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     archivetype="rap"
     id="a.sa243.s114"
     type="drawing"
     image="a.sa243.s114.tif"
     metatype="web.visual"
     workcode="1-1860.s114"
     dblwork="1-1860.s114">
 
 
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>Bocca Baciata</title>
            <author>Dante Gabriel Rossetti</author>

    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>Harry Ransom Humanities Research Center, University of Texas, Austin</copyright>
         </editionstmt>
         <extent/>
   
   


         <notesstmt> </notesstmt>
         <sourcedesc>
            <citnstruct>
               <title>Bocca Baciata</title>
               <artist>DGR</artist>
               <imageprod>
                  <date compdate="1860-09">1860 September</date>
               </imageprod>
               <provenance>
                  <location>Harry Ransom Humanities Research Center, University of Texas, Austin</location>
                  <recnum/>
               </provenance>
               <physicaldesc>
                  <medium>ink drawing</medium>
                  <technique/>
                  <dimensions>6 x 6.3 cm.</dimensions>
                  <frame/>
               </physicaldesc>
            </citnstruct>
         </sourcedesc>
      </filedesc>
      <encodingdesc/>
      <profiledesc>
         <model>
            <name>Fanny Cornforth</name>
         </model>
         <source>
            <listcitn/>
         </source>
         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>This image is a small sketch DGR made for George Boyce. It comes at the beginning of a
      letter he wrote to Boyce on 7 Sept. 1860, in which he discusses<xref doc="a.s114.rap">the
       painting</xref> he was just completing.</p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p>
                  <bibl>
                     <xref doc="a.ac-tate1997.rad" link="dead" from="96" to="97" workcode="1-1860.s114">
                        <title level="bk">
                           <hi rend="i">The Age of Rossetti, Burne-Jones, and Watts</hi>
                        </title>
                     </xref>, Tate 1997, <pages>96-97</pages>.</bibl>
                  <bibl>
                     <author>Surtees</author>, <xref doc="a.n6797.r58s9.rad" from="68" to="69" workcode="1-1860.s114">
                        <title level="bk">
                           <hi rend="i">A Catalogue Raisonné</hi>
                        </title>
                     </xref>, vol. 1, 68-69 (no. 114).</bibl>
               </p>
            </section>
         </commentaries>
      </profiledesc>
      <revisiondesc/>
   </ramheader>
   <text>
      <body>
         <div0 anchor="0.1" type="PICTURENOTES" n="">
            <p>
               <hi rend="c">Monday</hi>
               <lb/>My dear Boyce<lb/>Above is the composition<lb/>of Fanny's
     portrait, which<lb/>you will see has taken <lb/>after all a rather<lb/>Venetian, aspect.
     &#8220;Them<lb/>be'ind's merrygoes,&#8221; as<note>This is the text of the letter in
      which the sketch appears.</note>
            </p>
         </div0>
      </body>
   </text>
</ram>
