Dante Gabriel Rossetti and Jane Morris: Their Correspondence John Bryson and Janet Camp Troxell 1 Dante Gabriel Rossetti and Jane Morris: Their Correspondence John Bryson and Janet Camp Troxell Clarendon Press BAS Printers, Limited, Wallop, Hampshire Oxford 1976 1976 [i]-[xxii], 1-219 Commentary
Introduction

Textual History: Composition

Textual History: Revision

Production History

Reception History

Iconographic

Printing History

Pictorial

Historical

Literary

Translation

Autobiographical

Bibliographic

Dante Gabriel Rossetti and Jane Morris Their Correspondence

Janey—posed by Rossetti in his garden at 16 Cheyne Walk Jane Morris seated in a wicker chair. Her body is angled toward the camera, with her head in near-profile facing right. The chair faces right. Her right fist and wrist rest atop the chairback, which she grips with her left hand.

DANTE GABRIEL ROSSETTI AND JANE MORRIS Their Correspondence edited with an Introduction by JOHN BRYSON in association with JANET CAMP TROXELL CLARENDON PRESS . OXFORD 1976 <authorline/> <note>Letters are numbered on the outer page margins.</note> </divheader> <omit extent="pages iv-70" reason="temporary"/> <page n="71" image="a."/> <pageheader> <technotes/> <bibliosig/> <note>The first complete letter on this page is numbered 34</note> </pageheader> <omit extent="up to letter 34" reason="temporary"/> <div1 anchor="0.1.1" type="letter" n="1" title="Letter: Thursday [July 1878]" id="a.dgr.ltr.0034.i1" workcode="dgr.ltr" subset="0034"> <divheader> <title/> <authorline/> <note/> </divheader> <opener> <lb indent="4"/> <date>Thursday [July 1878]</date> <lb/> <salute>My dear Janey,</salute> </opener> <p>I am sending you the 2 autotypes. At some moment you can let me have them again for framing. I hope you will be able to send me just one line to say how you are.</p> <closer> <salute>Your affectionate</salute> <lb/> <name>Gabriel</name> </closer> <p>I copy overpage a label which is to be printed and put on the Silence—<hi rend="sup" id="A.PN1">1</hi> </p> <p>Silence holds in on hand a branch of peach, the symbol used by the ancients; its fruit being held to resemble the human heart and its leaf the human tongue. With the other hand she draws together the veil encircling the shrine in which she sits.</p> <pagenote target="A.PN1"> <p> <hi rend="sup">1</hi> Crayon drawing, 1870, a favourite of Rossetti. Sold without his knowledge during his illness and absence in Scotland in 1872 to Aldam Heaton. Bought back and sold to Charles Rowley of Manchester in 1876 (S.214). Now in Brooklyn Museum, N.Y.</p> </pagenote> </div1> <omit extent="rest of page" reason="temporary"/> <omit extent="pages 72-219" reason="temporary"/> <epage/> </div0> </body> </text> </ram>