A Vision of Fiammetta Dante Gabriel Rossetti 1 A Vision of Fiammetta DGR 1878 Royal Institute, Manchester, 1882; R.A., 1883 (no.304); Huddersfield 1883 (no.296); Manchester, Royal Jubilee Exhibition, 1887 (no.703); Guildhall 1897 (no.143); New Gallery 1897 (no.67); R.A., 1901 (no.53); R.A., Pre-Raphaelites and Other Masters, 2003 Collection of Lord Andrew Lloyd-Webber W.A. Turner; Christie's sale April 28, 1928 (lot 117); Charles Butler; By descent to his grandson, Patrick Butler; Knight Frank & Rutley sale November 11, 1956 (lot 78); Christie's sale April 2, 1965 (lot 49); Mr. and Mrs. David Rust oil 36 x 55 in. DGR 1878 The signature and date are inscribed at lower left. Angeli, DGR con 107 illustrazioni , 141. Marillier, <hi rend="i">DGR: An Illustrated Memorial</hi> , 194b recto. Gowans and Gray, <hi rend="i">Masterpieces of Rossetti</hi> , 59. Delaware Art Museum print. Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 2, plate 366. “Fiammetta. . .wears a flame-coloured dress in allusion to her name. Her figure stands glowing against a dark background: a vision of the brief moment between life and death. The short-lived apple blossom signifies the transience of beauty: Fiammetta stands entwined in the branches of an apple tree surrounded by emblems of the departing soul a shower of falling red and white blossom, a blood-red bird (the messanger of death), butterflies (symbols of the soul), and an angel in the aureole around her head” ( Julian Treuherz, “Dante Gabriel Rossetti,” <hi rend="i">Pre-Raphaelites and Other Masters</hi> , Royal Academy Exhibition 2003, 31 ). Maria Spartali Stillman <artist/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p>Commentary is not yet available for this image.</p> </section> <section type="prodhist"> <head>Production History</head> <p/> </section> <section type="recepthist"> <head>Reception</head> <p/> </section> <section type="icon"> <head>Iconograpic</head> <p/> </section> <section type="pictorial"> <head>Pictorial</head> <p/> </section> <section type="historical"> <head>Historical</head> <p/> </section> <section type="literary"> <head>Literary</head> <p/> </section> <section type="autobio"> <head>Autobiographical</head> <p/> </section> <section type="biblio"> <head>Bibliographic</head> <p> <bibl> <author>Angeli</author>, <xref doc="a.ac-angeli.nd497.r8.a774.rad" from="141" workcode="s252"> <hi rend="i">DGR con 107 illustrazioni</hi> </xref>, <pages>141</pages>.</bibl> <bibl> <author>Benedetti</author>, <xref doc="a.nc242.r646.rad" from="329" to="330" workcode="1-1879.s252" link="dead"> <title level="bk"> <hi rend="i">Dante Gabriel Rossetti</hi> , 329-330. Gowans and Gray, <hi rend="i">Masterpieces of Rossetti</hi> , 59. Marillier, <hi rend="i">DGR: An Illustrated Memorial</hi> , 194-96 <hi rend="i">Pre–Raphaelite and Other Masters. The Andrew Lloyd–Webber Collection</hi> , 31. Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 1, 148-49 (no. 252). Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 2, plate 366.

Behold Fiammetta, shown in Vision here. Gloom–girt 'mid Spring–flushed apple–growth she stands; And as she sways the branches with her hands, Along her arm the sundered bloom falls sheer, In separate petals shed, each like a tear; While from the quivering bough the bird expands His wings. And lo! thy spirit understands Life shaken and shower'd and flown, and Death drawn near. All stirs with change. Her garments beat the air: The angel circling round her aureole Shimmers in flight against the tree's grey bole: While she, with reassuring eyes most fair, A presage and a promise stands; as 'twere On Death's dark storm the rainbow of the Soul. The frame of the painting is inscribed with three texts: the sonnet by Boccaccio “On his Last Sight of Fiammetta” that inspired the painting, DGR's translation of that sonnet, and DGR's original sonnet composition that explicitly doubles the picture.