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         <titlestmt>
            <title>The Subject in Art. II. </title>
            <author>John Lucas Tupper</author>

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         <editionstmt>
            <edition>1</edition>
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         <notesstmt/>
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      <profiledesc>
         <date>1849</date>
         <classification>
            <scheme type="">
               <keyword/>
               <keyword/>
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         <subject/>
         <form>
            <rhyme/>
            <meter/>
            <genre>prose essay</genre>
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         <addressee/>
         <model>
            <name/>
            <note/>
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         <repainting>
            <date/>
            <desc/>
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                  <note/>
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                  <bibl/>
                  <note/>
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               <citnpictorial>
                  <title/>
                  <artist/>
                  <location/>
                  <bibl/>
                  <note/>
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                  <culture/>
                  <bibl/>
                  <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This is the second part of Tupper's essay; the first part
appeared in <title level="per">
                     <hi rend="i">The Germ</hi>
                  </title> no. 1. In this section of
the essay Tupper concentrates &#8220;<quote>the modern life subject</quote>&#8221;,
which, he argues, is quite as &#8220;<quote>poetical</quote>&#8221; as any subject
drawn from literature or history.</p>
               <p>As in the first part of the essay, this part proceeds as a
set of deductions from two first principles: that Fine Art
&#8220;<quote>should regard the general happiness of man</quote>&#8221; as its
object; and that the purpose of such art is &#8220;<quote>mental
excitement</quote>&#8221; (119).</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p>First printed in <xref doc="a.ap4.g415.1.3.rad" workcode="jtupper003" from="117">
                     <title level="per">
                        <hi rend="i">The 
Germ</hi>
                     </title>
                  </xref> no. 3, pages 117-125.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a." workcode="jtupper003" from="" to="">
                        <author>Coombs, James</author>, ed.</xref>
                     <title level="wrk">
                        <hi rend="i">A Pre-Raphaelite Friendship: The Correspondence of
William Holman Hunt and John Lucas Tupper</hi>
                     </title> (<city>Ann Arbor, MI</city>:
<publisher>UMI Research Press</publisher>, <date>1986</date>).</bibl>
               </p>
            </section>
         </commentaries>
         <paranotes>
            <basis>
               <xref doc="a.ap4.g415.1.3.rad" workcode="jtupper003" from="118" to="125">
                  <hi rend="i">Germ</hi> text</xref>
            </basis>
            <paras n="12">
               <gloss>St. Agatha: legendary martyr (fl. 3rd century AD) who
was tortured and killed because she spurned the lewd advances of the
Roman consul Quintinianus; Aristides: (fl. 5th century BC), Athenian
statesman and general and founder of the Delian League, which
developed into the Athenian Empire; Regulus: (fl. 3rd century BC), Roman
general and statesman whose career, greatly embellished
by legend, was seen by the Romans as a model of heroic endurance; 
Nero, Appius: bywords of degeneracy; As formerly...pensions:
unidentified.</gloss>
            </paras>
            <paras n="13">
               <gloss>Alfred's...Saxon: incidents recorded in 
William of Malmesbury's <title level="wrk">
                     <hi rend="i">Gesta Regum
Anglorum</hi>
                  </title>,
Book II chapters 4 and 6; The great
Emathian...: Milton, <title level="wrk">&#8220;Sonnet VIII&#8221;</title>.</gloss>
            </paras>
         </paranotes>
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      <xref doc="a.ap4.g415.1.3.rad" workcode="jtupper003" from="118" to="125">
         <hi rend="i">Germ</hi> text</xref>
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         <title>The Germ (British Library Copy, third issue)</title>
         <author/>
         <artist/>
         <editor>William Michael Rossetti</editor>
         <date>1850 March 31</date>
         <medium/>
         <repro>0</repro>
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         <title>The Germ (1901 Facsimile Reprint, issue 3)</title>
         <author/>
         <artist/>
         <editor>William Michael Rossetti</editor>
         <date>1901</date>
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         <repro>0</repro>
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