<?xml version="1.0" encoding="iso-8859-1"?>
<ram xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
     xsi:noNamespaceSchemaLocation="sftp://pcf4r:SIct2asd@jefferson.village.virginia.edu/home10/rossetti_work/ROSSETTI/SOURCE/ram.xsd"
     archivetype="rad"
     type="serial"
     image="a.ap4.o93.1.can1r.jpg"
     id="a.ap4.o93.1.January.cancel"
     metatype="web.serial"
     subset="1"
     workcode="ap4.o93">
    
    <ramheader>
        <filedesc>
            <titlestmt>
                <title>The Oxford and Cambridge Magazine (January Issue, cancel leaves)</title>
                <author>Bell and Daldy (publisher)</author>
                <guestEditor>PC Fleming</guestEditor>
                
                
            </titlestmt>
            <editionstmt>
                <edition>1</edition>
                <copyright/>
            </editionstmt>
            <extent/>
            
            
            <notesstmt/>
            <sourcedesc>
                <citnstruct>
                    <title>The Oxford and Cambridge Magazine</title>
                    <author/>
                    <imprint>
                        <publisher>Bell and Daldy</publisher>
                        <printer>Chiswick Press</printer>
                        <city>London</city>
                        <date compdate="1856-01">January 1856</date>
                        <edition>1</edition>
                        <pagination>62-64</pagination>
                        <issue>1</issue>
                        <authorization/>
                        <collation/>
                        <note/>
                    </imprint>
                    <scribe/>
                    <corrector/>
                    <provenance>
                        <location/>
                        <recnum/>
                        <note>Transcribed from a facsimile edition at Alderman Library at the
                            University of Virginia.</note>
                    </provenance>
                    <physicaldesc>
                        <binding>
                            <cover/>
                            <endpapers/>
                        </binding>
                        <typography>
                            <typeface>
                                <point>6</point>
                                <font>caslon</font>
                            </typeface>
                            <pagelines>
                                <number>52</number>
                                <length/>
                            </pagelines>
                            <columns>2</columns>
                            <margin type="top">1.4 cm</margin>
                            <margin type="bottom">2.1 cm</margin>
                            <margin type="right">1.9 cm</margin>
                            <margin type="left">1.7 cm</margin>
                        </typography>
                        <paper/>
                        <watermark/>
                        <size>21.7x14cm</size>
                        <note/>
                    </physicaldesc>
                </citnstruct>
            </sourcedesc>
        </filedesc>
        <encodingdesc/>
        <profiledesc>
            <commentaries>
                <head>Commentary</head>
                <section type="intro">
                    <head>Introduction</head>
                    <p>The <xref doc="a.ap4.o93.1.January.rad">January issue</xref> of <hi rend="i">
                            <xref doc="a.ap4.o93.raw">
                                <title level="per">The Oxford and Cambridge Magazine</title>
                            </xref>
                        </hi> exists in at least two states. In the corrected state, transcribed
                        with the <xref doc="a.ap4.o93.1.January.rad">full issue</xref>, Wilfred
                        Heeley's <xref doc="a.Heeley002.raw">essay on Kingsley</xref> takes up the
                        entire of page 62, and Morris's poem <xref doc="a.Morris002.raw">"Winter
                            Weather"</xref> begins on page 63. In this earlier, misprinted state,
                        several lines of Heeley's essay are omitted, and Morris's poem begins on
                        page 62. The change affects the subsequent pages as well, although there is
                        enough white space on page 64 to accomodate the extra text without changing
                        the pagination. </p>
                    <p>The cover of the January issue, which contains the table of
                        contents, also exists in two states, one showing "Winter Weather" beginning
                        on page 62, the other showing the poem beginning on page 63. In all copies
                        examined, the table of contents on the cover is consistent with the
                        pagination. The <xref doc="a.ap4.o93.1.December.rad" from="770c">global
                        table of contents</xref>, printed in the December issue, shows "Winter
                        Weather" beginning on page 63.</p>
                     <p>In the corrected state, Heeley's initials appear at the bottom of his essay,
                        making it one of only two signed submissions to the Magazine. The other is
                        Georgiana Macdonald's poem, <xref doc="a.ap4.o93.1.December.rad" from="775">"<title level="wrk">The Porch of Life</title>"</xref>, in the December issue.</p>
                    <p>Buxton Forman, who published the most complete bibliographic description of
                        the Magazine, makes no notice of this variant, though he does mention one of the <xref doc="a.ap4.o93.1.August.cancel.rad">two cancel leaves</xref> in the
                        August issue. His copy of the Magazine, at the Huntington Library, is the
                        uncorrected state, with "Winter Weather" beginning on page 62.</p>
                    <p>Thanks to Mark Lasner at Delaware and Alan Jutzi at the Huntington for their help checking different copies of these pages.</p> 
                </section>
                <section type="texthistcomp">
                    <head>Textual History: Composition</head>
                    <p/>
                </section>
                <section type="texthistrev">
                    <head>Textual History: Revision</head>
                    <p/>
                </section>
                <section type="printhist">
                    <head>Printing History</head>
                    <p/>
                </section>
                <section type="pictorial">
                    <head>Pictorial</head>
                    <p/>
                </section>
                <section type="historical">
                    <head>Historical</head>
                    <p/>
                </section>
                <section type="literary">
                    <head>Literary</head>
                    <p/>
                </section>
                <section type="translation">
                    <head>Translation</head>
                    <p/>
                </section>
                <section type="autobio">
                    <head>Autobiographical</head>
                    <p/>
                </section>
                <section type="biblio">
                    <head>Bibliographic</head>
                    <p>
                        <bibl>
                     <author>Forman, H. Buxton</author>. <title level="bk">
                                <hi rend="i">The Books of William Morris.</hi>
                            </title>
                  </bibl>
                    </p>
                </section>
            </commentaries>
        </profiledesc>
        <revisiondesc/>
    </ramheader>
    <text>
        <body>
            <div0 anchor="0.1" type="section" n="1">
                <div1 anchor="0.1.1" type="essay" n="1" title="Kingsley's Sermons for the Times"
                  workcode="Heeley002">
                    <page n="62" image="a.ap4.o93.1.062canc.tif"/>
                    <p>puts in. We may see the wisdom of the Catechism, too, in the order of its
                        teaching; in that it &#8220;tells him of the love, before it tells him
                        of the wrath; of the order, before it tells him of the disorder; of the
                        right, before the wrong; of the health, before the disease; of the freedom,
                        before the bondage; of the truth, before the lies; of the light, before the
                        darkness; in one word, it tells him first of the eternal and good God, who
                        was, and is, and shall be to all eternity, before and above the evil
                        devil.&#8221;&#8212;P. 44.</p>
                    <p>This is the chief lesson to be learnt from these ten sermons; but both in
                        these, and in the other twelve, many equally important principles are dwelt
                        upon, which every reader of Mr. Kingsley, and of his guide and friend, Mr.
                        Maurice, is familiar with. That the relations between man and man, between
                        <cb/> father and child, between husband and wife, between Englishman and
                        England, are sacred, not merely as typical of the highest truths, but as the
                        actual embodiment and copy of those truths; that selfishness and
                        self-wrought isolation are the very root and ground of sin, and of all
                            <phrase id="A.PN62.1">violation of God&#8217;s order;*</phrase>
                        that heaven consists in doing God&#8217;s will, and hell in doing
                        one&#8217;s own selfish will; that there is a Light which lighteth
                        every man that is born into the world, and inspires every man with whatever
                        thought of good he has thought, whatever deed of good he has done; that God
                        is as surely present in the history of nations now, as he ever was in the
                        history of the Jews; that the repeated defeats of Russia, and the sad story
                        of our own Crimean mismanagement, are surely punishments for
                        sins,&#8212;for those sins of which they are the natural and necessary
                        results, according to the laws by which God governs His
                        universe;&#8212;all these truths we may learn from this book, and may
                        be very thankful that there are men who are never weary of teaching them.</p>
                    <pagenote place="f" anchor="y" resp="au" target="A.PN62.1">
                        <p> *The great lesson of that much misunderstood Poem,&#8220;<bibl>
                                <title level="wrk">
                                    <xref doc="a.Tennyson.maud" link="dead">Maud.</xref>
                                </title>
                            </bibl>&#8221; </p>
                    </pagenote>
                </div1>
                <div1 anchor="0.1.2" n="2" type="poem" title="Winter Weather" workcode="Morris002">
                    <divheader>
                        <title id="a.Morris002">
                            <hi rend="center">
                                <hi rend="c">WINTER WEATHER.</hi>
                            </hi>
                        </title>
                    </divheader>
                    <pageheader>
                        <ornament>Initial W is ornamental.</ornament>
                        <note>Though the rest of the periodical is printed in two columns, poems are
                            printed in a single column, centered.</note>
                    </pageheader>
                    <lg n="1" type="sextet">
                        <l n="1">
                     <hi rend="sc">We</hi> rode together</l>
                        <l n="2">In the winter weather</l>
                        <l n="3" indent="1">To the broad mead under the hill;</l>
                        <l n="4">Though the skies did shiver</l>
                        <l n="5">With the cold, the river</l>
                        <l n="6" indent="1">Ran, and was never still.</l>
                    </lg>
                    <lg n="2" type="sextet">
                        <l n="7">No cloud did darken</l>
                        <l n="8">The night; we did hearken</l>
                        <l n="9" indent="1">The hound&#8217;s bark far away.</l>
                        <l n="10"> It was solemn midnight</l>
                        <l n="11">In that dread, dread night,</l>
                        <l n="12" indent="1">In the years that have pass&#8217;d for aye.</l>
                    </lg>
                    <lg n="3" type="sextet">
                        <l n="13">Two rode beside me,</l>
                        <l n="14">My banner did hide me,</l>
                        <l n="15" indent="1">As it droop&#8217;d adown from my lance;</l>
                        <l n="16">With its deep blue trapping, </l>
                        <l n="17">The mail over-lapping,</l>
                        <l n="18" indent="1">My gallant horse did prance.</l>
                    </lg>
                    <epage/>
                    <page n="63" image="a.ap4.o93.1.062canc.tif"/>
                    <lg n="4" type="sextet">
                        <l n="19">So ever together</l>
                        <l n="20">In the sparkling weather</l>
                        <l n="21" indent="1">Moved my banner and lance;</l>
                        <l n="22">And its laurel trapping,</l>
                        <l n="23">The steel over-lapping,</l>
                        <l n="24" indent="1">The stars saw quiver and dance.</l>
                    </lg>
                    <lg n="5" type="sextet">
                        <l n="25">We met together</l>
                        <l n="26">In the winter weather</l>
                        <l n="27" indent="1">By the town-walls under the hill;</l>
                        <l n="28">His mail-rings came clinking,</l>
                        <l n="29">They broke on my thinking,</l>
                        <l n="30" indent="1">For the night was hush&#8217;d and still.</l>
                    </lg>
                    <lg n="6" type="sextet">
                        <l n="31">Two rode beside him,</l>
                        <l n="32"> His banner did hide him,</l>
                        <l n="33" indent="1">As it droop&#8217;d down strait from his lance;</l>
                        <l n="34">With its blood-red trapping,</l>
                        <l n="35">The mail over-lapping,</l>
                        <l n="36" indent="1">His mighty horse did prance.</l>
                    </lg>
                    <lg n="7" type="sextet">
                        <l n="37">And ever together</l>
                        <l n="38">In the solemn weather</l>
                        <l n="39" indent="1">Moved his banner and lance;</l>
                        <l n="40">And the holly trapping, </l>
                        <l n="41">The steel overlapping,</l>
                        <l n="42" indent="1">Did shimmer and shiver, and dance.</l>
                    </lg>
                    <lg n="8" type="sextet">
                        <l n="43">Back reined the squires</l>
                        <l n="44">Till they saw the spires</l>
                        <l n="45" indent="1">Over the city wall;</l>
                        <l n="46">Ten fathoms between us,</l>
                        <l n="47">No dames could have seen us,</l>
                        <l n="48" indent="1">Tilt from the city wall.</l>
                    </lg>
                    <lg n="9" type="sextet">
                        <l n="49">There we sat upright</l>
                        <l n="50">Till the full midnight</l>
                        <l n="51" indent="1">Should be told from the city chimes:</l>
                        <l n="52">Sharp from the towers</l>
                        <l n="53"> Leapt forth the showers</l>
                        <l n="54" indent="1">Of the many clanging rhymes.</l>
                    </lg>
                    <lg n="10" type="sextet">
                        <l n="55">&#8217;Twas the midnight hour,</l>
                        <l n="56">Deep from the tower</l>
                        <l n="57" indent="1">Boom&#8217;d the following bell;</l>
                        <l n="58">Down go our lances,</l>
                        <l n="59">Shout for the lances!</l>
                        <l n="60" indent="1">The last toll was his knell.</l>
                    </lg>
                    <lg n="11" type="sextet">
                        <l n="61"> There he lay, dying;</l>
                        <l n="62">He had, for his lying,</l>
                        <l n="63" indent="1">A spear in his traitorous mouth;</l>
                        <l n="64">A false tale made he</l>
                        <l n="65">Of my true, true lady;</l>
                        <l n="66" indent="1"> But the spear went through his mouth.</l>
                    </lg>
                    <epage/>
                    <page n="64" image="a.ap4.o93.1.064canc.tif"/>
                    <lg n="12" type="sextet">
                        <l n="67"> In the winter weather</l>
                        <l n="68">We rode back together</l>
                        <l n="69" indent="1">From the broad mead under the hill;</l>
                        <l n="70">And the cock sung his warning</l>
                        <l n="71"> As it grew toward morning,</l>
                        <l n="72" indent="1">But the far-off hound was still.</l>
                    </lg>
                    <lg n="13" type="sextet">
                        <l n="73">Black grew his tower</l>
                        <l n="74">As we rode down lower,</l>
                        <l n="75" indent="1">Black from the barren hill; </l>
                        <l n="76"> And our horses strode</l>
                        <l n="77">Up the winding road</l>
                        <l n="78" indent="1">To the gateway dim and still.</l>
                    </lg>
                    <lg n="14" type="sextet">
                        <l n="79">At the gate of his tower,</l>
                        <l n="80"> In the quiet hour,</l>
                        <l n="81" indent="1">We laid his body there;</l>
                        <l n="82"> But his helmet broken, </l>
                        <l n="83">We took as a token;</l>
                        <l n="84" indent="1">Shout for my lady fair!</l>
                    </lg>
                    <lg n="15" type="sextet">
                        <l n="85">We rode back together</l>
                        <l n="86">In the winter weather</l>
                        <l n="87">From the broad mead under the hill; </l>
                        <l n="88"> No cloud did darken</l>
                        <l n="89">The night; we did hearken</l>
                        <l n="90" indent="1">How the hound bay&#8217;d from the hill.</l>
                    </lg>
                    <epage/>
                </div1>
            </div0>
        </body>
    </text>
</ram>