Faust: Mephistopheles Outside Gretchen's Cell Dante Gabriel Rossetti 1 1846 April
<artist/> <location/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p>The Faust story never lost its hold on DGR, and this drawing may be the earliest showing his interest in the legend, and especially in Goethe's monumental treatment. The diabolical element was most important, and it can be traced through all his works, both written and pictorial, to the end of his life. Equally important for DGR was the figure of Gretchen, whose psychic trials fascinated DGR.</p> <p>Besides this drawing, the six other works that were specifically inspired by Goethe's work include a <xref doc="a.s18.raw">pencil drawing</xref> done around 1846; <xref doc="a.s34.raw"> <title level="pic"> <hi rend="i">Faust: Gretchen and Mephistopheles in Church</hi> , <hi rend="i">Faust: Margaret in the Church</hi> , and <hi rend="i">Faust (Part I last scene)</hi> (all three dating from 1848); the 1856 drawing <hi rend="i">Faust: Faust and Margaret in Prison</hi> ; and finally, the late oil <hi rend="i">Risen at Dawn</hi> , which DGR worked at between 1878-1880.

Textual History: Composition

Textual History: Revision

Production History

Reception

Iconographic

Pictorial

Historical

Literary

DGR's pictorial treatments all focus on three of the scenes in Part I of Goethe's drama: lines 2783-2804, Gretchen opening the jewel case, which is the subject for his late unfinished oil; lines 3777-3844 (the scene of “Gretchen in Church”; and finally two drawings depicting different parts of the final dungeon scene, one recollecting the scene in a general way, the other apparently an effort to render Gretchen's hallucinations at the very end (lines 4565-4610).

Translation

Autobiographical

Bibliographic

WMR, Family Letters, vol. 1, 98 Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 1, 4 (no. 17).

Birmingham City Museum and Art Gallery drawing Faust: Mephistopheles Outside Gretchen's Cell DGR 1846 April April/46 pen and brown ink on blue-grey writing paper 1