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         <titlestmt>
            <title>The Parable of the Vineyard:  The Planting of the Vine</title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>


         <notesstmt/>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <date>1861</date>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <subject/>
         <form>
            <rhyme/>
            <meter/>
            <genre/>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
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                  <name/>
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                  <place/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This is the first of the series of seven designs that DGR made for a set of stained glass 
  windows to be manufactured by &#8220;The Firm&#8221;, that is to say, the partnership of Morris, 
  Marshall, Faulkner and Co. founded in April 1861.  (See commentary for 
  <xref doc="a.s145.raw">
                     <title level="pic">
                        <hi rend="i">The Story of St. George and the Dragon: the Skulls
   Brought to the King</hi>
                     </title>
                  </xref>.)</p>
               <p>The stained glass panels made from this set of designs were first exhibited at the <hi rend="i">International Exhibition</hi> of 1862, and thereafter they were installed as the east window in St. Martin's-on-the-Hill Church, Scarborough. <bibl>
                     <author>Sewter</author>  
 (<xref doc="a." link="dead">
                        <title level="bk">
                           <hi rend="i">Stained Glass</hi>
                        </title>
                     </xref>, <pages>67</pages>) </bibl> is highly critical of DGR's design technique.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p>The drawings for the series are all in the William Morris Gallery in Walthamstow.</p>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>Based on <bibl>
                     <xref doc="a." link="dead">
                        <title level="bk">
                           <hi rend="i">Matthew</hi>
                        </title>
                     </xref>  
                     <pages>20: 1-16</pages>
                  </bibl>.</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="113" workcode="s133">
                        <title level="bk">
                           <hi rend="i">DGR: An Illustrated Memorial</hi>
                        </title>
                     </xref>, <pages>113</pages>.</bibl>
  
                  <bibl>
                     <author>Sewter</author>, 
  <xref doc="a." link="dead">
                        <title level="bk">
                           <hi rend="i">The Stained Glass of William 
   Morris and his Circle</hi>
                        </title>
                     </xref>, 
  <pages>66-68</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="82" workcode="s133">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>vol. 1, 82 (no. 133)</pages>.</bibl>
               </p>
            </section>
         </commentaries>
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                  <textual/>
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   </ramheader>
   <readingtext/>
   <viewingimage>
      <xref doc="a.s133.rap">William Morris Gallery (Walthamstow) drawing</xref>
   </viewingimage>
   <wclist>
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         <title>Drawings of D. G. Rossetti</title>
         <author>Wood, T. Martin</author>
         <artist/>
         <editor/>
         <date>1907</date>
         <medium/>
         <repro>0</repro>
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         <title>The Parable of the Vineyard:  The Planting of the Vine</title>
         <author/>
         <artist>DGR</artist>
         <editor/>
         <date>1861   </date>
         <medium>pen and ink and ink wash, laid down</medium>
         <repro>2</repro>
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         <title>The Parable of the Vineyard (The Planting of the Vine)</title>
         <author/>
         <artist>DGR</artist>
         <editor/>
         <date>1862   </date>
         <medium>stained glass</medium>
         <repro>1</repro>
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