Dante's Dream at the Time of the Death of Beatrice (large replica) Dante Gabriel Rossetti 1 ©Board of Trustees of the National Museums and Galleries on Merseyside (Walker Art Gallery, Liverpool) Dante's Dream at the Time of the Death of Beatrice (large replica) DGR 1871 R.A., 1883; Port Sunlight 1948 (no.170) William Graham Graham returned the item to DGR as the finished work was too large for his requirements. Walker Art Gallery, Liverpool 3091 William Graham; Returned DGR; L.R. Valpy; Walker Art Gallery, Liverpool oil 83 x 125 in. signature The signature is inscribed at lower right. Marillier, <hi rend="i">DGR: An Illustrated Memorial</hi> , 166b recto. Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 2 (plate 97). <hi rend="i">Masterpieces of DGR</hi> (Gowans and Gray), 46. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 34. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 35. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 36. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 37. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 38. Delaware Art Museum print. Delaware Art Museum print. Delaware Art Museum print. Delaware Art Museum print. Delaware Art Museum, print. Delaware Art Museum print. Delaware Art Museum print. Mrs. William Morris Mrs. Morris sat for Beatrice. Edward Hughes Hughes originally sat for Love, but his face was discarded as too classical. Johnston Forbes–Robertson Forbes–Robertson sat for Love. W. J. Stillman Dante's head was probably taken from Stillman. Charles Augustus Howell Some sources assert that Dante's head was taken from Howell. Alexa Wilding Alexa Wilding posed for the left attendant Marie Spartali Stillman Mrs. Stillman posed for the right attendant <artist/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p>Commentary is not yet available for this image.</p> </section> <section type="prodhist"> <head>Production History</head> <p/> </section> <section type="recepthist"> <head>Reception</head> <p/> </section> <section type="icon"> <head>Iconograpic</head> <p/> </section> <section type="pictorial"> <head>Pictorial</head> <p/> </section> <section type="historical"> <head>Historical</head> <p/> </section> <section type="literary"> <head>Literary</head> <p/> </section> <section type="autobio"> <head>Autobiographical</head> <p/> </section> <section type="biblio"> <head>Bibliographic</head> <p> <bibl> <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" from="72" workcode="23p-1881.s81"> <title level="bk"> <hi rend="i">DGR: An Illustrated Memorial</hi> , 72, 161, 165-167, 174, 184, 196, 205. <hi rend="i">Masterpieces of DGR</hi> (Gowans and Gray), 45. Radford, <hi rend="i">Dante Gabriel Rossetti</hi> , 34-38. Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 1, 43-44 (no.81.R.1). Surtees, <hi rend="i">A Catalogue Raisonné</hi> , vol. 2 (plate 97). Surtees, <hi rend="i">Diaries of George Price Boyce</hi> , 53.