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         <titlestmt>
            <title>The Raven: Angel Footfalls </title>
            <author>Dante Gabriel Rossetti</author>

         </titlestmt>
         <editionstmt>
            <edition>1</edition>
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         <extent/>


         <notesstmt/>
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      <profiledesc>
         <date>1846-1848</date>
         <classification>
            <scheme type="">
               <keyword/>
               <keyword/>
            </scheme>
         </classification>
         <subject>Edgar Allen Poe's &#8220;The Raven&#8221;</subject>
         <form>
            <rhyme/>
            <meter/>
            <genre/>
         </form>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
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            <desc/>
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                  <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>The remarkable set of drawings illustrates Poe's <title level="wrk">
                     <hi rend="i">The Raven</hi>
                  </title>.  The series represents a defining moment in
DGR's artistic life, both in literature and in art. There are four
known illustrations by DGR of Poe's famous poem: an early (ca. 1846) 
<xref doc="a.s19.rap" workcode="s19">chiaroscuro drawing</xref>, plus three
later pieces (all ca. 1848) in a markedly different style: a 
<xref doc="a.s19b.rap" workcode="s19">pen and wash drawing on
light-brown paper</xref>, another <xref doc="a.s19c.rap" workcode="s19">pen
and wash</xref> (on light blue paper), and a 
<xref doc="a.s19a.rap" workcode="s19">pen and pencil drawing</xref>. All
three of the later drawings are linear and sharply articulated, and they
clearly relate to the same stylistic urgencies that led DGR to help in the
formation of the Pre-Raphaelite Brotherhood.</p>
               <p>That Poe should have been the occasion for this artistic
change is both interesting and somewhat remarkable, for Poe is a key
figure in the development of DGR's literary style as well. The
second-order romanticism developed 
in Poe's imaginative writings, and explicated in
essays like &#8220;<title level="wrk">The Poetic Principle</title>&#8221; and &#8220;<title level="wrk">The Philosophy of Composition</title>&#8221;, is recapitulated in
DGR's work, where the key is primarily Dantean rather than (as in Poe)
Shelleyan/Byronic.</p>
               <p>DGR also made illustrations for two other Poe works, <xref doc="a.s29.rap" workcode="s29">The Sleeper</xref> and <xref doc="a.s30.rap" workcode="s30">Ulalume</xref>.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p>The earliest of these illustrations was
executed in June 1846, a <xref doc="a.s19.rap" workcode="s19">pen and brown ink
sketch</xref> done in DGR's earlier chiaroscuro style. The three other
drawings are all later and in a very different style (ca.1848).</p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="printhist">
               <head>Printing History</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>The illustrations are keyed to several passages
of Poe's poem, but each drawing is an effort to
render the central conception of the poem in general, as
DGR read it. The haunting is therefore, in DGR's version, not simply
through the spirit of Lenore, but through the imaginative construction
of that spirit: hence the presence, in DGR's drawings (but not in Poe's
 poem) of the &#8220;portrait&#8221; of Lenore on the wall.</p>
               <p>DGR's annotated copy of Poe's <bibl>
                     <xref doc="a.">
                        <title level="bk">
                           <hi rend="i">The Raven and Other Poems</hi>
                        </title>
                     </xref>
                  </bibl> (1846) is in the Troxell Collection, Princeton University Library.</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a.n1.a255.v97.1973.rad" workcode="s19" link="dead" from="142" to="145">
                        <author>Grieve</author>, </xref> 
&#8220;<title level="es">Rossetti's Illustrations for Poe</title>,&#8221; 
<title level="per">
                        <hi rend="i">Apollo</hi>
                     </title> 97
(<date>1973</date>), <pages>142-145</pages>.</bibl>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="24" workcode="s19a">
                        <title level="bk">
                           <hi rend="i">DGR: An Illustrated Memorial</hi>
                        </title>
                     </xref>, <pages>24</pages>.</bibl>
                  <bibl>
                     <xref doc="a.ac-tate1984.rad" from="243" workcode="s19">
                        <title level="bk">
                           <hi rend="i">The Pre&#8211;Raphaelites , Tate 1984</hi>
                        </title>
                     </xref>, <pages>243</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" workcode="s19" from="4">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, 
<pages>vol. 1, 4 (no. 19)</pages>.</bibl>
               </p>
            </section>
         </commentaries>
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      <xref doc="a.s19b.rap">Victoria and Albert Museum drawing</xref>
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