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     id="a.sa785.s78"
     type="photograph"
     image="a.sa785.hollyer.tif"
     width="2155"
     height="2614"
     metatype="web.visual"
     workcode="3-1867.s78"
     dblwork="3-1867.s78">
 
 
   <ramheader>
      <filedesc>
         <titlestmt>
            <title>The Passover in the Holy Family [print]</title>
            <author>Dante Gabriel Rossetti</author>
    
    
         </titlestmt>
         <editionstmt>
            <edition>1</edition>
            <copyright>©Delaware Art Museum, Samuel and Mary R. Bancroft Collection</copyright>
         </editionstmt>
         <extent/>
   
   


         <notesstmt> </notesstmt>
         <sourcedesc>
            <citnstruct>
               <title>The Passover in the Holy Family</title>
               <artist>DGR</artist>
               <note>print by Hollyer</note>
               <imageprod>
                  <date compdate="1870,1913">1870-1913 (circa)</date>
                  <exhibition/>
                  <copy/>
                  <intendedcontext/>
                  <patron>
                     <name/>
                     <date/>
                  </patron>
                  <originalcost/>
                  <note>from a photograph by Hollyer</note>
               </imageprod>
               <provenance>
                  <location>Delaware Art Museum</location>
                  <recnum/>
                  <purchaseprice/>
                  <note/>
                  <archivehist/>
               </provenance>
               <physicaldesc>
                  <medium>photoprint (color) mounted on white construction paper matte</medium>
                  <technique/>
                  <dimensions>Print: 23 x 25 cm.; Board (paper): 40.7 x 30.5 cm.</dimensions>
                  <frame/>
                  <internalevidence>
                     <signature/>
                     <date/>
                     <assign/>
                     <other/>
                     <note>Digital images of the <xref doc="a.sa785.versoa.tif"> overlay verso</xref> and the <xref doc="a.sa785.versob.tif"> picture panel verso</xref>are available. Vertical and horizontal
        pencil marks extend from the cut-out picture window on overlay verso. The verso of the
        overlay has a square of white paper stapled to the right edge of the matte. A beige
        rectangle is mounted to the bottom right corner of the main panel verso. Brown bordering
        divides the rectangle into thirds. The print opens like a card with left framing panel; the
        picture is mounted on the inside of right panel. </note>
                  </internalevidence>
                  <restoration>
                     <date/>
                     <name/>
                     <desc/>
                  </restoration>
                  <note/>
               </physicaldesc>
               <reproduction>
                  <repro image="a.">
                     <bibl>
                        <xref doc="a." from="" to=""/>
                     </bibl>
                     <size/>
                     <color/>
                     <note/>
                  </repro>
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               <software/>
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               <keyword/>
               <keyword/>
            </scheme>
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         <description/>
         <subject/>
         <addressee/>
         <model>
            <name/>
            <note/>
         </model>
         <repainting>
            <date/>
            <desc/>
         </repainting>
         <source>
            <listcitn>
               <citnliterary>
                  <bibl/>
                  <note/>
               </citnliterary>
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                  <title/>
                  <artist/>
                  <bibl/>
                  <note/>
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               <citnmythic>
                  <name/>
                  <culture/>
                  <bibl/>
                  <note/>
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                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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                  <date/>
                  <bibl/>
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               <citnscenic>
                  <place/>
                  <date/>
                  <bibl/>
                  <note/>
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         <commentaries>
            <head>Commentary</head>
            <section type="intro">
               <head>Introduction</head>
               <p>Commentary is not yet available for this image.</p>
            </section>
            <section type="prodhist">
               <head>Production History</head>
               <p> </p>
            </section>
            <section type="recepthist">
               <head>Reception</head>
               <p> </p>
            </section>
            <section type="icon">
               <head>Iconograpic</head>
               <p> </p>
            </section>
            <section type="pictorial">
               <head>Pictorial</head>
               <p> </p>
            </section>
            <section type="historical">
               <head>Historical</head>
               <p> </p>
            </section>
            <section type="literary">
               <head>Literary</head>
               <p> </p>
            </section>
            <section type="autobio">
               <head>Autobiographical</head>
               <p> </p>
            </section>
            <section type="biblio">
               <head>Bibliographic</head>
               <p> </p>
            </section>
         </commentaries>
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      <revisiondesc/>
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   <text>
      <body>
         <div0 anchor="0.1" type="PICTURENOTES" n="1">
            <p>
               <quote>
                  <lb/>
                  <title level="pic">Sprinkling the Lintel.</title>
                  <lb/>Water color painted in 1857,
      and exhibited in 1858.<lb/>Owned by George Rae.<lb/>Zacharias sprinkles the door and lintel
      with blood<lb/>from the bown which Christ holds, while<lb/>Mary gathers the bitter herbs for
      the Passover. Joseph has<lb/>brought the lamb, and Elizabeth lights the pyre. The shoes which
      John<lb/>fastens upon the feet of Jesus are<lb/>also part of the ritual.<lb/>This water color
      is done in the manner of the true<lb/>Pre-Raphaelite work of Rossetti, with simplicity and
      careful detail,<lb/>after the type of design in the Annun-ciation etc. He<lb/>never surpassed
      in later years the<lb/>charm of these early water colors.</quote>
               <note>These typed lines appear on a square of white paper stapled to the bottom right verso of the overlay.</note>
               <hi rend="c">Colour Print by Fredk. Hollyer</hi>
               <lb/>
               <hi rend="c">9 Pembroke Square, Kensington, W.</hi>
               <note>This the text on a beige rectangle mounted to the panel verso. Brown
      bordering divides the panel into thirds. This note was typed, not stamped, on the top third
      of the rectangle.</note>
               <msadds type="note">
                  <trans>passover;</trans>
                  <desc>Written on the inside of overlay, across top of cut-out frame, in pencil,
      cursive.</desc>
               </msadds>
               <msadds type="note">
                  <trans>
                     <title level="pic">Sprinkling the Lintel</title>
                     <lb/>D.G. Rossetti.</trans>
                  <desc>Written on the middle third of the rectangle in black ink, cursive.</desc>
               </msadds>
               <msadds type="sig">
                  <trans>No. 2. Fred<hi rend="u">k</hi> Hollyer</trans>
                  <desc>Number and signature of Hollyer in brown type and black ink.</desc>
               </msadds>
            </p>
         </div0>
      </body>
   </text>
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