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         <titlestmt>
            <title>The Death of Lady Macbeth</title>
            <author>Dante Gabriel Rossetti</author>

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         <editionstmt>
            <edition>1</edition>
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         <date>1875 (circa)</date>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p/>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p>The date of the three principal drawings is uncertain. Sharp assigns them to 1874, Surtees to
      1875. Apparently DGR made his finished drawings in preparation for a large canvas, but he
      never undertook the project, in spite of the fact that Howell had a buyer for such a picture, as he wrote to DGR
      in December 1875: &#8220;What do you want for Lady Macbeth and when will it be begun and
      finished? Grant wants an important picture, and I am told (not by him) that it must be a
      certain size, as it is going into a drawing room where there will be no other pictures. Write
      to me, describe the picture, describe more or less the size, and name your price, and time by
      which you think it can be finished&#8221; (see <bibl>
                     <author>Fredeman</author>, <xref doc="a.">
                        <title level="bk">
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, <pages>75.230</pages>
                  </bibl>).</p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p>&#8220;Filled with a sense of frenzy and nightmarish flux. . ., [the] influences can be
      seen from Fuseli and his follower Theodore von Holst&#8221;
       (see <bibl>
                     <author>Grieve</author>, <xref doc="a.ac-tate1984.rad" from="308" workcode="s242" link="dead">
                        <title level="bk">
                           <hi rend="i">The Pre&#8211;Raphaelites, Tate 1984</hi>
                        </title>
                     </xref>, <pages>308</pages>
                  </bibl>).</p>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="162" to="163">
                        <title level="bk">
                           <hi rend="i">DGR: An Illustrated Memorial</hi>
                        </title>
                     </xref>, <pages>162-163</pages>.
      </bibl>

                  <bibl>
                     <author>Sharp</author>, <xref doc="a.nd497.r8s5.rad" link="dead">
                        <title level="bk">
                           <hi rend="i">DGR: A Record and a Study</hi>
                        </title>
                     </xref>, <pages>212-214</pages>.
      </bibl>

                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="140" workcode="s242" to="141">
                        <title>
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, <pages>140-141</pages>. </bibl>
      
                  <bibl>
                     <xref doc="a.ac-tate1984.rad" from="308" to="309" workcode="s242" link="dead">
                        <title level="bk">
                           <hi rend="i">The Pre&#8211;Raphaelites, Tate 1984</hi>
                        </title>
                     </xref>, <pages>308-309</pages>.</bibl>
               </p>
            </section>
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      <xref doc="a.s242.rap">Carlisle Museum and Art Gallery pencil drawing</xref>
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         <title>Dante Gabriele Rossetti con 107 Illustrazioni</title>
         <author>Elena Rossetti Angeli</author>
         <artist/>
         <editor/>
         <date>1906</date>
         <medium/>
         <repro>0</repro>
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         <title>Notebook Pages (Notebook I, Duke Library)</title>
         <author>Dante Gabriel Rossetti</author>
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         <date>1863-1869</date>
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         <title>Drawings of D. G. Rossetti</title>
         <author>Wood, T. Martin</author>
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         <date>1907</date>
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         <repro>0</repro>
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         <title>Dante Gabriel Rossetti, An Illustrated Memorial of His Art and Life</title>
         <author>H. C. Marillier</author>
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         <date>1899</date>
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         <repro>0</repro>
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         <title>The Death of Lady Macbeth</title>
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         <editor/>
         <date>1876  1876 </date>
         <medium>chalk</medium>
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         <date>1857-1890 (circa)   </date>
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         <date>1875 -1913 (circa)   </date>
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