◦ Surtees, A Catalogue Raisonné, vol. 1, 187 (no. 445).
This is the earliest and the sweetest of DGR's portraits of his mother. The most ambitious was the oil portrait begun in 1866 but not finished till 1868, and the most arresting was the late portrait in coloured chalks.
This collection contains 1 text or image, including:
Birmingham City Museum and Art Gallery drawing
Scholarly Commentary
Introduction
This is the earliest and the sweetest of DGR's portraits of his mother. The most ambitious was the oil portrait begun in 1866 but not finished till 1868, and the most arresting was the late portrait in coloured chalks.