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            <title>Alexa Wilding</title>
            <author>Dante Gabriel Rossetti</author>

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         <date>1866</date>
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            <name>Alexa Wilding</name>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>DGR discovered Alexa (Alice) Wilding by chance when he was walking to the Arundel Club one day 
     in the spring of 1865.  Seeing her walking next to him, he was struck with her beauty and 
     asked her on the spot to sit for him as a model.  She said she would do it if her mother 
     consented. Shortly afterwards, she wrote that her mother agreed.  They made an appointment 
     but--much to DGR's disappointment--she did not keep it.  Some few months later he saw her 
     again by chance in the street, stopped her, and offered her generous terms if she would sit 
     for him (Surtees, 
     <xref doc="a.n6797.r58s9.vol1.rad" from="200" workcode="s530" link="dead">
                     <title level="bk">
                        <hi rend="i">Catalogue Raisonné</hi>
                     </title>
                  </xref>, 200).  She agreed and gave up her 
      dressmaking job.  DGR retained her at a pound per week to sit for him whenever he asked.</p>
               <p>Grylls has some acute comments on how Wilding made such a good model for DGR's later work: she had 
  &#8220;a lovely face, beautifully moulded in every feature, full of quiescent, soft, mystical repose. . . .  She sat like 
 the Sphinx waiting to be questioned and with always a vague reply in return&#8221; (Grylls, 114).  </p>
               <!--  <p>Though she aspired to an acting career, she lacked animation.  However, 
  her singularly vacant expression suited DGR's visual purposes.</p> -->
<p>Wilding became one of DGR's favored models and sat for some of his most famous pictures, 
 including <xref doc="a.s191.rap">
                     <title level="pic">
                        <hi rend="i">Monna Vanna</hi>
                     </title>
                  </xref> and <xref doc="a.s244.rap">
                     <title level="pic">
                        <hi rend="i">The Blessed Damozel</hi>
                     </title>
                  </xref>.  Besides the studies he made for such major oil works, DGR executed at least seven separate 
 drawings of her between 1866 and 1873.</p>  
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Fredeman</author>, 
  <xref doc="a.">
                        <title level="bk">
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref> VI,  
  <pages>605-45</pages>
                  </bibl>
                  <bibl>
                     <author>Grylls</author>, 
  <xref doc="a.">
                        <title level="bk">
                           <hi rend="i">Portrait of Rossetti</hi>
                        </title>
                     </xref> 
  (1964)</bibl>
                  <bibl>
                     <author>Marsh</author>, 
  <xref doc="a.">
                        <title level="bk">
                           <hi rend="i">The Pre-Raphaelite Sisterhood</hi>
                        </title>
                     </xref> (1985)</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="200" workcode="s530" link="dead">
                        <title level="bk">
                           <hi rend="i">Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. I, 
<pages>200</pages>, (no. 530).</bibl>
                  <bibl>
                     <author>Simon Toll</author>, 
   <xref doc="a.">
                        <title level="es">&#8220;Dante Gabriel Rossetti's Discovery of 
   Alexa Wilding&#8221;</title>
                     </xref>, in 
   <xref doc="a.">
                        <title level="per">
                           <hi rend="i">British 
    Art Journal</hi>
                        </title>
                     </xref> VII, <pages>87-91</pages>
                  </bibl>
               </p>
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         <title>Alexa (Alice) Wilding</title>
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         <date>1866   </date>
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