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     id="a.s178"
     type="painting"
     image="a.s178.bifa.tif"
     width="850"
     height="1040"
     metatype="web.visual"
     workcode="s178">
    
    
    
    
    
    
    <ramheader>
        <filedesc>
            <titlestmt>
                <title>The Blue Bower</title>
                <author>Dante Gabriel Rossetti</author>
                
                
            </titlestmt>
            <editionstmt>
                <edition>1</edition>
                <copyright>©Barber Institute of Fine Arts, University of Birmingham</copyright>
            </editionstmt>
            <extent/>
            
            
            <notesstmt/>
            <sourcedesc>
                <citnstruct>
                    <title>The Blue Bower</title>
                    <artist>DGR</artist>
                    <note/>
                    <imageprod>
                        <date compdate="1865">1865</date>
                        <exhibition>R.A. 1883 (no.303); Manchester <hi rend="i">Royal Jubilee
                            Exhibition</hi> 1887 (no.707); Wembley <hi rend="i">British Empire
                            Exhibition</hi> 1924 (w.23); Newcastle 1971 (n.60); Tate 1984 (n.132)</exhibition>
                        <copy/>
                        <copy/>
                        <intendedcontext/>
                        <patron>
                            <name/>
                            <date/>
                        </patron>
                        <originalcost>£120</originalcost>
                        <note/>
                    </imageprod>
                    <provenance>
                        <location>The Barber Institute of Fine Arts, University of Birmingham </location>
                        <recnum/>
                        <purchaseprice/>
                        <note/>
                        <archivehist>Gambart, £120; Agnew, £500; (?Samuel) Mendl. J. Dyson
                            Perrins; Sotheby's sale April 22, 1959
                            (lot 109), £1900; The Barber Institute of Fine Arts, University of Birmingham</archivehist>
                    </provenance>
                    <physicaldesc>
                        <medium>oil</medium>
                        <technique/>
                        <dimensions>35 1/2 x 27 1/4 in.</dimensions>
                        <frame/>
                        <internalevidence>
                            <signature>monogram</signature>
                            <date>1865</date>
                            <assign/>
                            <other/>
                            <note>The monogram and date are inscribed at lower right.</note>
                        </internalevidence>
                        <restoration>
                            <date/>
                            <name/>
                            <desc/>
                        </restoration>
                        <note/>
                    </physicaldesc>
                    <reproduction>
                        <repro image="a.s178.surtees.repro.tif">
                            <bibl>
                                <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="s178">
                                    <hi rend="i">A Catalogue Raisonné</hi>
                                </xref>, <pages>vol. 2, plate 259</pages>.</bibl>
                            <size/>
                            <color/>
                            <note/>
                        </repro>
                    </reproduction>
                </citnstruct>
                <fileprod>
                    <itemtype/>
                    <hardware/>
                    <software/>
                    <scanmode/>
                    <finalres/>
                </fileprod>
            </sourcedesc>
        </filedesc>
        <encodingdesc/>
        <profiledesc>
            <classification>
                <scheme type="">
                    <keyword/>
                </scheme>
            </classification>
            <description/>
            <subject/>
            <addressee/>
            <model>
                <name>Fanny Cornforth</name>
                <note/>
            </model>
            <repainting>
                <date/>
                <desc/>
            </repainting>
            <source>
                <listcitn>
                    <citnliterary>
                        <bibl/>
                        <note/>
                    </citnliterary>
                    <citnpictorial>
                        <title/>
                        <artist/>
                        <bibl/>
                        <note/>
                    </citnpictorial>
                    <citnmythic>
                        <name/>
                        <culture/>
                        <bibl/>
                        <note/>
                    </citnmythic>
                    <citnhistorical>
                        <event/>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnhistorical>
                    <citnautobiographical>
                        <name/>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnautobiographical>
                    <citnscenic>
                        <place/>
                        <date/>
                        <bibl/>
                        <note/>
                    </citnscenic>
                </listcitn>
            </source>
            <commentaries>
                <head>Commentary</head>
                <section type="intro">
                    <head>Introduction</head>
                    <p>The picture is an aesthetic work, as emphasized by the background tiles
                        (inspired by the blue and white china DGR loved and collected). Also notable
                        is the fantasy recreation of a Japanese koto as the musical instrument. The
                        painting is an excellent example of DGR's determination to make an artistic
                        marriage of western Venetian ideas and motifs with eastern decorative art
                        work, including Japanese ukiyo-e colored prints.</p>
                </section>
                <section type="prodhist">
                    <head>Production History</head>
                    <p/>
                </section>
                <section type="recepthist">
                    <head>Reception</head>
                    <p/>
                </section>
                <section type="icon">
                    <head>Iconographic</head>
                    <p/>
                </section>
                <section type="pictorial">
                    <head>Pictorial</head>
                    <p/>
                </section>
                <section type="historical">
                    <head>Historical</head>
                    <p/>
                </section>
                <section type="literary">
                    <head>Literary</head>
                    <p/>
                </section>
                <section type="autobio">
                    <head>Autobiographical</head>
                    <p/>
                </section>
                <section type="biblio">
                    <head>Bibliographic</head>
                    <p>
                                                                        <bibl>
                            <author>Benedetti</author>, <xref doc="a.nc242.r646.rad" from="252" to="" workcode="9-1879.s162" link="dead">
                                <title level="bk">
                                    <hi rend="i">Dante Gabriel Rossetti</hi>
                                </title>
                            </xref>, <pages>252</pages>.</bibl>
                        <bibl>
                            <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" workcode="s178" from="102">
                                <title level="bk">
                                    <hi rend="i">A Catalogue Raisonné</hi>
                                </title>
                            </xref>, <pages>vol. 1, 102 (no. 178)</pages>.</bibl>
                        <bibl>
                            <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="s178">
                                <title level="bk">
                                    <hi rend="i">A Catalogue Raisonné</hi>
                                </title>
                            </xref>, <pages>vol. 2, plate 259</pages>.</bibl>
                    </p>
                </section>
            </commentaries>
        </profiledesc>
        <revisiondesc/>
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