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         <titlestmt>
            <title>Boatmen and Siren</title>
            <author>Dante Gabriel Rossetti</author>

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            <edition>1</edition>
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         <extent/>


         <notesstmt/>
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      <profiledesc>
         <date>1853 (circa)</date>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <subject>&#8220;A small boat is carrying a siren swiftly downstream; she has turned to look at the two men in the boat following her; the one on the right has grabbed his companion round the waist determined that he shall not follow her; the other, with arms outflung, is bent on reaching her&#8221; (<bibl>
               <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="26" workcode="s63" link="dead">
                  <title level="bk">
                     <hi rend="i">A Catalogue
        Raisonné</hi>
                  </title>
               </xref>, <pages>I. 26</pages>.</bibl>
         </subject>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>The small drawing treats in a rather homely fashion one of DGR's preoccupying 
    masculinist themes: the conflict epitomized in the Keatsian &#8220;belle dame sans merci&#8221; motif.  The theme underlies the pervasive dualisms of DGR's work (Eve/Lilith; 
Soul's Beauty/Body's Beauty; and so forth).  The drawing should be compared with both 
    <xref doc="a.47p-1869.raw">
                     <title level="bk">
                        <hi rend="i">The Doom of the Sirens</hi>
                     </title>
                  </xref> and <xref doc="a.34-1869.raw">
                     <title level="bk">
                        <hi rend="i">The Orchard Pit</hi>
                     </title>
                  </xref>.</p>
            </section>
            <section type="texthistcomp">
               <head>Textual History: Composition</head>
               <p/>
            </section>
            <section type="texthistrev">
               <head>Textual History: Revision</head>
               <p/>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconographic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p>Written below the drawing are two lines mistranscribed from Jacopo da Lentino's poem <xref doc="a.160d-1861orig.raw">
                     <title level="wrk">&#8220;Membrando ciò che amore&#8221;</title>
                  </xref> (lines 31-32).  DGR translated the canzone as  <xref doc="a.160d-1861.raw">
                     <title level="wrk">&#8220;At the End of his Hope&#8221;</title>
                  </xref>, where the lines are rendered as: &#8220;The mariner forgets,/Voyaging in those straits&#8221;.  The pertinence of the reference to the drawing is underscored if one recovers more of the verse: &#8220;I am broken, as a ship/ Perishing of the song/Sweet, sweet and long, the song the sirens know./ The mariner forgets,/ Voyaging in those straits,/ And dies assuredly.&#8221;</p>
            </section>
            <section type="translation">
               <head>Translation</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="26" workcode="s63" link="dead">
                        <title level="bk">
                           <hi rend="i">A Catalogue
        Raisonné</hi>
                        </title>
                     </xref>, <pages>I. 26 (no. 63)</pages>.</bibl>
               </p>
            </section>
         </commentaries>
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      <xref doc="a.s63.rap">Manchester pen and ink drawing</xref>
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         <title>Boatmen and Siren</title>
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         <artist>DGR</artist>
         <editor/>
         <date>1853 (circa)   </date>
         <medium>pen and brown ink</medium>
         <repro>1</repro>
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