<?xml version="1.0" encoding="iso-8859-1"?>
<ram xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
     xsi:noNamespaceSchemaLocation="file:/C:/Documents%20and%20Settings/wombat/Desktop/xmlEditing/ram.xsd"
     archivetype="rap"
     id="a.s233"
     type="painting"
     image="a."
     metatype="web.visual"
     workcode="1-1872.s233"
     dblwork="1-1872.s233">
 
 
 
 
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Proserpine (sixth version)</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
         </editionstmt>
         <extent/>
   
   
         <notesstmt/>
         <sourcedesc>
            <citnstruct>
               <title>Proserpine (sixth version)</title>
               <artist>DGR</artist>
               <note/>
               <imageprod>
                  <date compdate="1877">1877</date>
                  <exhibition>Manchester, Royal Institution, <hi rend="i">Art Treasures Exhibtion</hi>, 1878;
       Manchester, Royal Institution, 1882, no. 250; B.F.A.C., 1883, no. 86; Manchester, <hi rend="i">Royal Jubilee</hi>, 1887, no. 699; Guildhall, 1895, no. 48; New Gallery, 1897, no.
       21; Dublin, <hi rend="i">Irish International Exhibition</hi>, 1907</exhibition>
                  <copy/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name/>
                     <date/>
                  </patron>
                  <originalcost/>
                  <note/>
               </imageprod>
               <provenance>
                  <location>L. S. Lowry, R. A.</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist>W.A. Turner; Turner Sale, Christie's April 28, 1888 (no. 116); Charles Butler; by
       descent to his grandson, Charles Butler; Christie's November 20, 1964 (no. 25)</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>oil</medium>
                  <technique/>
                  <dimensions>46 x 22 in.</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature>Dante Gabriele Rossetti</signature>
                     <date>1877</date>
                     <assign/>
                     <other/>
                     <note>Signature and date appear on a scroll in the lower left: &#8220;Dante Gabriele
        Rossetti ritrasse nel capo d'anno del 1877&#8221;.</note>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro image="a.s233.era.repro.tif">
                     <bibl>
                        <author>Angeli</author>, <xref doc="a.ac-angeli.nd497.r8.a774.rad" from="27" workcode="s233">
                           <hi rend="i">DGR con 107 illustrazioni</hi>
                        </xref>, <pages>27</pages>.</bibl>
                  </repro>
                  <repro image="a.s233.surtees.repro.tif">
                     <bibl>
                        <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="s233">
                           <title level="bk">
                              <hi rend="i">A Catalogue Raisonné</hi>
                           </title>
                        </xref>, vol. 2, no. 331.</bibl>
                  </repro>
                  <repro image="a.s233.m.tif" width="454" height="921">
                     <bibl>
                        <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" workcode="s233" from="vii">
                           <title level="bk">
                              <hi rend="i">DGR: An Illustrated Memorial</hi>
                           </title>
                        </xref>, facing page 174.</bibl>
                  </repro>
                  <repro image="a.s233.mor.repro.tif" width="224" height="473">
                     <bibl>
                        <xref doc="a.ac-gowans.759.2r735m393.rad" workcode="s233" from="50">
                           <title level="bk">
                              <hi rend="i">Masterpieces of Rossetti</hi>
                           </title>
                        </xref> (Gowans and Gray), 50.</bibl>
                  </repro>
                  <repro image="a.sa12.s.tif" width="567" height="750">
                     <bibl>
                        <author>F. G. Stephens</author>, <xref doc="a.n1.p6.1894.rad" from="80a" workcode="1-1872.s233">
                           <title>
                              <hi rend="i">Dante Gabriel Rossetti</hi>
                           </title>
                        </xref>, <pages>80a</pages>.</bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
                  <repro image="a.s233.r-1.auto.tif" width="466" height="950">
                     <bibl> Delaware Art Museum <xref doc="a.sa307.s233.rap" workcode="1-1872.s233">print</xref>.</bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
                  <repro image="a.s233.r-1.auto.tif" width="466" height="950">
                     <bibl>Delaware Art Museum <xref doc="a.sa307.s233.rap" workcode="1-1872.s233"> print</xref>.</bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
               </reproduction>
            </citnstruct>
            <fileprod>
               <itemtype/>
               <hardware/>
               <software/>
               <scanmode/>
               <finalres/>
            </fileprod>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <description/>
         <subject/>
         <addressee/>
         <model>
            <name>Jane Burden Morris</name>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
               <citnpictorial>
                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
               </citnmythic>
               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnautobiographical>
               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p>Of the eight known versions of <xref doc="a.1-1872.s233.raw">
                     <title level="pic">Proserpine</title>
                  </xref>, this is the sixth. This painting was begun in October or November of 1873, to replace
      the <xref doc="a.sa101.s233.rap">previous version</xref>, which had been damaged during the
      lining process. When sent to Frederic Leyland in Liverpool in December of that same year, it
      too was disfigured during transportation and returned to the artist (Fredeman, <xref doc="a.">
                     <title>
                        <hi rend="i">Correspondence</hi>
                     </title>
                  </xref>, 74.4). The head and hands were cut out and patched onto a new canvas, and the rest of
      the picture repainted. DGR then redated the work to 1877 and sold it to W.A. Turner.</p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Angeli</author>, <xref doc="a.ac-angeli.nd497.r8.a774.rad" from="27" workcode="s233">
                        <hi rend="i">DGR con 107 illustrazioni</hi>
                     </xref>, <pages>27</pages>.</bibl>
                  <bibl>
                     <author>Fredeman</author>, <xref doc="a.">
                        <title>
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, <pages>74.4, 74.23, 74.46, 74.47, 77.86, 77.111</pages>.</bibl>
                  <bibl>
                     <xref doc="a.ac-gowans.759.2r735m393.rad" workcode="s233" from="50">
                        <title level="bk">
                           <hi rend="i">Masterpieces of Rossetti</hi>
                        </title>
                     </xref> (Gowans and Gray), 50.</bibl>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" workcode="s233" from="vii">
                        <title level="bk">
                           <hi rend="i">An Illustrated Memorial</hi>
                        </title>
                     </xref>, vii, 63, 141, 164, 169-170, 172-175, 184, 186, 195, 199.</bibl>
                  <bibl>
                     <author>F. G. Stephens</author>, <xref doc="a.n1.p6.1894.rad" from="79" workcode="1-1872.s233">
                        <title>
                           <hi rend="i">Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>79-81</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" workcode="s233" from="131" to="132">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 131-132 (no. 233).</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="s233">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 2, no. 331.</bibl>
      
                  <bibl>
                     <xref doc="a.ac-tate1997.rad" link="dead" workcode="s233">
                        <title level="bk">
                           <hi rend="i">The Age of Rossetti, Burne&#8211;Jones, and Watts, </hi>
                        </title>
                     </xref> [Tate 1997], <pages>159</pages> (no. 46).</bibl>
      
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
   </ramheader>
   <text>
      <body>
         <div0 anchor="0.1" type="PICTURENOTES" n="">
            <lg n="1" type="octave">
               <l n="1"> Lungi è la luce che in sù questo muro</l>
               <l n="2" indent="1"> Rifrange appena, un breve istante scorta</l>
               <l n="3" indent="1"> Del rio palazzo alla soprana porta.</l>
               <l n="4">Lungi quei fiori d'Enna, O lido oscuro,</l>
               <l n="5">Dal frutto tuo fatal che omai m'è duro.</l>
               <l n="6" indent="1"> Lungi quel cielo dal tartareo manto</l>
               <l n="7" indent="1"> Che quì mi cuopre: e lungi ahi lungi ahi quanto</l>
               <l n="8">Le notti che saràn dai dì che furo.</l>
            </lg>
            <lg n="2" type="sestet">
               <l n="9">Lungi da me mi sento; e ognor sognando</l>
               <l n="10" indent="1"> Cerco e ricerco, e resto ascoltatrice;</l>
               <l n="11" indent="1"> E qualche cuore a qualche anima dice,</l>
               <l n="12">(Di cui mi giunge il suon da quando in quando,</l>
               <l n="13">Continuamente insieme sospirando,)&#8212;</l>
               <l n="14" indent="1"> &#8220;Oimè per te, Proserpina infelice!&#8221;</l>
            </lg>
            <note>Poem appears in the upper right corner of the painting.</note>
         </div0>
      </body>
   </text>
</ram>
