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     archivetype="rap"
     id="a.s64"
     type="painting"
     image="a.s64.wsfa.tif"
     width="2742"
     height="3090"
     metatype="web.visual"
     workcode="7-1881.s64"
     dblwork="7-1881.s64">
 
 
 
 
 
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Found</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>©Delaware Art Museum, Samuel and Mary R. Bancroft Memorial</copyright>
         </editionstmt>
         <extent/>
   
   
         <notesstmt/>
         <sourcedesc>
            <citnstruct>
               <title>Found</title>
               <artist>DGR</artist>
               <note/>
               <imageprod>
                  <date compdate="1854">1854</date>
                  <exhibition>R.A., 1883 (no.287); R.A., 1973 (no.69); Yale 1976 (no.34)</exhibition>
                  <copy/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name>Francis MacCracken</name>
                     <date>1853</date>
                  </patron>
                  <patron>
                     <name>James Leathart</name>
                     <date>November 13, 1859</date>
                  </patron>
                  <patron>
                     <name>William Graham</name>
                     <date>1869</date>
                  </patron>
                  <originalcost>£800</originalcost>
                  <note>MacCracken relinquished his commission of the painting. Leathart commissioned the work
       for 350 guineas, but DGR wrote, only a short while after the commission, that the patron
       &#8220;funks the calf picture for the usual reason&#8221; (<bibl>
                        <author>Fredeman</author>, <xref doc="a.pr5246.a4.2002.rad" link="dead">
                           <title level="bk">
                              <hi rend="i">Correspondence</hi>
                           </title>
                        </xref>, 59.40.</bibl>). By 1867 DGR was ready to repay Leathart his advancement because the painting had
       not moved forward. Graham, the last patron, finally received the painting in an unfinished
       state upon DGR's death.</note>
               </imageprod>
               <provenance>
                  <location>Bancroft Collection, Wilmington Society of Fine Arts, Delaware</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist>William Graham; Christie's sale April 3, 1886 (part of lot 118),
       £756.; R. Benson</archivehist>
               </provenance>
               <physicaldesc>
                  <medium>oil</medium>
                  <technique/>
                  <dimensions>36 x 31 1/2 in.</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature/>
                     <date/>
                     <assign/>
                     <other/>
                     <note/>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro image="a.s64.erad.repro.tif">
                     <bibl>
                        <author>Angeli</author>, <xref doc="a.ac-angeli.nd497.r8.a774.rad" from="57" workcode="s64">
                           <hi rend="i">DGR con 107 illustrazioni</hi>
                        </xref>, <pages>57</pages>.</bibl>
                  </repro>
                  <repro image="a.s64.m.tif" width="538" height="749">
                     <bibl>
                        <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="44" workcode="7-1881.s64">
                           <title level="bk">
                              <hi rend="i">DGR: An Illustrated Memorial</hi>
                           </title>
                        </xref>, <pages>44</pages>.</bibl>
                  </repro>
                  <repro image="a.s64.phy.repro.tif" width="375" height="431">
                     <bibl>
                        <author>Phythian</author>, <xref doc="a.ac-phythian.1905.rad" from="27" workcode="7-1881.s64">
                           <title level="bk">
                              <hi rend="i">Pre-Raphaelite Brotherhood</hi>
                           </title>
                        </xref>, <pages>27</pages>.</bibl>
                  </repro>
                  <repro image="a.s64.mor.repro.tif" width="313" height="364">
                     <bibl>
                        <xref doc="a.ac-gowans.759.2r735m393.rad" from="11" workcode="7-1881.s64">
                           <title level="bk">
                              <hi rend="i">Masterpieces of Rossetti</hi>
                           </title>
                        </xref> (Gowans and Gray), 11.</bibl>
                  </repro>
                  <repro image="a.s64.erad.repro.tif" width="375" height="424">
                     <bibl>
                        <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="6" workcode="7-1881.s64">
                           <title level="bk">
                              <hi rend="i">Dante Gabriel Rossetti</hi>
                           </title>
                        </xref>, <pages>6</pages>.</bibl>
                  </repro>
                  <repro image="a.s64.surtees.repro.tif">
                     <bibl>
                        <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="7-1881.s64">
                           <title level="bk">
                              <hi rend="i">A Catalogue Raisonné</hi>
                           </title>
                        </xref>, <pages>vol. 2, plate 65</pages>.</bibl>
                  </repro>
                  <repro image="a.sa657.copley.tif" width="1154" height="1248">
                     <bibl>Delaware Art Museum <xref doc="a.sa657.s64.rap" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa669.del.tif" width="1827" height="1914">
                     <bibl>Delaware Art Museum <xref doc="a.sa669.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.sa658.del.tif" width="1286" height="1530">
                     <bibl>Delaware Art Museum <xref doc="a.sa658.s64.rap" from="" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa670.copley.tif" width="1154" height="1314">
                     <bibl>Delaware Art Museum <xref doc="a.sa670.s64.rap" from="" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa671.del.tif" width="1340" height="1488">
                     <bibl>Delaware Art Museum <xref doc="a.sa671.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.sa467.rau.tif" width="2692" height="3096">
                     <bibl>Delaware Art Museum <xref doc="a.sa467.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.sa469.copley.tif" width="2605" height="2966">
                     <bibl>Delaware Art Museum <xref doc="a.sa469.s64.rap" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa470.copley.tif" width="2735" height="2966">
                     <bibl>Delaware Art Museum <xref doc="a.sa470.s64.rap" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa465.copley.tif" width="2631" height="2966">
                     <bibl>Delaware Art Museum <xref doc="a.sa465.s64.rap" workcode="sa465">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa472.del.tif" width="3310" height="3740">
                     <bibl>Delaware Art Museum <xref doc="a.sa472.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.sa467.rau.tif" width="2692" height="3096">
                     <bibl>Delaware Art Museum <xref doc="a.sa467.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.sa468.copley.tif" width="2497" height="2782">
                     <bibl>Delaware Art Museum <xref doc="a.sa468.s64.rap" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa469.copley.tif" width="2605" height="2966">
                     <bibl>Delaware Art Museum <xref doc="a.sa469.s64.rap" workcode="7-1881.s64">print</xref>.</bibl>
                  </repro>
                  <repro image="a.sa470.copley.tif" width="2735" height="2966">
                     <bibl>Delaware Art Museum <xref doc="a.sa470.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
                  <repro image="a.unavailable.tif">
                     <bibl>Delaware Art Museum <xref doc="a.sa471.s64.rap" workcode="7-1881.s64">print</xref>.
       </bibl>
                  </repro>
               </reproduction>
            </citnstruct>
            <fileprod>
               <itemtype/>
               <hardware/>
               <software/>
               <scanmode/>
               <finalres/>
            </fileprod>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <classification>
            <scheme type="">
               <keyword/>
            </scheme>
         </classification>
         <description/>
         <subject/>
         <addressee/>
         <model>
            <name>Fanny Cornforth</name>
            <note>Cornforth sat for the figure of the woman.</note>
         </model>
         <model>
            <name>WMR</name>
            <note>WMR sat for the figure of the farmer in the early stages.</note>
         </model>
         <model>
            <name>Ford Madox Brown</name>
            <note>Madox Brown also sat for the farmer.</note>
         </model>
         <model>
            <name>unknown</name>
            <note>The facial features of the farmer were drawn from a model whose identity is
    unknown.</note>
         </model>
         <repainting>
            <date>1882</date>
            <desc>Fairfax Murray suggests that Burne-Jones and Dunn added finishing touches to the painting
     following DGR's death. Murray beleives that Burne-Jones added the wall (which DGR had intended
     as a picket fence) while Dunn washed in the sky. Marillier <xref doc="a.nd497.r8.m33.rad" from="46">believes</xref> that Burne-Jones did the sky and that Dunn might have painted the
     bridge, the riverbank, and the cowslip in the farmer's hat.</desc>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
               <citnpictorial>
                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
               </citnpictorial>
               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
               </citnmythic>
               <citnhistorical>
                  <event/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnhistorical>
               <citnautobiographical>
                  <name/>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnautobiographical>
               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
               </citnscenic>
            </listcitn>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Commentary is not yet available for this image.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p/>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p/>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p/>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p/>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p/>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p/>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p/>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <author>Angeli</author>, <xref doc="a.ac-angeli.nd497.r8.a774.rad" from="57" workcode="s64">
                        <hi rend="i">DGR con 107 illustrazioni</hi>
                     </xref>, <pages>57</pages>.</bibl>
                  <bibl>
                     <author>Benedetti</author>, <xref doc="a." link="dead" from="183" to="184" workcode="7-1881.s64">
                        <title level="bk">
                           <hi rend="i">Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>183-184</pages>.</bibl>
                  <bibl>
                     <author>Fredeman</author>, <xref doc="a.pr5246.a4.2002.rad" link="dead">
                        <title level="bk">
                           <hi rend="i">Correspondence</hi>
                        </title>
                     </xref>, 59.40.</bibl>
                  <bibl>
                     <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="44" workcode="7-1881.s64" to="47">
                        <title level="bk">
                           <hi rend="i">An Illustrated Memorial</hi>
                        </title>
                     </xref>, <pages>44-47</pages>.</bibl>
                  <bibl>
                     <xref doc="a.ac-gowans.759.2r735m393.rad" from="11" workcode="7-1881.s64">
                        <title level="bk">
                           <hi rend="i">Masterpieces of DGR</hi> (Gowans and Gray)</title>
                     </xref>, <pages>11</pages>.</bibl>
                  <bibl>
                     <author>Phythian</author>, <xref doc="a.ac-phythian.1905.rad" from="27" workcode="7-1881.s64">
                        <title level="bk">
                           <hi rend="i">Pre-Raphaelite Brotherhood</hi>
                        </title>
                     </xref>, <pages>27</pages>.</bibl>
                  <bibl>
                     <author>Radford</author>, <xref doc="a.ac-radford.nd497.r8r3.rad" from="6" workcode="7-1881.s64">
                        <title level="bk">
                           <hi rend="i">Dante Gabriel Rossetti</hi>
                        </title>
                     </xref>, <pages>6</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol1.rad" from="26" workcode="7-1881.s64" to="28">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>vol. 1, 26-28 (no. 64)</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.vol2.rad" workcode="7-1881.s64">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, <pages>vol. 2, plate 65</pages>.</bibl>
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
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      <body>
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            <p/>
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