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         <titlestmt>
            <title>Two Ladies with Fans</title>
            <title>Preliminary Study for The Salutation of Beatrice</title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>©Robin Alston</copyright>
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         <notesstmt> </notesstmt>
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               <title>Two ladies with Fans</title>
               <artist>DGR</artist>
               <note/>
               <imageprod>
                  <date compdate="1848">1848 (circa)</date>
                  <exhibition/>
                  <copy/>
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                     <date/>
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                  <note/>
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               <provenance>
                  <location/>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist/>
               </provenance>
               <physicaldesc>
                  <medium>pencil and gouache on heavy-duty, yellow-gray card stock</medium>
                  <technique/>
                  <dimensions>18.7 x 17.2 cm</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature/>
                     <date/>
                     <assign/>
                     <other/>
                     <note>On the reverse of this sheet is a <xref doc="a.sa172.rap">drawing</xref> of a fifteenth or sixteenth-century lamp, complete with a description by DGR. There is also a note by WMR, which identifies the writing and the date of the image: &#8220;<quote>Gabriel's handwriting c/48</quote>.&#8221;</note>
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                     <name/>
                     <desc/>
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                  <note/>
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                        <xref doc="a." from="" to=""/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This work may be a preliminary study for <xref doc="a.s116.raw">
                     <title level="wrk">The Salutation of Beatrice</title>
                  </xref>, painted in 1859. The composition most closely resembles the left-hand compartment of the finished <xref doc="a.s116a.rap">pen and ink drawing</xref>, dated earlier in the decade.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p> </p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p> </p>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p> </p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p> </p>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p> </p>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p> </p>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p> </p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p> 
                  <bibl>
                     <author>Fredeman</author>,  <xref doc="a.nc257.r622.a4.rad" from="2">
                        <title level="wrk">
                           <hi rend="i">A Rossetti Cabinet</hi>
                        </title>
                     </xref>, <pages>2 <xref doc="a.nc257.r622.a4.rad" workcode="s116">(plate 1)</xref>
                     </pages>.<city/>
                     <date/>
                  </bibl>

                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="s116">
                        <title>
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>70 (no. 116)</pages>.</bibl>
                </p>
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