               </lg>

               <lg type="stanza" n="28">

                  <l n="209">Grey's face turned whiter, and his fingers twitched,</l>



                  <epage/>

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                  <l n="210">&#8220;It is my turn to speak, then&#8221;:&#8212;and he rose,</l>

                  <l n="211">Taking a candle: &#8220;come this way with me.&#8221;</l>

               </lg>

               <lg type="stanza" n="29" r="33">

                  <l n="212">They stepped aside into a neighbouring room.</l>

                  <l n="213">Grey walked with quiet footsteps, and he turned</l>

                  <l n="214">So noiselessly the handle of the door</l>

                  <l n="215">That Harling fancied some one lay asleep</l>

                  <l n="216">Inside. The hand recovered steadiness.</l>

               </lg>

               <lg type="stanza" n="30" r="34">

                  <l n="217">The room was quite unfurnished, striking chill.</l>

                  <l n="218">A rent in the drawn window-blind betrayed</l>

                  <l n="219">A sky unvaried, moonless, cloudless, black.</l>

                  <l n="220">Only two chairs were set against the wall,</l>

                  <l n="221">And, not yet closed, a coffin placed on them.</l>

               </lg>

               <lg type="stanza" n="31" r="35">

                  <l n="222">Harling's raised eyes inquired why he was brought</l>

                  <l n="223">Hither, and should he still advance and look.</l>

                  <l n="224">&#8220;It is my wife,&#8221; said Grey; &#8220;look in her

              face.&#8221;</l>

                  <l n="225">This in a whisper, holding Harling's arm,</l>

                  <l n="226">And tightened fingers clenched the whispering.</l>

               </lg>

               <lg type="stanza" n="32" r="36">

                  <l n="227">Harling could feel his forehead growing moist,</l>

                  <l n="228">And sought in vain his friend's averted eyes.</l>

                  <l n="229">Their steps, suppressed, creaked on the uncovered boards:</l>

                  <l n="230">They stood beside the coffin's foot and head.</l>

                  <l n="231">Both gazed in silence, with bowed faces&#8212;Grey</l>

                  <l n="232">With bony chin pressed into bony throat.</l>

               </lg>

               <lg type="stanza" n="33" r="37">

                  <l n="233">The woman's limbs were straight inside her shroud.</l>

                  <l n="234">The death which brooded glazed upon her eyes</l>

                  <l n="235">Was hidden underneath the shapely lids;</l>

                  <l n="236">But the mouth kept its anguish. Combed and rich</l>

                  <l n="237">The hair, which caught the light within its strings,</l>

                  <l n="238">Golden about the temples, and as fine</l>

                  <l n="239">And soft as any silk-web; and the brows</l>

                  <l n="240">A perfect arch, the forehead undisturbed;</l>

                  <l n="241">But the mouth kept its anguish, and the lips,</l>

                  <l n="242">Closed after death, seemed half in act to speak.</l>

                  <l n="243">Covered the hands and feet; the head was laid</l>

                  <cb/>

                  <l n="244">Upon a prayer-book, open at the rite</l>

                  <l n="245">Of solemnizing holy matrimony.</l>

                  <l n="246">Her marriage-ring was stitched into the page.</l>

               </lg>

               <lg type="stanza" n="34" r="38">

                  <l n="247">Grey stood a long while gazing. Then he set</l>

                  <l n="248">The candle on the ground, and on his knees</l>

                  <l n="249">Close to her unringed shrouded band, he prayed,</l>

                  <l n="250">Silent. With eyes still dry, he rose unchanged.</l>

               </lg>

               <lg type="stanza" n="35">

                  <l n="251">They left the room again with heeded steps.</l>

                  <l n="252">On friendly Harling lay the awe of death</l>

                  <l n="253">And pity: he took his seat without a sound.</l>

                  <l n="254">Some of the hackneyed phrases almost passed</l>

                  <l n="255">His lips, but shamed him, and he held his peace.</l>

               </lg>

               <lg type="stanza" n="36">

                  <l n="256">&#8220;Harling,&#8221; said Grey, after a pause, &#8220;you

              think</l>

                  <l n="257">No doubt that this is all&#8212;her death is all.</l>

                  <l n="258">Harling, when first I saw you in the street,</l>

                  <l n="259">I feared you meant to come and speak to me;</l>

                  <l n="260">So hid myself and waited till you knocked;</l>

                  <l n="261">Waited behind the door until you knocked,</l>

                  <l n="262">Longing that you, perhaps, would go. When I</l>

                  <l n="263">Had opened it, I think I called you <hi rend="i">Sir</hi>&#8212;</l>

                  <l n="264">Did you not chide me? Do you know, it seemed</l>

                  <l n="265">So strange to me that any one I knew.</l>

                  <l n="266">Before this happened should be here the same,</l>

                  <l n="267">And know me for the same that once I was,</l>

                  <l n="268">I could not quite imagine we were friends.</l>

                  <l n="269">It is not merely death would make one feel</l>

                  <l n="270">Like this&#8212;no, there is something more behind</l>

                  <l n="271">Harder than death, more cruel. Let me wait</l>

                  <l n="272">Some moments; then no help but I must tell.&#8221;</l>

               </lg>

               <lg type="stanza" n="37">

                  <l n="273">He gathered up his face into his hands</l>

                  <l n="274">From chin to temples, only just to think</l>

                  <l n="275">And not be seen. He had not seated him,</l>

                  <l n="276">But leaned against the chair. Nor Harling spoke.</l>

               </lg>

               <lg type="stanza" n="38">

                  <l n="277">&#8220;Two months are gone now,&#8221; Grey pursued. &#8220;We

              two</l>

                  <l n="278">Lived lovingly. I had to come down here,</l>

                  <l n="279">And here I met a surgeon of the town.</l>

                  <l n="280">Hell only knows&#8212;I cannot tell you&#8212;why,</l>



                  <epage/>

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                  <l n="281">I asked him to return with me, and spend</l>

                  <l n="282">A fortnight at our house. Perhaps I wrote</l>

                  <l n="283">The whole of this to you when it occurred.</l>

                  <l n="284" part="i">His name is Luton.&#8221;</l>

               </lg>

               <lg type="stanza" n="39">

                  <l n="284" part="f" indent="2">Here he chose to pause.</l>

                  <l n="285">&#8220;Perhaps: I am not certain,&#8221; Harling said.</l>

               </lg>

               <lg type="stanza" n="40">

                  <l n="286">&#8220;I think you might be certain,&#8221; answered Grey,</l>

                  <l n="287">&#8220;If you're my friend.&#8221; But then he checked himself,</l>

                  <l n="288">Adding: &#8220;Forgive me. I am not, you see,</l>

                  <l n="289">Myself to-night&#8212;this night, nor many nights,</l>

                  <l n="290">Nor many nights to come. Well, he agreed.</l>

                  <l n="291">Of course, he must agree; else I should not</l>

                  <l n="292">Have been like this, disgraced, made almost mad.&#8221;</l>

               </lg>

               <lg type="stanza" n="41">

                  <l n="293">At this he found his passion would be near</l>

                  <l n="294">To drive him to talk wildly: so he kept</l>

                  <l n="295">Silence again some moments&#8212;then resumed.</l>

               </lg>

               <lg type="stanza" n="42">

                  <l n="296">&#8220;How should I recollect the days we passed</l>

                  <l n="297">Together? There must surely have been enough</l>

                  <l n="298">To see, and yet I never saw it once.</l>

                  <l n="299">Besides, my patients kept me out all day</l>

                  <l n="300">Sometimes. It was in August, John, was this&#8212;</l>

                  <l n="301">The end of August, reaping just begun.</l>

                  <l n="302">We've had a splendid harvest, you'll have heard.&#8221;</l>

               </lg>

               <lg type="stanza" n="43">

                  <l n="303">&#8220;Indeed!&#8221; the other said, shifting the while</l>

                  <l n="304">His posture&#8212;and he knew not what to say.</l>

               </lg>

               <lg type="stanza" n="44">

                  <l n="305">&#8220;Yes, you detect me,&#8221; Grey cried bitterly;</l>

                  <l n="306">&#8220;You know I am afraid of what's to come&#8212;</l>

                  <l n="307">A coward. Now I do hope I shall speak,</l>

                  <l n="308">And tell you all of it without a stop.</l>

                  <l n="309">There was a lady staying with us then,</l>

                  <l n="310">A cousin of my wife's&#8212;but older, much;</l>

                  <l n="311">So that you understand how I could ask</l>

                  <l n="312">This Luton down. Before his time was up,</l>

                  <l n="313">He seemed to grow uneasy, and he left,&#8212;</l>

                  <l n="314">Merely explaining, business called him home.</l>

                  <l n="315">I said I had not noticed anything</l>

                  <l n="316">Unusual; and yet I sometimes found</l>

                  <l n="317">Mary in tears, and could not gather why.</l>

                  <l n="318">One day she told me when I questioned her</l>

                  <l n="319">It was for thinking of our girl that died</l>

                  <l n="320">Months back&#8212;for that her cousin would begin</l>

                  <l n="321">Often to talk to her about her own;</l>

                  <cb/>

                  <l n="322">So that would make her sad. I thought it strange</l>

                  <l n="323">She had not so informed me from the first.</l>

                  <l n="324">Her cousin, when I named the point, appeared</l>

                  <l n="325">Surprised; but then to recollect herself,</l>

                  <l n="326">And answered&#8212;I could see, a little piqued&#8212;</l>

                  <l n="327">She should not cry again because of her.</l>

               </lg>

               <lg type="stanza" n="45">

                  <l n="328">&#8220;These fits of tears continued. We were now</l>

                  <l n="329">Alone together, for the cousin went</l>

                  <l n="330">Away soon after. Then I could not help</l>

                  <l n="331">Seeing her health and strength were giving way:</l>

                  <l n="332">Her mind, too, seemed oppressed. She'd hardly leave</l>

                  <l n="333">At nights the chair she sat in, for she said</l>

                  <l n="334">&#8216;This is the only place where I can sleep.&#8217;</l>

                  <l n="335">Yet her affection for me seemed to grow</l>

                  <l n="336">A kind of pity for its tenderness.</l>

                  <l n="337">Oh! what is now become of her, that I,</l>

                  <l n="338">After to-morrow, shall not see her more,</l>

                  <l n="339">But have to hide her always from my sight?&#8221;</l>

               </lg>

               <lg type="stanza" n="46">

                  <l n="340">He took some steps, meaning to go again</l>

                  <l n="341">And see her corpse; but, meeting Harling's eye,</l>

                  <l n="342" part="i">Turned and sat down.</l>

               </lg>

               <lg type="stanza" n="47">

                  <l n="342" part="f" indent="2">&#8220;Is it not,&#8221; he pursued,</l>

                  <l n="343">With floorward gaze, &#8220;hard on me I must tell</l>

                  <l n="344">This business word by word, the whole of it,</l>

                  <l n="345">While I can see it all before me there,</l>

                  <l n="346">And it is clear one word could tell it all?</l>

                  <l n="347">Can you not guess the rest, and spare me now?&#8221;</l>

               </lg>

               <lg type="stanza" n="48">

                  <l n="348">&#8220;I will not guess; but you,&#8221; said Harling,

              &#8220;keep</l>

                  <l n="349">All that remains unspoken; for it wrings</l>

                  <l n="350">My heart, dear Grey, dear friend, to see you thus.&#8221;</l>

               </lg>

               <lg type="stanza" n="49">

                  <l n="351">&#8220;No, it is better I should speak it out,</l>

                  <l n="352">For you would fancy something; and at least</l>

                  <l n="353">You will not need to fancy when you know.</l>

                  <l n="354">She came to me one morning&#8212;(this was like</l>

                  <l n="355">A fortnight after he had gone away,</l>

                  <l n="356">This Luton)&#8212;saying that she found it vain</l>

                  <l n="357">Attempting to compose her mind at home;</l>

                  <l n="358">That every place made her remember what</l>

                  <l n="359">The baby had done or looked there, and she felt</l>

                  <l n="360">Too weak for that, and meant to see her friends</l>



                  <epage/>

                  <page n="454" image="a.ap4.b9.1.454.tif"/>



                  <l n="361">(That is, two sisters some few miles from here).</l>

                  <l n="362">She spoke more firmly than I had heard her talk</l>

                  <l n="363">A long time past&#8212;because I thought it long&#8212;</l>

                  <l n="364">And I believed she had determined right,</l>

                  <l n="365">And so consented. But she only said</l>

                  <l n="366">&#8216;I have made up my mind&#8217;&#8212;thus waiving all</l>

                  <l n="367">Consent on my part&#8212;mere sick wilfulness</l>

                  <l n="368">I took it for. She left the house. I might</l>

                  <l n="369">Have told you she'd a lilac dress, and hair</l>

                  <l n="370">Worn plain. And so I saw her the last time</l>

                  <l n="371">The last time, God in heaven!&#8221; He seized his fists</l>

                  <l n="372">Together, and he clutched them toward his throat.</l>

               </lg>

               <lg type="stanza" n="50">

                  <l n="373">&#8220;Many days passed. She had begged me, feeling sure</l>

                  <l n="374">It would excite her, not to write a line,</l>

                  <l n="375">And said she would not write, nor let her friends.</l>

                  <l n="376">I think I did not tell you, though, how pale</l>

                  <l n="377">Her cheeks were; and, in saying this, she sobbed,</l>

                  <l n="378">For, such a lengthened silence looked like death.</l>

               </lg>

               <lg type="stanza" n="51">

                  <l n="379">&#8220;Three weeks, or nearly that, had passed away:</l>

                  <l n="380">A letter on black-bordered paper came.</l>

                  <l n="381">It was from Luton. Then I did not know</l>

                  <l n="382">The hand, but shall now, if it comes again.</l>

                  <l n="383">He wrote that I must go immediately,</l>

                  <l n="384">That I was &#8216;to prepare myself&#8217;&#8212;some trash:</l>

                  <l n="385">He &#8216;dared not trust his pen to tell me more.&#8217;</l>

               </lg>

               <lg type="stanza" n="52">

                  <l n="386">&#8220;On Thursday I arrived here. I cannot</l>

                  <l n="387">Attempt to tell you all about it. When</l>

                  <l n="388">You've read this, only call me, and I'll come;</l>

                  <l n="389">But I will not be by you while you road.</l>

                  <l n="390">On the first day I heard it all from him,</l>

                  <l n="391">And loathe him for it. I am left alone,</l>

                  <l n="392" part="i">And all through him.&#8221;</l>

               </lg>

               <lg type="stanza" n="53">

                  <l n="392" part="f" indent="2">He took a newspaper</l>

                  <l n="393">From underneath his pillow, and he showed</l>

                  <l n="394">The place to read at. Then he left the room;</l>

                  <l n="395">And Harling caught his footfall toward the corpse,</l>

                  <l n="396">And touching of his knees upon the boards.</l>

               </lg>

               <lg type="stanza" n="54">

                  <l n="397">And this is what he feverishly perused:&#8212;</l>

                  <cb/>

                  <l n="398">&#8220;<hi rend="i">Coroner's Inquest&#8212;A Distressing

              Case</hi>.</l>

               </lg>

               <lg type="stanza" n="55">

                  <l n="399">An inquest was held yesterday, before</l>

                  <l n="400">The County Coroner, into the cause</l>

                  <l n="401">Of the decease of Mrs. Mary Grey,</l>

                  <l n="402">A married lady. Public interest</l>

                  <l n="403" part="i">Was widely excited.</l>

               </lg>

               <lg type="stanza" n="56">

                  <l n="403" part="f" indent="2">&#8220;When the Jury came</l>

                  <l n="404">From viewing the corpse, in which are seen remains</l>

                  <l n="405">Of no small beauty, witnesses were called.</l>

               </lg>

               <lg type="stanza" n="57">

                  <l n="406">&#8220;Mr. Holmes Grey, surgeon, deposed: &#8216;I live</l>

                  <l n="407">In Oxford, where I practise, and deceased</l>

                  <l n="408">Had been my wife for upwards of three years.</l>

                  <l n="409">About the middle of September, she</l>

                  <l n="410">&#8216;Was suffering much from weakness, and a weight</l>

                  <l n="411">Seemed on her mind. The symptoms had begun</l>

                  <l n="412">Nearly a month before, and still increased,</l>

                  <l n="413">Until at last they gave me great alarm,</l>

                  <l n="414">Of which we often spoke. On the eighteenth</l>

                  <l n="415">She told me she would like to stay awhile</l>

                  <l n="416">With two of her sisters, living on the coast,</l>

                  <l n="417">At Barksedge House, not far from here. She went</l>

                  <l n="418">Next day. I cannot speak to any more.&#8217;</l>

               </lg>

               <lg type="stanza" n="58">

                  <l n="419">&#8220;The Coroner: &#8216;How were you first apprised</l>

                  <l n="420">Of this most melancholy event?&#8217;&#8212;&#8216;By note</l>

                  <l n="421">Addressed to me by Mr. Luton here.&#8217;</l>

               </lg>

               <lg type="stanza" n="59">

                  <l n="422">&#8220;A Juror: &#8216;Could your scientific skill</l>

                  <l n="423">Assign some cause for this debility?&#8217;</l>

                  <l n="424">&#8216;No. I believed it was occasioned (so</l>

                  <l n="425">She intimated) by a domestic grief</l>

                  <l n="426">Quite unconnected with the present case.&#8217;</l>

               </lg>

               <lg type="stanza" n="60">

                  <l n="427">&#8220;The Coroner: &#8216;You'll know how to excuse</l>

                  <l n="428">The question which I feel compelled to put:</l>

                  <l n="429">I have a public duty to perform.</l>

                  <l n="430">Had you, before the period you described,</l>

                  <l n="431">Any suspicions ever?&#8217;&#8212;&#8216;Never once:</l>

                  <l n="432">There was no cause for any, I swear to God.&#8217;</l>

               </lg>

               <lg type="stanza" n="61">

                  <l n="433">&#8220;The witness had, throughout his testimony,</l>

                  <l n="434">Preserved his calm&#8212;though clearly not without</l>

                  <l n="435">An effort, which augmented towards the close.</l>

               </lg>



               <epage/>

               <page n="455" image="a.ap4.b9.1.455.tif"/>



               <lg type="stanza" n="62">

                  <l n="436">&#8220;Jane Langley: &#8216;I keep lodgings in the town.</l>

                  <l n="437">On the nineteenth September the deceased</l>

                  <l n="438">Engaged a bed-room and a sitting-room.</l>

                  <l n="439">The name I knew her by was Mrs. Grange.</l>

                  <l n="440">I saw but very little of her; she kept,</l>

                  <l n="441">As much as that well could be, to herself,</l>

                  <l n="442">And she would frequently leave home for hours.</l>

                  <l n="443">I cannot say I made any remark</l>

                  <l n="444">Especially. I found a letter once</l>

                  <l n="445">Just a few words, torn up. &#8216;Holmes,&#8217; it began.</l>

                  <l n="446">&#8216;This letter is the last you ever will . . .&#8217;</l>

                  <l n="447">No more, I think. I threw the bits away.</l>

                  <l n="448">That was, perhaps, four days before her death.</l>

                  <l n="449">On that day, I suppose, as usual,</l>

                  <l n="450">She left the house: I did not see her, though.</l>

                  <l n="451" part="i">She was brought home quite dead.&#8217;</l>

               </lg>

               <lg type="stanza" n="63">

                  <l n="451" part="f" indent="3">&#8220;Upon the name</l>

                  <l n="452">Of the next witness being called, some stir</l>

                  <l n="453">Arose through persons pressing on to look.</l>

                  <l n="454">After it had been silenced, and the oath</l>

                  <l n="455">Duly administered, the evidence</l>

                  <l n="456" part="i">Proceeded.</l>

               </lg>

               <lg type="stanza" n="64">

                  <l n="456" part="f" indent="2">&#8220;Mr. Edward Luton, surgeon:</l>

                  <l n="457">&#8216;I lately here began for the first time</l>

                  <l n="458">In my profession. I was introduced</l>

                  <l n="459">To Mr. Grey in August. When he left</l>

                  <l n="460">The seaside, he incited me to pass</l>

                  <l n="461">A fortnight at his house, and I agreed.</l>

                  <l n="462">On seeing Mrs. Grey, I recognized</l>

                  <l n="463">In her a lady I had known before</l>

                  <l n="464">Her marriage, a Miss Chalsted. We had met</l>

                  <l n="465">In company, and, in particular,</l>

                  <l n="466">At some so-called &#8220;mesmeric evenings,&#8221; held</l>

                  <l n="467">At her remote connection's house, the late</l>

                  <l n="468">Dr. Duplatt. But now, as Mrs. Grey</l>

                  <l n="469">Allowed my presentation to pass off</l>

                  <l n="470">Without a hint of knowing me, I left</l>

                  <l n="471">This point to her, and seemed a stranger: till</l>

                  <l n="472">We chanced, the sixth day, to be left alone.</l>

                  <l n="473">I talked on just the same, but she was silent.</l>

                  <l n="474">At last she answered, and began to speak</l>

                  <l n="475">Familiarly of when she knew me first;</l>

                  <l n="476">Without explaining-merely as one might talk</l>

                  <l n="477">Changing the subject. But I let it pass.</l>

                  <l n="478">And yet, when we were next in company,</l>

                  <l n="479">Once more she acted new acquaintanceship.</l>

                  <l n="480">Then, two days after, I believe&#8212;one time</l>

                  <l n="481">Her cousin, Mrs. Gwyllt, was out by chance&#8212;</l>

                  <cb/>

                  <l n="482">The same thing happened; but she spoke of love</l>

                  <l n="483">Now, and the very word half passed her lips.</l>

                  <l n="484">Our talk ended abruptly. Mrs. Gwyllt</l>

                  <l n="485">Came in, and by her face I saw she had heard.</l>

               </lg>

               <lg type="stanza" n="65">

                  <l n="486">&#8220;&#8216;This instance was the last we talked alone.</l>

                  <l n="487">And I began to hear from Mr. Grey</l>

                  <l n="488">His wife was far from well, and had the tears</l>

                  <l n="489">Now often in her eyes. This made me feel</l>

                  <l n="490">Hampered and restless: so I took my leave</l>

                  <l n="491">After my first eleven days' stay was gone,</l>

                  <l n="492">Saying I had affairs that could not wait.</l>

               </lg>

               <lg type="stanza" n="66">

                  <l n="493">&#8220;&#8216;Between the seventh of September, when</l>

                  <l n="494">We parted, and the twenty-third, I saw</l>

                  <l n="495">No more of the deceased. Towards seven o'clock</l>

                  <l n="496">That evening, I was told a lady wished</l>

                  <l n="497">To speak with me. She entered: it was she</l>

                  <l n="498">Deceased. I can't describe how pained I was</l>

                  <l n="499">At finding she had left her home like this.</l>

                  <l n="500">She said she loved me, and conjured me much</l>

                  <l n="501">Not to desert her; that that she loved me young;</l>

                  <l n="502">That, after we had ceased to meet, she knew</l>

                  <l n="503">And married Mr. Grey. Also, that when</l>

                  <l n="504">He wrote to her in August I should come,</l>

                  <l n="505">Guessing who I must be, she thought it well</l>

                  <l n="506">To treat me as a stranger&#8212;dreading lest</l>

                  <l n="507">Her love (so she assured me) should revive.</l>

                  <l n="508">All this through sobs and blushes. I could not</l>

                  <l n="509">Make up my mind what conduct to pursue:</l>

                  <l n="510">I begged her to be calm, and wait awhile,</l>

                  <l n="511">And I would write. She left unnerved and weak.</l>

               </lg>

               <lg type="stanza" n="67">

                  <l n="512">&#8220;&#8216;I took five days, bewildered how to act.</l>

                  <l n="513">But on the evening of the fifth, I saw,</l>

                  <l n="514">While looking out of window&#8212;(it was dusk,</l>

                  <l n="515">And almost nightfall)&#8212;Mrs. Grey, who paced,</l>

                  <l n="516">Muffled in clothes, before my door. I knew</l>

                  <l n="517">By this how dangerous it must be to wait</l>

                  <l n="518">For a day longer; so I wrote at onto</l>

                  <l n="519">She absolutely must return to her home.</l>

                  <l n="520">Nothing was known as yet&#8212;all might be well;</l>

                  <l n="521">In time she would forget me; and besides</l>



                  <epage/>

                  <page n="456" image="a.ap4.b9.1.456.tif"/>



                  <l n="522">I was engaged to marry, and must regard</l>

                  <l n="523" part="i">Our intercourse as ended.</l>

               </lg>

               <lg type="stanza" n="68">

                  <l n="523" part="f" indent="3">&#8220;&#8216;She returned</l>

                  <l n="524">Next day, the twenty-ninth; and, falling down</l>

                  <l n="525">Upon her knees, she cried, with hardly a word,</l>

                  <l n="526">Some while, and kept her face between her hands;</l>

                  <l n="527">But at the last she swore she would not go,</l>

                  <l n="528">But rather die here. It continued thus</l>

                  <l n="529">Six days. For she would come and seat herself,</l>

                  <l n="530">When I was present, in my room, and sit,</l>

                  <l n="531">An hour or near, quite silent; or break out</l>

                  <l n="532">Into a flood of words&#8212;and then, perhaps</l>

                  <l n="533">Between two syllables, stop short, and turn</l>

                  <l n="534">Round in her chair, and sob, and hide her tears.</l>

               </lg>

               <lg type="stanza" n="69">

                  <l n="535">&#8220;&#8216;The sixth day, after she had left the house,</l>

                  <l n="536">I had an intimation we were watched,</l>

                  <l n="537">And certain persons had begun to talk.</l>

                  <l n="538">I thought it indispensable to write</l>

                  <l n="539">Once more, and tell her the could not remain</l>

                  <l n="540">I owed it to myself not to allow</l>

                  <l n="541">This state of things to last; that I had given</l>

                  <l n="542">The servant orders to deny me, should</l>

                  <l n="543" part="i">She still persist in calling.</l>

               </lg>

               <lg type="stanza" n="70">

                  <l n="543" part="f" indent="2">&#8220;&#8216;Towards mid-day</l>

                  <l n="544">Of the sixth instant, the deceased once more</l>

                  <l n="545">Was at my house, however;&#8212;darted through</l>

                  <l n="546">The door, which happened to be left ajar,</l>

                  <l n="547">And flung herself right down before my feet.</l>

                  <l n="548">This day she did not shed a single tear,</l>

                  <l n="549">Nor talk at all at random, but was firm:</l>

                  <l n="550">I mean, unalterably resolute</l>

                  <l n="551">In purpose, and her passion more uncurbed</l>

                  <l n="552">Than ever: swore it was impossible</l>

                  <l n="553">She should return to live with Mr. Grey</l>

                  <l n="554">Again; that, were she at her latest hour,</l>

                  <l n="555">She still would say so, and die saying so:</l>

                  <l n="556">&#8216;Because&#8217; (I recollect her words) &#8216;this

              flame</l>

                  <l n="557">All eats me up while I am here with you;</l>

                  <l n="558">I hate it, but it eats me&#8212;eats me up,</l>

                  <l n="559">Till I have now no will to wish it quenched.&#8217;</l>

                  <l n="560">I hope to be excused repeating all</l>

                  <l n="561">That I remember to have heard her say.</l>

                  <l n="562">She bitterly upbraided me for what</l>

                  <l n="563">I last had written to her, and declared</l>

                  <l n="564">She hated me and loved me all at once</l>

                  <cb/>

                  <l n="565">With perfect hate as well as burning love.</l>

                  <l n="566">This must have lasted fully half an hour.</l>

                  <l n="567">However fearful as to the results,</l>

                  <l n="568">I told her simply I could not retract,</l>

                  <l n="569">And she must go, or I immediately</l>

                  <l n="570">Would write to Mr. Grey. I rose at this</l>

                  <l n="571" part="i">To leave the room.</l>

               </lg>

               <lg type="stanza" n="71">

                  <l n="571" part="f" indent="2">&#8220;&#8216;She staggered up as well.</l>

                  <l n="572">And screamed, and caught about her with her hands:</l>

                  <l n="573">I think she could not see. I dreaded lest</l>

                  <l n="574">She might be falling, and I held her arm,</l>

                  <l n="575">Trying to guide her out. As I did so,</l>

                  <l n="576">She, in a hurry, faced on me, and screamed</l>

                  <l n="577">Aloud once more, and wanted, as I thought,</l>

                  <l n="578" part="i">To speak, but, in a second, fell.</l>

               </lg>

               <lg type="stanza" n="72">

                  <l n="578" part="f" indent="3">&#8220;&#8216;I raised</l>

                  <l n="579">Her body in my arms, and found her dead.</l>

                  <l n="580">I had her carried home without delay,</l>

                  <l n="581">And a physician called, whose view concurred</l>

                  <l n="582">With mine&#8212;that instant death must have ensued</l>

                  <l n="583">Upon the rupture of a blood-vessel.&#8217;</l>

               </lg>

               <lg type="stanza" n="73">

                  <l n="584">&#8220;This deposition had been listened to</l>

                  <l n="585"> In the most perfect silence. At its close</l>

                  <l n="586">We understand a lady was removed</l>

                  <l n="587" part="i">Fainting.</l>

               </lg>

               <lg type="stanza" n="74">

                  <l n="587" part="f" indent="1">&#8220;The Coroner: &#8216;You said just now</l>

                  <l n="588">That, in your former letter to deceased,</l>

                  <l n="589">You told her nothing yet was known. Was not</l>

                  <l n="590">Her absence traced, then, and suspicion roused?</l>

                  <l n="591">Did she inform you?&#8217; &#8216;She informed me that</l>

                  <l n="592">Would not be, for that Mr. Grey and she</l>

                  <l n="593">Had mutually consented not to write.</l>

                  <l n="594" part="i">I have forgotten why.&#8217;</l>

               </lg>

               <lg type="stanza" n="75">

                  <l n="594" part="f" indent="3">&#8220;The Coroner:</l>

                  <l n="595">&#8216;Is Mr. Grey still present?&#8217; Mr. Grey:</l>

                  <l n="596">&#8216;Yes, I am here.&#8217; &#8216;You heard the last reply;</l>

                  <l n="597">Was such the case?&#8217; &#8216;It was; we had agreed</l>

                  <l n="598">To exchange no letters, that her mind might have</l>

                  <l n="599">The benefit of more complete repose.&#8217;</l>

               </lg>

               <lg type="stanza" n="76">

                  <l n="600">A Juror to the witness: &#8216;Did no acts</l>

                  <l n="601">Of familiarity occur between</l>

                  <l n="602" part="i">Deceased and you?&#8217;</l>

               </lg>

               <lg type="stanza" n="77">

                  <l n="602" part="f" indent="2">&#8220;Here Mr. Grey addressed</l>

                  <l n="603">The Coroner, demurring to a reply.</l>

               </lg>

               <lg type="stanza" n="78">

                  <l n="604">&#8220;The Coroner: &#8216;It grieves me very much</l>



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                  <l n="605">To pain your feelings; but I feel compelled</l>

                  <l n="606">To say the question is a proper one.</l>

                  <l n="607">It is the Jury's duty to gain light</l>

                  <l n="608">On this exceedingly distressing case;</l>

                  <l n="609">The public mind has to be satisfied;</l>

                  <l n="610">I owe a duty to the public. Let</l>

                  <l n="611" part="i">The witness answer.&#8217;</l>

               </lg>

               <lg type="stanza" n="79">

                  <l n="611" part="f" indent="2">&#8220;Witness: &#8216;She would clasp</l>

                  <l n="612">Her arms around me in speaking tenderly,</l>

                  <l n="613">And kiss me. She has often kissed my bands.</l>

                  <l n="614" part="i">Not beyond that.&#8217;</l>

               </lg>

               <lg type="stanza" n="80">

                  <l n="614" part="f" indent="2">&#8220;The Juror: &#8216;And did you</l>

                  <l n="615">Respond&#8212;&#8217; The Coroner: &#8216;The witness should,</l>

                  <l n="616">I think, be pressed no further. He has given</l>

                  <l n="617">His painful evidence most creditably.&#8217;</l>

               </lg>

               <lg type="stanza" n="81">

                  <l n="618">&#8220;The Juror: &#8216;Did deceased, in all these days,</l>

                  <l n="619">Not write to you at all?&#8217; &#8216;She sent me this:</l>

                  <l n="620">It is the only letter I received.&#8217;</l>

               </lg>

               <lg type="stanza" n="82">

                  <l n="621">&#8220;A letter here was handed in and read.</l>

                  <l n="622">It ran as follows, and it bore the date</l>

                  <l n="623" part="i">Of twenty-sixth September.</l>

               </lg>

               <lg type="stanza" n="83">

                  <l n="623" part="f" indent="2">&#8220;&#8216;Dearest Friend,&#8212;</l>

                  <l n="624">Where is your promise you would write me soon</l>

                  <l n="625">My sentence, death or life? This is the third</l>

                  <l n="626">Of three long days since last I saw you. Oh!</l>

                  <l n="627">To press your hand again, and talk to you,</l>

                  <l n="628">And see the moving of your lips and eyes!</l>

                  <l n="629">Edward, I'm certain that you cannot know</l>

                  <l n="630">How much I love you; you must not decide</l>

                  <l n="631">Until convinced of it&#8212;&#8212; But words are dead.</l>

                  <l n="632">That, Edward, is a love in very truth</l>

                  <l n="633">Which can avail to overcome such shame</l>

                  <l n="634">As kept me four whole days from seeing you</l>

                  <l n="635">Four days after my coming quite resolved</l>

                  <l n="636">To strive no more, but tell you all my heart.</l>

                  <l n="637">As daylight passed, and night devoured the dusk,</l>

                  <l n="638">The first time,and the second, and the third,</l>

                  <l n="639">I doubted whether I could ever wait</l>

                  <l n="640">Till dawn&#8212;yet waited all the fourth day too,</l>

                  <l n="641">Staring upon my hands, and looking strange;</l>

                  <l n="642">Yes, and the fifth day's twilight hastened on.</l>

                  <l n="643">But love began then driving me about</l>

                  <cb/>

                  <l n="644">Between my house and your house, to and fro.</l>

                  <l n="645">At last I could no more delay, but wept,</l>

                  <l n="646">And prayed of Christ (for He discerns it all),</l>

                  <l n="647">That, if this thing were sinful unto death,</l>

                  <l n="648">He would Himself be first to throw the stone.</l>

                  <l n="649">So then I came and saw you, and I spoke.</l>

                  <l n="650">Did I not make you understand how I</l>

                  <l n="651">Had loved you in the budding of my youth;</l>

                  <l n="652">And how, when we divided, all my hope</l>

                  <l n="653">Went out from me for all the future days,</l>

                  <l n="654">And how I married, just indifferent</l>

                  <l n="655">To whom I look? Perhaps I did not clear</l>

                  <l n="656">This up enough, or cried and troubled you.</l>

                  <l n="657">Why did I ever see your face again?</l>

                  <l n="658">I had forgotten you; I lived content,</l>

                  <l n="659">At peace. Forgotten you! that now appears</l>

                  <l n="660">Impossible, yet I believe I had.</l>

                  <l n="661">Then see what now my life must be&#8212;consumed</l>

                  <l n="662">With inner very fire, merely to think</l>

                  <l n="663">Of you, and having lost my heartless peace.</l>

                  <l n="664">How shall I dare to live except with you?&#8217;</l>

               </lg>

               <lg type="stanza" n="84">

                  <l n="665">&#8220;The Coroner to Witness: &#8216;Had you known</l>

                  <l n="666">When you were first acquainted with deceased,</l>

                  <l n="667">Before her marriage, that she entertained</l>

                  <l n="668">These feelings for you?&#8217;&#8212;&#8216;Friends of mine

              would talk</l>

                  <l n="669">In a light way about it&#8212;nothing more&#8212;</l>

                  <l n="670">And in especial as to mesmerism.</l>

                  <l n="671">I knew that such a match could never be;</l>

                  <l n="672">Her friends would have been sure to break it off&#8212;</l>

                  <l n="673">Our prospects were so very different.</l>

                  <l n="674">I did not think about it seriously.&#8217;</l>

               </lg>

               <lg type="stanza" n="85">

                  <l n="675">&#8220;&#8216;The letter says that you divided: how</l>

                  <l n="676">Did that occur?&#8217;&#8212;&#8216;I left the neighbourhood.</l>

                  <l n="677">On account solely of my own affairs.&#8217;</l>

               </lg>

               <lg type="stanza" n="86">

                  <l n="678">&#8220;&#8216;You have deposed that you received a hint</l>

                  <l n="679">Your meetings with deceased had been observed.</l>

                  <l n="680">How did you learn this?&#8217;&#8212;&#8216;Through the

              brother-in-law</l>

                  <l n="681">Of a young lady that's engaged to me.&#8217;</l>

               </lg>

               <lg type="stanza" n="87">

                  <l n="682">&#8220;The witness here retired. He looks about</l>

                  <l n="683">The age of twenty-seven,&#8212;in person, tall</l>

                  <l n="684">And elegant. His tone at times betrayed</l>

                  <l n="685" part="i">Much feeling.</l>

               </lg>



               <epage/>

               <page n="458" image="a.ap4.b9.1.458.tif"/>



               <lg type="stanza" n="88">

                  <l n="685" part="f" indent="2">&#8220;Mrs. Celia Frances Gwyllt:</l>

                  <l n="686">&#8216;Deceased and I were cousins. In the month</l>

                  <l n="687">Of August last I spent a little time</l>

                  <l n="688">With her and Mr. Grey. In the first week</l>

                  <l n="689">Of last month, I remember hearing her</l>

                  <l n="690">Speak in a manner I considered wrong</l>

                  <l n="691">To Mr. Luton, and she seemed confused</l>

                  <l n="692">When she perceived me. Shortly afterwards,</l>

                  <l n="693">I took occasion to inform her so.</l>

                  <l n="694">This she at first made light of, and alleged</l>

                  <l n="695">It was a mere flirtation. I replied,</l>

                  <l n="696">I deemed it was my duty to acquaint</l>

                  <l n="697">Her husband; when she begged that I would not,</l>

                  <l n="698">So that at length I yielded. Then came on</l>

                  <l n="699">Some crying fits, which Mr. Grey was led</l>

                  <l n="700">To ascribe to things I chanced to talk about.</l>

                  <l n="701">This and my pledge of silence vexed me much,</l>

                  <l n="702">And so, soon after that, I took my leave.&#8217;</l>

               </lg>

               <lg type="stanza" n="89">

                  <l n="703">&#8220;Anne Gorman: &#8216;I am Mr. Luton's servant.</l>

                  <l n="704">On Tuesday was the sixth I had to go</l>

                  <l n="705">Out on an errand, with the door ajar,</l>

                  <l n="706">When I remembered something I had left</l>

                  <l n="707">Behind. On coming hack, I saw deceased</l>

                  <l n="708">Race through the lobby, and whisk into the room.</l>

                  <l n="709">I had been ordered not to let her in.&#8217;</l>

               </lg>

               <lg type="stanza" n="90">

                  <l n="710">&#8220;The evidence of Dr. Wallinger</l>

                  <l n="711">Ended the case. &#8216;I was called in to see</l>

                  <l n="712">The body of deceased upon the sixth:</l>

                  <l n="713">Life then was quite extinct; the cause of death,</l>

                  <l n="714">Congestion and effusion of the ventricle.</l>

                  <l n="715">Death would be instantaneous. Any strong</l>

                  <l n="716">Emotion might have led to that result.&#8217;</l>

               </lg>

               <lg type="stanza" n="91">

                  <l n="717">&#8220;The Coroner, in course of summing up,</l>

                  <l n="718">Commented on the evidence, and spoke</l>

                  <l n="719">Of deceased's conduct in appropriate terms;</l>

                  <l n="720">Observing that the Jury could decide</l>

                  <l n="721">Upon their verdict from the testimony</l>

                  <l n="722">Of the professional witness&#8212;which was clear,</l>

                  <l n="723">And seemed to him conclusive. He could do</l>

                  <l n="724">No less than note the awful suddenness</l>

                  <l n="725">With which the loss of life had followed such</l>

                  <l n="726">A glaring sacrifice of duty's claims.</l>

               </lg>

               <lg type="stanza" n="92">

                  <l n="727">&#8220;The Jury gave their verdict in at once:</l>

                  <l n="728" part="i">&#8216;Died by the visitation of God.&#8217;</l>

               </lg>

               <cb/>

               <lg type="stanza" n="93">

                  <l n="728" part="f" indent="3">&#8220;We learn</l>

                  <l n="729">On good authority that the deceased</l>

                  <l n="730">Belonged to a distinguished family.</l>

                  <l n="731">Her husband's scientific eminence</l>

                  <l n="732">Is fully and most widely recognized.&#8221;</l>

               </lg>

               <lg type="stanza" n="94">

                  <l n="733">As Harling finished reading this, he rose</l>

                  <l n="734">To call his friend; but, shrinking at the thought,</l>

                  <l n="735">Ho read it all again and lingeringly.</l>

               </lg>

               <lg type="stanza" n="95">

                  <l n="736">But, after that, he called in undertone;</l>

                  <l n="737">And he received the answer, &#8220;Come in here.&#8221;</l>

                  <l n="738" part="i">He entered therefore.</l>

               </lg>

               <lg type="stanza" n="96">

                  <l n="738" part="f" indent="2">Grey was huddled o'er</l>

                  <l n="739">The coffin, looking hard into her face.</l>

                  <l n="740">&#8220;You know it now,&#8221; he said, but did not move.</l>

               </lg>

               <lg type="stanza" n="97">

                  <l n="741">&#8220;We long have been old friends,&#8221; Harling replied.</l>

                  <l n="742">&#8220;Words are of no avail, and worse than none.</l>

                  <l n="743">I need not try to tell you what I feel.&#8221;</l>

               </lg>

               <lg type="stanza" n="98">

                  <l n="744">Grey now stood straight. &#8220;I am to bury her</l>

                  <l n="745">The day after to-morrow: I alone</l>

                  <l n="746">Shall see her covered in beneath the earth.</l>

                  <l n="747">May God be near her in the stead of men,</l>

                  <l n="748">And let her rest. Yet there is with her that</l>

                  <l n="749">Which she shall carry down into the grave;</l>

                  <l n="750">Still in the dark her broken marriage-vow</l>

                  <l n="751">Under her head: they shall remain together.</l>

                  <l n="752">How can I talk like this?&#8221; And he broke off.</l>

               </lg>

               <lg type="stanza" n="99">

                  <l n="753">&#8220;This is a crushing grief indeed, I know,&#8221;</l>

                  <l n="754">Said Harling; &#8220;yet be brave against it. When</l>

                  <l n="755">This few days' work is over, Grey, go home,</l>

                  <l n="756">And mind to be so occupied as must</l>

                  <l n="757">Prevent your dwelling on it. If you choose,</l>

                  <l n="758">I will accompany and stay with you.&#8221;</l>

               </lg>

               <lg type="stanza" n="100">

                  <l n="759">But he replied: &#8220;My home will now be here;&#8221;</l>

                  <l n="760">And all the angles of his visage thinned.</l>

                  <l n="761">&#8220;<hi rend="i">He</hi> is here I mean to ruin. Shall he still</l>

                  <l n="762">Be free to laugh me in his sleeve to scorn,</l>

                  <l n="763">And show me pity&#8212;pity!&#8212;when we meet?</l>

                  <l n="764">I have no means of harming him, you think?</l>

                  <l n="765">There's such a thing, though, as professional fame,&#8212;</l>

                  <l n="766">I have it. Where's the name of Luton known?</l>

                  <l n="767">[Th?]is is my home: I mean to ruin him.&#8221;</l>

               </lg>

               <lg type="stanza" n="101">

                  <l n="768">&#8220;Why, he,&#8221; objected Harling, &#8220;never did</l>



                  <epage/>

                  <page n="459" image="a.ap4.b9.1.459.tif"/>



                  <l n="769">One hair's-breadth wrong to you: his hands are clean</l>

                  <l n="770">Of all offence to you and yours. For shame!</l>

                  <l n="771">It was as blind anguish spoke there&#8212;not yourself.&#8221;</l>

               </lg>

               <lg type="stanza" n="102">

                  <l n="772">&#8220;Ah! you can talk like that! But it is I</l>

                  <l n="773">Who have to feel&#8212;I who can see his house</l>

                  <l n="774">From here, and sometimes watch him out and in,</l>

                  <l n="775">And think she used to be with him inside.</l>

                  <l n="776">And he could bear her coming day by day,</l>

                  <l n="777">And see the sobs collecting in her throat,</l>

                  <l n="778">And tresses out of order, as she fell</l>

                  <l n="779">Before his feet, and made her prayers, and wept!</l>

                  <l n="780">He bore this! What a heart he must have had!</l>

                  <l n="781">Must I be grateful for it? Did he not</l>

                  <l n="782">Admit inopportune eyes were watching him?</l>

                  <l n="783">He was engaged to marry&#8212;yes, and one</l>

                  <l n="784">For whom he's bound to keep himself in check,</l>

                  <l n="785">And crouch beneath her whims and jealousy:</l>

                  <l n="786">Not that I ever saw her, but I'm sure.</l>

                  <l n="787">Besides, he told me she would not be his</l>

                  <l n="788">Unless he gains the standing deemed her due,</l>

                  <l n="789" part="i">And I'll take care of that.&#8221;</l>

               </lg>

               <lg type="stanza" n="103">

                  <l n="789" part="f" indent="2">His friend was loath,</l>

                  <cb/>

                  <l n="790">Seeing the burden of his agony,</l>

                  <l n="791">To harass him with argument and blame;</l>

                  <l n="792">Yet would he not be by to hear him rave,</l>

                  <l n="793" part="i">And said he now must go.</l>

               </lg>

               <lg type="stanza" n="104">

                  <l n="793" part="f" indent="2">&#8220;One moment more,&#8221;</l>

                  <l n="794">Said Grey, and oped the window. Overhead</l>

                  <l n="795">The sky was a black veil drawn close as death;</l>

                  <l n="796">The lamps gave all the light, prolonged in rows:</l>

                  <l n="797">And chill it blew upon them as they gazed,</l>

                  <l n="798">Mixed with thin drops of rain, which might not fall</l>

                  <l n="799">Straight downward, but kept veering in the wind.</l>

                  <l n="800">There was a sounding of the sea from far.</l>

               </lg>

               <lg type="stanza" n="105">

                  <l n="801">Grey pointed. &#8220;That beyond there is the house,</l>

                  <l n="802">Turning the street&#8212;that where a candle burns</l>

                  <l n="803">In the left casement of the upper three.</l>

                  <l n="804">That is, no doubt, his shadow on the blind.</l>

                  <l n="805">Often I get a glimpse of it from here,</l>

                  <l n="806">As when you saw me first this afternoon.</l>

                  <l n="807">Shall he not one day pay me down in full?</l>

                  <l n="808">John, I can wait; but when the moment comes . . .!&#8221;</l>

               </lg>

               <lg type="stanza" n="106">

                  <l n="809">He shut the sash. Harling had seen the night,</l>

                  <l n="810">Equal, unknown, and desolate of stars.</l>

               </lg>



               <p id="a.pn.1">1849.*</p>

               <pagenote target="a.pn.1" anchor="y" place="f" resp="au">

                  <p>* The reader will observe the already remote date at which this poem was written.

              Those were the days when the prĉ-Raphaelite movement in painting was first

              started. I, who was as much mixed up and interested in it as any person not

              practically an artist could well be, entertained the idea that the like principles

              might be carried out in poetry; and that it would be possible, without losing the

              poetical, dramatic, or even tragic tone and impression, to approach nearer to the

              actualities of dialogue and narration than had ever yet been done. With an unpractised

              hand I tried the experiment; and the result is this blank-verse tale, which is now

              published, not indeed without some revision, but without the least alteration in its

              general character and point of view.&#8212;<bibl>

                        <author>W. M. R.</author>

                     </bibl>
                  </p>

               </pagenote>

            </div1>

            <epage/>

            <omit extent="460-904" reason="not by WMR"/>

         </div0>

      </body>

  </text>

</ram>