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     archivetype="rap"
     id="a.s31"
     type="painting"
     image="a.s31.wsfa.tif"
     width="2201"
     height="2332"
     metatype="web.visual"
     workcode="s31">
 
 
 
 
 
 
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Bottles</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>©Delaware Art Museum, Samuel and Mary R. Bancroft Memorial</copyright>
            <note>Delaware Art Museum</note>
         </editionstmt>
         <extent/>
   
   
         <notesstmt> </notesstmt>
         <sourcedesc>
            <citnstruct>
               <title>Bottles</title>
               <artist>DGR</artist>
               <note/>
               <imageprod>
                  <date compdate="1848">1848</date>
                  <exhibition/>
                  <copy/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name/>
                     <date/>
                  </patron>
                  <originalcost/>
                  <note/>
               </imageprod>
               <provenance>
                  <location>Bancroft Collection, Delaware Art Museum, Wilmington</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist>WMR believed Madox Brown sold the painting to
       Herbert H. Gilchrist in 1894, whereas records in the Bancroft Collection suggest that it
       belonged to Fanny Cornforth until its sale in 1898.</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>oil</medium>
                  <technique/>
                  <dimensions>14 3/4 x 13 3/4 in.</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature>monogram</signature>
                     <date/>
                     <assign/>
                     <other/>
                     <note>Monogram on the largest bottle, lower left.  Probably added around 1860.</note>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro image="a.s31.surtees.repro.tif">
                     <bibl>
                        <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" from="" workcode="s31">
                           <title level="bk">
                              <hi rend="i">A Catalogue Raisonné</hi>
                           </title>
                        </xref>, <pages>vol. 2, plate 17.</pages>
                     </bibl>
                  </repro>
      
                  <repro image="a.prprb.vol1.75.tif">
                     <bibl>
                        <author>Hunt</author>, <xref doc="a.nd467.h9.1914.1.rad" from="75">
                           <title level="bk">
                              <hi rend="i">Pre-Raphaelitism</hi>
                           </title>
                        </xref>, <pages>75</pages>.</bibl>
                  </repro>
      
                  <repro image="a.sa614.del.tif" width="2280" height="2712">
                     <bibl>Delaware Art Museum <xref doc="a.sa614.s31.rap" from="" workcode="s31" to="">print</xref>.
       </bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
               </reproduction>
            </citnstruct>
            <fileprod>
               <itemtype/>
               <hardware/>
               <software/>
               <scanmode/>
               <finalres/>
            </fileprod>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <description/>
         <subject/>
         <addressee/>
         <model>
            <name>Fanny Cornforth</name>
            <note>It is likely that Fanny modeled for the figure of the sleeping woman.</note>
         </model>
         <repainting>
            <date>1860 (circa)</date>
            <desc>Surtees suggests that the sleeping figure may have been painted in around 1860, when the circular monogram DGR was then using, was probably added.</desc>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
               <citnpictorial>
                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
               </citnmythic>
               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnautobiographical>
               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p>
                  <quote>&#8220;Executed under the tutelage of Madox Brown in the early part of
       1848, and probably the first attempt in oils. The older artist had set him to paint
      still-life, a form of drudgery much opposed by Rossetti&#8221;</quote> (<bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="7" workcode="s31">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>vol. 1, 7 (no. 31)</pages>).</bibl>
               </p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Hunt</author>, <xref doc="a.nd467.h9.1914.1.rad" from="75">
                        <title level="bk">
                           <hi rend="i">Pre-Raphaelitism</hi>
                        </title>
                     </xref>, <pages>75</pages>.</bibl>
      
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="7" workcode="s31">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>vol. 1, 7 (no. 31)</pages>.</bibl>
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
   </ramheader>
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