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    <ramheader>
        <filedesc>
            <titlestmt>
                <title>Notebook Pages (Note Book IV, Duke Library)</title>
                <author>Dante Gabriel Rossetti</author>
                
                
            </titlestmt>
            <editionstmt>
                <edition>1</edition>
                <copyright>Digital images used with permission of the Duke University Rare Book,
                    Manuscript, and Special Collections Library.</copyright>
            </editionstmt>
            <extent/>
            
            
            <notesstmt/>
            <sourcedesc>
                <citnstruct>
                    <title/>
                    <author>Dante Gabriel Rossetti</author>
                    <msprod>
                        <date compdate="1871 1880">1871, 1880</date>
                        <type/>
                        <assign/>
                        <collation>89 pages plus one half sheet (page [85a]) cut from the page that
                            followed received page [84].</collation>
                        <note>Each page is numbered in square brackets in the upper right or left
                            corner by WMR. Page stubs indicate that eleven leaves were cut away from
                            the notebook after page [72]</note>
                    </msprod>
                    <scribe>DGR</scribe>
                    <corrector>DGR</corrector>
                    <provenance>
                        <location>Duke University Library</location>
                        <recnum>Writings: XXVIII. Note Book IV</recnum>
                        <note/>
                    </provenance>
                    <physicaldesc>
                        <binding>
                            <cover>Dark blue morocco</cover>
                            <endpapers/>
                            <note>slip pasted inside front cover indicating the notebook was sold by
                                Partridge and Cooper</note>
                        </binding>
                        <paper>lined white</paper>
                        <watermark>COUPER 1869</watermark>
                        <size>8 9/16 x 7 in</size>
                        <note/>
                    </physicaldesc>
                </citnstruct>
            </sourcedesc>
        </filedesc>
        <encodingdesc/>
        <profiledesc>
            <commentaries>
                <head>Commentary</head>
                <section type="intro">
                    <head>Introduction</head>
                    <p>All of the pages gathered here under the heading &#8220;Note Book
                        IV&#8221; are in fact from the same original notebook, and some of the
                        pages are still bound together (pages [3]-[18]). From several indications,
                        especially the red &#8220;X&#8221; marks that appear from time to
                        time in the first 52 pages and from the fragment of the text of
                        &#8220;The White Ship&#8221; (page [56]), it is clear that DGR
                        used the notebook around 1880. But as WMR's note on page [6] suggests, the
                        notebook was originally used around 1871.</p>
                </section>
                <section type="texthistcomp">
                    <head>Textual History: Composition</head>
                    <p/>
                </section>
                <section type="texthistrev">
                    <head>Textual History: Revision</head>
                    <p/>
                </section>
                <section type="prodhist">
                    <head>Production History</head>
                    <p/>
                </section>
                <section type="recepthist">
                    <head>Reception History</head>
                    <p/>
                </section>
                <section type="icon">
                    <head>Iconographic</head>
                    <p/>
                </section>
                <section type="printhist">
                    <head>Printing History</head>
                    <p>This notebook saw first publication in Baum's <title level="bk">
                            <hi rend="i">Rossetti Manuscripts: Unpublished Verse and Prose</hi>
                        </title> (1931). This new edition corrects the omissions found in Baum's transcription.</p>
                </section>
                <section type="pictorial">
                    <head>Pictorial</head>
                    <p/>
                </section>
                <section type="historical">
                    <head>Historical</head>
                    <p/>
                </section>
                <section type="literary">
                    <head>Literary</head>
                    <p/>
                </section>
                <section type="translation">
                    <head>Translation</head>
                    <p/>
                </section>
                <section type="autobio">
                    <head>Autobiographical</head>
                    <p/>
                </section>
                <section type="biblio">
                    <head>Bibliographic</head>
                    <p>
                        <bibl>
                            <author>Baum, ed.</author>, <xref doc="a.z6616.r82d.rad" link="dead">
                                <title level="bk">
                                    <hi rend="i">Manuscripts in the Duke University Library</hi>
                                </title>
                            </xref>, <pages>41-49, 78-117</pages>.</bibl>
                    </p>
                </section>
            </commentaries>
        </profiledesc>
        <revisiondesc/>
    </ramheader>
    <text>
        <front>
            <div0 anchor="front.1" type="cover sheet" n="1">
                <page n="[0]" image="a."/>
                <p>Rossetti, Dante Gabriel<lb/>Writings: XXVIII. Note Book IV</p>
                <epage/>
            </div0>
            <div0 anchor="front.2" type="cover sheet" n="2">
                <page n="[00]" image="a.nb0005.duke.0.tif"/>
                <omit extent="page with engraving" reason="to be added later"/>
                <epage/>
            </div0>
            <div0 anchor="front.3" type="cover sheet" n="3">
                <page n="[000r]" image="a."/>
                <pageheader>
                    <note>This is the marbeled recto of the stiff page that comes at the beginning
                        and end of the regular notebook pages in DGR's typical notebooks. The verso
                        of this leaf has some interesting notes by DGR on his prescription and
                        dosage for chloral plus some gloss notes by WMR.</note>
                </pageheader>
                <epage/>
                <page n="[000v]" image="a.nb0005.duke.0r.tif"/>
                <pageheader>
                    <size>
                        <actual/>
                        <original/>
                    </size>
                    <paper>
                        <lineation/>
                        <stock/>
                    </paper>
                    <watermark/>
                    <condition/>
                </pageheader>
                <msadds type="other">
                    <trans>WMRossetti from Gabriel's books 1882.</trans>
                    <desc>WMR's note at bottom of the page</desc>
                </msadds>
                <div1 anchor="front.3.1" type="memoranda" n="1" title="[Chloral Prescription]">
                    <p>5 (List of Contents on p. 4)<lb/>Rx Chloral Hydrastis 3ii<lb/>Syrupi Aurantic
                        3i<lb/>Aquae vit 3vi<lb/>a sixth part at bedtime<lb/>every night</p>
                    <p>A mixture of<lb/>Ferris's Solution of Chloral<lb/>in 20 grain doses<lb/>De
                        Castro &#8212; corner of Wilton St<lb/>2 antib. p<hi rend="sup">5</hi>
                        at night. [?] next m<hi rend="sup">g</hi>.</p>
                </div1>
                <epage/>
            </div0>
        </front>
        <body>
            <div0 anchor="0.1" type="notebook" n="1">
                <page n="[1]" image="a."/>
                <pageheader>
                    <note>blank page</note>
                </pageheader>
                <epage/>
                <page n="[2]" image="a.nb0005.duke.2.tif"/>
                <pageheader>
                    <note>DGR's list of poetical words is in three columns, with the first and last
                        words in the first column added later and separated away from the main
                        column. This is on the verso of the stiff page that comes at the head of
                        DGR's typical notebooks.</note>
                </pageheader>
                <msadds type="other">
                    <trans>No. 1</trans>
                    <desc>WMR's numeration of the work.</desc>
                </msadds>
                <msadds type="other">
                    <trans>[These are obviously notes for the <del>recurring</del> rhyme words in
                        the 5th line of each stanza]</trans>
                    <desc>WMR's note for DGR's list of rhymes for his projected poem <xref doc="a.1-1858.raw">
                            <title level="wrk">&#8220;God's Graal&#8221;</title>
                        </xref>.</desc>
                </msadds>
                <div1 anchor="0.1.1" type="poem notes" n="1" title="God's Graal" workcode="1-1858">
                    <divheader>
                        <title level="wrk"/>
                    </divheader>
                    <p>Brood<lb/>&#8212;Widowhood<lb/>&#8212;Likelihood<lb/>Livelihood<lb/>&#8212;Lustihood<lb/>&#8212;Brotherhood<lb/>&#8212;Sisterhood<lb/>&#8212;Neighborhood<lb/>&#8212;Hardihood<lb/>&#8212;Knighthood<lb/>&#8212;Lordlihood<lb/>&#8212;Underwood<lb/>
                        <lb/>
                        <del>With</del> Unwithstood</p>
                    <p>&#8212;Interlude<lb/>&#8212;Quietude<lb/>&#8212;Disquietude<lb/>Desuetude<lb/>Mansuetude<lb/>Consuetude<lb/>Habitude<lb/>&#8212;Solicitude<lb/>Longitude<lb/>&#8212;Similitude<lb/>&#8212;Solitude<lb/>Amplitude<lb/>&#8212;Plenitude<lb/>&#8212;Magnitude<lb/>&#8212;Infinitude<lb/>Finitude<lb/>&#8212;Decrepitude<lb/>Torpitude<lb/>Turpitude<lb/>&#8212;Lassitude<lb/>Necessitude<lb/>&#8212;Vicissitude<lb/>&#8212;Beatitude<lb/>Latitude<lb/>&#8212;Gratitude<lb/>&#8212;Ingratitude<lb/>&#8212;Rectitude<lb/>&#8212;Altitude<lb/>&#8212;Multitude</p>
                    <p>&#8212;Aptitude<lb/>Inaptitude<lb/>Promptitude<lb/>&#8212;Certitude<lb/>Incertitude<lb/>&#8212;Fortitude<lb/>&#8212;Altitude<lb/>&#8212;Servitude</p>
                </div1>
                <epage/>
                <page n="[3]" image="a.nb0005.duke.3.tif"/>
                <msadds type="other">
                    <trans>No. 2</trans>
                    <desc>WMR's numeration of the work.</desc>
                </msadds>
                <msadds type="other">
                    <trans>1</trans>
                    <desc>DGR's numeration of the page in upper right corner.</desc>
                </msadds>
                <div1 anchor="0.1.2" type="poem notes" n="2" title="God's Graal" workcode="1-1858"
                  id="a.1-1858.dukems">
                    <divheader>
                        <title level="wrk">Notes for &#8220;God's Graal.&#8221;</title>
                        <note>These poem notes are written on successive rectos through page [49].
                            The versos have occasional other material.</note>
                    </divheader>
                    <p>1 Guenevere daughter of King Leodegrance<lb/>of Cameliard.</p>
                    <p>2 Merlin warned King Arthur before his<lb/>marriage <del>that Guenevere</del>
                        <add>Lancelot</add> should love her<lb/> &amp; she him again.</p>
                    <p>3 Leodegrance gave as her dowry the table<lb/>round the which Uther Pendragon
                        gave<lb/>him; and when it is full complete,<lb/>there is an hundred knights
                        &amp; fifty. He<lb/>gave an hundred knights with it, but<lb/>fifty
                        had been slain in his days.</p>
                    <p>4 They rode freshly with great royalty,<lb/>what by water &amp; what
                        by land, till<lb/>they came that night to London. </p>
                    <p>5 Gawaine &amp; Tor were knighted at<lb/>King Arthur's wedding.</p>
                    <p>6 Lancelot son of King Ban of Benwicke<lb/>&amp; Queen Elein. His
                        first name was<lb/>Galahad &amp; he was confirmed Lancelot</p>
                    <p>7 Merlin lies beneath a stone<lb/>For all the craft that he hath done.</p>
                    <epage/>
                    <page n="[4]" image="a.nb0005.duke.5.tif"/>
                    <msadds type="other">
                        <trans>2</trans>
                        <desc>DGR's numeration of the page in upper left corner.</desc>
                    </msadds>
                    <div2 anchor="0.1.2.1" type="fragment" n="1" title="God's Graal" workcode="1-1858">
                        <lg n="1" type="stanza">
                            <l n="1" indent="1">The ark of the Lord of Hosts </l>
                            <l n="2">Whose name is called by the name of Him </l>
                            <l n="3">That dwelleth between the Cherubim.</l>
                        </lg>
                        <lg n="2" type="couplet">
                            <l n="4">O Thou that in no house dost dwell, </l>
                            <l n="5">But walk'st in tent &amp; tabernacle.</l>
                        </lg>
                    </div2>
                    <epage/>
                    <page n="[5]" image="a.nb0005.duke.5.tif"/>
                    <msadds type="other">
                        <trans>3</trans>
                        <desc>DGR's numeration of the page in upper right corner.</desc>
                    </msadds>
                    <p>8. Bagdemagus found &#8220;a branch of an<lb/>holy herb that was the
                        sign of the<lb/>Sancgreall; and no knight found<lb/>such tokens but he were
                        a good liver.&#8221;</p>
                    <p>9 Morgan le Fay wife of King Urience</p>
                    <p>10 Queen Guenevere held him in great<lb/>favour above all other knights,
                        and<lb/>certainly he loved the queene again above<lb/>all other knights
                        &amp; damozels all the days<lb/>of his life, and for her he did
                        many<lb/>great deeds of arms, &amp; saved her from<lb/>the fire
                        through his noble chivalry.</p>
                    <p>11 A hermit came &amp; saw the siege perilous,<lb/>and asked why that
                        siege was void,<lb/>and was answered, &#8220;There shall never<lb/>none
                        sit in that siege but one, but if<lb/>he be destroyed.&#8221; And the
                        hermit said,<lb/>&#8220;This same year he shall be gotten<lb/>that
                        shall sit in that siege perilous,<lb/>and he shall win the Sancgreall.&#8221;</p>
                    <epage/>
                    <page n="[6]" image="a.nb0005.duke.7.tif"/>
                    <pageheader>
                        <note/>
                    </pageheader>
                    <msadds type="other">
                        <trans>4</trans>
                        <desc>DGR's numeration of the page in upper left corner.</desc>
                    </msadds>
                    <msadds type="other">
                        <trans>Date mainly towards 1871 perhaps</trans>
                        <desc>WMR's note on these notebook contents laid out by DGR.</desc>
                    </msadds>
                    <div2 anchor="0.1.2.2" type="bibliographic notes" n="1"
                     title="[WMR Notes on Contents of Notebook]"
                     workcode="memo">
                        <p>1 Notes for God's Graal &amp; stanzas</p>
                        <p>2 My Lady</p>
                        <p>3 White Ship&#8212;fragments</p>
                        <p>4 Ochard Pit&#8212;narrative &amp; fragment</p>
                        <p>5 Tale of Palimpsest</p>
                        <p>6 Chimes&#8212;fragment</p>
                        <p>7 Last Love</p>
                        <p>8 Possession </p>
                        <p>9 <del>w</del> Rose Mary&#8212;fragments &amp; narrative</p>
                        <p>10 Doom of Sirens&#8212;narrative </p>
                        <p>11 The Cup of Water&#8212; d<hi rend="sup">o</hi>
                        </p>
                        <p>&amp; some scraps</p>
                    </div2>
                    <epage/>
                    <page n="[7]" image="a.nb0005.duke.7.tif"/>
                    <p>12. Sir Pelles, King of the foreign country<lb/>&amp; nigh cousin to
                        Joseph of Arimathy.<lb/>His castle the castle of Carbonek. </p>
                    <p>13 Anon there came in a dove at a window,<lb/>and in her bill a little censer
                        of gold,<lb/>&amp; therewithal there was such a savour<lb/>as all the
                        spicery of the world had been<lb/>there. So there came a damozel,
                        passing<lb/>fair &amp; young, &amp; she bare a vessel of
                        gold<lb/>between her hands. <del>&amp; the</del> &#8220;This
                        is,<lb/>&#8220;said King Pelles, &#8220;the richest thing
                        that<lb/>my man hath living; &amp; when this<lb/>thing goeth about,
                        the round table shall be broken.</p>
                    <p>14 (note.)The saint graal, or holy dish,<lb/>was the vessel in which the
                        paschal<lb/>lamb was placed at our saviour's<lb/>last supper, &amp;
                        which Joseph of<lb/> Arimathea preserved &amp; brought with
                        him<lb/>to Britain.</p>
                    <p>15 Dame Brison said to King Pelles: &#8220;I<lb/>shall make him to lie
                        with your daughter<lb/>Elaine &amp; he shall not wit but that he</p>
                    <epage/>
                    <page n="[8]" image="a.nb0005.duke.9.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[9]" image="a.nb0005.duke.9.tif"/>
                    <msadds type="other">
                        <trans/>
                        <desc/>
                    </msadds>
                    <p>
                        <lb/>lieth with Queen Guenevere.&#8221; Then a<lb/>man brought him a
                        ring from Queen<lb/>Guenevere, like as he had come from
                        her,<lb/>&amp; such as one for the most part as she<lb/> was wont to
                        wear. And when Sir Lancelot<lb/>saw that token, wit ye well he was
                        never<lb/>so fain.</p>
                    <p>16 Lancelot was on the point of slaying<lb/>Elaine when he discovered the deception&#8212;</p>
                    <p>17 Galahad was so named because<lb/>Sir Lancelot was so named at the<lb/>font
                        stone, &amp; after that the Lady of the<lb/>Lake confirmed him Sir
                        Lancelot du Lac.</p>
                    <p>18 Sir Bors visited King Pelles when<lb/>Galahad was an infant, &amp;
                        was<lb/>fed with the Sancgreall. And there<lb/>was a maiden that bore the
                        Sancgreall.<lb/> &amp; she said openly&#8212; This child is
                        Galahad<lb/>that shall sit in the siege perilous<lb/> &amp; shall
                        achieve the Sancgreall.</p>
                    <p>19 Great light as it were a summer<lb/>light. An altar of silver with four</p>
                    <epage/>
                    <page n="[10]" image="a.nb0005.duke.11.tif"/>
                    <div2 anchor="0.1.2.3" type="fragment" n="3" title="[Cancelled Descriptions]"
                     workcode="poeticscraps">
                        <lg n="1" type="fragment">
                            <l n="1">
                                <del>In forests in wildernesses &amp; in ways</del>
                            </l>
                        </lg>
                    </div2>
                    <epage/>
                    <page n="[11]" image="a.nb0005.duke.11.tif"/>
                    <msadds type="other">
                        <trans/>
                        <desc/>
                    </msadds>
                    <p>
                        <lb/>pillows, and a table of silver.</p>
                    <p>20 Sir Lancelot would clatter in his<lb/>sleep &amp; speak oft of his
                        lady Queen Guenevere.</p>
                    <p>21 As he was lying the second time with<lb/>Elaine (by deceit for Guenevere)
                        Guenevere<lb/>heard him talk in his sleep from the<lb/>next room,
                        &amp; woke him by coughing,<lb/>after which he leaped up knowing
                        her<lb/>voice, &amp; she met him at the door &amp;<lb/>told
                        him him never again to come in<lb/>her sight. So he <del>ran for</del>
                        <add>swooned &amp; after</add> leaped out<lb/>at a window,
                        &amp; ran forth he wist<lb/>not whither &amp; was wild wood as
                        ever<lb/>was man. And so he ran two years<lb/>&amp; never man might
                        have grace to know him.</p>
                    <p>22 And Sir Bors said to Q. Guenevere;<lb/>&#8220;Fie upon your weeping,
                        for ye weep<lb/>never but when there is no book.&#8221;</p>
                    <p>23 Sir Bors, Sir Ector &amp; Sir Lyonell, his kinsmen,<lb/>sought him
                        <add>well</add> nigh a quarter of a year,<lb/>endlong and overthwart in many
                        places,<lb/>in forests in wilderness &amp; in ways,
                        &amp;<lb/>oftentimes where evil lodged for his sake.</p>
                    <epage/>
                    <page n="[12]" image="a.nb0005.duke.13.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[13]" image="a.nb0005.duke.13.tif"/>
                    <msadds type="other">
                        <trans/>
                        <desc/>
                    </msadds>
                    <p>24 Sir Percivale &amp; Sir Ector, not knowing<lb/>each other, fight
                        &amp; are both nearly slain.<lb/>Right so there came by the holy
                        vessel of<lb/>the sancgreall with all manner of<lb/>sweetness &amp;
                        savour, &amp; Sir Percival had<lb/>a glimmering of that vessel and of
                        the<lb/>maiden that bore it, for he was a<lb/>perfect clean maid.
                        &#8220;So God me help.&#8221;<lb/>Said Sir P. &#8220;I saw a
                        damosell as methought <lb/>all in white with a vessal in both her <lb/>hands
                        and forthwithal I was whole.&#8221;</p>
                    <p>25 Lancelot suffered &amp; endured many<lb/>sharp showers and lived by
                        fruit &amp;<lb/>such as he might get &amp; drank water<lb/>two year.</p>
                    <p>26 Many gowns given at a knighting. </p>
                    <p>27 Lancelot taken to King Pelles'<lb/>castle &amp; recognized by
                        Elaine &amp;<lb/>healed of his wounds by the Sancgreall.</p>
                    <p>28 Called himself Le Chevalier mal-fait,<lb/>the knight that hath trespassed,
                        &amp; dwelt<lb/>in Joyous-isle. There Sir L. <del>made</del>
                    </p>
                    <epage/>
                    <page n="[14]" image="a.nb0005.duke.15.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[15]" image="a.nb0005.duke.15.tif"/>
                    <p>
                        <lb/>let make him a shield all of sables, &amp;<lb/>a queen crowned
                        in the midst all of<lb/>silver and a knight clean armed standing<lb/>before
                        her, &amp; every day once he w<hi rend="sup">d</hi> look<lb/>towards
                        the realm of Logris where Q.<lb/>G. was, and then he then he w<hi rend="sup">d</hi> fall a weeping.</p>
                    <p>29 Galahad knighted at 15 by Lancelot.</p>
                    <p>30 The sieges of the round table all about<lb/>written with letters of gold,
                        &#8220;Here ought<lb/>to set he&#8221; &amp; &#8220;he
                        ought to set here&#8221;;<lb/>and in the siege perilous letters
                        neatly<lb/>written of gold that said, &#8220;Four<lb/>hundred winters
                        &amp; four &amp; fifty accom-<lb/>-plished after the passion
                        of our Lord<lb/>I.C. ought this siege to be fulfilled.&#8221;<lb/>This
                        was on the feast of Pentecost.</p>
                    <p>31 A sword sticking in a stone <add>which hoved on the water</add>
                        which<lb/>Lancelot said he could not draw<lb/>out and &#8220;wit ye
                        well that this same<lb/>day will the adventure of the
                        Sancgreall<lb/>begin.&#8221; The <del>hall</del> doors &amp;
                        windows shut<lb/>by themselves but the hall not greatly
                        darkened.&#8221; </p>
                    <epage/>
                    <page n="[16]" image="a.nb0005.duke.17.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[17]" image="a.nb0005.duke.17.tif"/>
                    <p>32 Letters writ in the siege perilous.&#8212;<lb/>&#8220;This is
                        the siege of Sir Galahad the good knight.&#8221;<lb/>Sir Galahad draws
                        out the sword which<lb/>was the sword with which Sir Balen le<lb/>Savage
                        slew his brother Balan.</p>
                    <p>33 A damsel comes &amp; says to Lancelot<lb/>&#8220;Your great
                        doings be changed sith<lb/>today in the morning.&#8221; </p>
                    <p>34 Iesserance--a jacket of light plate armour.</p>
                    <p>35 Lancelot came of the 8th degree from<lb/>our Lord I.C. &amp; Sir
                        Galahd of the 9th</p>
                    <p>36 Then anon they heard a cracking &amp; crying<lb/>of thunder,
                        &amp; in the midst of the<lb/>blast entered a sunbeam more
                        clear<lb/>by 7 times than ever they saw day,<lb/>&amp; all they were
                        alighted of the Grace<lb/>of the Holy Ghost. (Pentecost.) And<lb/>either saw
                        other fairer than ever<lb/>they saw afore, &amp; they looked
                        every<lb/>man on other as they had been dumb.<lb/>Then there entered into
                        the hall the<lb/>holy grail covered with White Samite,</p>
                    <epage/>
                    <page n="[18]" image="a.nb0005.duke.19.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[19]" image="a.nb0005.duke.19.tif"/>
                    <p>
                        <lb/>but there was none might see it nor<lb/>who bare it, and there was all
                        the<lb/>hall fulfilled with good odours &amp; every<lb/>knight had
                        such meat &amp; drink as he<lb/>best loved in this world.</p>
                    <p>37 Gawaine first proposes the quest, and<lb/>Arthur says&#8212;Ye have
                        bereft me of<lb/>the fairest fellowship &amp; the truest
                        of<lb/>knighthood that ever were seen together<lb/>in any realm of the
                        world. Sir Gawain<lb/>ye have set me in great sorrow, for I<lb/>have great
                        doubt that my true fellowship<lb/>shall ever meet more here again. </p>
                    <p>38 150 knights took the quest of the S.G. </p>
                    <p>39 Guenevere bids Lancelot god-speed.</p>
                    <p>40 Galahad has a <add>white</add> shield given him <lb/>on which Joseph of
                        Arimathy had<lb/>made a cross with his own blood.</p>
                    <p>41 Just before Sir Lancelot's sleep, he<lb/>&amp; Sir Percivale are
                        smitten down by Galahad.</p>
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                    <p>42 But Sir Lancelot rode overthwart<lb/>&amp; endlong in a wild
                        forest, &amp; had no<lb/>path but as wild adventure led him,<lb/>and
                        at last he came unto a stone<lb/>cross which departed 2 ways in
                        waste<lb/>land. And by the cross was a stone<lb/>that was of marble, but it
                        was so<lb/>dark that Sir L. might not well know<lb/>what it was. Then Sir L.
                        looked by<lb/>him &amp; saw an old chapel &amp; there<lb/>he
                        weened to have found people.<lb/>And so Sir L. tied his horse to a
                        tree<lb/>&amp; there he put off his shield &amp; hung<lb/>it
                        upon a tree, &amp; then he went unto<lb/>the chapel door &amp;
                        found it wasted &amp;<lb/>broken. And within he found a
                        fair<lb/>altar full richly arrayed with cloth<lb/>of silk, &amp;
                        there stood a fair candlestick<lb/>which bare 6 great candles &amp;
                        the<lb/>candlestick was of silver. And when<lb/>Sir L. saw this light he had
                        a great<lb/>will for to enter into the chapel but</p>
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                    <p>
                        <lb/>he could find no place where he might<lb/>enter. Then was he passing
                        heavy &amp;<lb/>dismayed. The he returned &amp; came<lb/>again
                        to his horse &amp; took off his bridle<lb/>&amp; saddle
                        &amp; let him pasture, &amp; unlaced<lb/>his helm &amp;
                        ungirded his sword &amp; laid<lb/>him down to sleep upon his
                        shield<lb/>before the cross. And so he fell on<lb/>sleep &amp; half
                        waking &amp; half sleeping<lb/>he saw &amp;c. He was
                        overtaken<lb/>with the sin that he had no power to arise<lb/>against the
                        holy vessel.</p>
                    <p>43 Then anon Sir Lancelot awaked &amp;<lb/>set himself upright
                        &amp; bethought<lb/>him what he had there seen &amp;
                        whether<lb/>it were dreams or not. Right so he<lb/>heard a voice that
                        said&#8212;Sir Lancelot,<lb/>more hardy than is the stone, &amp;
                        more<lb/>bitter than is the wood, &amp; more naked<lb/>&amp;
                        bare than is the leaf of the fig-tree,<lb/>therefore go thou from hence
                        &amp; withdraw<lb/>thee from this holy place.</p>
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                    <p>44 There he said: When I sought worldly<lb/>adventures &amp; worldly
                        desires I ever<lb/>achieved them &amp; had the better in
                        every<lb/>place, &amp; never was I discomfited<lb/>in no quarrel were
                        it right or wrong.<lb/>And now I take upon me the adventures<lb/>of holy
                        things, &amp; now I see that mine<lb/>old sin hindreth me
                        &amp; shameth me<lb/>so that I had no power to stir or speak<lb/>when
                        the holy blood appeared before me.<lb/>So then he sorrowed till it
                        was<lb/>day, &amp; heard the owl of the air sing;<lb/>then was he
                        somewhat comforted.</p>
                    <p>45 Sir Lancelot confesses to a hermit<lb/>all his life and how he had
                        loved<lb/>a queen unmeasurably many years,<lb/>&#8212;and all the great
                        deeds of arms<lb/>that I have done I did the most part<lb/>for the queen's
                        sake, &amp; for her sake<lb/>would I do battle were it right
                        or<lb/>wrong, &amp; never did I battle all<lb/>only for God's sake.</p>
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                    <p>46 Also Merlin made the round<lb/>table in token of the roundness of
                        the<lb/>world. </p>
                    <p>
                        <delspan>47 Sir Percival enters a ship covered<lb/>within &amp;
                            without with white samite.</delspan>
                        <lb/>47 The Sancgreall which is the secret<lb/>thing of the Lord Jesu
                        Christ. </p>
                    <p>48 Sir Ector has a vision in which he<lb/>sees Sir Lancelot as a well,
                        but<lb/>when he stooped to drink of that<lb/>water, the water sank from him.</p>
                    <p>49 Lancelot has a vision of the <del>Sanc</del>
                        <lb/>Sancgreall before the chamber con&#8211;<lb/>taining it in the
                        castle of Corbonek.</p>
                    <p>50 Lancelot's sin had lasted for 24 years. </p>
                    <p>51 &#8220;Now shall very knights be fed, and<lb/>the holy meat be
                        parted.&#8221; </p>
                    <p>52 A figure with the likeness of a child<lb/>and the visage was as red and as
                        bright<lb/>as any fire, and smote himself<lb/>into that bread. </p>
                    <p>53 &#8220;Knights marvellous&#8221; </p>
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                    <p>54 Sir Galahad &#8220;As the flower of the<lb/>lily, as the flower of
                        the rose, and<lb/>as the colour of fire.&#8221;</p>
                    <p>55 &#8220;When the deadly flesh began to<lb/>behold the spiritual
                        things.&#8221; </p>
                    <p>56 Lancelot returns to Guenevere&#8212;<lb/>&#8220;&amp;
                        forgat the promise and <add>the</add> profession<lb/>that he made in the
                        quest. There<lb/>had no knight passed him in the<lb/>quest of the
                        Sancgreall, but ever<lb/>his thoughts were privily upon the queen. </p>
                    <p>57 She forbids him the court, thinking<lb/>his love has slackened. </p>
                    <p>58 Sir Pinell at a feast <add>given by Guenevere tries to</add>
                        poison<del>s</del> Sir<lb/>Gawaine with an apple <add>because he killed Sir
                        Lamoracke</add>, which<lb/>Sir Patrice eats &amp; dies. Sir
                        Mador<lb/>de la Port appeals the queen of<lb/>his <add>cousin's</add> death.
                        Sir Launcelot rescues her. </p>
                    <p>59 On the day Arthur made Lancelot<lb/>knight, through hastiness he lost
                        his<lb/>sword, and the queen found it &amp;<lb/>lapped it in her
                        train &amp; gave it him.<lb/>and therefore at that day he promised
                        her<lb/>ever to be her knight in right or wrong.</p>
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                    <p>60 Astolat is Guildford: Elaine la<lb/>Blanche the fair maid of
                        Astolat.<lb/>Lancelot wears her <add>red</add> sleeve <add>on his helm</add>
                        at<lb/>the tournament. And he used<lb/>another shield, leaving his with
                        her<lb/>as too well known. Guenevere<lb/>is incensed. Elaine waits
                        on<lb/>him while he lies sick of his wounds<lb/>got at the tournament. She
                        offers<lb/>herself to Lancelot, is rejected, &amp;<lb/>dies for his
                        love. Is rowed in a<lb/>barge to Westminster where the court is.</p>
                    <p>61 <add>Said of</add> Q. Guenevere--&#8220;While she lived she<lb/>was a
                        true lover, &amp; therefore she<lb/>had a good end.&#8221;</p>
                    <p>62 The Queen's knights bore plain white<lb/>shields. </p>
                    <p>63 Sir Meliagraunce, loving the queen,<lb/> captures her as she rides
                        a-Maying,<lb/>&amp; overcame her knights, &amp;
                        imprisons<lb/>her at Lambeth. <del>Sir Lan</del> She</p>
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                    <pageheader>
                        <note/>
                    </pageheader>
                    <div2 anchor="0.1.2.4" type="fragment" n="4" title="God's Graal" workcode="1-1858">
                        <lg n="3" type="couplet">
                            <l n="1" r="6">For God of all strokes will have one </l>
                            <l n="2" r="7">In every battle that is done.</l>
                        </lg>
                    </div2>
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                    <p>
                        <lb/>contrives to send word to Lancelot<lb/>who on reaching Lambeth has
                        his<lb/>horse shot <add>but not killed</add> by Ms archers lying
                        in<lb/>ambush. He kills a carter &amp; takes<lb/>his cart, the horse
                        following stuck<lb/>full of arrows, &amp; another carter<lb/>driving.
                        At the queen's request he<lb/>pardons Sir Meliagraunce, and<lb/>is called Le
                        Chevalier du Chariot.<lb/>Sir L. sleeps with the queen, &amp;
                        hurts<lb/>his hand in getting through her<lb/>window to do so. Sir M. sees
                        his<lb/>blood on her pillows &amp; accuses <del>him</del>
                        <lb/>her of sleeping with one of her<lb/>wounded knights who are
                        lying<lb/>hard by. Sir L. wages battle with<lb/>him, &amp; is
                        afterwards dropped down<lb/>a trap. A lady who brings him food<lb/>loves
                        &amp; delivers him. He is again<lb/>in time to rescue the queen
                        from<lb/>burning &amp; kill Sir M.</p>
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                    <p>64 Sir Lancelot heals Sir Urre by prayer<lb/>&amp; laying on of hands,
                        after King<lb/>Arthur had failed as well as many<lb/>other knights.
                        &#8220;And even Sir Lancelot<lb/>wept as he had been a child
                        that<lb/>had been beaten.&#8221; </p>
                    <p>65 Sir Lancelot rode in a chariot 12<lb/>months to brave those who
                        put<lb/>him to ridicule &amp; did great deeds therein. </p>
                    <p>66 Sir Agravaine &amp; Sir Mordred tell<lb/>King Arthur of L
                        &amp; G's love, &amp; waylay<lb/>him with twelve other knights
                        in her<lb/>chamber. &#8220;But whether they were<lb/>abed or at other
                        manner of disports,<lb/>
                        <del>it</del> one list not thereof to make<lb/>mention, for love at that
                        time<lb/>was not as it is nowadays.&#8221;<lb/>Lancelot slays all
                        except Mordred.<lb/>Mordred insists on Guenevere being<lb/>burnt. She is
                        brought to the stake<lb/>at Caerleyll, and Sir Lancelot<lb/>&amp; his
                        knights rescue her, dispoiled</p>
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                    <p>unto her smock, &amp; cast a kirtle and<lb/>gown on her, &amp;
                        carry her off to his<lb/>Castle of Joyous-Gard.</p>
                    <p>67 King Arthur besieges Joyous-Gard for<lb/>16 weeks.</p>
                    <p>68 Sir Lancelot denies <del>that guilty</del>
                        <add>the queen</add>
                        <lb/>has played Arthur false, &#8220;howbeit<lb/>it hath liked her good
                        grace to have<lb/>me in charity &amp; to cherish me more<lb/>than any
                        other knight.&#8221; </p>
                    <p>69 The Pope sends a bull commanding<lb/>Arthur to raise the siege
                        &amp; take<lb/>back Guenevere to Caerleyll.</p>
                    <p>70 Lancelot is banished through Sir<lb/>Gawaine's advice (whose brother
                        Gareth<lb/>&amp; Gaheris he had slain unadvisedly<lb/>in rescuing
                        Guenevere) and leaves<lb/>Joyous-Gard; and afterward he <lb/>called it Dolorous-Gard.</p>
                    <p>71 He ships at Cardiff and goes to<lb/>Benwicke in France, hi
                        father's<lb/>Kingdom; some men call it Beyon,<lb/> (Beyonne) </p>
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                    <p>&amp; some men call it Beaune, whereas<lb/>the wine of Beaune is.</p>
                    <p>72 Arthur follows &amp; besieges Benwicke<lb/>leaving Sir Mordred
                        regent in England<lb/>&amp; Q. Guenevere in his care. The
                        siege<lb/>lasts half a year. </p>
                    <p>73 Mordred has himself cronwed<lb/>at Canterbury, then goes to<lb/>Winchester
                        (Camelot) &amp; tells Guenevere<lb/>she must wed him. She
                        pretends<lb/>to consent, but escapes to the<lb/>Tower of London and is there
                        besieged<lb/>by Mordred. </p>
                    <p>74 Arthur hears of this &amp; lands at<lb/>Dover where Mordred meets
                        him<lb/>to <del>fight it out</del> let his landing.<lb/>A battle ensues,
                        &amp; Gawaine is<lb/>killed being wounded afresh<lb/>where Lancelot
                        had lately wounded<lb/>him.</p>
                    <p>75 They go down to meet in battle<lb/>at Salisbury, but afterwards </p>
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                    <p>a peace is proposed, &amp; both sides<lb/>agree to it, but each
                        privily resolves<lb/>to set on if a single sword is drawn.<lb/>for fear of
                        treason. An adder appearing,<lb/>a knight <add>of Arthur's</add> draws his
                        sword to kill it,<lb/>and Mordred's party set on and commence<lb/>the final
                        battle in which Arthur<lb/>' Mordred slay each other.</p>
                    <p>76 The Queens who took King Arthur<lb/>away after death were Morgan<lb/>le
                        Fay his sister; the queen of<lb/>Northgalis; the Queen of the<lb/>Waste
                        Lands; &amp; Nimue the chief<lb/>lady of the Lake. </p>
                    <p>77 Guenevere goes to Almesbury;<lb/>and there she let make herself a<lb/>nun,
                        &amp; wore white clothes &amp; black.</p>
                    <p>78 Lancelot returns to England &amp;<lb/>goes to see Guenevere in
                        the<lb/>nunnery of which she is abbess.<lb/>She says: I require &amp;
                        beseech thee<lb/>heartily, for all the love that ever</p>
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                    <p>was ever between us two, that thee never<lb/>look me in the visage. . . . . .
                        .<lb/>For as well as I have loved thee, Sir<lb/>Lancelot, now my heart will not<lb/>
                        <add>once</add> serve me to see thee; for through me<lb/>&amp; thee
                        is the flower of kings and<lb/>knights destroyed.&#8221; Lancelot
                        says<lb/>he shall enter a monastery; &#8220;for<lb/>I take record of
                        God in you have I<lb/>had mine earthly joy. Wherefore,<lb/>madame, I pray
                        you kiss me<lb/>once &amp; never more.&#8221; &#8220;Nay,
                        said<lb/>the queen, &#8220;that shall I never do,<lb/>but abstain you
                        from such things.&#8221;<lb/>And so they departed. But there<lb/>was
                        never so hard a hearted man<lb/>but he would have wept to see<lb/>the sorrow
                        that they made; for there<lb/>was a lamnetation as though<lb/>they had been
                        stungen with spears,<lb/>&amp; many times they swooned, &amp;
                        the<lb/>ladies bare the queen to her chamber.</p>
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                    </pageheader>
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                    <p>And Sir Lancelot awoke &amp; <del>rode all</del>
                        <lb/>went &amp; his horse &amp; rode all<lb/>that day
                        &amp; all that night in a forest<lb/>weeping. He comes to a
                        hermitage<lb/>where he finds the bishop of Canterbury<lb/>who has become a
                        hermit &amp; Sir<lb/>Bedivere who has joined him. Sir<lb/>B. tells
                        Sir L. of the last battle &amp;c.<lb/>And Sir Lancelot threw
                        abroad<lb/>his armour &amp; said, &#8212;Alas! who<lb/>may trust
                        this world? Then he<lb/>takes the habit of priesthood.</p>
                    <p>79 A vision comes <add>3 times in the night</add>to Sir L. &amp; bids
                        <lb/>him go to Almesbury, where he<lb/>will find Guenevere dead.</p>
                    <p>80 And when Sir Lancelot was come<lb/>to Almesbury, within the
                        nunnery,<lb/>Queen Guenevere died but half an<lb/>hour before; &amp;
                        the ladies told Sir L.<lb/>that Q.G. had told all, or she died,<lb/>that Sir
                        L. had been priest near<lb/>12 months; &#8220;and hither he cometh</p>
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                    <p>as fast as he may to fetch my corpse;<lb/>and beside my lord King Arthur
                        he<lb/>shall bury me.&#8221; Wherefore the Queen<lb/>said in hearing of
                        them all, &#8220;I beseech<lb/>Almighty God that I may never
                        have<lb/>power to see Sir Lancelot with my<lb/>worldly eyes.&#8221;
                        &#8220;And this,&#8221; said all<lb/>the ladies, &#8220;was
                        ever her prayer all<lb/>those 2 days until she was
                        dead.&#8221;<lb/>Then Sir Lancelot saw her visage,<lb/>but he wept
                        greatly, but sighed;<lb/>and so he did all the observance<lb/>of the service
                        himself, both the<lb/>dirge at night &amp; the mass on the <lb/>morrow.</p>
                    <p>81 She is borne by <del>King</del> Sir L. &amp; his<lb/>fellows who
                        have become priests<lb/>to Glastonbury &amp; there buried
                        with<lb/>Arthur. &#8220;Truly&#8221; said Sir L. &#8220;I
                        trust<lb/>I do not displease God, for he knoweth<lb/>well my intent, for my
                        sorrow<lb/>was not nor is not for any rejoicing</p>
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                    </pageheader>
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                    <p>of sin, but my sorrow may never<lb/>have an end, when I
                        remember<lb/>&amp; call to mind her beauty her<lb/>bounty
                        &amp; her nobleness.&#8221;</p>
                    <p>82 Lancelot falls sick. &#8220;My<lb/>fair lords,&#8221; said Sir
                        L. &#8220;wit ye<lb/>well my careful body will into<lb/>the earth: I
                        have warning<lb/>more than I will now say.&#8221; He<lb/>dies
                        &amp; is buried at Joyous-Gard. </p>
                    <p>83 Sir Ector who been seeking<lb/>his brother Sir Lancelot,
                        arrives<lb/>during the funeral rites. And<lb/>then Sir Ector threw his
                        shield,<lb/>his sword, &amp; his helm from him.<lb/>&#8220;Ah
                        Sir Lancelot!&#8221; said he, &#8220;thou<lb/>wert head of all
                        Christian knights.<lb/>And now I dare say,&#8221; said Sir<lb/>Ector,
                        &#8220; that Sir Lancelot there<lb/>thou liest, thou that wert
                        never<lb/>matched of none eartly knight's<lb/>hands; and thou wert the
                        curteist </p>
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                    <p>
                        <lb/>knight that ever bore shield; &amp; thou<lb/>wast the truest
                        friend to thy lover<lb/>that ever bestrode horse; &amp; thou<lb/>wert
                        the truest lover of a sinful<lb/>man that ever loved a woman;<lb/>and thou
                        wert the kindest man<lb/>that ever strook with sword; and<lb/>thou wert the
                        goodliest person that<lb/>ever came among press of knights;<lb/>and thou
                        wert the meekest man<lb/>&amp; the gentlest that ever ate in<lb/>hall
                        among ladies; &amp; thou wert<lb/>the sternest knight to thy
                        mortal<lb/>foe that ever put spear in rest.&#8221;</p>
                    <epage/>
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                    </pageheader>
                    <epage/>
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                    <msadds type="other">
                        <trans>metre <xref doc="a.43-1849.raw">
                                <title level="wrk"> &#8220;The Sea Limits&#8221;</title>
                            </xref> in long lines</trans>
                        <desc>DGR's note at bottom of the page</desc>
                    </msadds>
                    <div2 anchor="0.1.2.5" type="fragment" n="1" title="[Fragmentary Note in Italian]"
                     workcode="miscprose">
                        <p>
                            <foreign lang="italian">Tra le notizie dei Professori di
                                disegno<lb/>racolte dal Baldinucci leggiamo <lb/> che Serafino
                                Serafini pittore modenese, <lb/> che fiori circa il 1390, nella
                                <lb/> Cappella della famiglia de' <lb/> Petrati, ch'ei dipinse in
                                San Domenico <lb/>di Ferrara, mise la seguente iscrizione.</foreign>
                        </p>
                        <div3 anchor="0.1.2.5.1" type="fragment" n="1" title="[Fragmentary note in Italian]"
                        workcode="miscprose">
                            <lg n="1" type="quatrain">
                                <l n="1">&#8220;Mille trecento con septanta sei</l>
                                <l n="2" indent="1">Erano corsi gl'auri del Signore</l>
                                <l n="3" indent="1">E'l quarto entrava, quando al suo onore</l>
                                <l n="4">Questa cappella al suo bel fin [minei?]</l>
                            </lg>
                            <lg n="2" type="sestet">
                                <l n="5">Ed io che tutto ensì la storiei</l>
                                <l n="6" indent="1">Fui Serafin da Mitina pintore.</l>
                                <l n="7" indent="1">E Frate Aldobrandino Inquisitore</l>
                                <l n="8">L'ordine diede, et io lo seguitei.</l>
                                <l n="9" indent="1">E far la fece, sappia ognun per [?]</l>
                                <l n="10" indent="1">La Donna di Francesco di Lamberto.</l>
                            </lg>
                            <closer>Crescimbeni <lb/>vol 1. p.206</closer>
                        </div3>
                    </div2>
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                    <div2 anchor="0.1.2.6" type="fragment" n="1" title="God's Graal" workcode="1-1858">
                        <divheader>
                            <hi rend="u">God's Graal.</hi>
                        </divheader>
                        <lg n="1" type="sexain" r="4">
                            <l n="1" r="8">Lancelot lay beside the well: </l>
                            <l n="2" indent="1" r="9"> (<hi rend="u">God's Graal is good</hi>) </l>
                            <l n="3" r="10">Oh my soul is sad to tell </l>
                            <l n="4" r="11">The weary quest and the bitter quell; </l>
                            <l n="5" r="12">For he was the lord of lordlihood, </l>
                            <l n="6" r="13">And sleep on his eyelids fell.</l>
                        </lg>
                        <lg n="2" type="sexain" r="5">
                            <l n="7" r="14">Lancelot lay before the shrine: </l>
                            <l n="8" indent="1" r="15"> (<hi rend="u">The apple tree's in the
                                wood.</hi>) </l>
                            <l n="9" r="16">There was set Christ's very sign, </l>
                            <l n="10" r="17">The bread unknown and the unknown wine </l>
                            <l n="11" r="18">That the soul's life for a livelihood </l>
                            <l n="12" indent="1" r="19"> Craves from his wheat &amp; vine.</l>
                        </lg>
                    </div2>
                </div1>
                <epage/>
                <page n="[55]" image="a.nb0005.duke.55.tif"/>
                <msadds type="other">
                    <trans>No. 3</trans>
                    <desc>WMR's numeration of the work.</desc>
                </msadds>
                <div1 anchor="0.1.3" type="canzone" n="2" title="My Lady" workcode="2-1866">
                    <divheader>
                        <title level="wrk">My Lady (Canzone)</title>
                    </divheader>
                    <lg n="1" type="quatrain">
                        <l n="1">I'll tell you of my Lady all I know; </l>
                        <l n="2" indent="1"> And if my lady knew </l>
                        <l n="3"> That I would tell this, she would &amp;c</l>
                        <l n="3a" indent="3">&amp;c &amp;c &amp;c &amp;c</l>
                        <l n="4"> And say, &#8220;Why, all is his, so let him tell.&#8221;</l>
                    </lg>
                    <p>She is full of incidents, like all beautiful<lb/> Nature. Then follow
                        descriptive lines<lb/>about her different attitudes, expressions,
                        &amp;c<lb/> Perhaps to wind up by saying that nothing<lb/>one can say
                        is so expressive of her<lb/>as her own name, which means<lb/>herself
                        only&#8212;and that cannot be<lb/>said for others to hear.</p>
                    <p>Every part of her has its own ways of<lb/>loving and is like a
                        separate<lb/>mistress. Descriptions &amp;c&#8212;</p>
                </div1>
                <epage/>
                <page n="[56]" image="a.nb0005.duke.56.tif"/>
                <msadds type="other">
                    <trans>No. 4</trans>
                    <desc>WMR's numeration of the work.</desc>
                </msadds>
                <div1 anchor="0.1.4" type="ballad" n="3" title="The White Ship" workcode="1-1878"
                  id="a.1-1878.dukems">
                    <divheader>
                        <title level="wrk">
                            <hi rend="U">The White Ship</hi>
                        </title>
                    </divheader>
                    <lg n="1" type="sexain">
                        <l n="1">By none but me can the tale be told,</l>
                        <l n="2">The butcher of Rouen, poor Berold.</l>
                        <l n="3" indent="1">(<hi rend="u">Lands are swayed by a King on a throne.</hi>)</l>
                        <l n="4">'Twas a royal train put forth to sea;</l>
                        <l n="5">Yet the tale can be told by none but me.</l>
                        <l n="6" indent="1">(<hi rend="u">The sea hath no King but God alone.</hi>)</l>
                    </lg>
                    <ornlb>-------------------</ornlb>
                    <lg n="2" type="couplet" r="70">
                        <l n="7" r="161">Blithe is the shout on Harfleur's strand</l>
                        <l n="8" r="162">When morning lights the sails to land:</l>
                    </lg>
                    <lg n="3" type="couplet" r="71">
                        <l n="9" r="163">And blithe is Honfleur's echoing gloam</l>
                        <l n="10" r="164">When mothers call the children home:</l>
                    </lg>
                    <ornlb>-------------------</ornlb>
                    <lg n="4" type="couplet" r="77">
                        <l n="11" r="176">Where lands were none 'neath the dark sea-sky,</l>
                        <l n="12" r="177">We told our names, that man &amp; I.</l>
                    </lg>
                    <lg n="5" type="couplet" r="78">
                        <l n="13" r="178">&#8220;O I am Gilbert de l'Aigle hight,</l>
                        <l n="14" r="179">And son I am to a belted knight.&#8221;</l>
                    </lg>
                    <lg n="6" type="couplet" r="79">
                        <l n="15" r="180">&#8220;And I am Berold the butcher's son</l>
                        <l n="16" r="181">Who slays the beasts in Rouen town.&#8221;</l>
                    </lg>
                    <ornlb>-------------------</ornlb>
                    <lg n="7" type="couplet" r="117">
                        <l n="17" r="262">&#8220;O wherefore black, <add>O King,</add> ye
                            <del>well</del> may say,</l>
                        <l n="18" r="263">For white is the hue of death to-day.&#8221;</l>
                    </lg>
                    <lg n="8" type="couplet" r="118">
                        <l n="19" r="264">&#8220;Your son &amp; all his fellowship</l>
                        <l n="20" r="265">Sleep in the sea's bed with the White Ship.&#8221; .
                            . . . . .</l>
                    </lg>
                    <lg n="9" type="sexain" r="120">
                        <l n="21" r="269">There's many an hour must needs beguile</l>
                        <l n="22" r="270">A King's high heart that he should smile,&#8212;</l>
                        <l n="23" indent="1" r="276">(<hi rend="u">Lands are swayed by a King on a throne.</hi>)</l>
                        <l n="24" r="271">Full many a lordly hour, full fain</l>
                        <l n="25" r="273">But this King never smiled again.</l>
                        <l n="26" indent="1" r="279">(<hi rend="u">The sea hath no King but God alone.</hi>)</l>
                    </lg>
                </div1>
                <epage/>
                <page n="[57]" image="a.nb0005.duke.57.tif"/>
                <msadds type="other">
                    <trans>No. 5</trans>
                    <desc>WMR's numeration of the work.</desc>
                </msadds>
                <div1 anchor="0.1.5" type="ballad" n="4" title="The Orchard Pit" workcode="34-1869"
                  id="a.34-1869.dukems">
                    <divheader>
                        <title>The <hi rend="u">Orchard</hi>-Pits</title>
                        <note>On the manuscript stanzas 3 and 4 appear in reverse order. DGR first
                            cancelled stanza 3, then restored it (marking it
                            &#8220;stet&#8221;), adding at the same time a mark indicating
                            that the received stanza 3 should precede stanza 4.</note>
                    </divheader>
                    <lg n="1" type="quintain">
                        <l n="1">Piled deep below the screening apple-branch </l>
                        <l n="2" indent="1">
                            <del>They lie with bitten</del>
                            <add>Those dead men lie with</add> apples in their hands: </l>
                        <l n="3">And some are only ancient bones that blanch, </l>
                        <l n="4">And some had ships that last year's wind did launch, </l>
                        <l n="5" indent="1"> And some were yesterday the lords of lands.</l>
                    </lg>
                    <lg n="2" type="quintain">
                        <l n="6">In the soft <del>dell</del>
                            <add>glen</add>, among the apple-trees, </l>
                        <l n="7" indent="1"> High up above the hidden pit she stands </l>
                        <l n="8">And there for ever sings, who gave to these, </l>
                        <l n="9">That lie below, her magic hour of ease, </l>
                        <l n="10" indent="1"> And those her apples holden in their hands.</l>
                    </lg>
                    <addspan>
                        <lg n="3" type="quintain">
                            <l n="11">Th<del>i</del>
                                <add>u</add>s in <del>night</del>
                                <add>my</add> dreams is shown me; and her hair </l>
                            <l n="12" indent="1"> Crosses my lips &amp; draws my burning
                                breath: </l>
                            <l n="13">Her song spreads golden wings upon the air; </l>
                            <l n="14">Life's eyes are gleaming from her forehead fair, </l>
                            <l n="15" indent="1"> And from her breasts the ravishing eyes of Death.</l>
                        </lg>
                    </addspan>
                    <lg n="4" type="quintain">
                        <l n="16">Men say to me that sleep hath many dreams, </l>
                        <l n="17" indent="1"> Yet I knew never but this dream alone. </l>
                        <l n="18">There from a dried-up channel, once the stream's, </l>
                        <l n="19">The glen slopes up; even such in sleep it seems </l>
                        <l n="20" indent="1"> As to my waking sight the place well-known.</l>
                    </lg>
                </div1>
                <div1 anchor="0.1.6" type="ballad" n="5" title="The White Ship" workcode="1-1878"
                  id="a.1-1878.dukems1">
                    <divheader>
                        <note>The text of these draft fragments of the poem is written in pencil</note>
                    </divheader>
                    <lg n="1" type="tercet">
                        <l n="1" r="116">I Berold was under the sea</l>
                        <l n="2" r="117">I knew what the flood of death must be</l>
                        <l n="3" r="118">And cried to Christ to strengthen me</l>
                    </lg>
                    <lg n="2" type="couplet">
                        <l n="4" r="92">Pale Fitz-Stephen stood by the helm</l>
                        <l n="5" r="93">
                            <del>With</del>
                            <add>'Mid</add> all those folk that the waves must whelm</l>
                    </lg>
                    <lg n="3" type="couplet">
                        <l n="6" r="94"> A <add>great</add> king's <del>own son</del>
                            <add>heir</add> for the waves to whelm</l>
                        <l n="7" r="95">And the helpless pilot pale at the helm</l>
                    </lg>
                </div1>
                <epage/>
                <page n="[58]" image="a.34-1869.dukems.1.tif"/>
                <msadds type="other">
                    <trans>a 3</trans>
                    <desc>Notation on upper right in unknown hand.</desc>
                </msadds>
                <div1 anchor="0.1.7" type="prose" n="6" title="The Orchard Pit" workcode="34-1869"
                  id="a.34-1869.dukems1">
                    <divheader>
                        <title>The <hi rend="u">Orchard</hi>-Pit<del>s</del>
                  </title>
                        <note/>
                    </divheader>
                    <p n="1">Men tell me that sleep has many dreams;<lb/>but all my life I have
                        dreamt one dream<lb/>alone. <del>In childhood, I saw a man in<lb/>my dream;
                            and in manhood, I know<lb/>that I am he; but the thing shown is<lb/>the same</del>.</p>
                    <p n="2">I see a glen whose sides slope upward<lb/>from the deep bed of a
                        dried-up stream,<lb/>
                        <del>and are covered with apple-trees</del> and<lb/>either slope is covered
                        with <add>wild</add> apple-trees.<lb/>In the largest tree, within the fork
                        whence<lb/>the limbs divide, a fair goldenhaired<lb/>woman stands and sings,
                        with one<lb/>white arm stretched along a branch<lb/>of the tree, and with
                        the other holding<lb/>forth a bright red apple, as if to some<lb/>one coming
                        down the slope. Below her<lb/>feet the trees grow more and more
                        tangled<lb/>and stretch from both sides across the<lb/>deep pit below: and
                        the pit is full<lb/>of the bodies of men.</p>
                    <p n="3">They lie in heaps beneath the screen of<lb/>boughs, with her apples
                        bitten in their<lb/>hands; and some are no more than<lb/>ancient bones now,
                        and some seem<lb/>dead but yesterday. She stands over them<lb/>in the glen,
                        and sings for ever, and<lb/>offers her apple still.</p>
                    <epage/>
                    <page n="[59]" image="a.34-1869.dukems.1.tif"/>
                    <pageheader>
                        <note>At the top of the page DGR has cancelled both the repeated title and a
                            line of asterisks.</note>
                    </pageheader>
                    <p n="4">
                        <del>My</del>
                        <add>This</add> dream<del>s</del> shows me no strange<lb/>place. I know the <del>dell</del>
                        <add>glen</add> and have known<lb/>it from childhood, and heard
                        many<lb/>tales of those who have died there<lb/>by the siren's spell.</p>
                    <p n="5">I pass there often now and look at<lb/>it as one might look at a place
                        chosen<lb/>for one's grave. I see nothing, but I<lb/>know that it means
                        death for me.<lb/>The apple-trees are like others, and<lb/>have childish
                        memories connected<lb/>with them, though I was taught to<lb/>shun the place.</p>
                    <p n="6">No man sees the woman but once, and<lb/>then no other is near; and no
                        man<lb/>sees that man again.</p>
                    <epage/>
                    <page n="[60]" image="a.34-1869.dukems.2.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[61]" image="a.34-1869.dukems.2.tif"/>
                    <pageheader>
                        <note/>
                    </pageheader>
                    <p n="7">One day in hunting, my dogs tracked the<lb/>deer to that dell, and he
                        fled and<lb/>crouched under that tree, but the dogs<lb/>would not go near
                        him. And when<lb/>I approached, he looked in my eyes<lb/>as if to say,
                        &#8220;Here you shall die, and<lb/>will you here give
                        death?&#8221; And his<lb/>eyes seemed the eyes of my soul,
                        &amp;<lb/>I called off the dogs, who were glad<lb/>to follow me, and
                        we left the deer<lb/>to fly.</p>
                    <p n="8">I know that I must go there and hear<lb/>the song and take the apple. I
                        join<lb/>with the young knights in their games,<lb/>and have led our vassals
                        and fought<lb/>well. But all seems to me a dream<lb/>except what only I
                        among them all<lb/>shall see. Yet who knows? Is there<lb/>one among them
                        doomed like myself<lb/>and who is silent, like me? We shall<lb/>not meet in
                        the dell, for each man<epage/>
                        <page n="[62]" image="a.34-1869.dukems.3.tif"/>
                        <pageheader>
                            <note>blank page</note>
                        </pageheader>
                        <epage/>
                        <page n="[63]" image="a.34-1869.dukems.3.tif"/>
                        <pageheader>
                            <note/>
                        </pageheader>
                        <lb/>goes there alone: but in the pit we shall<lb/>meet each other, and
                        perhaps know.</p>
                    <p n="9">Each man who is the siren's choice<lb/>dreams the same dream, and
                        always<lb/>of some familiar spot wherever he<lb/>lives in the world; and it
                        is there<lb/>that he finds her when his time comes.<lb/>But when he sinks in
                        the pit, it is<lb/>the whole pomp of her dead gathered<lb/>through the world
                        that awaits him<lb/>there; for all attend her to grace<lb/>her triumph. Have
                        they any souls<lb/>out of those bodies? Or are the bodies<lb/>still the
                        house of the soul, the siren's<lb/>prey till the day of judgment?</p>
                    <p n="10">We were ten brothers. One is gone<lb/>there already. One day we
                        looked<lb/>for his return from a border foray,<lb/>and his men came home
                        without<lb/>him, saying that he had told them<epage/>
                        <page n="[64]" image="a.34-1869.dukems.4.tif"/>
                        <pageheader>
                            <note>blank page</note>
                        </pageheader>
                        <epage/>
                        <page n="[65]" image="a.34-1869.dukems.4.tif"/>
                        <pageheader>
                            <note/>
                        </pageheader>
                        <lb/>he went to seek his love who <del>awaited</del>
                        <add>would</add>
                        <lb/>
                        <del>him by the way</del>
                        <add>come to meet him by another road</add>. But <add>anon</add> his love
                        met<lb/>them, <del>to welcome</del>
                        <add>asking for</add> him; and they sought<lb/>him vainly all that day. But
                        in<lb/>the night his love rose from a dream;<lb/>and she went to the edge of
                        the<lb/>Siren's dell, and there lay his helmet<lb/>and his sword. And her
                        they sought<lb/>in the morning, and there she lay<lb/>dead. None has ever
                        told this<lb/>thing to my love, my sweet love who<lb/>is affianced to me.</p>
                    <p n="11">One day at table my love offered me<lb/>an apple. And as I took it
                        she<lb/>laughed, and said, &#8220;Do not eat,<lb/>it is the fruit of
                        the Siren's dell.&#8221;<lb/>And I laughed and ate: and at<lb/>the
                        heart of the apple was a red<lb/>stain like a woman's mouth; and<lb/>as I
                        bit it I could feel a kiss<lb/>upon my lips.</p>
                    <epage/>
                    <page n="[66]" image="a.34-1869.dukems.5.tif"/>
                    <pageheader>
                        <note>blank page</note>
                    </pageheader>
                    <epage/>
                    <page n="[67]" image="a.34-1869.dukems.5.tif"/>
                    <pageheader>
                        <note/>
                    </pageheader>
                    <p n="12">
                        <del>And I was troubled, and they that saw were<lb/>silent; but my love
                            laughed &amp; said proudly &amp; looked<lb/>around
                            &amp; said</del>
                        <del>One</del>
                        <add>The same</add> evening I walked with my love by<lb/>that place, and she
                        would needs<lb/>have me sit with her <del>by</del> under the<lb/>apple-tree
                        in which the siren is said<lb/>to stand. Then she stood in the
                        hollow<lb/>fork of the tree, and plucked an<lb/>apple, and stretched it to
                        me and<lb/>would have sung: but at that<lb/>moment she cried out, and
                        leaped<lb/>from the tree into my arms, and<lb/>said that the leaves were
                        whispering<lb/>other words to her, and my name<lb/>among them. She threw the
                        apple<lb/>to the bottom of the dell and followed<lb/>it with her eyes to see
                        how far it<lb/>would fall, till it was hidden by<lb/>the tangled boughs. And
                        as we<lb/>still looked, a little snake crept<lb/>up through them.</p>
                    <p n="13">She would needs go with me afterwards<lb/>to pray in the church, where my</p>
                    <epage/>
                    <page n="[68]" image="a.nb0005.duke.68.tif"/>
                    <pageheader>
                        <note>Originally a blank page, DGR used it to copy out a stanza of verse.</note>
                    </pageheader>
                    <div2 anchor="0.1.7.1" type="ballad" n="1" title="The Orchard Pit"
                     workcode="34a-1869">
                        <divheader>
                            <note>WMR incoporated the lines as the final (fifth) stanza of the
                                fragment of the ballad DGR intended to write. But the document here
                                shows that the stanza was written as DGR was copying out the prose
                                version of the tale and that it corresponds to the prose text of
                                paragraph 15. It therefore would almost certainly have come into the
                                ballad at some later point, and not as stanza 5.</note>
                        </divheader>
                        <lg n="1" type="quintain" r="5">
                            <l n="1" r="21">My love I call her, and she loves me well: </l>
                            <l n="2" indent="1" r="22"> But I love her as in the
                                maelström's cup </l>
                            <l n="3" r="23">The whirled stone loves the leaf inseparable </l>
                            <l n="4" r="24">That clings to it round all the circling swell </l>
                            <l n="5" indent="1" r="25"> And that the same last eddy swallows up.</l>
                        </lg>
                    </div2>
                    <epage/>
                    <page n="[69]" image="a.nb0005.duke.68.tif"/>
                    <p n="13">ancestors and hers are buried: and<lb/>she looked round on the
                        effigies and<lb/>said, &#8220;How long will it be before we<lb/>lie
                        here carved together?&#8221; And I thought<lb/>I heard the wind in the
                        apple trees that<lb/>seemed to whisper, &#8220;How long?&#8221;</p>
                    <p n="14">And late that night, when all were<lb/>asleep, I went back to the dell
                        and<lb/>said in my turn, &#8220;How long?&#8221; And<lb/>for a
                        moment I seemed to see a<lb/>hand and apple stretched from the<lb/>middle of
                        the tree where my love had<lb/>stood. And then it was gone: and<lb/>
                        <del>[?]</del> I plucked the apples<lb/>and bit them and cast them in
                        the<lb/>pit, and said, &#8220;Come.&#8221;</p>
                    <p n="15">I speak of my love, and she loves<lb/>me well: but I love her only as
                        the<lb/>stone whirling down the rapids loves<lb/>the dead leaf that travels with<epage/>
                        <page n="[70]" image="a.nb0005.duke.71.tif"/>
                        <pageheader>
                            <note>blank page</note>
                        </pageheader>
                        <epage/>
                        <page n="[71]" image="a.nb0005.duke.71.tif"/>
                        <lb/>it and clings to it, and that the<lb/>same eddy will swallow up.</p>
                    <p n="16">Last night, at last, I dreamed how the end<lb/>will come
                            <add>&amp; now I know it is near</add>. I saw in sleep not only
                        the<lb/>lifelong pageant of the glen, but I took<lb/>my part in it at last
                        and <del>knew</del>
                        <add>learned</add>
                        <lb/>for certain why that dream was mine.</p>
                    <p n="17">I seemed to be walking with my love among<lb/>the hills that lead
                        downward to the glen:<lb/>and still she said, &#8220;It is
                        late;&#8221; but the<lb/>wind was glenwards, and said,
                        &#8220;Hither.&#8221;<lb/>And still she said, &#8220;Home
                        grows far;&#8221;<lb/>but the rooks flew glenwards, and
                        said,<lb/>&#8220;Hither.&#8221; And still she said,
                        &#8220;Come back;&#8221;<lb/>but the sun had set, and the
                        moon<lb/>laboured towards the glen, and
                        said,<lb/>&#8220;Hither.&#8221; And my heart said in
                        me,<lb/>&#8220;Aye, thither at last.&#8221; Then we stood<lb/>on
                        the <del>summit of</del> margin of the slope,<lb/>with the apple-trees
                        beneath us; and<lb/>the moon bade the clouds fall from her,<lb/>and sat in
                        her throne like the sun at<lb/>noonday: and none of the apple-trees<lb/>were
                        bare now, though autumn was<lb/>far worn, but fruit &amp; blossom
                        covered<lb/>them together. And they were too thick<lb/>to see through
                        clearly; but looking far down<epage/>
                        <page n="[72]" image="a.nb0005.duke.73.tif"/>
                        <lb/>I saw a white hand holding forth an apple,<lb/>and heard the first
                        notes of the Siren's song.<lb/>Then my love clung to me and wept; but<lb/>I
                        began to struggle down the slope through<lb/>the thick wall of bough and
                        fruit and<lb/>blossom, scattering them as the storm scatters<lb/>the dead
                        leaves; for that one apple only<lb/>would my heart have. And my love
                        snatched<lb/>at me as I went; but the branches I thrust<lb/>away sprang back
                        on my path, &amp; tore<lb/>her hands and face: and the last<lb/>I
                        knew of her was the lifting of her<lb/>arms to heaven as she cried aloud
                        above<lb/>me, while I still forced my way downwards.<lb/>And now the Siren's
                        song rose clearer as I went.<lb/>At first she sang, &#8220;Come to
                        Love;&#8221; and of the<lb/>sweetness of Love she said many things. And
                        next<lb/>she sang, &#8220;Come to Life;&#8221; &amp; Life
                        was sweet in<lb/>her song. But long before I reached her, she<lb/>knew that
                        all her will was mine: and then<lb/>her voice rose softer than ever, and her
                        words<lb/>were, &#8220;Come to Death;&#8221; and Death's name
                        in<lb/>her mouth was the very swoon of all sweetest things<lb/>that be. And
                        then my path cleared; and she<lb/>stood over against me in the fork of the
                        tree I knew so well, <lb/>blazing now like a lamp beneath the moon. And
                        one<lb/>kiss I had of her mouth, as I took the apple from her<lb/>hand. But
                        while I bit it, my brain whirled &amp; my<lb/>foot stumbled; and I
                        felt my crashing fall through<lb/>the tangled boughs beneath her feet, and
                        saw the<lb/>dead <del>Damned</del> white faces that welcomed me in
                        the<lb/>pit. And so I woke cold in my bed: but it still<lb/>seemed that I
                        lay indeed at last among those who<lb/>shall be my mates for ever, and could
                        feel the apple<lb/>still in my hand.</p>
                </div1>
                <epage/>
                <page n="[73]" image="a.nb0005.duke.73.tif"/>
                <msadds type="other">
                    <trans>No. 6</trans>
                    <desc>WMR's notation in the upper left corner, numerating the item in the notebook</desc>
                </msadds>
                <div1 anchor="0.1.8" type="canzone" n="7" title="Last Love (Canzone)"
                  workcode="51-1871"
                  id="a.51-1871.dukems">
                    <divheader>
                        <title>Last Love <lb/>(Canzone)</title>
                    </divheader>
                    <delspan>
                        <lg n="1" type="quatrain">
                            <l n="1">Love hath a chamber all of imagery, </l>
                            <l n="2" indent="1"> And there in one dim nook </l>
                            <l n="3">A little storied web wherein my heart </l>
                            <l n="4"> From <del>pag</del> leaf to leaf is read as in a book.</l>
                        </lg>
                        <p>(One part in the middle of the web<lb/>begun and left
                            unfinished&#8212;a face<lb/>with ravelled threads falling over
                            it<lb/>&amp; hiding it.) Love says that the time<lb/>has come to
                            <del>fin</del> resume &amp; finish<lb/>this part of the web,
                            though much<lb/>has come between since it was<lb/>begun.)</p>
                    </delspan>
                </div1>
                <ornlb>------------------------------------------</ornlb>
                <div1 anchor="0.1.9" type="fragment" n="8" title="Heart's Hope" workcode="2-1871"
                  id="a.2-1871.dukems">
                    <delspan>
                        <lg n="1" type="fragment">
                            <l n="1" r="13">And instantaneous penetrating sense,</l>
                            <l n="2" r="14">In spring's first hour, of other springs gone by</l>
                        </lg>
                    </delspan>
                </div1>
                <ornlb>------------------------------------------</ornlb>
                <div1 anchor="0.1.10" type="fragment" n="9" title="The Soul's Sphere"
                  workcode="3-1873"
                  id="a.3-1873.dukems">
                    <delspan>
                        <lg n="1" type="fragment">
                            <l n="1" r="6">and things</l>
                            <l n="2" r="7">Conjectured in the lamentable night.</l>
                        </lg>
                    </delspan>
                </div1>
                <ornlb>------------------------------------------</ornlb>
                <div1 anchor="0.1.11" type="fragment" n="10" title="[Pitiful Past]"
                  workcode="poeticscraps">
                    <lg n="1" type="fragment">
                        <l n="1">What thing so pitiful as the poor Past?</l>
                    </lg>
                </div1>
                <epage/>
                <page n="[74]" image="a.nb0005.duke.74.tif"/>
                <msadds type="other">
                    <trans>No. 7</trans>
                    <desc>WMR's notation in upper left corner, numerating the notebook item</desc>
                </msadds>
                <div1 anchor="0.1.12" type="lyric" n="11" title="Chimes" workcode="2-1878"
                  id="a.2-18788.dukems">
                    <divheader>
                        <note>DGR has added the numbers 1, 3, 2, 4 at the left of the first four
                            couplets here, thus indicating his preferred sequence for them.</note>
                    </divheader>
                    <lg n="1" type="couplet" r="13">
                        <l n="1" r="25"> Lost love-labour &amp; lullaby, </l>
                        <l n="2" r="26" indent="1"> And lowly let love lie.</l>
                    </lg>
                    <lg n="2" type="couplet" r="15">
                        <l n="3" r="29"> Lovelorn labour and life laid by, </l>
                        <l n="4" r="30" indent="1"> And lowly let love lie.</l>
                    </lg>
                    <lg n="3" type="couplet" r="16">
                        <l n="5" r="31"> Late love-longing and life-sorrow </l>
                        <l n="6" r="32" indent="1"> And love's life lying low.</l>
                    </lg>
                    <lg n="4" type="couplet" r="14">
                        <l n="7" r="27"> Lost love-morrow and love fellow </l>
                        <l n="8" r="28" indent="1"> And love's life lying low.</l>
                    </lg>
                    <lg n="5" type="couplet" r="19">
                        <l n="9" r="37"> Beauty's bower in the dust o'erblown </l>
                        <l n="10" r="38" indent="1"> With a bare white breast of bone.</l>
                    </lg>
                    <lg n="6" type="couplet" r="20">
                        <l n="11" r="39"> Barren beauty and bower of sand </l>
                        <l n="12" r="40" indent="1"> With a blast on either hand.</l>
                    </lg>
                    <lg n="7" type="couplet" r="25">
                        <l n="13" r="49"> Hollow heaven and the hurricane </l>
                        <l n="14" r="50" indent="1"> And hurry of the heavy rain.</l>
                    </lg>
                </div1>
                <epage/>
                <page n="[75]" image="a.nb0005.duke.74.tif"/>
                <msadds type="other">
                    <trans>No. 8</trans>
                    <desc>WMR's notation in upper left corner, numerating the notebook item</desc>
                </msadds>
                <div1 anchor="0.1.13" type="ballad" n="12" title="Rose Mary" id="a.29a-1871.i3"
                  workcode="29-1871"
                  subset="a">
                    <divheader>
                        <title>[&#8220;Rose Mary&#8221;]</title>
                        <note>WMR has added the title in square brackets above the text, which has
                            been cancelled on the page by DGR.</note>
                    </divheader>
                    <delspan>
                        <lg n="1" type="quintain" r="44">
                            <l n="1" r="216">&#8220;Small hope, my girl, for a helm to hide</l>
                            <l n="2" r="217">In mists that cling to a wild moorside:</l>
                            <l n="3" r="218">
                                <del>No will for them but of</del>
                                <add>Soon they melt with the</add> wind and sun,</l>
                            <l n="4" r="219">And scarce <del>they'd</del>
                                <add>would</add> wait till <del>the</del>
                                <add>a</add> deed were done:</l>
                            <l n="5" r="220">God send such snare be the worst to shun!</l>
                        </lg>
                        <lg n="2" type="quintain" r="45">
                            <l n="6" r="221">&#8220;Still the road <del>shifts</del>
                                <add>winds</add> ever anew</l>
                            <l n="7" r="222">
                                <del>And</del>
                                <add>As it</add> hastens on towards Holycleugh:</l>
                            <l n="8a" r="223">
                                <del>Everywhere the path lies clear;</del>
                            </l>
                            <l n="9a" r="224">
                                <del>And now as/ As ever the castle draws more near;</del>
                            </l>
                            <l n="10a" r="225">
                                <del>Still past it goes, and there's nought to fear.</del>
                            </l>
                            <l n="10b" r="225">
                                <del>Now/And now it has passed and still no fear.</del>
                            </l>
                            <l n="8" r="223">
                                <add>And</add> ever the <del>castle</del>
                                <add>great walls</add> loom<del>s</del> more near,</l>
                            <l n="9" r="224">Till the castle-shadow, steep and sheer,</l>
                            <l n="10" r="225">Drifts as a cloud, and the sky is clear.&#8221;</l>
                        </lg>
                        <lg n="3" type="quintain" r="46">
                            <l n="11" r="226">&#8220;Enough, my daughter,&#8221; the
                                mother said,</l>
                            <l n="12" r="227">And took to her breast the bending head;</l>
                            <l n="13" r="228">&#8220;Rest here, darling, as long ago,</l>
                            <l n="14" r="229">While <del>your</del>
                                <add>a</add> heart's song lulls you, sweet &amp; low;</l>
                            <l n="15" r="230">For all is learnt that we need to know.</l>
                        </lg>
                        <lg n="4" type="quintain" r="47">
                            <l n="16" r="231">&#8220;Long the miles and many the hours</l>
                            <l n="17" r="232">From the castle-wall to the abbey-towers;</l>
                            <l n="18" r="233">But there he may journey without dread;</l>
                            <l n="19" r="234">Too thick with life is the whole road spread</l>
                            <l n="20" r="235">For murder's trembling foot to tread.&#8221;</l>
                        </lg>
                    </delspan>
                </div1>
                <epage/>
                <page n="[76]" image="a.nb0005.duke.77.tif"/>
                <div1 anchor="0.1.14" type="drama notes" n="13" title="The Doom of the Sirens"
                  workcode="47p-1869"
                  id="a.47p-1869.dukems">
                    <p n="1">Scene I to begin with a description by the<lb/>hermit of dawn at sea
                        after the storm overnight&#8212;<lb/>golden plough on the
                        sea-fields&#8212;&#8220;And a<lb/>fresh dawn again
                        incredible&#8221; &amp;c.</p>
                </div1>
                <epage/>
                <page n="[77]" image="a.nb0005.duke.77.tif"/>
                <div1 anchor="0.1.15" type="prose" n="14" title="Rose Mary" id="a.29b-1871.i3"
                  workcode="29-1871"
                  subset="b">
                    <divheader>
                        <note>This is DGR's early prose synopsis of parts II and III of the ballad.</note>
                    </divheader>
                    <p>Their embrace lasted till<lb/>the mother felt unable<lb/>to embrace longer
                        the<lb/>creature to whom she<lb/>must still give so much<lb/>pain. Then
                        suddenly<lb/>her sobs ceased, and<lb/>giving one long kiss to<lb/>her
                        daughter, she held<lb/>her tightly still, but<lb/>away from herself,
                        and<lb/>said: &#8220;You spoke but now<lb/>but wedding music.
                        How<lb/>if the bridegroom came<lb/>home again but sought<lb/>you not and
                        said not<lb/>a word?&#8221; and Rose<lb/>Mary looked in
                        wonder<lb/>&amp; said: I know his<lb/>heart, and I would<lb/>say that
                        he was troubled<lb/>and overwearied, and<lb/>that he would not see
                        me<lb/>till his eyes could make<lb/>mine happy.&#8221; But
                        the<lb/>mother said, &#8220;What if<lb/>his hands and lips
                        were<lb/>cold when you clasped<lb/>and kissed them?&#8221; And<lb/>Rose
                        Mary answered, &#8220;I<lb/>know his heart; and<lb/>I would say that
                        the wind<lb/>was chill, and that it<lb/>was a sweet task for</p>
                    <epage/>
                    <page n="[78]" image="a.nb0005.duke.79.tif"/>
                    <p>my hands and lips to warm<lb/>them.&#8221; Then the
                        mother:<lb/>&#8220;But what if you asked<lb/>him of your wedding day
                        &amp;<lb/>he never answered?&#8221; And Rose<lb/>Mary <del>answered</del>
                        <add>said</add>, &#8220;But mother,<lb/>his heart is mine; and
                        I<lb/>should know then for certain<lb/>that he meant me a
                        sweet<lb/>surprise, and that the music<lb/>and the garlands were at
                        the<lb/>door and would meet my<lb/>eyes ere I could ask again.<lb/>But
                        wherefore do you speak<lb/>thus?&#8221; Then her mother was<lb/>silent
                        as not knowing what<lb/>to say again, till she clasped<lb/>her yet more
                        closely and asked<lb/>once more: &#8220;How think you<lb/>poor
                        daughter, that I know<lb/>your secret and your sin?&#8221;<lb/>And Rose
                        Mary said: &#8220;Alas!<lb/>I never thought how you knew,<lb/>when your
                        words showed me<lb/>that so it was: and now<lb/>your love makes me
                        pray<lb/>again that you know. Did<lb/>you learn it by the
                        Beryl<lb/>stone?&#8221; But the mother<lb/>said: &#8220;The Beryl
                        stone speaks<lb/>not to me. But had you no<lb/>fears, daughter, knowing
                        your<lb/>own heart, when <del>you so</del> last you<lb/>sought its counsel
                        which the<lb/>pure alone may claim, and<lb/>no fears since for the truth
                        of<lb/>its showing?&#8221; Then Rose<lb/>Mary started like a
                        stricken<lb/>fawn; &amp; she said, &#8220;O mother,<lb/>but
                        still I saw!&#8221; And the<lb/>mother: &#8220;Ah daughter,
                        why<lb/>hid you your heart from my<lb/>great love? Alas! I would</p>
                    <epage/>
                    <page n="[79]" image="a.nb0005.duke.79.tif"/>
                    <p> have told you that sin in the<lb/>sëer must chase away
                        the<lb/>good spirits of the Beryl, and<lb/>the evil ones that took
                        their<lb/>place might either show<lb/>nought to you or show the<lb/>truth by
                        contraries.&#8221; Then<lb/>Rose Mary neither spoke nor<lb/>moved: and
                        her mother<lb/>kissed her many times &amp;<lb/>said: &#8220;O
                        daughter, believe<lb/>that a love no less than his<lb/>is still with you:
                        but oh!<lb/>more cold and mute than<lb/>you are now is the
                        bridegroom<lb/>who has come home to-day.<lb/>O daughter, the mist
                        you<lb/>saw on the road to Holycleugh<lb/>was no mist but a veil
                        of<lb/>error and deceit: there<lb/>and not in the vally the<lb/>danger
                        lurked, and thence<lb/>has your dead love been born<lb/>home
                        today.&#8221; But while<lb/>she still spoke, Rose Mary<lb/>swooned. Her
                        mother wrung<lb/>her hands and called to<lb/>her in vain: then,
                        going<lb/>without the chamber door, she<lb/>opened a secret panel,
                        and<lb/>hurrying to the altar chamber,<lb/>returned with a flask
                        from<lb/>which she sprinkled the<lb/>pallid face and hands. Soon<lb/>there
                        came some first signs of<lb/>returning life: and then the<lb/>mother stood
                        up and hid her<lb/>eyes, saying: &#8221;O how shall I<lb/>bear to meet
                        her glance when<lb/>she wakes? O for some help<lb/>to wrestle with this
                        terrible<lb/>horror! I will seek the priest<lb/>who prays by the dead man,
                        &amp;<lb/>he shall aid me to soothe her anguish.&#8221;</p>
                    <epage/>
                    <page n="[80]" image="a.nb0005.duke.81.tif"/>
                    <p>With that, she ran down the castle<lb/>stairs to the hall where the
                        dead<lb/>man still lay as he had been<lb/>brought in, with the priest
                        praying<lb/>beside him, while the scared <lb/>retainers of the house
                        crowded<lb/>in but stood aloof from the body.<lb/>The priest rose on seeing
                        her, &amp;<lb/>giving her a packet, told her<lb/>that it had been
                        found next<lb/>the slain man's heart. The lady<lb/>took it and said to him: <del>She</del>
                        <lb/>&#8220;O father, she knows the worst now.<lb/>I beseech of you, go
                        seek her in<lb/>my chamber, where she lies not<lb/>yet recovered from a
                        swoon;<lb/>and when she can hear you,<lb/>speak to her of Heaven
                        and<lb/>comfort before I come again. I<lb/>will be with you ere long,
                        but<lb/>it may well be that only such<lb/>words as yours should
                        first<lb/>meet her ears.&#8221; The priest<lb/>hastened away; and then
                        the<lb/>lady, bidding all the others with-<lb/>-draw, <del>sat</del>
                        <add>knelt</add> down by the head<lb/>of the corpse, and gazed long<lb/>in
                        the face, saying: &#8220;Sorely<lb/>didst thou wrong my child<lb/>and
                        me; <addspan>alas! <lb/>and by her unwitting <del>word</del> means <lb/>has
                            God's will brought thee <lb/>to death.</addspan> yet had thy
                        life<lb/>stayed with thee, I doubt not<lb/>thy loving heart would
                        have<lb/>redeemed her honour and<lb/>thine own. <addspan>Thy shrift thou
                            hast never <lb/>won; but may death spoil <lb/>thy soul for
                        sin!</addspan> Peace be with<lb/>thee; but what with her?&#8221;<lb/>As
                        she was about to kiss the<lb/>brow of the corpse, her eyes fell<lb/>on the
                        papers that she still held<lb/>in her hand, and she
                        said,&#8212;<lb/>&#8220;Ah poor child, doubtless here<lb/>is some
                        pledge of thine.&#8221; She<lb/>opened the packet, and found<lb/>a lock
                        of golden hair twined<lb/>round <del>some</del> a folded paper.</p>
                    <epage/>
                    <page n="[81]" image="a.nb0005.duke.81.tif"/>
                    <p>Her hand trembled, and she<lb/>said: &#8220;This is none of my
                        child's<lb/>dark tresses!&#8221; And opening the<lb/>paper hastily, she
                        read this:&#8212;<lb/>&#8220;Come home, my love, three<lb/>days
                        hence at Holy Cross. I<lb/>I will go thither as for a shrift,<lb/>and do
                        then do likewise. My<lb/>brother rides from Holycleugh<lb/>the day before,
                        and will not<lb/>return till we are safe with<lb/>our love alone where he
                        cannot<lb/>reach us.&#8221; As she finished<lb/>reading, she closed her
                        eyes &amp;<lb/>seemed nigh to swoon; then<lb/>she dropped her hands
                            <del>like one</del>
                        <lb/>murmuring, &#8220;The Warden's<lb/>sister of
                        Holycleugh!&#8221; But<lb/>anon with a long moan she<lb/>rose to her
                        feet. &#8220;O God!&#8221; she <lb/>said, &#8221;O God! and
                        was it<lb/>for this? Well hast thou<lb/>paid thy treason, thou dead<lb/>body
                        and soul!&#8221; And as<lb/>she spoke, she smote the face<lb/>of the
                        corpse with the <add>long</add> lock of<lb/>golden hair, and left
                        it<lb/>lying across the pale lips.<lb/>At the same instant, the<lb/>priest
                        called to her from the<lb/>gallery that ran round<lb/>the hall, bidding her
                        come<lb/>quickly, for her daughter<lb/>was gone from the chamber<lb/>where
                        he had sought her, &amp;<lb/>they must now seek her together.</p>
                    <p>Part III</p>
                    <p>Rose Mary, on being left alone<lb/>by her mother, had ere long
                        re<lb/>-covered from her swoon. As she<lb/>rose to her feet, all the agony
                        of<lb/>the past hour rushed back con-<lb/>-fusedly on her soul, and she</p>
                    <epage/>
                    <page n="[82]" image="a.nb0005.duke.83.tif"/>
                    <p>looked round for her mother &amp;<lb/>doubted if it might not be a
                        dream.<lb/>She staggered towards the<lb/>chamber door, hardly
                        knowing<lb/>what she did, but calling wildly<lb/>on her mother &amp;
                        her lover to<lb/>come to her. Beyond the chamber<lb/>door, the secret door
                        in the<lb/>wall still stood open, having<lb/>been left so in haste by her
                        mother<lb/>when she sought the restoratives.<lb/>She made her way up the
                        dim<lb/>staircase, still half unconscious<lb/>and uttering broken cries
                        and<lb/>moans, till at the summit she<lb/>found herslef <del>at</del> in the
                        little<lb/>altar-chamber. On the altar,<lb/>between burning lamps
                        and<lb/>before an open book, stood the<lb/>Beryl stone on a silver
                        tripod.<lb/>Then all rushed back clearly<lb/>on her mind, and she
                        shrank<lb/>as from the sight of a serpent.<lb/>Above the altar there
                        hung<lb/>against the wall the helmet<lb/>and sword which her father<lb/>had
                        worn in Palestine when<lb/>he fought there and won the<lb/>talisman. Then
                        suddenly<lb/>she took down the sword, and<lb/>spoke to the Beryl-stone
                        saying:<lb/>&#8220;O ye accursed spirits! Strong<lb/>was the hand that
                        brought<lb/>ye hither, yet shall a weak<lb/>hand suffice to send ye
                        hence.<lb/>Now, my true love, even as<lb/>they have slain thee, so
                        God<lb/>send they may take my life<lb/>also; and as they speed to Hell<lb/>I
                        shall see thy face in Heaven;<lb/>for by the grace of God, surely<lb/>our
                        sin <del>is</del>
                        <add>shall be thus</add> atoned.&#8221; Then<lb/>heaving up the sword
                        with both<lb/>hands, she brought the blade<lb/>down on the Beryl-stone and</p>
                    <epage/>
                    <page n="[83]" image="a.nb0005.duke.83.tif"/>
                    <p>cleft it asunder. The clang<lb/>of the falling sword was answered<lb/>by a
                        deafening shock, as if <del>all</del>
                        <lb/>
                        <del>the</del> earth and sky met together,<lb/>with wind and rain, with
                        the<lb/>rush of fire and water, with<lb/>the voice of laughter and
                        tears.<lb/>And when it ceased, Rose Mary<lb/>lay upon the ground pale
                        and<lb/>dead, but with no mark of<lb/>death upon her, &amp; with the
                        sword<lb/>still in her hand: Then a voice<lb/>said in the room:
                        &#8220;Come with<lb/>me, sweet soul, and I will<lb/>bring thee to thy
                        rest. Me thy<lb/>sin chased from the talisman,<lb/>and to me thou comest
                        in<lb/>pardon, who hast chased my<lb/>foes from it again. Already<lb/>has
                        thy heart forgotten its<lb/>hope in death, for the heaven<lb/>of pity is far
                        from the hell<lb/>of treason. Thy place, true<lb/>soul, is in Mary's
                        rose-bower,<lb/>with all smiles and kisses of<lb/>love; though for thee,
                        poor<lb/>corpse, nought is left but<lb/>loving sighs and tears, but<lb/>rent
                        rose-flowers and rosemary.&#8221;</p>
                </div1>
                <epage/>
                <page n="[84]" image="a.nb0005.duke.85.tif"/>
                <msadds type="other">
                    <trans>No. 9</trans>
                    <desc>WMR's notation in upper left corner, numerating the notebook item</desc>
                </msadds>
                <pageheader>
                    <note>The page is headed by WMR's bracketed description "&#8220;[Three
                        Notes]&#8221;. The texts are scripted upside down (in relation to the
                        scrpting norm in the rest of the notebook pages).</note>
                </pageheader>
                <div1 anchor="0.1.16" type="notebook entry" n="15" title="Commandments"
                  workcode="34-1871"
                  id="a.34-1871.dukems">
                    <divheader>
                        <note>Though a prose text, this seems clearly to have been drafted for
                            &#8220;Commandments&#8221;, pieces of which he was drafting in
                            his notebooks from 1871 onwards. </note>
                    </divheader>
                    <p>
                        <del>Idealize all things but thyself. ? an</del>
                        <lb/>Seek thine ideal <del>in</del> anywhere except in<lb/>thyself. Once <del>find</del>
                        <add>fix</add> it there, and the ways<lb/>of thy real <del>?</del>
                        <add>self</add> will matter nothing<lb/>to thee, whose eyes <del>are fixed/
                            set only</del>
                        <add>can rest</add> on the ideal<lb/>already perfected.</p>
                </div1>
                <div1 anchor="0.1.17" type="fragment" n="16"
                  title="[Could I have seen the thing I am today]"
                  workcode="poeticscraps">
                    <divheader>
                        <note/>
                    </divheader>
                    <p>Could I have seen the thing I am to-day,<lb/>The same (how strange!) the same
                        as I was then!<lb/>Yet the time may come when to my soul<lb/>it may be
                        difficult in such old things<lb/>to tell which came first of all
                        the<lb/>days which now seem so wide apart.</p>
                </div1>
                <div1 anchor="0.1.18" type="prose" n="17" title="Transfigured life" workcode="2-1873">
                    <divheader>
                        <note>This is DGR's prose synopsis of the sonnet &#8220;Transfigured Life&#8221;.</note>
                    </divheader>
                    <p>As the features of a child <del>are</del> recall now<lb/>the father
                        &amp; now the mother, and yet are<lb/>different from both; so in a
                        work may<lb/>be traced in a new form this or that<lb/>passion or experience
                        of its author's life,<lb/>though all be turned to a fresh purpose.</p>
                </div1>
                <epage/>
                <page n="[85a]" image="a.nb0005.duke.85a.tif"/>
                <div1 anchor="0.1.19" type="picture notes" n="18" title="Lancelot and Guenevere"
                  workcode="2p-1858"
                  id="a.2p-1858.dukems">
                    <p n="1">
                        <xref doc="a.sa251.raw">1.</xref> How <del>King Arthur</del>Sir
                        Lancelot<lb/>was made a knight at the hand<lb/>of King Arthur, &amp;
                        how Queen Guenevere<lb/>crowned him.</p>
                    <p n="2">
                        <xref doc="a.s93.raw">2.</xref> How Sir Lancelot <add>being in quest of the
                        S[ancgreal]</add> fell in<lb/>a deep sleep before the shrine,<lb/>
                        <del>of the Sancgrael</del> for he might<lb/>not enter in, because
                        of<lb/>the love he bore to Queen<lb/>Guenevere, King Arthur's wife.</p>
                    <p n="3">
                        <xref doc="a.s94.raw">3.</xref> How Sir Galahad, <del>Sir Laucelot's</del>
                        <lb/>
                        <del>son</del> with Sir Bors &amp; Sir<lb/>Percival, they 3 being
                        clean<lb/>maids, were fed with the<lb/>Sancgreal, but Sir
                        Percival's<lb/>sister died on the way.</p>
                    <p n="4">
                        <xref doc="a.s95.raw">4.</xref> How <del>Sir Agravaine, Sir Mordred, and
                        Sir</del> Sir Lancelot was<lb/>found in Queen Guenevere's chamber,<lb/>and
                        how Sir Agravain &amp; Sir Mordred<lb/>
                        <del>with more</del> came with 12 knights<lb/>to slay him.</p>
                    <p n="5">
                        <xref doc="a.s73.raw">5.</xref> How Sir Lancelot parted<lb/>from Queen
                        Guenevere at<lb/>King Arthur's tomb, and<lb/>would have kissed her
                        at<lb/>parting, but she would not.</p>
                    <epage/>
                    <page n="[85aVerso]" image="a.nb0005.duke.85av.tif"/>
                    <p>San Graal<lb/>Agravain</p>
                </div1>
                <epage/>
                <page n="[85]" image="a.nb0005.duke.85.tif"/>
                <div1 anchor="0.1.20" type="prose" n="19" title="The Philtre" workcode="33p-1870"
                  id="a.33p-1870.dukems">
                    <divheader>
                        <title>The Love Philtre</title>
                        <note>This is DGR's prose synopsis of the projected work.</note>
                    </divheader>
                    <p>A woman, intensely enamoured of a man who <lb/>does not love her, makes use
                        of a philtre to <lb/>secure his love. In this she succeeds; but <lb/>it also
                        acts gradually upon his life. She <lb/>attempts to avert this by destroying
                        the <del>whole</del>
                        <lb/>whole effect of the philtre, but finds this is <lb/>not permitted her;
                        and he dies in her <lb/>arms, deeply loving her and deeply loved <lb/>by
                        her, while she is conscious of being the <lb/>cause of his death. As he
                        yields his <lb/>last breath in a kiss, she knows that <lb/>his spirit now
                        hates her.</p>
                </div1>
                <div1 anchor="0.1.21" type="prose" n="20" title="Michael Scott's Wooing"
                  workcode="29-1869.s222">
                    <divheader>
                        <note>This is DGR's prose synopsis of his projected work on Michael Scott.</note>
                        <title>Michael Scott's Wooing</title>
                    </divheader>
                    <p n="1">Michael Scott &amp; a friend, both young and<lb/>dissolute, are
                        returning from a carouse<lb/>by moonlight, along a wild sea-coast<lb/>during
                        a groundswell. As they come<lb/>within view of a small house on
                        the<lb/>rocky shore, his companion taunts<lb/>Michael Scott <del>with</del>
                        <add>as to</add> his known passion<lb/>for the maiden Janet who
                        dwells<lb/>there with her father, and as to the<lb/>failure of the snares he
                        has laid<lb/>for her. Scott is goaded to great<lb/>irritation, and as they
                        near the point<lb/>of the sands overlooked by the cottage,<lb/>he turns
                        round on his friend and<lb/>declares that the maiden shall come<epage/>
                        <page n="[86]" image="a.nb0005.duke.87.tif"/>
                        <lb/>out to him then &amp; there at his summons.<lb/>The friend still
                        taunts &amp; banters him<lb/>saying that wine has heated
                        his<lb/>brain; but Scott stands quite still,<lb/>muttering &amp;
                        regarding the cottage with<lb/>a gesture of command. After he has
                        done<lb/>so for some time, the door opens softly,<lb/>&amp; Janet
                        comes running down the rock.<lb/>As she approaches, she nearly
                        rushes<lb/>into Michael Scott's arms, but instead,<lb/>swerves aside, runs
                        swiftly by him,<lb/>&amp; plunges into the surging waves.<lb/>With a
                        shriek Michael plunges after<lb/>her, &amp; strikes out this side
                        &amp; that,<lb/>and lashes his way among the billows,<lb/>between the
                        rising &amp; sinking breakers;<lb/>but all in vain, &#8212;no
                        sign appears<lb/>of her. After some time spent in this<lb/>way he returns
                        almost exhausted<lb/>to the sands, and passing without<lb/>answer by his
                        appalled &amp; questioning<lb/>friend, he climbs the rock to the
                        door<lb/>of the cottage, which is now closed.<lb/>Janet's father answers his
                        loud<lb/>knocking, and to him he says,&#8212;<lb/>&#8220;Slay me,
                        for your daughter has<lb/>drowned herself this hour in yonder<lb/>sea,
                        &amp; by my means.&#8221; The father<lb/>at first suspects some
                        stratagem, but<lb/>finally deems him mad, &amp; says,&#8212;<epage/>
                        <page n="[87]" image="a.nb0005.duke.87.tif"/>
                        <lb/>&#8220;You rave,&#8212;my daughter is at rest in
                        her<lb/>bed.&#8221; &#8220;Go seek her there,&#8221; answers
                        Michael<lb/>Scott. The father goes up to his daughter's<lb/>chamber,
                        &amp; returning very pale, signs<lb/>to Michael to follow him.
                        Together<lb/>they climb the stair, &amp; find Janet half<lb/>lying
                        and half kneeling, <del>as if in the</del>
                        <lb/>
                        <del>act of</del> turned violently round, as if<lb/>in the act of rising
                        from her bed, she<lb/>had again thrown herself backward<lb/>and clasped the
                        feet of a crucifix<lb/>at her bedhead; so she lies dead.<lb/>Michael Scott
                        rushes from the house,<lb/>and returning maddened to the<lb/>seashore, is
                        with difficulty restrained<lb/>from suicide by his friend. At last
                        he<lb/>stands like stone for a while, and<lb/>then, as if repeating an inner
                        whisper,<lb/>he describes the maiden's last struggle<lb/>with her heart. He
                        says how she<lb/>loved him but would not sin; how<lb/>hearing in her sleep
                        his appeal from<lb/>the shore she almost yielded, and the<lb/>embodied image
                        of her longing came<lb/>rushing out to him; but how <del>at</del>
                        <add>in</add> the<lb/>last instant she turned back for<lb/>refuge to Christ,
                        &amp; her soul was wrung<lb/>from her by the struggle of her
                        heart.<lb/>&#8220;And as I speak,&#8221; he says, &#8220;the
                        fiend<lb/>who whispers this concerning her says<lb/>also in my ear how
                        surely I am lost.&#8221;</p>
                </div1>
                <epage/>
                <page n="[88]" image="a.nb0005.duke.88.tif"/>
                <div1 anchor="0.1.22" type="art notes" n="21">
                    <p>White canvas<lb/>model with turps &amp; burnt sienna
                        &amp;<lb/>black&#8212;<lb/>When dry paint with oil, but<lb/>thin
                        especially in the shadows.<lb/>When dry, glaze.&#8212;</p>
                </div1>
                <epage/>
                <page n="[89]" image="a.nb0005.duke.88.tif"/>
                <pageheader>
                    <note>The notes are written in pencil on the endpaper of the notebook.</note>
                </pageheader>
                <div1 anchor="0.1.23" type="memoranda" n="22"
                  title="[Mr. Harmer, Mr. Dewdney, Mr. Churchman]">
                    <p>Mr Harmer (shoemaker)<lb/>Assistant overseer<lb/>Hollington<lb/>(2 miles from Hastings)</p>
                    <ornlb>--------------------------</ornlb>
                    <p>Mr Dewdney<lb/>Bell Hotel<lb/>Boxhill<lb/>(4 miles from H.)</p>
                    <ornlb>--------------------------</ornlb>
                    <p>Sidley&#8212;a mile from Boxhill</p>
                    <ornlb>--------------------------</ornlb>
                    <p>Mr. Churchman<lb/>George Inn<lb/>Battle</p>
                </div1>
                <epage/>
            </div0>
        </body>
    </text>
</ram>
