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         <titlestmt>
            <title>Carlisle Wall</title>
            <title>The Lovers</title>
            <author>Dante Gabriel Rossetti</author>

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            <edition>1</edition>
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         <date>1853 June</date>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>If the literary allusion to Sir Walter Scott is indeed being referenced by the picture (see commentary below), the watercolour is making an oblique prayer &#8220;That Love may still be Lord of all&#8221;.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p>The watercolour is dated &#8220;Carlisle 1853&#8221;, which references his visit to the city at the end of June 1853, when on a walking tour with William Bell Scott.  According to Madox Brown, DGR &#8220;painted it in two evenings at W. B. Scott's at Newcastle&#8221;, shortly after the visit to Carlisle (see 
    <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="23" workcode="s60" link="dead"> 
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 
        <pages>23</pages>
                  </bibl>).</p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
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            <section type="icon">
               <head>Iconographic</head>
               <p/>
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            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>The picture is generally in debt to DGR's passion, particularly at this time, for border ballads (see the commentary for <bibl>
                     <xref doc="a.s68.raw">
                        <title>
                           <hi rend="i">The Ballad of Fair Annie</hi>
                        </title>
                     </xref>
                  </bibl>).  Sharp comments that the title comes &#8220;from the motto line, &#8216;The sun shines red on Carlisle wall&#8217;&#8221;, but the picture has no such motto line.  However, the line &#8221;The sun shines fair on Carlisle wall&#8221; is quite apt for the picture, if indeed DGR meant to recall it, as Sharp's comment (which may simply be a misquotation) suggests.  The line is the refrain in the ballad sung by Albert Graeme in one of DGR's favorite poems, <bibl>
                     <xref doc="a." link="dead">
                        <title>
                           <hi rend="i">The Lay of the Last Minstrel</hi>
                        </title>
                     </xref>
                  </bibl> (Canto VI stanza xi).  The ballad tells the story of the death of a pair of true lovers.</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Sharp</author>, <xref doc="a.nd497.r8s5.rad" link="dead" from="150" workcode="s60" to="112">
                        <title>
                           <hi rend="i">DGR: A Record and a Study</hi>
                        </title>
                     </xref>, <pages>150</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="23" workcode="s60" link="dead"> 
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 
            <pages>23</pages> (no. 60).</bibl>
                  <bibl>
                     <author>Treuherz, Prettijohn, Becker</author>, <xref doc="a." from="173" workcode="s60">
                        <title level="bk">
                           <hi rend="i">Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>173</pages>.</bibl>
               </p>
            </section>
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   <readingtext/>
   <viewingimage>
      <xref doc="a.s60.rap">Ashmolean Museum watercolour</xref>
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         <title>Dante Gabriel Rossetti</title>
         <author>Ernest Radford</author>
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         <date>1905</date>
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         <title>Carlisle Wall The Lovers</title>
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         <date>1853  1853 </date>
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