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     id="a.s244.r-1"
     type="painting"
     image="a.s244.r-1.tif"
     width="506"
     height="800"
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     workcode="1-1847.s244"
     dblwork="1-1847.s244"
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   <ramheader>
      <filedesc>
         <titlestmt>
            <title>The Blessed Damozel (reduced replica)</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>©Board of Trustees of National Museums and Galleries on Merseyside (Lady
     Lever Art Gallery, Port Sunlight)</copyright>
         </editionstmt>
         <extent/>
   
   
         <notesstmt/>
         <sourcedesc>
            <citnstruct>
               <title>The Blessed Damozel (reduced replica)</title>
               <artist>DGR</artist>
               <imageprod>
                  <date compdate="1875,1879">1875-9</date>
                  <exhibition>B.F.A.C., 1883 (no.72); New Gallery 1897 (no.63); Paris, <hi rend="i">Franco-British Exhibition</hi>, 1908 (no.91); Port Sunlight 1948 (no. 171); Paris 1972 (no.221); R.A., 1973; Rotterdam-Paris 1976 (no.206)</exhibition>
                  <patron>
                     <name>F. R. Leyland</name>
                     <date>1880</date>
                  </patron>
                  <originalcost>£500</originalcost>
                  <note>Leyland bought the picture &#8220;<quote>in lieu of a <xref doc="a.1-1875.sa88.raw">
                           <hi rend="i">
                              <title level="pic">Hero</title>
                           </hi>
                        </xref> commissioned some years previously and never executed, for which 800 gns. had been
        paid</quote>&#8221; (<xref doc="a.n6797.r58s9.vol1.rad">
                        <hi rend="i">Surtees</hi>
                     </xref>, vol. 1, 144 [no. 244.r.1]). WMR says he bought it in late 1880, but he did not take
       possession until February 1881 (see Doughty and Wahl's <xref doc="a.pr5246.a4.rad" link="dead">Letters</xref>, vol. IV, 1842-46, and WMR's <xref doc="a.nd497.r8r8.rad" from="110" to="111">DGR as Designer and Writer</xref>, 110-11).</note>
               </imageprod>
               <provenance>
                  <location>Lady Lever Art Gallery, Port Sunlight</location>
                  <recnum>WHL4391</recnum>
                  <purchaseprice/>
                  <archivehist>F.R. Leyland; Christie's sale May 28, 1892 (lot 55), £1,029 to the Honorable Mrs. O'Brien (later Lady Inchiquin); The Lady Lever Art Gallery</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>oil</medium>
                  <technique/>
                  <dimensions>59 1/2 x 31 1/2 in.</dimensions>
                  <frame>The picture and predella are set in an elaborate baroque gold frame.</frame>
               </physicaldesc>
               <reproduction>
                  <repro image="a.s244.r-1.m.tif" width="570" height="891">
                     <bibl>
                        <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="[188arecto]" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">DGR: An Illustrated Memorial</title>
                           </hi>
                        </xref>, facing page 188.</bibl>
                  </repro>
                  <repro image="a.s244.r-1.mor.repro.tif" width="176" height="339">
                     <bibl>
                        <author>Gowans and Gray</author>, <xref doc="a.ac-gowans.759.2r735m393.rad" from="61" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Masterpieces of DGR</title>
                           </hi>
                        </xref>, <pages>61</pages>.</bibl>
                  </repro>
                  <repro image="a.s244.r-1.frame.erad.tif">
                     <bibl>
                        <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="47" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Dante Gabriel Rossetti</title>
                           </hi>
                        </xref>, <pages>47</pages>.</bibl>
                  </repro>
                  <repro image="a.sa610.del.tif" width="1564" height="2237">
                     <bibl>Delaware Art Museum, Bancroft Collection <xref doc="a.sa610.s244.r-1.rap" workcode="1-1847.s244">(print)</xref>.</bibl>
                  </repro>
                  <repro image="a.sa611.del.tif" width="2056" height="2591">
                     <bibl>Delaware Art Museum, Bancroft Collection <xref doc="a.sa611.s244.r-1.rap" workcode="1-1847.s244">(print)</xref>.</bibl>
                  </repro>
                  <repro image="a.sa612.valprincep.tif" width="3153" height="4015">
                     <bibl>Delaware Art Museum, Bancroft Collection <xref doc="a.sa612.s244.r-1.rap" from="" to="" workcode="1-1847.s244">(print)</xref>.</bibl>
                  </repro>
                  <repro image="a.s244.r-1.damozel.phy.repro.tif" width="375" height="508">
                     <bibl>
                        <author>Phythian</author>, <xref doc="a.ac-phythian.1905.rad" from="41" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Pre-Raphaelite Brotherhood</title>
                           </hi>
                        </xref>, <pages>41</pages>.</bibl>
                     <note>Damozel only; lower part of picture not reproduced</note>
                  </repro> 
                  <repro image="a.s244.r-1.damozel.erad.repro.tif" width="373" height="509">
                     <bibl>
                        <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="48" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Dante Gabriel Rossetti</title>
                           </hi>
                        </xref>, <pages>48</pages>.</bibl>
                     <note>Detail of Damozel</note>
                  </repro>
                  <repro image="a.s244.r-1.lover.erad.repro.tif" width="527" height="222">
                     <bibl>
                        <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="49" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Dante Gabriel Rossetti</title>
                           </hi>
                        </xref>, <pages>49</pages>.</bibl>
                     <note>Detail of lover</note>
                  </repro>
                  <repro image="a.">
                     <bibl>
                        <author>Bennett</author>, <xref doc="a.ac-merseyside1988.rad" link="dead" workcode="1-1847.s244">
                           <hi rend="i">
                              <title level="bk">Pre-Raphaelite Circle</title>
                           </hi>
                        </xref>, plate xix.</bibl>
                  </repro>
               </reproduction>
            </citnstruct>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <description>The picture has the same central figure of the emparadised woman as in the <xref doc="a.s244.rap">first
    version</xref> done for Graham, but in this version the background of lovers has been replaced by three
    child&#8211;angels, and the child below the damozel in the first picture has been removed altogether.</description>
         <model>
            <name>Alexa Wilding</name>
         </model>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl>
                     <title>
                        <hi rend="i">Iconologia</hi>
                     </title>, <author>Filippo Pistrucci</author>
                     <city/>, <date>1821</date>
                  </bibl>
                  <note>This Aldine book was in the library of DGR's father, and its illustrations of
       emparadised female lovers clearly inspired DGR. WMR says that this book made a great
       influence on DGR, in particular its &#8220;coloured allegorical designs&#8221; (<title level="bk">
                        <xref doc="a.pr5246.a43.rad">Family Letters</xref>
                     </title>, vol. 1, 62) of women.</note>
               </citnliterary>
               <citnliterary>
                  <bibl>
                     <title>
                        <hi rend="i">La Vita Nuova</hi>
                     </title>, <author>Dante Alighieri</author>, <date>1292</date>
                  </bibl>
                  <note>Beatrice figure</note>
               </citnliterary>
               <citnmythic>
                  <name>vision of paradise</name>
                  <culture>Christian</culture>
                  <bibl/>
               </citnmythic>
               <citnscenic>
                  <place>Broadlands</place>
                  <date/>
                  <bibl/>
                  <note>
                     <quote>It is said that the beechwoods in the predella were painted near Broadlands, the home
        of the Cowper-Temples.</quote> But the report is contradicted by the fact that DGR left
       Broadlands in 1876, never to return; and the predella was done in 1878 (Surtees, <xref doc="a.n6797.r58s9.vol1.rad" from="142">A Catalogue Raisonné</xref>, 142 and
      n.).</note>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>
                  <title level="pic">
                     <hi rend="i">The Blessed Damozel</hi>
                  </title> is probably Rossetti's most famous painting. It is certainly his most elaborate
      presentation of the subject that interested him beyond all others: the relation of an
      emparadised woman to her earthly lover. The pictorial version of the subject comprises a later
      commentary or visual interpretation of the <xref doc="a.1-1847.s244.raw">poem</xref> by the
      same title that Rossetti had written much earlier, in 1847. The subject is also at the heart
      of his great translation project that culminated in his collection of <foreign lang="italian">
                     <hi rend="i">stil novisti</hi>
                  </foreign> verse, <xref doc="a.1-1861.raw">
                     <title level="wrk">
                        <hi rend="i">The Early Italian Poets</hi>
                     </title>
                  </xref>.</p>
               <p> This picture is the second of the two fully elaborated versions of the work. In its central
      features it replicates the <xref doc="a.s244.rap">original version</xref>. It differs in some
      notable ways from the first version, however, not least in the baroque frame (not by DGR)
      which so detracts from this painting. The removal of the paradise of kissing lovers reduces
      the formal complexity of the work and perhaps its conceptual range as well.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p> The picture was begun shortly after the more famous <xref doc="a.s244.rap">version</xref>
      bought by Graham, but this replica remained unsold until 1881. DGR was still working on it in
      April 1879 (Doughty and Wahl, <xref doc="a.pr5246.a4.rad" link="dead">Letters</xref>, vol.
      III, 1453, vol IV, 1632).</p>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p> The iconography of the <xref doc="a.s244.rap">original painting</xref> is replicated in
      this one, except that here the erotics of the damozel's paradise are muted by the replacement
      of the kissing lovers by the child&#8211;angels.</p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Benedetti, </author>
                     <xref doc="a.nc242.r646.rad" from="322" workcode="1-1847.s244" link="dead">
                        <title level="bk">
                           <hi rend="i"> Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>322</pages>.</bibl>
                  <bibl>
                     <editor>Doughty and Wahl</editor>, <xref doc="a.pr5246.a4.rad" link="dead" workcode="1-1847.s244">
                        <title level="bk">
                           <hi rend="i"> Letters</hi>
                        </title>
                     </xref>, <pages>vol.
       III, 1453, vol IV, 1632</pages>.</bibl>
                  <bibl>
                     <author>Gowans and Gray</author>, <xref doc="a.ac-gowans.759.2r735m393.rad" from="61" workcode="1-1847.s244">
                        <hi rend="i">
                           <title level="bk">Masterpieces of DGR</title>
                        </hi>
                     </xref>, <pages>61</pages>.</bibl>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="190" workcode="1-1847.s244">
                        <hi rend="i">
                           <title level="bk">DGR: An Illustrated Memorial</title>
                        </hi>
                     </xref>, <pages>190</pages>.</bibl>
                  <bibl>
                     <author>Phythian</author>
                     <xref doc="a.ac-phythian.1905.rad" from="41" workcode="1-1847.s244">
                        <hi rend="i">
                           <title level="bk">Pre-Raphaelite Brotherhood</title>
                        </hi>
                     </xref>, <pages>41</pages>.</bibl>
                  <bibl>
                     <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="47" to="49" workcode="1-1847.s244">
                        <hi rend="i">
                           <title level="bk">Dante Gabriel Rossetti</title>
                        </hi>
                     </xref>, <pages>47</pages>.</bibl>
                  <bibl>
                     <author>WMR</author>, <xref doc="a.nd497.r8r8.rad" from="110" to="111" workcode="1-1847.s244">
                        <title level="bk">
                           <hi rend="i">DGR as Designer and Writer</hi>
                        </title>
                     </xref>, <pages>110-111</pages>.</bibl>
                  <bibl>
                     <editor>WMR</editor>, <xref doc="a.pr5246.a43.rad">
                        <title level="bk">
                           <hi rend="i"> Family Letters</hi>
                        </title>
                     </xref>, vol. 1, 62.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="144" workcode="1-1843.s10">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 144 (no. 244.r.1).</bibl>
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
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