Binding Design: Atalanta in Calydon (1865) Dante Gabriel Rossetti 1 ©Licensed by the Trustees of the British Museum Binding Design: Atalanta in Calydon (1865) DGR 1865 British Museum The digital image used here to illustrate the design is from the copy in Alderman Library, University of Virginia. White buckram on boards bevelled at the edges. Design blocked in gold on the upper cover. 9 x 7 1/10 in. <artist/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p>This famous binding is the second in a sequence of three in which DGR played with variations on a design structured around rondels. The first was the <xref doc="a.sa120.rap">design</xref> for his brother's translation of <xref doc="a.rossettiwm004.rad" link="dead"> <title level="wrk"> <hi rend="i">Dante's Divine Comedy: Hell</hi> (1865) and the third was thebinding design for Swinburne's <hi rend="i">Songs before Sunrise</hi> . The elaborated symbolical treatment in the first of these bindings gets chastened considerably in this case, partly no doubt to accommodate Swinburne's classical subject. Here the rondels recollect the relief work on Greek vases. They are gold-stamped on white buckram, and a Japanese influence is notable in the simple treatment of the materials, as well as in the “lacquer styling” of the cloth cover. There is no question that the binding anticipates the design work of the Vienna Secession and Art Nouveau. We know that DGR was pleased with the design, and that he considered using a version of it for the binding design of his own 1870 <hi rend="i">Poems</hi> .

It is exceedingly difficult to find a copy now with clean cloth covers.

Production History

Reception

Iconograpic

Pictorial

Historical

Literary

Autobiographical

Bibliographic

Fredeman, “Woodman, Spare that Block” , 7-41. Grieve, “Applied Art 2” , 79-83. <hi rend="i">DGR: Painter and Poet, Birmingham, 1973</hi>, 57 (no. 229).