The Dark Blue British and Colonial 1 1871-1873
<artist/> <location/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p> <bibl> <title rend="i" level="per">The Dark Blue. London: [Sampson Low, Son, and Martson 1871], [British and Colonial Publishing 1871-1873].

<hi rend="i">The Dark Blue</hi> was a briefly brilliant journalistic venture of Oxford undergraduate John Christian Freund, who attracted an astounding list of contributors to the early volumes. Freund founded the magazine in 1871, and published essays, tales, poems, and illustrations by names such as William Morris, W.S. Gilbert, Andrew Lang, Thomas Hughes, A.C. Swinburne, Edward Dowden, Ford Madox Brown, Dante Gabriel and William Michael Rossetti, Simeon Solomon, and Sydney Colvin. Despite, or rather because of, the extravagant substance of <hi rend="i">The Dark Blue</hi> , it folded in 1873, with Freund fleeing to America to escape his creditors.

No purpose or perspective seems to unify <hi rend="i">The Dark Blue</hi> , other than Freund's desire to make a splash with a literary journal that would endear itself to a large readership. With little economic consideration, he overspent on publication costs, choosing the prominent publishing firm of Sampson Low to produce an illustrated monthly, and paying (or promising) large fees to his famous contributors. The one shilling per-issue price couldn't begin to balance the books, and by the end of 1871, <hi rend="i">The Dark Blue</hi> was already in arrears and in decline.

<hi rend="i">The Dark Blue</hi> remains an important artifact in the history of the Pre-Raphaelite movement, because of the various contributions it published. Ford Madox Brown provided two drawings for DGR's poem, “ <xref doc="a.ap4.d2.2.rad" workcode="31-1871">Down Stream</xref> ”, Simeon Solomon illustrated Swinburne's “ <xref doc="a.darkblue.001.rad" link="dead">The End of a Month</xref> ” and Swinburne returned the favor with an essay in praise of Solomon, Morris published <hi rend="i"> <xref doc="a.darkblue.002.rad" link="dead">The Story of Frithiof the Bold</xref> </hi> , and other poets associated with the P.R.B., such as Arthur O'Shaughnessy, Theophilus Merzials, and George A. Simcox, also contributed poetry to <hi rend="i">The Dark Blue</hi> .

Textual History: Composition

Textual History: Revision

Production History

Reception

Iconographic

Printing History

Pictorial

Historical

Literary

Translation

Autobiographical

Bibliographic

Houghton, Walter, ed. “ <title level="per"> <hi rend="i">The Dark Blue</hi> ”. <hi rend="i"> <xref doc="a.houghton001.rad" link="dead">The Wellesley Index to Victorian Periodicals, 1824-1900</xref> </hi> . Vol. 4. Toronto: Univ. of Toronto Press, 1966. pp. 178-183.

The Dark Blue, Volume 2 1871 September - 1872 February 0