Sir Galahad at the Ruined Chapel Dante Gabriel Rossetti 1 Lilly Library, University of Indiana Sir Galahad at the Ruined Chapel Dalziel Brothers, Engravers 1859 (circa) Lilly Library, Indiana University electrotype of Dalziel woodcut unknown Marillier, <hi rend="i">DGR: An Illustrated Memorial</hi> , 78. <artist/> <bibl/> <note/> </citnpictorial> <citnmythic> <name/> <culture/> <bibl/> <note/> </citnmythic> <citnhistorical> <event/> <place/> <date/> <bibl/> <note/> </citnhistorical> <citnautobiographical> <name/> <place/> <date/> <bibl/> <note/> </citnautobiographical> <citnscenic> <place/> <date/> <bibl/> <note/> </citnscenic> </listcitn> </source> <commentaries> <head>Commentary</head> <section type="intro"> <head>Introduction</head> <p>DGR's markup is written on the proof. The text runs across the top, down the right margin, across the bottom, and is connected from the bottom to the left margin by a line.</p> </section> <section type="prodhist"> <head>Production History</head> <p/> </section> <section type="recepthist"> <head>Reception</head> <p/> </section> <section type="icon"> <head>Iconograpic</head> <p/> </section> <section type="pictorial"> <head>Pictorial</head> <p/> </section> <section type="historical"> <head>Historical</head> <p/> </section> <section type="literary"> <head>Literary</head> <p/> </section> <section type="autobio"> <head>Autobiographical</head> <p/> </section> <section type="biblio"> <head>Bibliographic</head> <p> <bibl> <author>Marillier</author>, <xref doc="a.nd497.r8.m33.rad" workcode="s115"> <title level="bk"> <hi rend="i">DGR: An Illustrated Memorial</hi> , viii, 78-79. <hi rend="i">DGR: Painter and Poet</hi> , Birmingham 1973. .

The nose is long & wants droop in the point of it. Cut away as markedabove the further eyelids eyebrow and within the point of thenose. Cut away also, as marked, above the other eyebrow,which at present is too much Thus [sketch] but should go thus [sketch] morealso round the eye more but “but” is overwritten with “by”by a slight touch beneath the iris whichis too straight.Cut awaysomething ofthe two hashlines againstthe eye,leavinglittle morethan a dotunder thelower eyelidas marked.Cut awayentirely inthe foreheadwhere marked,and in thehair, andsoften thetone of thecheek, alsomarking thecheek bonemore asindicated.The mouthneeds somefurther care. Continue the light along the thi? halfnot certain of “half” of the upper lip as marked, & clear as markedthe line between it & the slight moustache, whichshould be very faint as I have now made it, removing a touch at its end. Line crossed out. Line crossed out. The drawing of the chin needsto express more the turn of the head. For this purpose,cut slightly away outside its point, & clear away whereit joins the shadow beneath the under lip.The eye needsa dot oflight init & thefurthereyelid alight tomark it.Cut awaywithin thetwo firstknucklesof the liftedhand, &within theknucklesof theforefingeron theother hand.