<?xml version="1.0" encoding="iso-8859-1"?>
<ram xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
     xsi:noNamespaceSchemaLocation="file:/C:/Documents%20and%20Settings/wombat/Desktop/parse/ram.xsd"
     image="a."
     archivetype="rad"
     type="book"
     id="a.pr5246.m4"
     metatype="web.otherbook"
     workcode="">
    <ramheader>
        <filedesc>
            <titlestmt>
                <title>Dante Gabriel Rossetti, Painter Poet of Heaven in Earth: Rossetti Archive Document</title>
                <author>R. L. Mégroz</author>
                
                
            </titlestmt>
            <editionstmt>
                <edition>1</edition>
            </editionstmt>
            <extent/>
            
            
            <notesstmt>This electronic document is a partial reconstruction of the original edition.
                Only the material relevant to the texts of DGR is gathered into this work. The
                complete document is scheduled for transcription later. </notesstmt>
            <sourcedesc>
                <citnstruct>
                    <title>Dante Gabriel Rossetti: Painter Poet of Heaven in Earth</title>
                    <author>R. L. Megroz</author>
                    <imprint>
                        <publisher>Faber &amp; Gwyer</publisher>
                        <printer>Chiswick Press</printer>
                        <city>London</city>
                        <date compdate="1929">1929</date>
                        <edition/>
                        <pagination/>
                        <issue/>
                        <authorization/>
                        <collation/>
                        <note/>
                    </imprint>
                    <scribe/>
                    <corrector/>
                    <provenance>
                        <location/>
                        <recnum>pr5246.m4</recnum>
                        <note/>
                    </provenance>
                    <physicaldesc>
                        <binding>
                            <cover/>
                            <endpapers/>
                        </binding>
                        <typography>
                            <typeface>
                                <point/>
                                <font/>
                            </typeface>
                            <pagelines>
                                <number/>
                                <length/>
                            </pagelines>
                            <columns/>
                            <margin type="top"/>
                            <margin type="bottom"/>
                            <margin type="right"/>
                            <margin type="left"/>
                            <note/>
                        </typography>
                        <paper/>
                        <watermark/>
                        <size/>
                        <note/>
                    </physicaldesc>
                </citnstruct>
            </sourcedesc>
        </filedesc>
        <encodingdesc/>
        <profiledesc>
            <commentaries>
                <head>Commentary</head>
                <section type="intro">
                    <head>Introduction</head>
                    <p>Essentially a work of biography and biographical criticism,
                        Mégroz's volume emphasizes the intersections of DGR's life and
                        work. As the author puts it in his introduction, &#8220;<quote>his life
                            and works are reflections of each other, and both are reflections of an
                            extraordinarily fixed personality.</quote>&#8221; (vii).
                        Mégroz prints two stanzas of DGR's early poem on Napoleon,
                        entitled <title level="wrk">
                            <xref doc="a.2-1845.raw">&#8220;<quote>The End of It</quote>&#8221;</xref>
                        </title>, which was written June 18, 1845. Mégroz takes his text
                        from <bibl>
                     <author>Wise's</author> 
                     <title level="doc">Catalogue of the Ashley Library</title>
                            (1922). </bibl>
               </p>
                </section>
                <section type="texthistcomp">
                    <head>Textual History: Composition</head>
                    <p/>
                </section>
                <section type="texthistrev">
                    <head>Textual History: Revision</head>
                    <p/>
                </section>
                <section type="printhist">
                    <head>Printing History</head>
                    <p/>
                </section>
                <section type="pictorial">
                    <head>Pictorial</head>
                    <p/>
                </section>
                <section type="historical">
                    <head>Historical</head>
                    <p/>
                </section>
                <section type="literary">
                    <head>Literary</head>
                    <p/>
                </section>
                <section type="translation">
                    <head>Translation</head>
                    <p/>
                </section>
                <section type="autobio">
                    <head>Autobiographical</head>
                    <p/>
                </section>
                <section type="biblio">
                    <head>Bibliographic</head>
                    <p>
                        <bibl>
                            <author>Wise</author>, 
                            <xref doc="a.z997.w8.vol4.rad" link="dead" from="109" to="111" workcode="2-1845">
                                <title level="bk">
                                    <hi rend="i">The Ashley Library </hi>
                                </title>
                            </xref> 
                            <pages>IV. 109-11</pages>.
                            </bibl>
                        <bibl>
                            <author>Fennell</author>, 
                            <xref doc="a.z8759.8.f45.1982.rad" link="dead" from="235">
                                <title level="bk">
                                    <hi rend="i">Annotated Bibliography </hi>
                                </title>
                            </xref> 
                     <pages>235</pages>.
                        </bibl>
               </p>
                </section>
            </commentaries>
        </profiledesc>
        <revisiondesc/>
    </ramheader>
    <text>
        <body>
            <omit extent="pages 1-39" reason="not by DGR"/>
            <page n="40" image="a."/>
            <omit extent="first paragraph" reason="not by DGR"/>
            <div0 anchor="0.1" type="commentary" n="1" title="">
                <p>It was inexact to describe this piece, which Polidori printed in 1843, as a
                        &#8220;<quote>first attempt</quote>&#8221;, for <title level="wrk">
                        <xref doc="a.1-1835.raw">
                            <hi rend="i">The Slave</hi>
                        </xref>
                    </title>, dated in his fifth year, and a prose romance, never finished,
                        called <title level="wrk">
                        <xref doc="a.1-1843.s10.raw">
                            <hi rend="i">Sorrentino</hi>
                        </xref>
                    </title>, written during school years, preceded it. But in writing to Swinburne
                    in 1870 the poet describes a still later piece, written in 1845, as
                        &#8220;<quote>what I may call my first poem (after still more childish
                        things) I believe, and enclose it you for a lark. Of course it is on nothing
                        less than Napoleon at Waterloo!</quote>&#8221;<phrase id="A.PN1">
                        <hi rend="sup">1</hi>
                    </phrase> It is called <title level="wrk">
                        <xref doc="a.2-1845.raw">&#8220;<quote>The End Of It</quote>&#8221;</xref>
                    </title>, and has a biographical interest, showing that the youthful Dante
                    Gabriel was not quite oblivious of the world's events. Here are two of the four
                    stanzas which are printed in Mr. Wise's Catalogue:</p>
            </div0>
            <div0 anchor="0.2" type="ballad" n="2" title="The End of It." id="a.2-1845.i1"
               workcode="2-1845">
                <lg n="1" type="stanza">
                    <l n="1">His brows met, and his teeth were set,</l>
                    <l n="2" indent="1">And his mouth seemed in pain,</l>
                    <l n="3">And madness closed and grappled with him</l>
                    <l n="4" indent="1">As they turned his bridle-rein.</l>
                    <l n="5">And albeit his eyes went everywhere,</l>
                    <l n="6" indent="1">Yet they saw not anything:</l>
                    <l n="7">And he drew the bit tightly, for he thought</l>
                    <l n="8" indent="1">That his horse was stumbling.</l>
                </lg>
                <ornlb>---------------</ornlb>
                <pagenote place="f" anchor="y" resp="au" target="A.PN1">
                    <p>
                        <hi rend="sup">1</hi> Vol. iii, <title level="wrk">Catalogue of the Ashley Library.</title>
                    </p>
                </pagenote>
                <epage/>
                <page n="41" image="a."/>
                <lg n="2" type="stanza">
                    <l n="9">There was a great shouting about him</l>
                    <l n="10" indent="1">And the weight of a great din:</l>
                    <l n="11">But what was the battle he had around</l>
                    <l n="12" indent="1">To the battle he had within?</l>
                    <l n="13">A pond in motion to the stress of the ocean,</l>
                    <l n="14" indent="1">A lamp to a furnace-eye,</l>
                    <l n="15">Or the wind's wild-weeping fits</l>
                    <l n="16">To the voice of Austerlitz</l>
                    <l n="17" indent="1">When it shook upon the sky.</l>
                </lg>
            </div0>
            <omit extent="remainder of page" reason="not by DGR"/>
            <epage/>
            <omit extent="pages 42-[340]" reason="not by DGR"/>
        </body>
    </text>
</ram>