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     image="a.op135.tif"
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     workcode="op135">
 
 
 
 
   <ramheader>
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         <titlestmt>
            <title>Bubbles</title>
            <author>Sir John Everett Millais</author>

    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>
   
   


         <notesstmt> </notesstmt>
         <sourcedesc>
            <citnstruct>
               <title>Bubbles</title>
               <artist>Sir John Everett Millais</artist>
               <note/>
               <imageprod>
                  <date compdate="1885,1886">1885-1886</date>
                  <exhibition/>
                  <copy/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name/>
                     <date/>
                  </patron>
                  <originalcost/>
                  <note/>
               </imageprod>
               <provenance>
                  <location>Liverpool Museums, Lady Lever Art Gallery</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist>Purchased from the artist by Sir William Ingram, proprietor of the Illustrated
       London News; sold to Thomas Barrett of A &amp; F Pears, c.
       1887; the work became part of the Unilever collection when Lever Brothers acquired A &amp;
       F Pears in 1914; on long-term loan by Unilever to the Royal Academy; on long-term loan by Unilever to Lady Lever Art Gallery</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>oil on canvas</medium>
                  <technique/>
                  <dimensions/>
                  <frame/>
                  <internalevidence>
                     <signature/>
                     <date/>
                     <assign/>
                     <other/>
                     <note/>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro>
      </repro>
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               <keyword/>
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         <description/>
         <subject/>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <model>
            <name>Willie James</name>
            <note>The artist's grandson was the model for this work.</note>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
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               <citnpictorial>
                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
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               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
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               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
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         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This type of subject was called a "fancy picture" and for some Victorian and modern
      audiences represents the degeneracy of Millais's style and his willingness to pander to the
      public's taste for sentimentalism. The work was made famous by it's incorporation in a Pears
      Soap advertisement, a purpose Millais never intended or condoned.  DGR
      and others believed that Millais betrayed the early ideals of the PRB when he began to
      devote the majority of his time to painting for the lucrative portrait market.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p>This work takes up the sixteenth and seventeenth century tradition of <hi rend="i">memento mori</hi> painting. The bubbles are a
      reminder of the brevity of human life.</p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl/>
               </p>
            </section>
         </commentaries>
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